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Washington Square (1881), by Henry James, tells the story of Catherine Sloper, the plain, obedient daughter of the widowed, well-to-do Dr. August Sloper of Washington Square. When a handsome, feckless man-about-town proposes to Catherine, her father forbids the marriage because he believes the man to be after Catherine's fortune and future inheritance. The conflict between father, daughter, and suitor provokes consequences in the lives of all three that make this story one of James's most piercingly memorable.

A two-year course, starting with listening and speaking and introducing the written word in the second year.

Containing 11,000 words and phrases, this dictionary features clear explanations in English of the meaning and use of essential vocabulary. Example sentences illustrating the meaning and use of important headwords, derivatives and idioms are provided. It also provides information on irregular spellings, and information on English grammar.

Published in 1913, this harrowing, autobiographical 'A to Z' of drinking shattered London's reputation as a clean-living adventurer and massively successful author of such books as White Fang and The Call of the Wild.

This edition of one of Dickens's earlier novels is based on the accurate Clarendon edition of the text and includes the prefaces to the 1850 and 1867 editions and Dickens's Number Plans.

Family and Friends is a six-level primary course which offers you an exceptionally strong skills training programme covering language, phonics, and civic education.

The Gallic War, published on the eve of the civil war which led to the end of the Roman Republic, is an autobiographical account written by one of the most famous figures of European history. On one level a straightforward narrative of the campaigns Caesar fought against the Gauls, Germans and Britons, it also serves a deeper political purpose, revealing him as a commander of breathtaking flair, courage and persistence - a man of the people, a man without rival. This new translation reflects the purity of Caesar's Latin while preserving the pace and flow of his momentous narrative of the conquest of Gaul and the first Roman invasions of Britain and Germany. The introduction includes a survey of Caesar's role and reputation in later thought, while detailed notes, maps, a table of dates, and glossary make this the most useful edition available.

With a comprehensive syllabus, interactive multimedia materials, plus expert tips and advice from a leading business school, Business Result helps learners develop the skills they need quickly and effectively.

When his father is arrested in Dubai, Kareem has to move fast. He must show that his father is not a thief and prove that his family is honest. For Kareem is going to marry the beautiful and intelligent Samira Al-Hussain, and she could never marry someone from a bad family. So Kareem and his brother get to work quickly with a little help from Samira.

Aristophanes is the only surviving representative of Greek Old Comedy, the exuberant, satirical form of festival drama which flourished during the heyday of classical Athenian culture in the fifth century BC. His plays are characterized by extraordinary combinations of fantasy and satire, sophistication and vulgarity, formality and freedom. Birds is an escapist fantasy in which two dissatisfied Athenians, in defiance of men and gods, bring about a city of birds, the eponymous Cloudcuckooland. In Lysistrata the heroine of the play organizes a sex-strike and the wives of Athens occupy the Akropolis in an attempt to restore peace to the city. The main source of comedy in the Assembly-Women is a similar usurpation of male power as the women attempt to reform Athenian society along utopian-communist lines. Finally, Wealth is Aristophanes' last surviving comedy, in which Ploutos, the god of wealth is cured of his blindness and the remarkable social consequences of his new discrimination are exemplified. This is the first complete verse translation of Aristophanes' comedies to appear for more than twenty-five years and makes freshly available one of the most remarkable comic playwrights in the entire Western tradition, complete with an illuminating introduction including play by play analysis and detailed notes.

The Monk was so highly popular that it seemed to create an epoch in our literature', wrote Sir Walter Scott. Set in the sinister monastery of the Capuchins in Madrid, The Monk is a violent tale of ambition, murder, and incest. The great struggle between maintaining monastic vows and fulfilling personal ambitions leads its main character, the monk Ambrosio, to temptation and the breaking of his vows, then to sexual obsession and rape, and finally to murder in order to conceal his guilt. Inspired by German horror romanticism and the work of Ann Radcliffe, Lewis produced his masterpiece at the age of nineteen. It contains many typical Gothic elements - seduction in a monastery, lustful monks, evil Abbesses, bandits and beautiful heroines. But, as the Introduction to this new edition shows, Lewis also played with convention, ranging from gruesome realism to social comedy, and even parodied the genre in which he was writing.

Jane Austen began writing in her early teens, and filled three notebooks with her fiction. Her earliest work reflects her interest in the novel as a genre; in short pieces she plays with plots, stock characters, diction and style, developing a sense of form at a remarkably early age. The characters of these stories have a jaunty and never-failing devotion to themselves. They perpetually lie, cheat, steal - and occasionally commit murder. Throughout these short or unfinished pieces, Austen exhibits her sense of the preposterous in life and fiction with tough-mindedness and robust humour. Alice, the mock-heroine of "Jack and Alice" has "many rare and charming qualities, but sobriety is not one of them". In her later published fiction, Austen had learned to take demands for propriety seriously, reining in whatever might be thought boisterous or coarse. Here we see Jane Austen without her inhibitions. In addition to prose fiction and prayers, this collection also contains many of Jane Austen's poems, written to amuse or console friends, and rarely reprinted. The texts have been compared with the manuscripts and edited to give a number of new readings. The notes recreate the texture of daily life in Jane Austen's age, and demonstrate her knowledge of the fiction of her time. The introduction by Margaret Anne Doody sets the writings within the context of Jane Austen's life and literary career.

Letter-writing was something of an addiction for young women of Jane Austen's time and social position, and Austen's letters have a freedom and familiarity that only intimate writing can convey. Wiser than her critics, who were disappointed that her correspondence dwelt on gossip and the minutiae of everyday living, Austen understood the importance of 'Little Matters', of the emotional and material details of individual lives shared with friends and family through the medium of the letter. Ironic, acerbic, always entertaining, Jane Austen's letters are a fascinating record not only of her own day-to-day existence, but of the pleasures and frustrations experienced by women of her social class which are so central to her novels. Vivien Jones's selection includes very nearly two-thirds of Austen's surviving correspondence, and her lively introduction and notes set the novelist's most private writings in their wider cultural context.

This group of study books progresses from elementary to intermediate level. Each book in the series can be used as a grammar reference and exercise book on its own, or as a supplement to a coursebook at the same level.

The Oxford Essential Spanish Dictionary is a new compact Spanish-English and English-Spanish dictionary that offers up-to-date coverage of all the essential day-to-day vocabulary with over 40,000 words and phrases and 60,000 translations. This dictionary

Agamemnon *Libation Bearers *Eumenides Aeschylus' Oresteia is the only trilogy to survive from Greek tragedy, and the religious and moral ideas it enacts afterwards influenced a great dramatic genre, as well as giving its three plays their lasting significance. In this family history, Fate and the gods decree that each generation will repeat the crimes and endure the suffering of their forebears. When Agamemnon is murdered by his wife, Clytemnestra, their son Orestes must avenge his father's death. Only Orestes' appeal to the goddess Athena saves him from his mother's Furies, breaking the bloody chain; together gods and humans inaugurate a way of just conduct that will ensure stable families and a strong community. The Oresteia is majestic as theatre and as literature, and this new translation seeks to preserve both these qualities. The introduction and notes emphasize the interconnection of scenes, ideas, and language that distinguishes this unique work.