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The ancient civilization of Mesopotamia thrived between the rivers Tigris and Euphrates over 4,000 years ago. The myths collected here, originally written in cuneiform on clay tablets, include parallels with the biblical stories of the Creation and the Flood, and the famous Epic of Gilgamesh, the tale of a man of great strength, whose heroic quest for immortality is dashed through one moment of weakness. Recent developments in Akkadian grammar and lexicography mean that this new translation, complete with notes, a glossary of deities, place-names, and key terms, and illustrations of the mythical monsters featured in the text, will replace all other versions.

Marcus Cato Sulla Aemilius Paullus Pompey The Gracchi Marius Julius Caesar Anthony 'I treat the narrative of the Lives as a kind of mirror...The experience is like nothing so much as spending time in their company and living with them: I receive and welcome each of them in turn as my guest.' In the eight lives of this collection Plutarch introduces the reader to the major figures and periods of classical Rome. He portrays virtues to be emulated and vices to be avoided, but his purpose is also implicitly to educate and warn those in his own day who wielded power. In prose that is rich, elegant and sprinkled with learned references, he explores with an extraordinary degree of insight the interplay of character and political action. While drawing chiefly on historical sources, he brings to biography a natural story-teller's ear for a good anecdote. Throughout the ages Plutarch's Lives have been valued for their historical value and their charm. This new translation will introduce new generations to his urbane erudition. The most comprehensive selection available, it is accompanied by a lucid introduction, explanatory notes, bibliographies, maps and indexes.

A young, inexperienced governess is charged with the care of Miles and Flora, two small children abandoned by their uncle at his grand country house. She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead. Like the other tales collected here - "Sir Edmund Orme", "Owen Wingrave", and "The Friends of the Friends" - "The Turn of the Screw" is to all immediate appearances a ghost story. But are the appearances what they seem? Is what appears to the governess a ghost or a hallucination? Who else sees what she sees? The reader may wonder whether the children are victims of corruption from beyond the grave, or victims of the governess's "infernal imagination", which torments but also enthrals her? Is "The Turn of the Screw" a subtle, self-conscious exploration of the haunted house of Victorian culture, filled with echoes of sexual and social unease? Or is it simply, "the most hopelessly evil story that we have ever read"? The texts are those of the New York Edition, with a new Introduction and Notes.

Yet each man kills the thing he loves, By each let this be heard, Some do it with a bitter look, Some with a flattering word, The coward does it with a kiss, The brave man with a sword!' A powerful poem of universal guilt and a protest against capital punishment, The Ballad of Reading Gaol is Wilde's best-known poem, yet it is quite unlike the rest of his poetry. At Oxford Wilde discarded the passion and politics of his mother's Irish nationalistic anti-famine poetry and opted to follow an English Romantic tradition, paying tribute to Keats, Swinburne, and the Pre-Raphaelites. Admiration of French masters gradually led to his writing Impressionist, even decadent poems and his collection Poems (1881) brought accusations of obscenity and plagiarism as well as scathing reviews. Unabashed, Wilde revised and reprinted his final 'Author's Edition' in 1892, by which time he was the successful author of fiction, criticism, and Lady Windermere's Fan.This volume follows as closely as possible the chronological order of composition, highlighting autobiographical elements including the young Wilde's conflicting attitudes to Greece and Rome, pagan and Christian, and his fluctuating attraction to Roman Catholicism. The Appendix shows Wilde's original ordering, constructed with great care around a 'musical' arrangement of themes. The poems reveal unexpected aspects of a literary chameleon usually identified with sparkling wit and social comedy.

The stories are based on Kipling's own school, the United Services College at Westward Ho! in Devon, which prepared boys destined for the army or for colonial service; Kipling himself appears as the subordinate character, Beetle. This edition includes fiv

Drawing directly on her own unhappy experiences, Anne Bront "e's first-person narrative describes the almost unbelievable pressures endured by nineteenth-century governesses - the isolation, the frustration, and the insensitive and sometimes cruel treatment meted out by employers and their families. Distinguished by its sharp, often ironic observation of middle-class social behaviour, this deeply personal novel also touches on religious belief, moral responsibility, and individual integrity and its survival. Using the text of the definitive Clarendon edition, this volume also incorporates Anne Bront "e's previously unpublished manuscript revisions. This book is intended for english literature students, feminist study courses, readers of the Bront s, general readers.

"A Tale of a Tub" is a work from Swift's earlier years. It is presented here with "The Battle of the Books", "The Mechanical Operation of the Spirit", and "The Additions".

The first ever 4th edition from the world's most trusted course - New Headway Intermediate, completely rewritten and packed with new material.

`You you a nun; you with your beauty defaced and your nature wasted you behind locks and bars! Never, never, if I can prevent it!' A wealthy American man of business descends on Europe in search of a wife to make his fortune complete. In Paris Christopher Newman is introduced to Claire de Cintré, daughter of the ancient House of Bellegarde, and to Valentin, her charming young brother. His bid for Claire's hand receives an icy welcome from the heads of the family, an elder brother and their formidable mother, the old Marquise. Can they stomach his manners for the sake of his dollars? Out of this classic collision between the old world and the new, James weaves a fable of thwarted desire that shifts between comedy, tragedy, romance and melodrama a fable which in the later version printed here takes on some of the subtleties associated with this greatest novels.

The three stories in this book are about ordinary people, people like you and me but they find themselves in surprising situations. Lord Arthur Savile, a rich man with no enemies, finds out that he must do something terrible before he can marry. Poor young Hughie Erskine gives money to an old beggar but the beggar is not what he seems. And Lord Murchison falls in love with a mystery woman but what is the strange secret behind the door in Cumnor Street

Global warming is arguably the most critical and controversial issue facing the world in the twenty-first century. This Very Short Introduction provides a concise and accessible explanation of the key topics in the debate: looking at the predicted impact of climate change, exploring the political controversies of recent years, and explaining the proposed solutions. Fully updated for 2008, Mark Maslin's compelling account brings the reader right up to date, describing recent developments from US policy to the UK Climate Change Bill, and where we now stand with the Kyoto Protocol. He also includes a chapter on local solutions, reflecting the now widely held view that, to mitigate any impending disaster, governments as well as individuals must to act together.

`Her present life appeared like the dream of a distempered imagination, or like one of those frightful fictions, in which the wild genius of the poets sometimes delighted. Rreflections brought only regret, and anticipation terror.' Such is the state of mind in which Emily St. Aubuert - the orphaned heroine of Ann Radcliffe's 1794 gothic Classic, The Mysteries of Udolpho - finds herself after Count Montoni, her evil guardian, imprisions her in his gloomy medieval fortress in the Appenines. Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni's rapacious schemes and the threat of her own psychological disintegration. A best-seller in its day and a potent influence on Walpole, Poe, and other writers of eighteenth and nineteenth-century Gothic horror, The Mysteries of Udolpho remains one of the most important works in the history of European fiction. As the same time, with its dream-like plot and hallucinatory rendering of its characters' psychological states, it often seems strangely modern: `permanently avant-garde' in Terry Castle's words, and a profound and fascinating challenge to contemporary readers.

Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art. Stephen Orgel's wide-ranging introduction examines changing attitudes to The Tempest, and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both more open and more historically determined than traditional views have allowed.

With searching eyes he studied the beautiful purple, barren waste of sage. Here was the unknown and the perilous.' The novel that set the pattern for the modern Western, Riders of the Purple Sage was first published in 1912, immediately selling over a million copies. In the remote border country of South Utah, a man is about to be whipped by the Mormons in order to pressure Jane Withersteen into marrying against her will. The punishment is halted by the arrival of the hero, Lassiter, a gunman in black leather, who routs the persecutors and then gradually recounts his own history of an endless search for a woman abducted long ago by the Mormons. Secrecy, seduction, captivity, and escape: out of these elements Zane Grey built his acclaimed story of the American West.

`The language is refined, the smile not grave, My honest tongue recounts how men behave.´ The Satyricon is the most celebrated work of fiction to have survived from the ancient world. It can be described as the first realistic novel, the father of the pic

No characters in English literature since those in the great Dickens gallery have taken so firm a hold upon the British and American imagination as Sherlock Holmes and Dr Watson. This selection draws the best stories from the several Sherlock Holmes volumes, and shows how the famous detective and his assistant are elevated above the level of fiction and into the realm of mythology, where the learned and the simple meet on equal footing.