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As You Like It has long been admired as one of Shakespeare's most exuberant early comedies, complete with one of the Bard's funniest and toughest heroines, Rosalind. Based on Thomas Lodge's Elizabethan novel Rosalynde, As You Like It follows the discontented Orlando as he is exiled from the tyrannical French court of Duke Frederick. By chance Frederick also banishes Rosalind, daughter of the usurped Duke Senior. The play then moves to the Forest of Arden, where chaos and misrule ensue, as Rosalind cross dresses "all points like a man", disguised as the saucy Ganymede and encourages the naive Orlando to "woo me, woo me, for now I am in a holiday humour". Meanwhile her clown Touchstone causes hilarity and havoc amongst the exiled lords and the pastoral inhabitants of the forest. The play concludes with Rosalind's extraordinary "unmasking" Epilogue addressed to the audience, where she offers to "kiss as many of you as had beards that pleased me".

Family and Friends is a six-level primary course which offers you an exceptionally strong skills training programme covering language, phonics, and civic education.

Widely regarded as one of Trollope's most successful later novels,He Knew He Was Right is a study of marriage and of sexual relationships cast against a background of agitation for women's rights.

'It was early in a fine summer's day, near the end of the eighteenth century, when a young man, of genteel appearance, having occasion to go towards the north-east of Scotland, provided himself with a ticket in one of those public carriages which travel b

This award-winning collection of adapted classic literature and original stories develops reading skills for low-beginning through advanced students.Accessible language and carefully controlled vocabulary build students' reading confidence.Introductions at the beginning of each story, illustrations throughout, and glossaries help build comprehension.Before, during, and after reading activities included in the back of each book strengthen student comprehension.Audio versions of selected titles provide great models of intonation and pronunciation of difficult words.

In Adam Bede (1859) George Eliot took the well-worn tale of a lovely dairy-maid seduced by a careless squire, and out of it created a wonderfully innovative and sympathetic portrait of the lives of ordinary Midlands working people - their labours and loves, their beliefs, their talk. Hugely popular in its own time, Adam Bede is one of the greatest examples of humane and liberal Victorian social concern, a pioneering classic of radical social realism. It is also important for the way it meditates on the need for such fiction and the methods of writing it. As the Introduction declares: 'The distinction of Adam Bede is to tell a story, and also to tell about telling a story. This is a novel about obscure lives, and also about how to be a novel about obscure lives.' This edition reprints the original broadsheet reports of the murder case that was a starting point for the book, and the notes illuminate Eliot's many literary and religious references.

90 activities focusing on productive and receptive skills, vocabulary, grammar, and culture. Designed for use as self-study, in one-to-one situations, or in small groups.

Usually classifed as a 'problem comedy', All's Well that Ends Well invites a fresh assessment. Its psychologically disturbing presentation of an agressive, designing woman and a reluctant husband wooed by trickery won it little favour in earlier centuries, and both directors and critics have frequently tried to avoid or simplify its uncomfortable elements. More recently, several distinguished productions have revealed it as an exceptionally penetrating study of both personal and social issues. In her introduction Susan Snyder makes the play's clashing ideologies of class and gender newly accessible. She explains how the very discords of style can be seen as a source of theatrical power and complexity, and offers a fully reconsidered, helpfully annotated text for both readers and actors.

As the Pargiters, a middle-class English family, move from the oppressive confines of the Victorian home of the 1880s to the 'present day' of the 1930s, they are weighed down by the pressures of war, the social strictures of patriarchy, capitalism and Empire, and the rise of Fascism. Engaging with a painful struggle between utopian hopefulness and crippled with despair, the novel is a savage indictment of Virginia Woolf's society, but its bitter sadness is relieved by the longing for some better way of life, where 'freedom and justice' might really be possible. This is Virginia Woolf's longest novel, and the one she found the most difficult to write. The most popular of all her writings during her lifetime, it can now be re-read as the most challengingly political, even revolutionary, of all her books.

All the terms one would expect to find in a comprehensive dictionary of philosophy can be found in this expertly researched reference, plus many terms and concepts not ususally found in such reference works. Capsule biographies of nearly 500 individuals, from the pre-Socratics through such major figures as Aquinas, Lady Anne Finch, Nietzsche, and Einstein, are included.

Henry V , the climax of Shakespeare's sequence of English history plays, is an inspiring, often comic celebration of a young warrior-king. But it is also a study of the costly exhilarations of war, and of the penalties as well as the glories of human greatness. Introducing this brilliantly innovative edition, Gary Taylor shows how Shakespeare shaped his historical material, examines controversial critical interpretations, discusses the play's fluctuating fortunes in performance, and analyses the range and variety of Shakespeare's characterization. The first Folio text is radically rethought, making original use of the First Quarto (1600). This book is intended for a-level upwards - Shakespeare students and teachers, also students of 17th-century drama and tragedy; actors and playgoers.

The tale of Daisy's irruption into staid European society enjoyed, as did Daisy herself, a succ?'s de scandale; and it has remained one of Jamess most popular short stories. Like the others collected here-'Pandora, ' 'The Patagonia, ' and 'Four Meetings'- it describes a confrontation between different values in a changing world. Is the new independent American girl enchanting in her spontaneity, alarming in her unpredictability, or merely vulnerable in her ignorance of social codes? Hung about with make admirers who seek, uncertainly, to grasp the new phenomenon, Daisy marches on undiscourageable, to her triumphant-or tragic-destiny. This volume contains prefaces by Henry James, a chronology of his life, and editor's notes.

The general English course that takes students from 'how to' to 'can do' in every lesson.

Graded 'read and do' fiction and non-fiction readers that teach children about the world around them.

This wide-ranging dictionary contains a wealth of information on all aspects of history, from prehistory right up to the present day. Over 4,000 clear, concise entries include biographies of key figures in world history, seperate entries for every country in the world (summarising key historical events), and subject entries on religious and political movements, international organizations, and key battles and places. This new edition of the dictionary has been thoroughly updated to cover recent changes in world affairs. It includes new biographies for recent key figures (e.g. Vladimir Putin, Benedict XVI ), updated biographies for other major figures (e.g. Tony Blair), and the addition of recent major events and their after-effects (including the Orange Revolution and the 2004 tsunami). The book also contains twenty-five detailed maps linked to key historical events and topics. These include the African slave trade, the Black Death, and the Normandy campaign. Encyclopedic in scope, this ambitious dictionary provides an excellent overview of world history both for students and the general reader.

Verlaine, possessed by the madnesses of love, brimming over with desires and prayers, the rebel railing against the complacent platitudes of society, of love, of language'. Jean Rousselot Verlaine ranks alongside Baudelaire, Mallarme, and Rimbaud as one of the most outstanding poets of late nineteenth-century France whose work is associated with the early Symbolists, the Decadents, and the Parnassiens. Remarkable not only for his delicacy and exquisitely crafted verse, Verlaine is also the poet of strong emotions and appetites, with an unrivalled gift for the sheer music of poetry, and an inventive approach to its technique. This bilingual edition provides the most comprehensive selection of his poetry yet, offering some 170 poems in lively and fresh translations and providing a lucid introduction which illuminates Verlaine's poetic form within the context of French Impressionism and the poetry of sensation.