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`Long may the barbarians continue, I pray, if not to love us, at least to hate one another.' Cornelius Tacitus, Rome's greatest historian and the last great writer of classical Latin prose, produced his first two books in AD 98. He was inspired to take up

The dictionary that helps students write and speak natural-sounding English, now in a new edition with CD-ROM. Which words usually go together? This dictionary shows you the common word combinations (collocations) that are essential for natural-sounding British and American English. Completely revised and extended, the new edition has over 250,000 collocations and over 75,000 examples.

Sparkling with the witty dialogue between Beatrice and Benedicts, Much Ado About Nothing is one of Shakespeare's most enjoyable and theatrically successful comedies. This edition offers a newly edited text and an exceptionally helpful and critically aware introduction. Paying particular attention to analysis of the play's minor characters, Sheldon P Zitner discusses Shakespeare's transformation of his source material. He rethinks the attitudes to gender relations that underlie the comedy and determine its view of marriage. Allowing for the play's openness to reinterpretation by successive generations of readers and peformers, Zitner provides a socially analytic stage history, advancing new views for the actor as much as for the critic.

A fitting conclusion to the Palliser novels, one of the most remarkable achievements in British fiction, The Duke's Children is a touching story of love, family relationships, loyalty, and principles, following the aging Duke of Omnium as he struggles to come to terms with the loss of his vivacious wife, Lady Glencora, and the willfulness of his three children. The wide-ranging introduction explores the implicit politics of the novel about the nature of conservatism and liberalism in all their facets; the "woman question"; autobiographical echoes; gambling; and the novel's interest in modernity and the United States. The book also includes an invaluable appendix that outlines the political context of the Palliser novels and establishes the internal chronology of the series, providing a unique understanding of the six books as a linked narrative. The editors also provide explanatory notes, and the preface provides both a compact biography of Anthony Trollope and a Chronology charts his life against the major historical events of the period. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

John Keats's abiding poetic legacy is one of extraordinary and triumphant richness. Before the moment of 'self-will' when he declared his intention to be a poet, Keats (1795-1821) had chosen the medical profession. His apothecary's training influenced his conception of poetry as an art that could mitigate the world's suffering. Keats's generous spirit triumphed over personal sadness, finding expression in his concept of life as a 'vale of Soul-making' rather than a vale of tears. He published only three volumes before his death at the age of 25, and, while many of his contemporaries quickly recognized his genius, snobbery and political hostility led the Tory press to vilify him. This selection, chosen from the Oxford Authors critical edition of Keats's major works, demonstrates the remarkable growth in maturity of his verse, from early poems such as 'Imitation of Spenser' and 'Ode to Apollo' to later work such as 'The Eve of St Agnes', 'Ode to a Nightingale', and 'To Autumn'. Elizabeth Cook's introduction, notes and glossary of classical names offer helpful insights into Keats's life and work.

No other edition offers extensive textual apparatus such as explanatory notes, plot summaries, particularly vital as stories are complex and interwoven. The Sultan Schahriar's misguided resolution to shelter himself from the possible infidelities on his wives leads to an outbreak of barbarity in his kingdoms and a reign of terror in his court, stopped only by the resourceful Scheherazade. The tales with which Scheherazade nightly postpones the muderous intent of the sultan have entered our language and our lives like no other collection of narratives before or since. Sinbad, Aladdin, Ali Baba: all make their spectacular entrance on to the stage of English literary history in the Arabian Nights Entertainments (1704-17). The stories contained in this 'store house of ingenious fiction' initiate a pattern of literary reference and influence which today remains as powerful and intense as it was throughout the eighteenth and nineteenth centuries. This edition reproduces in its entirety the earliest English translation of the French orientalist Antoine Galland's Mille et une Nuits. This remained for over a century the only English translation of the story cycle, influencing an incalculable number of writers, and no other edition offers the complete text supplemented by full textual apparatus.

The Ladies' Paradise (Au Bonheur des Dames) recounts the spectacular development of the modern department store in late nineteenth century Paris. The store is a symbol of capitalism, of the modern city, and of the bourgeois family; it is emblematic of consumer culture and the changes in sexual attitudes and class relations taking place at the end of the century. Octave Mouret, the store's owner-manager, masterfully exploits the desires of his female customers. In his private life as much as in business he is the great seducer. But when he falls in love with the innocent Denise Baudu, he discovers she is the only one of the salesgirls who refuses to be commodified. This new translation of the eleventh book in the Rougon-Macquart cycle captures the spirit of one of Zola's greatest novels of the modern city.

The Charterhouse of Parma (1839) is a compelling novel of passion and daring, of prisons and heroic escape, of political chicanery and sublime personal courage. Set at the beginning of the nineteenth century, amidst the golden landscapes of northern Italy

Graded 'read and do' fiction and non-fiction readers that teach children about the world around them.

Immár több mint negyed százada biztosítja a Project sorozat, hogy minden felső tagozatos diák használható nyelvtudáshoz juthasson. Tom Hutchinson logikus, ugyanakkor rendkívül gyerekközpontú és motiváló tananyaga sikert sikerre halmozva képezi alapvető részét a magyarországi közoktatásnak. A legáltalánosabb tanítási helyzetekben is használható, ugyanakkor magas színvonalú tankönyvsorozattal akár B1 szintre is eljuthatnak a tanulók az öt kötet elvégzése után. Bizonyítottan biztos alapokat nyújt minden további életkorban történő nyelvtanuláshoz.

Pamela under the Notion of being a Virtuous Modest Girl will be introduced into all Familes,and when she gets there, what Scenes does she represent? Why a fine young Gentleman endeavouring to debauch a beautiful young Girl of Sixteen.' (Pamela Censured, 1741) One of the most spectacular successes of the burgeoning literary marketplace of eighteeent-century London, Pamela also marked a defining moment in the emergence of the modern novel. In the words of one contemporary, it divided the world 'into two different Parties, Pamelists and Antipamelists', even eclipsing the sensational factional politics of the day. Preached up for its morality, and denounced as pornography in disguise, it vividly describes a young servant's long resistance to the attempts of her predatory master to seduce her. Written in the voice of its low-born heroine, but by a printer who fifteen years earlier had narrowly escaped imprisonment for the seditious output of his press, Pamela is not only a work of pioneering psychological complexity, but also a compelling and provocative study of power and its abuse. Based on the original text of 1740, from which Richardson later retreated in a series of defensive revisions, this edition makes available the version of Pamela that aroused such widespread controversy on its first appearance.

A rich American art-collector and his daughter Maggie buy in for themselves and to their greater glory a beautiful young wife and a noble husband. They do not know that Charlotte and Prince Amerigo were formerly lovers, nor that on the eve of the Prince's marriage they had discovered, in a Bloomsbury antique shop, a golden bowl with a secret flaw. When the golden bowl is broken, Maggie must leave the security of her childhood and try to reassemble the pieces of her shattered happiness. In this, the last of his three great poetic masterpieces, James combined with a dazzling virtuosity elements of social comedy, of mystery, terror, and myth. The Golden Bowl is the most controversial, ambiguous, and sophisticated of James's novels.

A three-level series where students learn and practise grammar in everyday contexts.

With searching eyes he studied the beautiful purple, barren waste of sage. Here was the unknown and the perilous.' The novel that set the pattern for the modern Western, Riders of the Purple Sage was first published in 1912, immediately selling over a million copies. In the remote border country of South Utah, a man is about to be whipped by the Mormons in order to pressure Jane Withersteen into marrying against her will. The punishment is halted by the arrival of the hero, Lassiter, a gunman in black leather, who routs the persecutors and then gradually recounts his own history of an endless search for a woman abducted long ago by the Mormons. Secrecy, seduction, captivity, and escape: out of these elements Zane Grey built his acclaimed story of the American West.

I lay in the garden and red the Browning love letters, and the figure of their dog made me laugh so I couldn't resist making him a Life.' Throughout her career, Woolf invokes the animal world both directly and metaphorically. She started to write a biography of Elizabeth Barrett Browning's spaniel after finishing The Waves, tracing the life of the spaniel from his country origins, his puppyhood spent with the writer Mary Mitford, through his sheltered existence with Elizabeth Barrett in her sick room, and later travels in Florence. But Flush is much more than a playful writer's holiday. As well as offering an exploration of a life of the senses free from the tyranny of words, Flush can be read as an allegorical testimony to the inscrutable, discarded, unrepresentable lives of the Victorian women poets, who were barely discussed or read in the 1930s. From a quite literally low point of view, Woolf explores class and gender in Victorian London, with gently mocking humour. Charming yet also radical, Flush is a work of sensuous imagination, an apparently light text that opens up a range of questions concerning difference which are woven through the whole of Woolf's writing.

Fielding's comic masterpiece of 1749 was immediately attacked as 'A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regarded as Fielding's greatest work, and one of the first and most influential of English novels. This carefully modernized edition is based on Fielding's emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere.