Oxford University Press strana 244 z 246

Mrs Proudie, the warlike wife of the new Bishop of Barchester, brings the Reverend Slope into the Bishop's Palace to help dominate her husband and rule the local clergy. But Slope is a snake in the grass, determined to find a rich wife, to win advancement for himself, even to fight Mrs Proudie if necessary. Their battle becomes a furious dance, involving rich, pretty Widow Bold, angry Archdeacon Grantly, man-eating Signora Neroni, gentle Mr Harding, confused Parson Quiverful and his fourteen noisy children. This classic comic story is Trollope's most famous novel.

The activities in Dominoes keep students engaged in the stories and help to reinforce their understanding of the key language. They can be completed at home or in class. The project activities in Dominoes build on the themes from the story and encourage s

The activities in Dominoes keep students engaged in the stories and help to reinforce their understanding of the key language. They can be completed at home or in class. The project activities in Dominoes build on the themes from the story and encourage s

The activities in Dominoes keep students engaged in the stories and help to reinforce their understanding of the key language. They can be completed at home or in class. The project activities in Dominoes build on the themes from the story and encourage s

It is the year 2522, and the planet Earth is dying. The Artificial Ozone Layer is only 300 years old, but it is breaking up fast. Now the sun is burning down on Earth with a white fire. There is no water. Without water, nothing can live. Trees die, plants die, animals die, people die...In a colony under the moon, people wait for news - news from home, news from the planet Earth. And in a spaceship high above Earth, a young man watches numbers on a computer screen. The numbers tell a story, and the young man is afraid. The planet Earth is burning, burning, burning...

Cross-curricular topics and colour photos make learning English through other subjects exciting with these new non-fiction graded readers for primary – 8-year-olds and up.

Arnold Bennett is famous for his stories about the Five Towns and the people who live there. They look and sound just like other people, and, like all of us, sometimes they do some very strange things. There's Sir Jee, who is a rich businessman. So why is he making a plan with a burglar? Then there is Toby Hall. Why does he decide to visit Number 11 Child Row, and who does he find there? And then there are the Hessian brothers and Annie Emery - and the little problem of twelve thousand pounds.

First published in 1748-9, this novel is a mocking parody of the warning moralism as seen in Defoe's novels, as, rather than ending her life in misery, Fanny Hill rises from poverty to a middle-class existence as wife and mother via several stages of prostitution.

'In my own marriage I paid such a terrible price for sex-ignorance that I feel that knowledge gained at such a cost should be placed at the service of humanity.' The book that was to become Married Love" grew from Marie Stopes's conviction that the state of modern middle-class marriage was, like her own, desperate, and that the cause of this desperation was sexual unhappiness. She knew her book would 'probably electrify this country' and it remains one of the best known sex manuals ever written. It combines a lyrical evocation of marital love with a no-nonsense and detailed account of sexual intercourse and sexual pleasure that was a sensation when it was published in 1918. Stopes advocated equality in marriage and the importance of women's sexuality and sexual desire, as well as openly supporting birth control. In this edition of Stopes's ground-breaking work, Ross McKibbin's introduction reveals fascinating insights into Stopes and prevailing attitudes to class, religion, science, and above all, sex."

This title presents a comprehensive Business English course for learners with little or no experience of the business world.

'Though I have been dead these fifteen years, I still command here, and none can enter these gates without my permission.' When Sir Philip Harclay returns to England after a long absence, he finds that his childhood friend, Arthur,Lord Lovel, is no longer alive, and that the castle and estates of the Lovel family have twice changed hands. But a mysteriously abandoned set of rooms in the castle of Lovel promises to disclose the secrets of the past. After a series of frantic episodes and surprising revelations, culminating in a trial by combat, the crimes of the usurper and the legitimacy of the true heir are finally discovered. 'The literary offspring of the castle of Otranto', as Reeve described it, The Old English Baron provides an ambitious rewriting of Horace Walpole's groundbreaking work, transporting the trappings of the Gothic to medieval England. Innovative and original in its day, Reeve's historical romance is increasingly recognized as a major influence on the development of Gothic fiction.

John Buchan wrote The Thirty-Nine Steps while he was seriously ill at the beginning of the First World War. In it he introduces his most famous hero, Richard Hannay, who, despite claiming to be an `ordinary fellow', is caught up in the dramatic race against a plot to devastate the British war effort. Hannay is hunted across the Scottish moors by police and spy-ring alike, and must outwit his intelligent and pitiless enemy in the corridors of Whitehall and, finally, at the site of the mysterious thirty-nine steps. The best-known of Buchan's thrillers, The Thirty-Nine Steps has been continuously in print since first publication and has been filmed three times, most notably by Alfred Hitchcock in 1935. In this, the only critical edition, Chris topher Harvie's introduction interweaves the writing of the tale with the equally fascinating story of how John Buchan, publisher and lawyer, came in from the cold and, via The Thirty-Nine Steps, ended the war as spy-master and propaganda chief.

'The great question in life is the suffering we cause, and the most ingenious metaphysics do not justify the man who has broken the heart that loved him.' Enjoying all the advantages of noble birth and intellectual ability, but haunted by a sense of the meaninglessness of life, Adolphe seeks distraction in the pursuit of the beautiful, but older and more vulnerable Ellenore. Unaware of the danger 'of appropriating the language of love, and of fostering in yourself or others emotions of the heart that are transitory', Adolphe unexpectedly falls in love, only to chafe under the burden of an illicit relationship that blocks his public career. Unable to commit himself fully to Ellenore, and yet unwilling to face the pain he would cause by leaving her, Adolphe finds himself caught up in a situation that cannot be remedied, and is resolved only with disastrous results. Written in a lucidly analytic yet discreetly emotional style, Adolphe (1816) distills the lessons of Constant's own experiences in love, but it also reflects his anxieties about the prospects for any kind of authentic commitment, political or religious as well as emotional, in a disenchanted world.

A young woman arrives at a large country house. Her job is to look after the two children who live there, but she soon discovers that there is something very strange about both the house and the children. The longer she stays, the more she feels that the two children are in danger - or is it that the children are the danger, and the person in danger is herself?

'I can drive a truck,' says Kim on her first day at work in the office. When Kim's passenger Andy finds something strange under the truck things get dangerous - very dangerous.

The Little Red Hen plants a seed in the ground. The seed grows. The Little Red Hen asks her friends to help her cut the wheat and make bread, but they are too busy. So she cooks and eats it herself.