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John Buchan wrote The Thirty-Nine Steps while he was seriously ill at the beginning of the First World War. In it he introduces his most famous hero, Richard Hannay, who, despite claiming to be an `ordinary fellow', is caught up in the dramatic race against a plot to devastate the British war effort. Hannay is hunted across the Scottish moors by police and spy-ring alike, and must outwit his intelligent and pitiless enemy in the corridors of Whitehall and, finally, at the site of the mysterious thirty-nine steps. The best-known of Buchan's thrillers, The Thirty-Nine Steps has been continuously in print since first publication and has been filmed three times, most notably by Alfred Hitchcock in 1935. In this, the only critical edition, Chris topher Harvie's introduction interweaves the writing of the tale with the equally fascinating story of how John Buchan, publisher and lawyer, came in from the cold and, via The Thirty-Nine Steps, ended the war as spy-master and propaganda chief.

Every day we seem to make and act upon all kinds of free choices - some of them trivial, and some so consequential that they may change the course of our life, or even the course of history. But are these choices really free? Or are we compelled to act the way we do by factors beyond our control? Is the feeling that we could have made different decisions just an illusion? And if our choices are not free, why should we be held morally responsible for our actions? This Very Short Introduction, written by a leading authority on the subject, looks at a range of issues surrounding this fundamental philosophical question, exploring it from the ideas of the Greek and medieval philosophers through to the thoughts of present-day thinkers. It provides a interesting and incisive introduction to this perennially fascinating subject.

Whenever two Russians come together, the shadow of autocracy is with them...haunting the secret of their silences.' First published in 1911, Under Western Eyes traces the experiences of Razumov, a young Russian student of philosophy who is uninvolved in politics or protest. Against his will he finds himself caught up in the aftermath of a terrorist bombing directed against the Tsarist authorities. He is pulled in different directions - by his conscience and his ambitions, by powerful opposed pol itical forces, but most of all by personal emotions he is unable to suppress. Set in St Petersburg and Geneva, the novel is in part a critical response to Dostoevsky's Crime and Punishment but it is also a startlingly modern book. Viewed through the 'Western eyes' of Conrad's English narrator, Razumov's story forces the reader to confront the same moral issues: the defensibility of terrorist resistance to tyranny, the loss of individual privacy in a surveillance society, and the demands thrown u p by the interplay of power and knowledge. This new edition is based on the first English edition text, and has a new chronology and bibliography.

The activities in Dominoes keep students engaged in the stories and help to reinforce their understanding of the key language. They can be completed at home or in class. The project activities in Dominoes build on the themes from the story and encourage s

A little girl went into the forest to visit her Grandma. Her mother told her not to stop and play, and not to leave the road. But the little girl met a wolf, told the wolf where she was going, and left the path to pick some flowers. The wolf ran to Grandma's house, ate her, put on one of her nightdresses, and got into Grandma's bed. Does the wolf eat Little Red Riding Hood, too? What happens when Little Red Riding Hood's father finds the wolf?

This is a four-level teenage course combining exciting new material with all the features that made the original Hotline" so popular."

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As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi.

Harvey Cheyne is the over-indulged son of a millionaire. When he falls overboard from an ocean liner her is rescued by a Portuguese fisherman and, initially against his will, joins the crew of the We're Here for a summer. Through the medium of an exciting adventure story, Captain's Courageous (1897) deals with a boy who, like Mowgli in The Jungle Book, is thrown into an entirely alien environment. This is the only edition of the novel in print, and it offers a stimulating introduction and detailed notes which help readers navigate among the historical, geographical, and maritime references found in the book.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Little Mary Lennox is a bad-tempered, disagreeable child. When her parents die in India, she is sent back to England to live with her uncle in a big, lonely, old house. There is nothing to do all day except walk in the gardens - and watch the robin flying over the high walls of the secret garden ...which has been locked for ten years. And no one has the key.

This famous play by Oscar Wilde is one of the finest comedies in the English language. Algernon knows that his friend Jack does not always tell the truth. For example, in town his name is Ernest, while in the country he calls himself Jack. And who is the girl who gives him presents 'from little Cecily, with all her love'? But when the beautiful Gwendolen Fairfax says that she can only love a man whose name is Ernest, Jack decides to change his name, and become Ernest forever. Then Cecily agrees to marry Algernon, but only if his name is Ernest, too, and things become a little difficult for the two young men.

In this almost documentary account of his own experiences of penal servitude in Serbia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Although retaining many original features, the new edition of Projekt Deutsch" features lots of changes making it thoroughly up-to-date. It is still the ideal course for those taking German as a first foreign language and this second edition offers: new references to the euro; and full incorporation of the Neue Rechtschreibung so students learn the new spellings from the start."

Mr James Conway wants to make money. He wants to build new houses and shops and he wants to build them on an old graveyard, on the island of Haiti. There is only one old man who still visits the graveyard; and Mr Conway is not afraid of one old man. But the old man has friends friends in the graveyard, friends who lie dead, under the ground. And when Mr Conway starts to build his houses, he makes the terrible mistake of disturbing the sleep of the dead...

At the start of this play, the court room is full for today's trial. Two young men, Simon Clark and Dan Smith, stand up. The clerk asks, 'Are you guilty of the murder of Mary Jones?' 'Not guilty!' they reply. But perhaps they are guilty. The police found the murder weapon in their stolen car, and there was blood on Simon's face. If the court finds them guilty, they will go to prison for a very long time. Can the lawyers find out the truth, by asking the right questions? Everyone in court wants to know who murdered Mary Jones, especially her mother, and her boyfriend, Jim. You can help to find the answer, too!

The activities in Dominoes keep students engaged in the stories and help to reinforce their understanding of the key language. They can be completed at home or in class. The project activities in Dominoes build on the themes from the story and encourage s