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Following on from the publication of "Nicholas", "Nicholas Again", "Nicholas on Holiday" and 'Nicholas and the Gang", this is the equally funny and charming fifth title in this well-loved series of books, now available to English-speaking children all over the world. In "Nicholas in Trouble", the gang sell raffle tickets for good cause, learn how to cross the road safely and bring all kinds of interesting things to school, to the surprise and consternation of their long-suffering teacher. In "Nicholas", Goscinny and Sempe have created an archetypal schoolchild whose world of mishaps, confusions and downright naughtiness are sure to raise a smile, whatever the age of the reader.Written between 1959 and 1965, these classic books are loved by readers around the globe and offer not only a hilarious and entertaining read, but a vivid description of French life and culture. Though clearly set in a more innocent past, the charming world conjured up in this book is instantly familiar, full of situations almost everyone who has ever been seven years old can relate to without any trouble at all: being made to write thank-you letters, having to endure older relatives who keep insisting on giving you a kiss, and all those arguments with your friends that seem like the most important thing in the world one day, and are happily forgotten the next.Considered classics and available in twenty-six languages, the Nicholas stories delight both children and adults, and are regularly used as teaching materials by primary and junior school teachers. Firmly established as a literary cult figure, the sublimely innocent Nicholas has already charmed millions of readers world-wide since these books were first published over forty years ago. "Nicholas in Trouble" was translated from the original French by the award-winning Anthea Bell, who also helped to bring "Asterix the Gaul" to the English-speaking world.

This fully-illustrated examination of Van Gogh's preoccupation with painting flowers draws upon the artist's own letters to describe his subject matter and to show the extraordinary importance that flowers and plants had on his life and his work.

See where it lies before us in a sun-lighted valley, bright with the winding Arno, and shut in by swelling hills, its domes, and towers, and palaces, rising from the rich country in a glittering heap, and shining in the sun like gold. - Charles Dickens, "Pictures from Italy", 1844. For nearly two centuries, from the era of Dante to that of Michelangelo, the comparatively small but extremely wealthy city of Florence exerted an exceptional influence over the development of western civilization that even today remains the subject of endless study, debate and research. The inspired patronage of Cosimo and Lorenzo de Medici, of Giovanni Rucellai and others, gave rise to seminal architectural works by Brunelleschi and Alberti, Michelozzo and Michelangelo, to name but a few. Joined by their contemporaries from the Pitti, Strozzi, and Pazzi families, the Medici also provoked a renewed study of classical philosophers and the establishment of renowned cultural academies and public libraries. It was during the thirteenth and fourteenth centuries that the modern Italian language of today was developed and disseminated, largely through the three-fold genius of Dante, Petrarch, and Boccaccio. This volume provides a comprehensive and distilled account of the urban history of Florence, from its Roman foundation to the radical transformations due to the new modes of transportation and communication of the nineteenth and twentieth centuries. Avoiding a conventional chronology, the book has a largely thematic organization, identifying important urban nuclei and their modes of growth, as well as the stylistic development of the principal architectural typologies. The book has approximately 350 illustrations, including both historical and newly commissioned photographs, reproductions of famous paintings, maps, and prints, and architectural plans and drawings. Among famous works shown here are the painted views of Bellotto, the eighteenth-century lithographs of Zocchi, the Medici villas painstakingly detailed by Utens, and the famous 'della catena' view of 1472. The first part of the book traces the city's history up to the nineteenth century, the decade of Italian unification. The second part identifies and analyzes in detail the two groups of monumental buildings that have long symbolized the spiritual and the political nuclei of power in Florence: the Piazza del Duomo and the ecclesiastical monuments around it, and the great civic square Piazza della Signoria, which plays the major role in Florence's political history. The third part of the book is a typological discussion of the architecture of the city, including a brief outline of how the city's craftsmen actually constructed its monuments, from obtaining the stone to organizing the guild system. The discussion of Florence's architecture includes its churches, housing, and the most famous and monumental great palaces of the Renaissance - those of the Medici, Strozzi, Rucellai and the Pazzi families - as well as lesser-known contemporaries and successors. This includes an analysis of the development of the rural or suburban villa as a type unto itself, concentrating specifically on the many Medici villas outside Florence, and the later Baroque Palazzi, whose at times restrained facades conceal interiors of extraordinary richness and sumptuous decoration. The final part outlines the momentous changes to the city since the mid-nineteenth century, from the destruction of the walls and the ancient markets to the devastation of the bridges in 1944 and the inundation of 1966, and to reconstruction following each of these disasters. The book concludes with a survey of architecture between the wars and highlights of the modernist period.

Born in 1925, Mario Giacomelli died in November 2000. He trained initially as a typographer, and his early interest in graphics became a central part of his later photographic work. Winner of numerous medals and prizes, he achieved international status with exhibitions in Europe, America and Japan. He was intimately involved in the preparation of this book, which was the last major project he undertook, and represents the best of his long career as a photographer and artist. This comprehensive survey demonstrates Giacomelli's highly personal, striking and artistically atmospheric visual style. Each chapter is a carefully chosen sequence of photographs on a particular theme (some with accompanying poems which inspired the sequence). A life-long preoccupation with the life and landscape of his native Italy gives Giacomelli his subject-matter - landscapes, rural townscapes, streetscenes, still life and portraits of everyday Italian life. With 684 beautiful and poetic duotone photographs, this extraordinary and inspiring collection displays a profound understanding of the photographer's country and its people, and a mastery of form and effect that make his photographs imaginative works of art in their own right.

A beautifully produced monograph on one of the greatest sculptors of the twentieth century, comprising a critical essay, a superb selection of colour plates, and invaluable documentation of the artist's writings, interviews, bibliography and exhibition history. Trained as an engineer, Alexander Calder made his first sculpture when he was twenty-seven. Moving to Paris in 1926 he began working abstractly in wire, wood and sheet metal, and his first exhibition of mobiles (a term coined for his work by Marcel Duchamp) was held there in 1932. His works are characterized by their dynamism and often combine a huge sense of scale with movement and weightlessness. Calder has become world renowned for his enchanting biomorphic mobiles and often monumental non-moving stabiles. Calder: Gravity and Grace is a retrospective of this major American sculptor, who during his lifetime, perhaps more than any other artist, achieved popular acclaim as well as the art world's respect. The book includes works from his entire career, along with his own writings, interviews with a range of art historians and friends and texts by authors including Jean-Paul Sartre, Fernand Leger, Jacques Prevert and Amedee Ozenfant. Also shown are many documentary photographs of him and his studio by major photographers including Ugo Mulas, Inge Morath and Herbert Matter. A chronology, comprehensive bibliography and full exhibition history complete the book's documentary value.

Terrine presents a selection of recipes that bring together Stéphane Reynaud’s passion for rural French cooking and his enthusiasm for modern cuisine. The book offers some well-loved favourites as well as some more surprising dishes that reflect contemporary tastes. Illustrated with beautiful photographs and providing a broad range of recipes, from meat to fish and vegetables, and even desserts.

The subject of this book is the Byzantine revival of the 19th and early 20th centuries, in architecture, fine art, the decorative arts and literature. Neglected and vilified for centuries, Byzantium came to exercise a potent influence on groups and individuals, who each interpreted its legacy in different ways and used it to promote different aims. Ludwig I and Ludwig II of Bavaria, and Friedrich Wilhelm IV of Prussia retreated into Byzantine fantasy to express their ideal of divine kingship. French and German patriots claimed that the early medieval churches of southwest France and the Rhineland were directly inspired by Byzantine models. French High Catholics were attracted by the severe and hieratic figures in the mosaics at Ravenna, adapting them as symbols of authority, while at the other extreme the Symbolists responded to Byzantium's supposed decadence, and the scandalous Empress Theodora was made the subject of a sensational stage play. John Ruskin was seduced by the "voluptuous chastity" of St Mark's, Venice, William Morris, on the other hand, pressed Byzantium into the service of democracy and socialism. Architects turned to the Byzantine dome as an antidote to the ubiquitous Gothic. Artists and designers were attracted by the anti-naturalistic style of Byzantine ornament, and in America Louis Comfort Tiffany used Byzantine motifs and inspiration for purely secular ends. The early theorists of modernism also looked to Byzantium for inspiration, and the poet W.B. Yeats felt its otherworldly and mysterious power. The Byzantine revival was never widely popular, it attracted extremists, outsiders and visionaries. Nevertheless, it was important and influential. Professor Bullen's interdisciplinary study presents a coherent account of the varied manifestations of Byzantinism in Germany, Austria, France, Britain and America, and unravels the early confusion that failed to distinguish between Byzantine and Romanesque styles. The book is illustrated, not only with original Byzantine models and the works they inspired, but also with reproductions from the finely illustrated publications that played an important role in their own right in promoting Byzantium as an ideal.

Despite their youth, the Bouroullecs have already realized a wide range of products - from furniture to jewellery, lighting to interiors - for leading companies such as Cappellini, Vitra and Issey Miyake. This book, conceived and designed by the brothers themselves, displays the freshness, refinement and elegance of all their products. A fascinating collection of the images, showcasing their products and working practices, it also includes texts by leading design entrepreneurs Rolf Fehlbaum, Giulio Cappellini and Issey Miyake.

Bestseller z nakladatelství Phaidon přináší tentokrát úplný přehled děl a životních mezníků mistra architektury 20. století. Louis I Kahn (1901-74) is one of the most influential architects of the mid-20th century, whose work marked a significant move aw

Beneath the world's waters lie landscapes, species, vegetation and populations as diverse and splendid as those on land, yet these kingdoms have been explored by few. is an extraordinary look at the work of David Doubilet, an artist and diver who pioneered the medium of deep-sea reportage to become widely acclaimed as the world's leading underwater photographer. This fascinating and evocative volume looks at a world in which humans are neither the measure nor the master, but an encumbered intruder. From the waters of the Galapagos to the Red Sea, from the Pacific shores to the fresh waters of North America, "Water Light Time" includes over 25 years of Doubilet's work, and reveals the mesmerising beauty of more than 30 bodies of water. Rich with fascinating sea creatures, wondrous life forms and breathtaking underwater landscapes, "Water Light Time" is an unforgettable look at many of the earth's most remarkable natural compositions.

Presents an all-in-one fold-and-send writing pad featuring the secret world of young ballerinas by Jean-Jacques Sempe, one of the world's best-loved illustrators.

After the destruction of the World Trade Center in New York on September 11th 2001, the world-renowned photographer Joel Meyerowitz felt compelled to visit the site. In his own words, he was 'overcome by a deep impulse to help, to save, to soothe, but, being far away, there was nothing I could do. On his return, Meyerowitz soon made his way to the scene where, upon raising his camera, he was reminded by a police officer that this was a crime scene and that no photographs were allowed. Meyerowitz duly left the scene but within a few blocks the officer's reminder had turned into consciousness. To Meyerowitz, 'no photographs meant no history' and he decided at that moment to find a way in and make an archive for the City of New York. Within days, he had established strong links with many of the firefighters, policemen and construction workers contributing to the clean up. With their assistance he became the only photographer to be granted unimpeded access to Ground Zero. Once there, he systematically began to document the wreckage followed by the necessary demolition, excavation and removal of tens of thousands of tonnes of debris that would transform the site from one of total devastation to level ground. Soon after, the Museum of the City of New York officially engaged Meyerowitz to create an archive of the destruction and recovery at Ground Zero. The 9/11 Photographic Archive numbers in excess of 5,000 images and will become part of the permanent collections of the Museum of the City of New York. Meyerowitz takes a meditative stance toward the work and workers at Ground Zero, methodically recording the painful work of rescue, recovery, demolition and excavation. His pictures succinctly convey the magnitude of the destruction and loss and the heroic nature of the response. The images included here are a combination of prints from a large format camera, which allows for the greater detail, and standard 35mm, a format which provided Meyerowitz with the freedom to move easily around the site and capture each moment as it happened. The remarkable pictures in the archive visually relate the catastrophic destruction of the 9/11 attacks and the physical and human dimensions of the recovery effort. The aim of this book is to provide record of the extraordinary extent of the World Trade Center attacks and to documents the recovery efforts. The book will serve as both a poignant elegy to those that lost their lives and as a celebration of the tireless determination of those left behind to reclaim and rebuild the area known as 'Ground Zero'. Twenty eight of the images in from the archive were displayed in New York and then in over fifty cities around the world in a travelling exhibition entitled After September 11: Images from Ground Zero.

Bestseller z nakladatelství Phaidon přináší tentokrát úplný přehled děl a životních mezníků mistra architektury 20. století. Louis I Kahn (1901-74) is one of the most influential architects of the mid-20th century, whose work marked a significant move aw

The Rose Bakery is a small Anglo-French restaurant, shop and bakery, tucked away in a street near the Gare du Nord in Paris. This book introduces this hidden gem and the philosophy and style of its creator Rose Carrarini to a wider audience for the first time. Beautifully illustrated with more than 100 specially commissioned photographs, and featuring 100 of Rose's most popular recipes, this book is as much a treat for the eye as for the taste buds. The unique style and atmosphere of Rose Bakery, as well as the people who prepare, buy and eat the food that is made here, are captured in Toby Glanville's evocative photographs. The images show everything from the first preparations for breakfast and gearing up for the lunchtime rush to the final customers lingering over a piece of cake and a last cup of coffee in the late afternoon. Rose Carrarini became a pastry chef because neither she nor the customers of Villandry, the 'epicerie fine' she set up in London with her husband Jean-Charles in 1988, could find the pastries and desserts they wanted anywhere else. Now based in Paris, Rose has been serving simple, fresh and natural food that blurs the boundaries between home and restaurant cooking at Rose Bakery since 2002. Over 90 per cent of the products sold in the shop and served in the cafe are made on the premises with the best ingredients: Rose uses as much organic and locally sourced produce as possible, and has reduced the sugar content in her cake recipes to make them healthier without sacrificing flavour, texture or pleasure. Rose Carrarini's approach to food and hospitality has proved to be very popular with the locals, who crowd into the shop on weekdays, choosing from the lunchtime display of salads, vegetable tarts and pastries displayed on the shop's counter, and line up on weekend mornings for a full English breakfast or a plate of pancakes. This book will make the flavours and style of Rose Bakery accessible for people outside Paris, too.

This new monograph explores the life and work of Jean-Auguste-Dominique Ingres (1780-1867), one of the most important artists of the nineteenth-century Neoclassical period. In this insightful and unbiased survey, Andrew Shelton provides the readers with a comprehensive portrait of the seventy-year career of this most celebrated artist. He examines Ingres' position within the turbulent society of eighteenth and nineteenth-century France (during his lifetime Ingres witnessed the revolution of 1789, the coronation of Napoleon as Emperor, the restoration of the monarchy, the revolution of 1830 resulting in the July monarchy, the revolution that delivered the Second Republic in 1848 and the rise of the second empire under Napoleon III in 1852) and the effect the shifting balance of power had upon his patrons and their commissions.The text also fully explores the frequent criticisms levelled at Ingres' work during his lifetime and examines how the sometimes amorphous torsos and extended limbs of his figures reflect the artist's obsession with purity of form over explicit realism. Schooled by France's most celebrated classicist, Jacques-Louis David, Ingres won the coveted Prix de Rome at the age of only twenty-one. His prize allowed him to travel to Rome to absorb the styles and techniques of Raphael and other Renaissance masters. His glory was short lived, however, since Ingres' adoration of Raphael, his sombre palette and his obsession with the clarity of line met with years of resistance from the Paris Salon and the burgeoning Romantic Movement, enamoured with the vivid colours of Paul Delaroche and the fluid brushwork of Eugene Delacroix.In time however, the artist's remarkable body of work won him many supporters and in 1825 he was awarded the Order of the Legion of Honour by King Charles X of France and was elected a member of the Academy. Ingres society portraits, including the beautiful likeness of the Comtesse d'Haussonville in New York's Frick Collection, and his languorous images of Turkish harems, such as the Grande Odalisque and the Bather of Valpincon in the Musee du Louvre, had confirmed him as the most famous artist of his age. Following his death in 1867 Ingres was awarded a state funeral with full honours. His students continued to teach the Ingriste style and several of his works were placed in the Musee du Louvre. The upcoming Impressionists of course met such traditional success with some disdain, however Ingres' paintings and his remarkable drawings have undeniably had a profound effect on artists such as Claude Monet, Edgar Degas, Pablo Picasso and Cindy Sherman amongst many others.

Wallpaper City Guides not only suggest where to stay, eat, and drink, but what the tourist passionate about design might want to see, whether he/she has a week or 24 hours in the city. Featured are up and coming areas, landmark buildings in an 'Architour', design centres, and the best shops to buy items unique to that city. "Wallpaper City Guides" present travellers with a fast-track ticket to the chosen location. The edited guides offer the best, most exciting, and the most beautiful of that particular city. As well as looking beautiful, the guides are expertly designed with function as a priority, and have tabbed sections so that the tourist can easily find what they are looking for. There are maps, rate and currency cards, colour-coded parts of the city, and an easy navigational tool. They are the ultimate combination of form and function.