Phaidon strana 65 z 66

The world's oceans are one of the last great largely unexplored places on earth. They teem with life some of it familiar and some of it strange to us and "Fish Face" takes us closer to the fish that live here. Showing full-page pictures of close up portraits of their faces, the book takes us from the beautiful to the ugly, from spiky to rotund. The huge variety of species is appealing and astounding. The book takes a look at the work of David Doubilet, widely acclaimed as the world's leading underwater photographer. He has photographed fish for over 25 years and "Fish Face" looks at the most colourful, fun and bizarre fish he has encountered. This book should appeal to anyone who has ever wondered about the variety of fish living in our oceans and to naturalists and photographers alike.

Benjamin Britten (1913-76) was the greatest English composer of his time, and the first of his generation to enjoy a wide international reputation. With the great success of Peter Grimes (1945), he effectively re-invented English opera and was a pioneer of music for film and radio. His monumental War Requiem reached a wider audience than any other choral work of the century. He had an international reputation as a pianist and conductor and founded a major arts festival in Aldeburgh, the small East Coast town in which he made his home. For much of his life, however, British critics dismissed his music as merely 'clever', and some of his major works had disastrous premieres.In his twenties he considered emigrating to the USA, and lived there for over two years, but homesickness for the county of Suffolk drew him back and inspired some of his finest music. A pacifist and a homosexual, he was the subject of much malicious gossip, yet his sexuality and his political and social convictions directly or indirectly inspired much of his art. For the greater part of his creative life he lived with and enjoyed a uniquely creative partnership with the tenor Peter Pears, for whom most of his songs and principal roles in all his operas were written. In this masterly biography, the author creates a portrait of a great artist and discusses the contradictions of his quintessential Englishness and his world stature, his outsider status and his membership of the establishment, his artistic adventurousness and his constant regard for musical forms and traditions.

Since the 1960s Mary Ellen Mark has worked on over 100 film sets as what the film studios call a 'special stills photographer', making thousands of documentary photographs of life behind the scenes, rather than the conventional still photographs made of actors on camera. This exciting book presents the best of her images ranging from the first films that Mark shot in the 1960s such as "Fellini's Satyricon", to legendary 1970s productions like Francis Ford Coppola's "Apocalypse Now" and Milos Forman's "One Flew Over the Cuckoo's Nest", as well as films from the ensuing decades that range from "Network" to "Tootsie", from "Gandhi" to "Showgirls". She continues to work on film sets and over the last decade has photographed recent Oscar-winning productions such as Baz Luhrmann's "Moulin Rouge", Alejandro Gonzalez Inarritu's "Babel" and Tim Burton's "Sweeney Todd".Over her career, Mark has been given unprecedented access to the film sets she has worked on, roaming freely among cast and directors, and photographing in make-up, during rehearsals, on the set and off the set to provide a full picture of life behind the scenes. Her experience over the last forty years reveals much about the changes in film-making. She recalls in her introduction how she loved to photograph the director's reaction and interaction during rehearsal when he was behind the camera; but now in contemporary film-making the director is nowhere near the camera, but rather in front of a video monitor away from the set. Her iconic 1960s portraits of Fellini behind his camera fix this moment in film history and are evidence of the changes in technology. Mark's 1960s, 1970s and 1980s portraits also reveal the changing nature of celebrity.When she first started working she would be just another person on set with full access to every cast member and every set. Now with the massive power and impact of celebrity it has become more difficult for photographers to work on set, when actors are constantly surrounded by their entourage of publicists and agents and have their schedules carefully planned with every minute accounted for. In this current climate Mark's more recent, candid pictures of major celebrities such as Cate Blanchett, Brad Pitt, Johnny Depp and Nicole Kidman are rare and particularly special.This book includes beautiful and engaging portraits, documentary pictures that reveal the way a film is made, dramatic moments in direction and filming, and amusing pictures that reveal the camaraderie on set - such as Henry Fonda making faces behind Katharine Hepburn, well-known prankster Jack Nicholson turning Stockard Channing upside down, and Dustin Hoffman causing a lot of amusement in his female costume in between scenes on "Tootsie". The text for the book comes from a number of high profile actors, directors and film industry professionals who complete this picture of life 'behind the scenes' by sharing their anecdotes and thoughts about their profession. Among these engaging texts

"Creamier" is an up-to-the-minute global survey of recent developments in contemporary art, with an emphasis on emerging artists. Each of the ten selected curators is known for his or her integrity and expertise in staging presentations of new art on an international level. Each curator selects ten important new artists who have either emerged internationally over the last five years or who are still relatively unknown. There are no limitations on age, geography or medium. The result is a roster of the most significant and promising new artists working today - the true cream of the crop. Each curator also selects a key creative work for the sources section, such as an art work, text, film or album that has been significantly influential to art being produced at this moment, contextualizing the contemporary work featured in the rest of the book.

Cartoonist and illstrator Jean-Jacques Sempe has been delighting readers in France and beyond with his witty drawing and cunning eye for the finer amusements of the human condition for over 40 years. This most recent body of his work from 2003, is now available in English. In "Mixed Messages", Sempe turns his attention to the trappings of modern life, mobile phones, designer water, as well as revisiting his favourite subjects, struggling artists, aloof psychologists and unhappy couples. Now in English by the "Asterix the Gaul" translator Anthea Bell, this book appeals to Francophiles, cartoonists, and the general public.

While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the second of two volumes, both co-edited by Martin Parr and Gerry Badger, the history of the photobook is brought fully up to date. This volume covers company photobooks, artists' photobooks, photobooks that have been compiled by editors (rather than photographers), as well as the most recent photobooks, which chronicle contemporary life. This study provides an important corrective to the traditional history of photography. The selection of photographers made by Badger and Parr challenges the popular canon, and their survey of the history of the photobook reveals a secret web of influence and interrelationships between photographers and photographic movements around the world. The book is divided into a series of thematic chapters, each featuring a general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown.

Eliot Noyes (1910-77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977, he was Consulting Director of Design for IBM, Mobil Oil, Westinghouse and Cummins Engine Company, and was responsible for bringing about a change in the way that these corporations, and others that followed, were to think about design and its impact on business. He enlisted pioneering designers, notably Charles Eames, Paul Rand, Ivan Chermayeff and Tom Geismar, to help him bring about innovative architectural, graphic and industrial design. He was personally responsible for the design of some notable twentieth-century classics, such as IBM's Selectric typewriter and Mobil Oil's service stations and petrol pumps. His own work includes architectural projects, such as the award-winning Noyes family residence in Connecticut. This major monograph will trace the life of this unique architect, designer and businessman who devoted a great deal of his career to encouraging large American businesses to respect and develop policies that were rich in cultural expression. The author has had extended access to the Noyes' archive of personal as well as business projects, materials and letters, and he has carried out extended interviews with a great deal of Noyes' acquaintances and relations. His comprehensive and lively text is accompanied by archival and new colour photography, drawings, plans and a diverse range of documentary material, much of which is previously unpublished.

Sergey Prokofiev (1891-1953) composed some of this century's most widely loved music, be it the ballet "Romeo and Juliet" or his work for children, "Peter and the Wolf". Yet due to his itinerant lifestyle and the secrecy that cloaked his final years in the USSR, he remains one of the least written about or understood musicians of this century. At the St Petersburg Conservatory he soon gained notoriety as a gifted enfant terrible with his fiery piano-playing and 'modern' compositions. He became friends with many of Russia's leading cultural figures including Maxim Gorky, equally crucial were his relationships with the impresario Sergey Diaghilev and fellow composer Igor Stravinsky, who admired but were wary of Prokofiev's precocious talent.Prokofiev left Russia after the 1917 Revolution, and bedazzled western audiences with his hard-edged, virtuoso performances on the piano and exuberantly colourful scores such as the opera "The Love for Three Oranges" and his Third Piano Concerto. He then astonished the world by returning to the USSR in 1936 at the height of Stalin's notorious purges. Initially cosseted and feted by the Soviet state, Prokofiev was profoundly shaken by the arrest of several leading cultural figures as well as some of his friends. Against this terrible background Prokofiev composed some of his greatest scores, the First Violin Sonata and his Symphonies Nos. 5 and 6, before he himself was berated for writing anti-Soviet 'formalist' music in 1948. Demoralized, and suffering poor health, Prokofiev died five years later, ironically on the same evening as his chief persecutor, Joseph Stalin.This comprehensive biography, which contains several hitherto unpublished illustrations, combines an intimate portrait of Prokofiev and his circle with a lucid account of the political events that shaped his career.

Alvaro Siza's work is recognized internationally for its beauty, simplicity, and gravity. The stark lines and geometric clarity of his buildings produce almost startling experiences of space. Among his earliest projects was a beach bathing complex in Matosinhos, just north of Porto, in which earthworks and a series of concrete walls define pools in the ocean that are enclosed enough to swim in but over which water can flow. This kind of a sensitive intrusion into a site, common to many of Siza's buildings, lends them the serenity of structures much older. Despite the timeless quality of his work, Siza's history is intimately bound up with that of Portugal. Included in this volume is a cooperative housing project he designed in Porto immediately after the 1974 revolution, about one third of which was built under the auspices of a newly-formed housing cooperative. 30 years later, Porto's city council decided to build the rest of the project and refurbish the existing houses. Both phases of building required multiple discussions between the residents and the architect, and reflect the changing political and social life of the country. All projects in this book are documented in full, with sketches, drawings, and photographs, and detailed descriptions by author Carlos Castanheira and Siza himself. Siza's architecture has been defined as continuously experimental; as this generously-illustrated volume makes clear, each of his designs responds creatively to its setting but his work as a whole retains a unity of form. In addition to residential, cultural, and infrastructural projects in Portugal, this book includes the Ibere Camargo Foundation in Puerto Alegre, Brazil, opened to wide acclaim in April 2008, and projects currently under construction including a mimesis museum in Paju, South Korea, as well as a cultural centre in Ceuta and a sports hotel in Huesca, both in Spain.

A travel friendly journal, which is a lined and squared paper notebook containing holiday-theme art from cartoonist, Jean-Jacques Sempe.

IT'S A BOOK

Igor Stravinsky (1882-1971) is regarded as the inventor of modern music. His phenomenal achievements are comparable to those of his close friend and contemporary Pablo Picasso. This comprehensive biography traces the influences that informed his style and sets all of his major works into context, devoting particular attention to the composer s childhood in pre-revolutionary Russia. It charts his discovery by Diaghilev and traces his ensuing collaborations with choreographers, dancers, painters, designers, and writers. Above all the book concentrates on Stravinsky s creativity, describing how his musical mind worked and relating this to his complex and fascinating personality.Igor Stravinsky is part of Phaidon s successful 20th Century Composers series, which presents authoritative and engaging biographies of the great creative musicians of our time, augmented by striking visual material and essential reference information. This edition of the book features a whimsical new cover by Jean-Jacques Sempé, the world-renowned illustrator and cartoonist.

Begun in 1973, Audio Arts is a one-of-a-kind venture: an audio magazine of new interviews with the world's most important contemporary artists. Distributed in cassette format until 2002 and on CD from 2003-07, the interviews in Audio Arts have never before been published. Speaking of Art collects the c. 50 best interviews from the Audio Arts archive. These range from towering figures in art history (Joseph Beuys, Frank Stella, John Cage) to the current stars of the contemporary scene (Wolfgang Tillmans, Thomas Demand, Mike Nelson). At a future date all c. 350 interview transcripts from the Audio Arts archive will be unveiled on the Phaidon web site, creating an unparalleled online resource that will be a trove for artists, students, researchers and art fans everywhere.

Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one of the key exponents in the development of post-war graphic design. Wolff charts Massin's wide-ranging career with detailed discussion of some of his most inventive and exciting projects, including the award-winning THE BALD PRIMA DONNA (1964) and LETTER AND IMAGE (1970). Wolff carried out her research in close collaboration with Massin, gaining unrivaled access to the Massin collection in Chartres as well as the designer's personal archives. MASSIN includes preparatory sketches, letters, and finished works, photographed especially for this book.

The series has always been highly regarded for its insight and authority, providing an invaluable introduction to key artists and movements in art history. Each volume contains an introductory essay, forty-eight full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white.

Ever since they were discovered over a hundred years ago, the paintings and rock engravings deep in the caves of Europe have captured the public imagination, provoking wonder and amazement at their great age, their technical mastery and their sheer b eauty. Some of the oldest art known to man turns out to be highly accomplished, and also to have been made in extremely difficult conditions in absurdly inaccessible locations. These facts have presented a puzzle and a challenge that have never cease d to exercise the imagination of both scholars and the wider public. This interest is kept alive by the beauty, vivacity and realism of these mammoths, bison, horses and other animals, which have the same power and freshness to modern eyes that they must have had for their creators. Jean Clottes' book is the first one to provide a simple, accessible, orderly and easy to use pictorial introduction to this remarkable art.A concise introduction tells the story of the discovery of the caves, and giv es a clear outline of current knowledge and research. It also discusses the modern debates about the meaning and purpose of the art, and sets these debates in the wider context of prehistory.