Quercus Publishing

From the author of TikTok's favourite dark and steamy romance, Lights Out, comes Navessa Allen's second book in the New York Times bestselling Into Darkness trilogy I want this woman, and I'm a man who always gets what he wants. Nico 'Junior' Trocci knows Lauren Marchetti is off limits. Men like him don't get to have women like her. It's why he pushed her away in high school and still keeps his distance. But Junior follows Lauren online, and now that the shy, bookish girl he remembers is gone, he can't stop obsessing over the strikingly beautiful woman who has taken her place. He's ruthless; a walking red flag. Good thing red is my favorite color. Lauren 'Lo' Marchetti knows Junior is dangerous. He broke her heart once and she won't let him do it again. But as their flirtatious encounters escalate, Lauren starts to remember why she fell for the brooding antihero all those years ago. As old obstacles resurface, Junior and Lauren are forced to face their true feelings for each other and decide just how far they're willing to go for a second chance at love.

From Kate Golden, author of the instant bestseller and viral phenomenon A Dawn of Onyx, comes the next seductive, sweeping, action-packed installment in her addictive Sacred Stones trilogy. A prophecy of death. A weapon of hope. A sacrifice of love. Arwen Valondale is sailing for the mysterious Kingdom of Citrine after the battle of Siren's Bay. Reeling from shocking revelations and her newfound powers, Arwen directs all of her pain and rage toward the man who betrayed her: King Kane Ravenwood. Kane's presence is unavoidable as he travels with Arwen and her friends to seek the Blade of the Sun, a legendary weapon inextricably tied to her fate and the future of the realm. Even an uneasy truce proves difficult as Arwen fights against her unresolved feelings for Kane, who is willing to become darkness itself to protect her. As Arwen faces creatures, foes, and magic beyond her wildest imaginings, she must discover the secrets of her past to defeat the monstrous Fae king Lazarus. But finding the light within might mean the death of her and everyone she loves.

Annie Radford swore she'd never work in college basketball again, but eight years after fleeing her job with the Ardwyn Tigers, she has no choice but to accept a role as the team's hype woman and videographer. Annie's old friend and colleague, Ben Callahan, is as sexy and wholesome as ever, but why is he so determined to undermine her? Clearly, he hasn't forgiven her for disappearing on them in senior year. When Annie and Ben find themselves competing to keep their jobs, tensions rise and old feelings come sizzling to the surface. With everything on the line, including their hearts, can they put their differences aside to work together and save the team? Or will the truth of why Annie left destroy their tentative new relationship...?

Is it your dream to make it as a creative? Imagine for one moment that there are no employers, no firms to send your CV to, no interviews to be had. How would you forge your own path? The most ingenious and driven designers have found ways of making opportunities for themselves across the creative disciplines - ways you can learn from too. Don't Get a Job?... Make a Job celebrates the various strategies that the next generation of creatives are taking to gain exposure and define their own success. This revised edition includes inspirational advice and a new chapter on making a difference, features new stories from 13 innovative designer-entrepreneurs, and checks in with many of the original creatives from the first edition.

In BELONGING Owen Eastwood reveals, for the first time, the ethos that has made him one of the most in-demand Performance Coaches in the world. Drawing on his own Maori ancestry, Owen weaves together insights from homo sapiens' evolutionary story and our collective wisdom. He shines a light on where these powerful ideas are applied around the world in high-performing settings encompassing sport, business, the arts and military. Whakapapa is a Maori idea which embodies our universal human need to belong. It represents a powerful spiritual belief - that each of us is part of an unbroken and unbreakable chain of people who share a sacred identity. Owen places this concept at the core of his methods to maximise a team's performance. Aspects of Owen's unique approach include: finding your identity story; defining a shared purpose; visioning future success; sharing ownership with others; understanding the 'silent dance' that plays out in groups; setting the conditions to unleash talent; and converting our diversity into a competitive advantage. Whakapapa. You belong here.

Mexico in the 1970s is a dangerous country, even for Maite, a secretary who spends her life seeking the romance found in cheap comic books and ignoring the activists protesting around the city. When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman-and journeying deeper into Leonora's secret life of student radicals and dissidents. Mexico in the 1970s is a politically fraught land, even for Elvis, a goon with a passion for rock 'n' roll who knows more about kidney-smashing than intrigue. When Elvis is assigned to find Leonora, he begins a blood-soaked search for the woman-and his soul. Swirling in parallel trajectories, Maite and Elvis attempt to discover the truth behind Leonora's disappearance, encountering hitmen, government agents, and Russian spies. Because Mexico in the 1970s is a noir, where life is cheap and the price of truth is high. Velvet Was the Night: an edgy, simmering historical novel for lovers of smoky noirs and anti-heroes.

Bookseller Paula has lost a child, and a husband. Where will she find her happiness? Fiercely independent Judith thinks more of horses than men, but that doesn't stop her looking for love online. Brida is a writer with no time to write, until she faces a choice between her work and her family. Abandoned by the "perfect" man, Malika struggles for recognition from her parents. Her sister Jorinde, an actor, is pregnant for a third time, but how can she provide for her family alone? Love in Five Acts explores what is left to five women when they have fulfilled their roles as wives, mothers, friends, lovers, sisters and daughters. As teenagers they experienced the fall of the Berlin Wall, but freedom brings with it another form of pressure: the pressure of choice. Punchy and entirely of the moment, Love in Five Acts engages head-on with what it is to be a woman in the twenty-first century.

'How truth thickens and deepens when it migrates from didactic fable to the raw experience of a visceral awakening is one of the thrills of Tolstoy's stories' Sharon Cameron in her preface to The Death of Ivan Ilych and Other Stories Tolstoy wrote in many genres for different audiences. In this, the first of three volumes of his shorter fiction chosen and introduced by the critic Sharon Cameron, we see works originally written for children, like 'God Sees the Truth But Waits', and 'A Prisoner in the Caucasus'. They stand alongside others which show his range and accomplishment, including an early story based on his experiences in the Crimean war, 'Sevastopol in May', and the visceral intensity of one of his greatest works, 'The Death of Ivan Ilych'. This riverrun edition reissues the translation of Louise and Aylmer Maude, whose influential versions of Tolstoy first brought his work to a wide readership in English.

'How truth thickens and deepens when it migrates from didactic fable to the raw experience of a visceral awakening is one of the thrills of Tolstoy's stories' Sharon Cameron in her preface to The Kreutzer Sonata and Other Stories This second volume of Tolstoy's shorter fiction, selected by the critic Sharon Cameron, contains 'Family Happiness', 'The Devil' and 'The Kreutzer Sonata', three of Tolstoy's unhappy-marriage stories as well as 'Father Sergius', a story of a loss of identity in ambitious pursuit of holy virtue and 'Master and Man'. Tolstoy's antidotes to delusion, fear, jealousy and even madness have an ethical thread pulled through the fabric of different themes and genres. This riverrun edition reissues the translation of Louise and Aylmer Maude, whose influential versions of Tolstoy first brought his work to a wide readership in English.

'How truth thickens and deepens when it migrates from didactic fable to the raw experience of a visceral awakening is one of the thrills of Tolstoy's stories' Sharon Cameron in her preface to Hadji Murad and Other Stories This, the third volume of Tolstoy's shorter fiction concentrates on his later stories, including one of his greatest, 'Hadji Murad'. In the stark form of homily that shapes these later works, life considered as one's own has no rational meaning. From the chain of events that follows in the wake of two schoolboys' deception in 'The Forged Coupon' to the disillusionment of the narrator in 'After the Ball' we see, in Virginia Woolf's observation, that Tolstoy puts at the centre of his writing one 'who gathers into himself all experience, turns the world round between his fingers, and never ceases to ask, even as he enjoys it, what is the meaning of it'. The riverrun edition reissues the translation of Louise and Aylmer Maude, whose influential versions of Tolstoy first brought his work to a wide readership in English.

Me and White Supremacy shows readers how to dismantle the privilege within themselves so that they can stop (often unconsciously) inflicting damage on people of colour, and in turn, help other white people do better, too. When Layla Saad began an Instagram challenge called #MeAndWhiteSupremacy, she never predicted it would spread as widely as it did. She encouraged people to own up and share their racist behaviours, big and small. She was looking for truth, and she got it. Thousands of people participated, and over 90,000 people downloaded the book. The updated and expanded Me and White Supremacy takes the work deeper by adding more historical and cultural contexts, sharing moving stories and anecdotes, and including expanded definitions, examples, and further resources. Awareness leads to action, and action leads to change. The numbers show that readers are ready to do this work - let's give it to them.Me and White Supremacy shows readers how to dismantle the privilege within themselves so that they can stop (often unconsciously) inflicting damage on people of colour, and in turn, help other white people do better, too. When Layla Saad began an Instagram challenge called #MeAndWhiteSupremacy, she never predicted it would spread as widely as it did. She encouraged people to own up and share their racist behaviours, big and small. She was looking for truth, and she got it. Thousands of people participated, and over 90,000 people downloaded the book. The updated and expanded Me and White Supremacy takes the work deeper by adding more historical and cultural contexts, sharing moving stories and anecdotes, and including expanded definitions, examples, and further resources. Awareness leads to action, and action leads to change. The numbers show that readers are ready to do this work - let's give it to them.

"Powerful, profound and deeply moving, new fiction by Afghan women writers will expand your mind and elevate your heart" ELIF SHAFAK "[An] arresting collection . . . Written in simple, direct prose and offers vivid snapshots of a country beset by war and violence . . . It seems more important than ever to read the work of these courageous writers" Financial Times "My pen is the wing of a bird; it will tell you those thoughts we are not allowed to think, those dreams we are not allowed to dream" A woman's fortitude saves her village from disaster. A teenager explores their identity in a moment of quiet. A petition writer reflects on his life as a dog lies nursing her puppies. A tormented girl tries to find love through a horrific act. A headmaster makes his way to work, treading the fine line between life and death. "A precious collection of work, the first and maybe the last of its kind. My Pen Is the Wing of a Bird is a huge accomplishment" MONIQUE ROFFEY, author of The Mermaid of Black Conch My Pen Is the Wing of a Bird is a landmark collection: the first anthology of short fiction by Afghan women. Eighteen writers tell stories that are both unique and universal - stories of family, work, childhood, friendship, war, gender identity and cultural traditions. "This book reminds us that everyone has a story. Stories matter; so too the storytellers. Afghan women writers, informed and inspired by their own personal experiences, are best placed to bring us these powerful insights into the lives of Afghans and, most of all, the lives of women. Women's lives, in their own words - they matter." Lyse Doucet in her Introduction This collection introduces extraordinary voices from the country's two main linguistic groups (Pashto and Dari) with original, vital and unexpected stories to tell, developed over two years through UNTOLD's Write Afghanistan project. My Pen Is the Wing of a Bird comes at a pivotal moment in Afghanistan's history, when these voices must be heard.

'Read this! Absolutely loved it!' Christina Lauren 'This book is perfect' Rosie Walsh 'Beth is quite rightly earning her title as "Queen of Uplit"' Prima Addie and her sister are on an epic road trip to a friend's wedding in rural Scotland. But, not long after setting off, a car slams into theirs. The driver is none other than Addie's ex, who she hasn't seen since their traumatic break-up two years earlier. Dylan and his best mate are heading to the wedding too, so Addie has no choice but to offer them a ride. And with four hundred miles to go, they can't avoid confronting the very messy history of their relationship . . . Will they make it to the wedding? And, more importantly, is this really the end of the road for Addie and Dylan? 'Funny, relatable and tender' Red 'If Richard Curtis and Nora Ephron made a story baby' Zoella Book Club

How does it feel to be betrayed by your closest friend? A close friend who turns out to be the most prolific grifter in New York City... This is the true story of Anna Delvey (real name Anna Sorokin), the fake heiress whose dizzying deceit and elaborate con-artistry deceived the Soho hipster scene before her ruse was finally and dramatically exposed. After meeting through mutual friends, the 'Russian heiress' Anna Delvey and Rachel DeLoache Williams soon became inseparable. Theirs was an intoxicating world of endless excess: high dining, personal trainer sessions, a luxury holiday ... and Anna footed almost every bill. But after Anna's debit card was declined in a Moroccan medina whilst on holiday in a five-star luxury resort, Rachel began to suspect that her increasingly mysterious friend was not all she seemed. This is the incredible story of how Anna Sorokin conned the high-rollers of the NYC social scene and convinced her close friend of an entirely concocted fantasy, the product of falsified bank documents, bad cheques and carefully edited online photos. Written by Rachel DeLoache Williams, the Vanity Fair photography editor who believed Anna's lies before helping the police to track her down (fittingly, deciphering Anna's location using Instagram), this is Catch Me If You Can with Instagram filters. Between Anna, Fyre Festival's Billy McFarland (Anna even tried to scam Billy) and Elizabeth Holmes, whose start-up app duped the high and mighty of Silicon Valley, this is the year of the scammer.

'Dame Anna Wintour might be one of the best-known and most successful journalists on the planet. But it wasn't always like that. When she started out on Vogue she was often so miserable she had to phone her husband for help. This is just one of countless fascinating titbits in this zippy story of dizzying fortune, out-of this-world fashion, ingenuity, passion, sex and power. And, this being fashion, some intense bitchiness too. Started as a gossip magazine for snobbish New Yorkers in 1892, Vogue is now one of the most recognisable brands in the world. Spanning London, New York and Paris, this is a high-speed, fun read full of fascinating though not always likeable people.' Daily Mail Glossy is a story of more than a magazine. It is a story of passion and power, dizzying fortune and out-of-this-world fashion, of ingenuity and opportunism, frivolity and malice. This is the definitive story of Vogue. Vogue magazine started, like so many great things do, in the spare room of someone's house. But unlike other such makeshift projects that flare up then fizzle away, Vogue burnt itself onto our cultural consciousness. Today, 128 years later, Vogue spans 22 countries, has an international print readership upwards of 12 million and nets over 67 million monthly online users. Uncontested market leader for a century, it is one of the most recognisable brands in the world and a multi-million dollar money-making machine. It is not just a fashion magazine, it is the establishment. But what - and more importantly who - made Vogue such an enduring success? Glossy will answer this question and more by tracing the previously untold history of the magazine, from its inception as a New York gossip rag, to the sleek, corporate behemoth we know now. This will be a biography of Vogue in every sense of the word, taking the reader through three centuries, two world wars, plunging failures and blinding successes, as it charts the story of the magazine and those who ran it.

Me and White Supremacy has sold over 150,000 copies and was shortlisted for the Non-Fiction Book of the Year award at the British Book Awards. Now, with this YA edition, Layla will help younger readers to feel more confident talking about white supremacy and antiracism. Layla gives them the knowledge and practical tools they need to help change the world, now and for the generations that come after them. Me and White Supremacy became one of the most talked about books of 2020. It isn't just a book that you read, it is a book that you do, and it has the power to make you question the world you live in whilst giving you the tools to do something to change it. In this Young Adult edition, Layla has completely reworked the original to address readers of 11+ and of all races to help them explore and better understand racism. The book is based on the understanding that it is important for all young people to understand these topics, so they can grow into adults who know how to have conversations about race and racism as well as how to work together collectively to create an antiracist world. Like the original book, this edition guides readers through the different concepts that contribute to white supremacy and explores how they can help dismantle it to create a fairer world. It is written in such a way that it can be worked through together as a group, in class, or individually, and over any period of time.