Seven Stories

Long before he became one of the world's most celebrated immunologists, Jan Vilcek began life in Slovakia as the child of Jewish parents at a time when Jews were being exterminated all across Europe. He owes his and his mother s survival to the courage of brave people and good luck. As a young man growing up in Czechoslovakia in the aftermath of the Second World War, Vilcek went to medical school and chose a career in virology and immunology at a time when these fields were still in their infancy. While still in his twenties he published a paper in the prestigious journal "Nature," and he hosted the first international conference on interferon. Fleeing Communist Czechoslovakia with his wife Marica, Vilcek continued his research at NYU School of Medicine, going on to establish a highly successful career in biomedical research, and creating one of the most important and trailblazing medicines of our age. After his arrival in the US in 1965 as a penniless refugee, he soon went on to spearhead some of the key advances in the research of interferon that enabled its therapeutic application, and through his research into tumor necrosis factor (TNF) made advances that led to the discovery of new genes and proteins and signaling pathways, opening up previously uncharted areas of medical innovation that have led to important new treatments for a wide range of autoimmune and inflammatory diseases. Along the way Vilcek acquired material wealth he had never aspired to, catapulting him into the world of philanthropy. "Love and Science" shows how advances in science sometimes result from the greatest disappointments, and how achievement in medical research is usually a team effort, where ideas are shared, where friendship and love sometimes matter most and serendipity is as important as a will to succeed and where, over time, the least expected thing sometimes becomes the most important. In Vilcek's case the vaunted cure for cancer that many saw in TNF never materialized. However, out of the ashes of that hope came many related treatments that have changed countless lives and alleviated much suffering."

August 21, 2013: a chemical weapons attack on the suburbs of Damascus reminds the world of the existence of the Syrian war. Hundreds of journalists from every corner of the world rush to the frontier only to leave disappointed when Obama decides not to bomb. They leave behind 200,000 estimated victims, and more than half of a population of 22 million people dispersed or refugeed in nearby countries: the worst humanitarian crisis since WWII according to the UN. Francesca Borri is one of them. But she does not leave. She is thirty years old. For months she covers the battle of Aleppo as a freelance reporter. And she quickly realizes that to report a war is to hide with dozens of women and children, even a baby, born there, in a grave, 'a piece of soil under the ground that is as expensive as three houses' or to scavenge for anything to burn for some warmth, 'a broken slipper, the plastic hand of a toy' or to mistake bloody figments of skull for rubble. To report a war is also to meet with officials more worried about the stain of snow on their Clarks than the people they are supposed to help. It is to explain what is happening in Aleppo to journalists who have only been there once, on vacation, and bought a carpet. It is risking one's life because of the jealousy of a fellow reporter. And it is also about dreaming of driving at night with the windows open, about remembering impossible little things, the particular light on that day in that cafe at the beach when you were a kid, the eyes of people you love, all the minuscule simple joys that can be lost in a moment. "Syrian Dust" is a raw and powerful account of the Syrian war that throws the reader right in the middle of it, without any shelter."

In the follow-up to his National Translation Award-winning collection The Undiscovered Chekhov, translator and scholar Peter Constantine brings us more little-known work from the Chekhov's early days as a magazine writer, pseudonymously turning out pieces for Russia's small middle class. These stories are fresh, yet mature, snapshots of the style with which Chekhov would come to be associated, both uproariously tragic and darkly comic, and lit from within by a deep feeling of fellowship for all of humanity. As his readers have come to expect, Constantine has translated this work with a masterly command of both languages' subtleties, capturing the shadings and intricacies of Chekhov's writing that flash and recede like sunlight on an orchard, offering Chekhov's tough and amused perspectives on love, aging, class, and work. With moments that seem to presage the most contemporary writing, Chekhov's Little Apples reveals one of the world's greatest writers as we have rarely seen him, an author both deeply of his times and far ahead of them.

Here for the first time is the complete short fiction of one of the twentieth century's foremost imaginative geniuses. More than half of Vonnegut's output was short fiction, and never before has the world had occasion to wrestle with it all together. Organized thematically--"War," "Women," "Science," "Romance," "Work Ethic versus Fame and Fortune," "Behavior," "The Band Director" (those stories featuring Lincoln High's band director and nice guy George Hemholtz), and "Futuristic"--these ninety-eight stories were written from 1941 to 2007, and include those Vonnegut published in magazines and collected in Welcome to the Monkey House, Bagombo Snuff Box, and other books; here for the first time five previously unpublished stories; as well as a handful of others that were published online and read by few. During his lifetime Vonnegut published fewer than half of the stories he wrote, his agent telling him in 1958 upon the rejection of a particularly strong story, "Save it for the collection of your works which will be published someday when you become famous. Which may take a little time." Selected and introduced by longtime Vonnegut friends and scholars Dan Wakefield and Jerome Klinkowitz, Complete Stories puts Vonnegut's great wit, humor, humanity, and artistry on full display. An extraordinary literary feast for new readers, Vonnegut fans, and scholars alike.

Paul Auster’s A Life in Words—a wide-ranging dialogue between Auster and the Danish professor I. B. Siegumfeldt—is a remarkably candid and sharply focused investigation into one writer’s art, craft, and life. It includes many revelations that have never been shared before. This is a book that’s full of surprises, composed of spoken words that sometimes jump off the page like good drama. The conversations between Auster and Siegumfeldt went on for three years, starting in 2011 and continuing after there was a complete draft in revisions. All twenty-one of Auster’s narrative works are covered, as well as all the themes and obsessions that drive the work, and the man.

Winner of the Prix Ulysse for best debut novel in France Winner in Croatia and the Balkan region of the Kočicevo Pero Award, the Josip and Ivan Kozarac Award, and the Kiklop Award for the best work of fiction When the Croatian War of Independence breaks out in her hometown of Vukovar in the summer of 1991 she is nine years old, nestled within the embrace of family with her father, mother, and older brother. She is sent to a seaside vacation to be far from the hostilities. Meanwhile, her father has disappeared while fighting with the Croatian forces. By the time she returns at summer's end everything has changed. Against the backdrop of genocide (the Vukovar hospital massacre) and the devastation of middle-class society within the Yugoslav Federation, our young narrator, now with her mother and brother refugees among a sea of refugees, spends the next six years experiencing her own self-discovery and transformation amid unfamiliar surroundings as a displaced person. As she grows from a nine-year old into a sparkling and wonderfully complicated fifteen-year-old, it is as a stranger in her own land. Applauded as the finest work of fiction to appear about the Yugoslav Wars, Ivana Bodrožic's The Hotel Tito is at its heart a story of a young girl's coming of age, a reminder that even during times of war--especially during such times--the future rests with those who are the innocent victims and peaceful survivors.

A small book with great weight and urgency to it, this is both a history of democracy and a clarion call for change. "Without drastic adjustment, this system cannot last much longer," writes Van Reybrouck, regarded today as one of Europe's most astute thinkers. "If you look at the decline in voter turnout and party membership, and at the way politicians are held in contempt, if you look at how difficult it is to form governments, how little they can do and how harshly they are punished for it, if you look at how quickly populism, technocracy and anti-parliamentarianism are rising, if you look at how more and more citizens are longing for participation and how quickly that desire can tip over into frustration, then you realize we are up to our necks." Not so very long ago, the great battles of democracy were fought for the right to vote. Now, Van Reybrouck writes, "it's all about the right to speak, but in essence it's the same battle, the battle for political emancipation and for democratic participation. We must decolonize democracy. We must democratize democracy." As history, Van Reybrouck makes the compelling argument that modern democracy was designed as much to preserve the rights of the powerful and keep the masses in line, as to give the populace a voice. As change-agent, Against Elections makes the argument that there are forms of government, what he terms sortitive or deliberative democracy, that are beginning to be practiced around the world, and can be the remedy we seek. In Iceland, for example, deliberative democracy was used to write the new constitution. A group of people were chosen by lot, educated in the subject at hand, and then were able to decide what was best, arguably, far better than politicians would have. A fascinating, and workable idea has led to a timely book to remind us that our system of government is a flexible instrument, one that the people have the power to change.

From the author of Death and the Maiden and other works that explore relations of power in the postcolonial world comes the story of a man whose distant past comes to haunt him. Is the sordid story behind human zoos that flourished in Europe in the nineteenth century connected somehow to a boy's life a hundred years later? On Fitzroy Foster's fourteenth birthday on September 11, 1981, he receives an unexpected and unwelcome gift: when his father snaps his picture with a Polaroid, another person's image appears in the photo. Fitzroy and his childhood sweetheart, Cam, set out on a decade-long journey in search of this stranger's identity--and to reinstate his own--across seas and continents, into the far past and the evil and good that glint in the eyes of the elusive visitor. Seamlessly weaving together fact and fiction, Darwin's Ghosts holds up a different light to Conrad's "The horror! The horror!" and a different kind of answer to the urgent questions, Who are we? And what can we do about it?

The true story of Savannah Knoop, JT LeRoy, and one of the most famous literary hoaxes of all time, soon to be a major motion picture. More than ten years after the New York Times unmasked Savannah Knoop as the face of the mysterious author JT LeRoy, her story continues to fascinate. To some, it was a compelling experiment with authorship and identity. To others, it was an unforgivable deception. In Girl Boy Girl, Knoop tells her side of the story, revealing how she came to portray the young trans hustler turned literary wunderkind--a persona created by her sister-in-law, Laura Albert, to help sell her books. For six years Knoop led this bizarre double life, trading a precarious existence as a college dropout for a life in which she was embraced by celebrities and artists--Carrie Fisher, Courtney Love, Mary Ellen Mark, Winona Ryder, Asia Argento, Gus Van Sant, Mike Pitt, Calvin Klein, and Shirley Manson, to name a few--and traveled the world. Knoop reveals how playing JT LeRoy gave her a sense of confidence and entitlement she never had before. But as JT's fame grew, the charade became harder to maintain, and Knoop started to resent "pretending to be someone who had nothing to do with me, representing something I hadn't created." Much more than an inside look at one of the most famous literary hoaxes of all time, this book is also the story of a woman who inadvertently finds herself by pretending to be someone else. This edition of the book features a new introduction by the author, whose story will soon be a major motion picture starring Kristen Stewart as Savannah/JT.

The author of The Mental Load returns with more visual essays which are transformative agents of change. After the success of The Mental Load, Emma continues in her new book to tangle with issues pertinent to women's experiences, from consent to the power of love, from the care and attentiveness that women place on others' wellbeing and social cohesion, and how it constitutes another burden on women, to contraception, to the true nature of gallantry, from the culture of rape to diets, from safety in public spaces to retirement, along with social issues such as police violence, women's rights, and green capitalism. And, once more, she hits the mark.

The true story of one woman's struggle to save her sons from radicalization by Chechen partisans, as told by a seasoned war reporter. In All Lara's Wars, the great events of the last half-century--the realignment of Eastern Europe after the fall of the Soviet Union, and the rise in the Middle East of ISIS and its quest for a new Caliphate--converge in this account of a Chechen-Georgian family whose two sons become radicalized, and how their mother--Lara--travels to Syria by bus and at great risk, not to join them but to bring them home. By then, the older son is a high level commander and the younger son a respected soldier in ISIS's army. The story is told with a sense of wonder at the contemporary world and all the ways it resembles a primitive and violent land where all struggles are to the death, and there is an epic battle going on between forces of good and evil that cannot be understood other than as mythic and larger than life. Lara is a Kist--one of a tiny ethnicity that crossed the Caucasus mountains a century ago to settle in the remote Pankisi Gorge in northern Georgia, a peaceful and isolated paradise. She married a Chechen, moved to Grozny, and became the mother of two sons. When war came to Chechnya, she took her children home to the safe Georgian valley, and later sent them to Western Europe to live with their father--to protect them from the influence of the radical Islamic freedom fighters who had come to the Pankisi Gorge as refugees from the Chechnyan wars. As in all of Wojciech Jagielski's books, he tells here the story of any modern war, how the individual lives of civilians and combatants are obliterated in the sweep of the larger narrative--and how the humanity of these individual lives is revealed, and the price paid in human endurance and persistence and loss. Jagielski observes, listening to Lara and letting her story emerge through the filter of his literary skill. This unusual reportage tells us the facts of the Chechnyan wars and the reality of the Syrian war from the viewpoint of ISIS recruits, but it is also the true account of one ordinary family that became part of the larger tragedy that has claimed so many victims in recent years.