Skira

The first comprehensive survey of Baselitz’s printmaking Celebrating six decades of print making, A Life In Print is the first comprehensive book on an important part of Georg Baselitz’ artistic practice. Considered to be one of the greatest painters alive and credited to have revived Figuration in a time when Abstraction ruled the art world, the German artist started to explore different print techniques beginning in 1964, and never stopped to see them as an integral part of his work. While his contemporaries used new offset and screen-print techniques to create what amounted to reproductions in often high editions, Baselitz rejected the Zeitgeist and explored century old techniques like dry point etchings, aquatinta, wood and linocuts, while tirelessly pushing his own artistic limits. The book brings together more than 245 prints and introduces the reader to all major themes and motives of Baselitz career, from the so-called Heroes of the mid-60ies to his iconic images of Eagles to the manyfold portraits of his wife Elke. The book forcefully makes the point that no other artist since Picasso has done more for and in that genre than Baselitz. Edited by Cornelius Tittel in close collaboration with the Baselitz Archive in Munich, the book features an anthology of the quintessential historic texts on Baselitz’ printmaking – amongst others by himself, fellow artist Per Kirkeby and art historians like Michael Semff and Reiner Michael Mason. A new essay by Frode Sandvik, curator at Kode Museum, explores the shared affinities in the print work of Edvard Munch and Georg Baselitz.

L’Estampe originale portfolio revisited in landmark Catalogue raisonné L’Estampe originale graphics portfolio, published in France during the mid 1890s, is widely regarded as one of the greatest collaborations in the history of printmaking. The portfolio features ninety-five works of art by seventy-four influential French, Swiss, Belgian, English and American artists. The visionary Parisian publisher André Marty issued and distributed nine quarterly installments of L’Estampe originale from March 1893 to March 1895 in a limited edition of one hundred. The first eight folios each consisted of ten prints of varying sizes, paper, and media, loose in paper wrappers; the final ninth installment included fourteen prints. In addition to the artist’s pencil or ink signature and an edition number, a unique blind stamp designed by Alexandre Charpentier was embossed on each print. This revised and full color publication of L’Estampe originale, A Catalogue Raisonné highlights the importance of color lithography during the last decade of the nineteenth century. The book includes an enlightening essay based on hundreds of mostly unpublished handwritten original and facsimile letters from the artists and from Marty’s collaborators; these are preserved at the Getty Research Institute in Los Angeles. This vast chorus of voices allows the reader to eavesdrop directly on the past and reveals rich details of the life and working methods of André Marty—an ambitious cultural insider and artist, art historian, critic, editor, prominent and discerning publisher, private dealer and entrepreneur.

Twenty years of images by the acclaimed American photographer, pioneer of color art photography. Mitch Epstein (Holyoke, Massachusetts, 1952) is a photographer who helped pioneer fine-art color photography in the 1970s. Focusing primarily on America as a place and an idea over the last five decades, Epstein produced iconic images of his country and immersive, visually arresting stories on the urgent political and cultural challenges America has to face as a nation. American Nature presents three seminal series (American Power, Property Rights and Old Growth) and premiers two multimedia works: Clear Cut, a projection of Darius Kinsey’s early 20th century photographs of logging in the Pacific Northwest forests of the United States set to a modern soundtrack; and Forest Waves, a multi-channel video-sound installation made in the old growth forests of Massachusetts. The book is an inquiry into the consumption of resources by American industry and the risks that individuals undertake to preserve what is left of precolonial land for future generations. It includes a selection from all three photographic series, Darius Kinsey’s photographs from Clearcut and film stills from Forest Waves. Together, they tell the story of the resilience and fragility of the natural world. Also included are essays by acclaimed art historians Makeda Best and Robert Slifkin and curator Brian Wallis, and an in-depth interview between Wallis and Epstein, which delves into the artist’s practice, and his evolving artistic and political resolve.

A wide-ranging monograph of over 100 prints by David Hockney. David Hockney (b. 1937) is renowned for his distinctive paintings, mostly portraiture and landscape, but also for his approach to works on paper and printmaking, mirroring the vibrancy and diligent indexing seen in his broader body of work. Hockney’s prints often showcase a dynamic interplay of colour, form, and perspective, reflecting his keen eye for visual storytelling of intimate elements of his own life. David Hockney: Paper Trails, accompanying an exhibition at the Shanghai Modern Art Museum in Autumn 2024, examines these works on paper and prints through 129 artworks, mapping out the emotive terrain of his dynamic and vivid compositions. The exhibition, co-curated by Russell Tovey, creator of the popular podcast Talk Art, and the museum’s artistic director Shai Baitel, is intentionally accessible and non-academic. Tovey’s introduction to the catalogue invites the reader to ‘Look and look again’, examining Hockney’s decision to return to the same subjects and sitters repeatedly and the deeper meaning that emerges from the variations on a theme. This catalogue captures the most comprehensive collection to date of Hockney’s works on paper, encompassing a wide array of image making techniques – from lithography and etching to photo-collage and iPad drawings. His visual experiments, always surprising in their outcomes, suggest a rich interior and exterior life, captured in telling bits and fragments, suggesting a montage of quotidian scenes. The works are curated through affective-atmospheric groupings, with chapters including ‘Playful’, ‘Sombre’, ‘Intimacy’ and ‘Peaceful’, articulating the range of emotional resonance and world-building in Hockney’s practice. Whether depicting landscapes, portraits of friends, or objects in the home, Hockney’s prints exhibit a harmonious blend of traditional craftsmanship and his own distinct playfulness and insight to daily life. The works showcased in this catalogue highlight his continuous dedication to capturing and indexing his life through intimate portraiture and snapshots from his daily routine.

The excellence of Italian design through 100 vases from the beginning of the last century to the present. What, if anything, sets an “Italian” vase apart from the vast numbers of vases produced worldwide? A vase is both an everyday object and an object that lends itself to a huge variety of interpretations, a field in which Italian designers excel in terms of originality and recognizability (not to mention the inherent “sustainability” of the vase as object, typically made from the most ecological of materials, like clay or silica glass). The intention behind 100 Vases of Italian Design is to analyse and provide a possible response to the concept of Italian style by exploring one of its most common and enduring expressions. Materials, forms, tradition, and innovation unfold before readers’ eyes, page after page, helping them seek meaning in the challenge posed by the title: the selection comprises vases ? all of which have gone into production, sometimes as a small or very small series ? from the past century, from Galileo Chini to Fabio Novembre, spanning the golden era from the 1930s to the 1960s. Introduced by the essays by Marco Meneguzzo and Enrico Morteo on the concept and the history of Italian vases, the book invites the reader to discover 100 years of materials, forms, tradition and invention.

The highly original and unique art of Escher, one of the most celebrated artists of the 20th century Maurits Cornelis Escher was born in 1898 in the Netherlands and died there in 1972. In 1922 he first visited Italy (Tuscany, Umbria and Liguria) and in 1923 arrived in Rome, where he lived for twelve years, until 1935. The Roman period had a strong influence on all his later work, which saw him prolific in the production of lithographs and etchings especially of landscapes, views, architecture and views of that ancient and Baroque Rome that he loved to investigate in its most intimate dimension, that of the night, by the dim light of a lantern. Restless, reserved and undoubtedly brilliant, Escher in his famous engravings and lithographs created a unique, imaginative, impossible world where art, mathematics, science, physics and design converge. Published on the exhibition in Rome, the volume gathers over 300 works, including new acquisitions and many of his most notable pieces that have made him famous all over the world, documenting the story of the Dutch artist's genius with the most iconic works of his production such as Hand with Reflecting Sphere (1935), Bond of Union (1956), Metamorphosis II (1939), Day and Night (1938) and the Emblemata series, which belong to the common imagination referable to the great artist. The book also features the complete series of 12 Roman Nocturnes produced in 1934. An artist discovered relatively recently, Escher is loved by those who know art, but also by those who are passionate about mathematics, geometry, science, design, and graphics. A wide range of themes converge in his works, and for this reason in the panorama of art history he represents a uniqueness.

A who’s who of Italian fashion photographers, from Vogue favorites to rising stars This glamorous, 400-plus-page encyclopedic publication celebrates the innovative legacy of Italian fashion photography, showcasing a broad selection of work from some of the foremost contemporary players in the field. Curated by photographer Pablo Arroyo and organized alphabetically, Panorama of Contemporary Italian Fashion Photography gathers imagery from over 90 artists both upcoming and established. From high-concept haute couture and lo-fi portraits to candid street scenes and magazine editorials, this compendium is an astonishing collection of cutting-edge photography emblematic of a country that has set the gold standard for fashion and style. Panorama of Contemporary Fashion Photography is an invaluable reference tool for creatives and industry enthusiasts alike. Photographers include: Arianna Genghini, Carlotta Manaigo, Emanuele Ferrari, Giampaolo Sgura, Illaria Orsini, Letizia Ragno, Marcello Junior Dino, Maurizio Annese, Paolo Zambaldi, Stefano Galuzzi.

Leonardo da Vinci and Anatomy: all the power and relevance of this great Renaissance mind. This exhibition catalogue on Leonardo da Vinci the anatomist highlights the mystery of a thought that was both anchored in its time and, combined with a totally new practice (dissection), leading to a new understanding of the nature of life. Da Vinci was not content with a passive description of the human body; he sought to penetrate the secrets of its functioning by first studying the mechanics of humans (bones, muscles, tendons), then the logic of the senses, and finally all the bodily functions (digestion, respiration, blood circulation, reproduction), which made him to use qualitative reasoning. Contrary to popular belief, Leonardo did not carry out his dissections in secret, but in complete agreement with the political and religious authorities, until his materialistic ideas came into conflict with the pontifical authorities, particularly with regard to embryology. The originality of the book is to show how Leonardo’s work as an anatomist and his work as a painter are inseparable. The book thus links a work such as the Last Supper in Milan with the knowledge gathered in the medical field. The book brings together originals or copies of Leonardo’s sheets with objects (anatomical waxes, facsimiles of dissecting instruments), books studied by the artist, interviews with specialists and animated 3D reconstructions.

A Prince Albert II of Monaco Foundation Award. While neither denying the great challenges that await us nor concealing the damage inflicted by Man on Nature, the photographs selected for the second edition of the Prince Albert II of Monaco Foundation's Environmental Photography Award reveal the incredible beauty that our Planet harbours, from the polar regions to the depths of the ocean, or even nestled in the heart of ancestral forests. By reflecting on our relationship towards nature and interrelation between human health and planetary health, the photographers invite us on a journey through images and deliver a message of hope; that together we can still act in a meaningful way, if we join forces to limit the effects of climate change and promote the resilience of ecosystems. The Award is divided among several categories, with a winner for each: Humanity versus Nature, Towards a Sustainable Future, Beneath the Canopy, and Polar Wonders. This book presents opposite every photo, the photographers testimonie, which encourage us to change, to innovate, to invent sustainable solutions to better rethink our lives and our economies. They reveal a real "field of possibilities" for new generations who aspire to a more harmonious relationship with Nature. It is up to every one of us to make this world, where we would coexist in a more responsible and prosperous way, possible. Now is the time for action.

A six-decade survey of Dylan's work in painting, drawing and sculpture Spanning six decades, Retrospectrum showcases the development and range of Bob Dylan's (born 1941) visual art in an array of mediums. His diverse creations include works made in oil, acrylic, watercolor, ink, pastel, charcoal and sculpture in iron. Among the artworks presented in Retrospectrum are some of Dylan's earliest ink sketches, first published in 1973's Writings and Drawings, which illustrated and compiled Dylan's lyrics up to that date. These are shown alongside 2021's Mondo Scripto series, in which Dylan revisited some of his most renowned lyrics, hand-lettering and illustrating them. The book also features the iconic Train Tracks series; The New Orleans Series and The Asia Series (from 2012 and 2010 respectively), inspired by Dylan's travels; works from his hugely popular The Beaten Path series (2015-present); and his iron sculptures created from found objects.

How the legendary portraitist forged enduring relationships with his sitters, from Marilyn Monroe to Truman Capote Over the course of his six-decade-long career, photographer Richard Avedon worked with a tremendous range of portrait subjects: models, actors, ballet dancers, celebrities, civil rights activists, heads of state, inventors, musicians, visual artists and writers. He also frequently returned to the same subjects. Published for an exhibition at Palazzo Reale, Richard Avedon: Relationships spotlights these recurring figures: painter Jasper Johns in 1965 and 1976; novelist Carson McCullers in 1956 and 1958; the Beatles, Andy Warhol, Marilyn Monroe and Allen Ginsberg in 1963 and 1970. Perhaps his most intimate and enduring photographic relationship occurred with his friend and collaborator Truman Capote. Selected from the extensive Avedon collection at the Center for Creative Photography by curator Rebecca A. Senf, this catalog presents 100 fashion and portrait photographs that emphasize the role of relationship-building in Avedon’s practice. His attunement to his individual subjects?as well as his crystalline technical proficiency?enabled him to create portraits radiant with vivid life.

I wanna be an Influencer is a photographic journey that maps out the new geography of places based on the choices of influencers, a social category that has become an undisputed reference point over the last decade for marketing any type of product, from clothing to cosmetics, travel and new destinations. The author particularly reflects on one of the aspects that characterizes tourism in the time of Instagram. Destinations that are already well-known or completely unknown become sought-after, inducing a mass of aspiring influencers to adopt the same poses and behaviour because and as long as they are Instagrammable. A kaleidoscope of images, taken behind the scenes of a real community that aims for the immediate sharing of experiences in old and new "elsewheres" and of places whose meaning has changed. Unlikely poses and daring shots are captured by the author's attentive and amused eye. The photographs are accompanied by texts by experts in the field (Beatrice Avallone, Vincenzo Nocifora, Benedetta Donato), who analyse a phenomenon of our time, which we witness daily on the social network Instagram.

Celebrating Japan's unique print culture of monsters and ghouls During the Pax Tokugawa—Japan's 300-year period of prosperity and peace from 1600 to 1900—epic tales about the wars of the past circulated and were adapted into spine-tingling games. One Hundred Candles, in which a group of friends swap scary stories on the eve of a full moon in the summer, is perhaps the most famous of the genre; legend dictates that the storytelling culminates in the appearance of a spirit. Yokai follows the spirit of this macabre game, sharing 200 works of Japanese mythological imagery from the 18th and 19th centuries. The book's collation of prints, books, clothes, weapons, swords, samurai armor, 77 precious netsuke and a 33-foot scroll coalesce into a portrait of Japan's storied—and sometimes spooky—past. Artists include: Yoshu Chikanobu, Katsushika Hokusai, Eisen Keisai, Utagawa Kunisada, Kawanabe Kyosai, Tsukioka Settei, Kitagawa Utamaro, Utagawa Yoshitora and Utagawa Yoshitoshi.

Crewdson's epic photographic trilogy—a portrait of America a decade in the making Over the past three decades, Gregory Crewdson has been fleshing out a portrait of middle America, an America gazing wide-eyed at the glimmers of a fading dream. His cinematographically staged photos have pieced together the fragments of a twilight world tinged with numbness. This book brings together three bodies of work made between 2012 and 2022: Cathedral of the Pines (2012-14), An Eclipse of Moths (2018-19) and Eveningside (2021-22). Envisaged as a trilogy, they provide unique insight into a decade of creation and offer a comprehensive view of the universe that has positioned Crewdson as one of the major figures of contemporary photography. This trilogy is introduced by Fireflies (1996), a pivotal series for grasping the intimate undercurrents in Crewdson's work. Gregory Crewdson (born 1962) is a graduate of SUNY Purchase and the Yale School of Art, where he is now the director of graduate studies in photography. His series Beneath the Roses is the subject of the 2012 documentary Gregory Crewdson: Brief Encounters. His work has been exhibited widely in the US and Europe. Crewdson is represented by Gagosian Gallery, New York.

An accessible, sweeping survey of the history of photography Photography has been one of the key languages of modernity and, since the advent of the digital revolution, has also established itself as the most used medium in everyday private and public communication. This book illustrates the captivating adventure of world photography from its origins to the present day in an accessible, exacting and narrative tone that will appeal to experts, amateurs and photography enthusiasts alike. Setting off from the medium's pioneers and early protagonists, this volume traces the spread of photography in all ambits (scientific, forensic and artistic), the development of portraiture, the advent of early 19th-century avant-gardes, the use of photography as record, reportage and propaganda, its contribution to Pop and Conceptual art, the steps toward its institutionalization and, lastly, its most recent developments, from staged photography to new millennium post-photography.

A chunky, giftable compendium of beautiful vases by emerging designers from around the world A vase is never merely a container. As Georges Braque once said, the vase gives form to emptiness: ever since the earliest human civilizations, this object has had a purpose that is greater than its function and it perennially invites experimentation in shape and expression. The 1,000 vases presented in this book offer an eloquent demonstration of this fact. They come from 35 different countries and more than 80% of them have been made by women or independent designers and artists born between 1988 and 1993--each of whom was invited to create a free interpretation of the same archetype, resulting in a spectrum of the infinite creativity inspired by the many possible versions of a single item. Made from an enormous range of materials (ceramic, terracotta, porcelain, metal, wood and glass, as well as natural fibers, industrial waste and recycled plastic), using techniques both ancient and ultramodern (3D printing) and belonging to different categories (from amphora to jar, jug to carafe), almost all sit on the borderline that simultaneously unites and separates art, design and craftsmanship. Designers include: Yuta Segawa, Zhu Ohmu, Yonobi Studio, Angelika Kogevina, Anbar El Mokri, Andrea Maestri, Angelina Guez, Anna Jukova, Ariaana de Luca, Carey Lowell, Coco Brun, E Jockel, Gabriela Flores and many more.