Skira strana 5 z 6

The genesis of the modern art movement in Bangladesh traces back to the partition of India (1947) and the establishment of the Dhaka Art Institute in 1948 by ‘Shilpacharya’ (guru of art) Zainul Abedin and several of his contemporaries, who arrived in Dhaka from Kolkata where they had trained. This is the defining volume in the Bengal Foundation series of monographs dedicated to the great master artists of Bangladesh. Beautifully illustrated, with stunning fold outs, this book is the only comprehensive survey of Zainul Abedin’s work to date, illustrating his special relationship with his country from various artistic, social, and political perspectives. For his devotion to art education and his visionary and artistic achievements, Zainul Abedin has always been the undisputed protagonist of the Bangladeshi modern art scene. In 1943, he produced a series of renowned sketches depicting the Bengal Famine, in which millions of people perished. Abedin’s haunting images brought him all-India fame. His indigenous brand of realism, coupled with his social inquiry and protest proved vital in different moments in Bangladesh’s history, such as the Liberation War in 1971. Abedin did more than just make art; he wanted art to permeate all our lives. This exceptional retrospective monograph is a fitting tribute to his lifelong mission and a unique insight into Bangladeshi art and culture.

The new, updated edition of the Skira best seller on twentieth-century art. This book collects and documents the birth, development, and decline of the twentieth-century artistic movements in Italy and abroad up to the present.

An account of one of the most interesting phenomena of contemporary architecture: the return to the structure. Over the last ten years architecture would seem to have rediscovered engineering. Now that the post modern period has passed-in which the structure of buildings was camouflaged by coverings of every kind-architecture today seems to have undressed, almost as though wishing to show how it is made. The rediscovery in recent years of plastic form has brought about a closer relationship between architects and engineers. To this we must add the rise of new issues, such as that of environmental engineering, which has changed from being solely a technical and aesthetic practice into a movement in environmentally conscious architecture. If there is a phenomenon today that is able to hold together the various expressions of contemporary architecture, it is this return to the structure and the methods with which it is realized. Through its six thematic categories, this book provides an account of one of the most interesting phenomena of contemporary construction-the laying bare of architecture.

The Museo Ferragamo in Florence pays homage to Marilyn Monroe with a major exhibition and a catalog dedicated to her a half century after her death. Like many divas of the silver screen, Marilyn Monroe loved to wear Salvatore Ferragamo shoes. The exhibition and catalogue dedicated to her are the result of long research and preparatory work, presenting items from the actress's wardrobe worn on the set or in her private life, as well as important documents that reveal the actress's managerial side, her skill and determination in building and grooming her success. In this volume, the curators have sought to interpret a comprehensive collection of famous photographs taken in Marilyn's day-to-day life (by such notable photographers as Beaton, Stern, Barris, Greene) that portray Marilyn in "classic" poses by comparing them with famous works of art from the past that represent similar poses and expressions, from the balanced pathos of French painter Jean-Baptiste Greuze's Alessandro morente to Botticelli's Venus. The catalog gathers together all the photos of clothing and Ferragamo footwear, the documents in the exhibition, and a very large group of photographs and exceptional works of art from such prestigious institutions as the Museo Canova and the Warhol Foundation, and from private collections in Italy and abroad. The catalog also includes essays addressing such themes as classic and modern beauty, Marilyn's biography, and her relationship with other women, as well as an introduction by Stefania Ricci and Sergio Risaliti, exhibition curators.

Published on the occasion of the celebrations of the fifth centenary of the publication of the first book printed in Armenian characters in Venice in 1512, this volume celebrates the highest achievements of Armenian civilization in the spiritual, artistic, architectural, economic and of thought. Ancient stelae with engraved crosses, vividly colored miniatures, sacred architecture and precious reliquaries kept for centuries guide the reader into the discovery of medieval Armenian civilization. Significant attention is paid to the long and fruitful relations of the Armenians with peoples and cultures from Europe to the Far East. In particular, through historical documents, manuscripts and works of art, readers see how the Armenian presence developed in Venice and how the Armenians were seen by the Venetians in the political, economic, literary and artistic context of the Serenissima. A special section is dedicated to the introduction of printing to Armenia in 1512: the highest froms of typographic art in the world, produced by the dense and fascinating network of the Armenian colonies, are presented here. Particular emphasis is placed on the glorious Armenian-Venetian typographic tradition, brought to its peak by the laborious and enlightened dedication of the Mechitarist Fathers.

An exhibition catalog that features an impressive retrospective, covering the last fifty years in chronological order. Don McCullin (born 1935, London) is one of the most important photographers of our time. For more than fifty years, his uncompromising black-and-white photographs have shaped our awareness and understanding of modern conflict and its consequences. His images tell the remarkable story of his life and work, including his most famous assignments in Berlin, Vietnam, Cambodia, Biafra, Bangladesh, and the Middle East. The Winner of the Warsaw Gold Medal and the World Press Photographer Award, he was awarded the ICP Cornell Capa Award in 2006. Key periods in McCullin's life, including his early experiences of evacuation and the Blitz, his commissions from Berlin in 1961 and Cyprus in 1964, and his most famous work for the Sunday Times are here explored alongside more recent projects with Christian Aid, his photographs of last tribes in the Omo River Valley, South Kenya, and Irian Jaya, New Guinea, and, in the last few years, those of still-life and English landscapes at his home in Somerset. A photographic journey across the ruins and landscapes of the boundaries of the Roman Empire completes the volume.

The second volume in the Skira Photography series serving as a major reference in the field. The fifty years of artistic and mass photography taken into consideration in this volume are unquestionably the most important in the twentieth century. The acceleration of technological progress, the advent of the era of the machine and the metropolis, the epoch-making economic crisis, the dramatic aftermath of the collapse of the old nineteenth-century order in Europe with political upheavals, wars, revolutions, and dictatorships, the first appearance of a mass society capable of expressing cultures and systems of communication in line with its needs: these are the most obvious stages of a history that was also recorded as it happened, in various forms and media. Among these, key importance certainly attaches to photography. This richly illustrated book--complete with synoptic tables and glossary--offers a wide-ranging survey of this era that will delight and inform a constantly growing audience.

A collection of some two hundred cartoon strips dedicated to the Beatles, many of which are extremely rare and now inaccessible. Forty years after their break up, the Beatles remain the biggest phenomenon of music and mass culture in the world of entertainment. The book for the first time investigates and documents the interest that cartoonists, publishers, and enthusiasts have shown in their special relationship with the universe of comic strips--a rich and variegated relationship with thousands of publications, in every part of the world, and a production that continues to the present day. In some stories the Beatles are the protagonists, in others they make cameo appearances, while others feature their lyrics transformed into comic strips. Published on the fiftieth anniversary of the Fab Four's first single ("Love Me Do"), the book celebrates the band with a festive, fun and original product, conveying a dimension that does not age, transmitting the legend that endures through the years and changing fashions.

The ultimate reference book on the ethnic jewelry of Asian peoples. A comprehensive picture of jewelry beginning with prehistory and continuing into the twentieth-century with the works of contemporary designers. Ivory, beads, leather, shells, enamel work, precious metals, and stones, alone or in combination, are all illustrated throughout. Pieces chosen for their exceptional quality and historical importance come to life here. In addition to their aesthetic beauty, this book explains the historic significance of the jewelry, all anchored in the social, religious, and political contexts that lend it meaning. Accompanied by wonderfully composed photographs, the captions describe the provenance and use of each piece. A concise introductory essay makes this book accessible to the general reader and provides valuable background information for jewelers, designers, art historians, collectors, and dealers.

The first volume in this series dedicated to the great artists of Bangladesh, previously unknown to most Western audiences. The genesis of the modern art movement in Bangladesh traces back to the partition of India (1947) and the establishment of the Government Institute of Fine Arts in Dhaka in 1948. This pioneering group of artists included, among others, Zainul Abedin, Safiuddin Ahmed, Anwarul Haque, and Quamrul Hassan. This book explores Safiuddin Ahmed’s extraordinary contribution to Bangladeshi art and society, in a series of drawings, paintings, woodcuts and etchings, with more than 200 beautifully illustrated colour and black and white plates. A special invitation to explore a life entirely devoted to art, at 89 years of age. Ahmed’s sophistication, deep love of music, and strong inclination to literature have always influenced his unique visual language.

The first monograph of the Indian artist Sohan Qadri, a modern Tantric painter. This book presents a huge selection of the artist's medium-size dye-and-ink-on-paper works.

Beautifully illustrated, this is the first volume in the series on contemporary artists from Bangladesh. Kazi Ghiyasuddin (Madaripur, Bangladesh, 1951) has been living between Bangladesh and Japan since 1975. On this rare creative journey, he draws his inspiration from nature to project his desire for harmony and peace. Producing richly textured canvases, his unique style resonates with delicate, inwardly expanding applications of paint. His early, more formal works have evolved into suggestive dream-like contemplations. As if conducting a sensory orchestra, Ghiyasuddin has melded two distinct cultures and aesthetics. This book showcases over 200 colour plates tracing the artist's personal vision over three decades of change in Bangladesh, and will appeal to all those interested in contemporary art in South Asia; particularly collectors, curators, academics, and artists.

Realizzato in occasione della grande mostra newyorkese, il volume "From Picasso to Koons. The Artist as Jeweler" propone una vasta panoramica sul gioiello d'artista del XX secolo attraverso le opere dei numerosi grandi artisti che si cimentarono con questa forma di artigianato: da Picasso a Warhol, da Niki de Saint-Phalle a Kapoor, da Louise Bourgeois a Spoerri, Vasarely, Soto, Morellet. Attraverso gli oltre duecento gioielli presenti in catalogo è possibile seguire l'evoluzione plastica degli artisti, studiandone in particolare il cambiamento stilistico nel passaggio da una scala di grandezza a un'altra. Allo stesso tempo, l'indagine di questi gioielli permette di scoprire una sfera più intima dei loro autori, svelandone il rapporto personale con il destinatario dell'opera, spesso una donna amata o una figlia. Oltre ad analizzare queste preziose opere, il volume mette in luce il ruolo fondamentale della donna nel sostenere l'artista in veste di collezionista, interlocutrice, o musa ispiratrice. La collezione di Diane Venet viene presentata come un vero e proprio museo dall'atmosfera intima, dove si racconta una storia dell'arte davvero molto particolare.

One of the most eclectic, celebrated and influential figures of the second half of the twentieth century, Andy Warhol is an emblem of American culture of the sixties and seventies. The Andy Warhol Show sheds light not only on the revolutionary role that Warhol played in art but also his influence on graphic design, communication and fashion. Introduced by the editors Gianni Mercurio and Daniela Morera, the exhibition catalogue includes new essays by Bruno Bischofberger, Victor Bokris, Ronald Feldman, Glenn 'O Brien and a critical essay by Demetrio Paparoni. The main nucleus of works reproduced in this striking catalogue is impressive: in addition to the 200 paintings which span his entire career, the book showcases a rich collection of photographs, graphic works and drawings, including Warhol's early illustrations for fashion magazines. The fundamental themes of the Warhol aesthetic can be seen here in some of their most representative examples: the beauty-success-power myth (portraits of Marilyn, Liz Taylor, Elvis Presley, Jaqueline Kennedy, Mao); consumerism (Campbell's Soup, Brillo Box, Dollar Sign); advertising, serial repetition of an image, the tragic symbols of catastrophe and death (Suicide, Electric Chair); portraits of artists, dealers, friends such as Leo Castelli, Keith Haring, Dennis Hopper; the passage through abstract art (Camouflage, Shadows); collaborations with Jean-Michel Basquiat and Francesco Clemente; and The Last Supper, Warhol's final series of works.

A broad monograph devoted to one of the preeminent names in contemporary Japanese photography. Moriyama's photography is provocative, both for the form it takes (Moriyama's photographs may be dirty, blurry, overexposed or scratched) and for its content. The viewer's experience of the photo--whether it captures a place, a person, a situation or an atmosphere--is the central thrust in his work, which vividly and directly conveys the artist's emotions. The approximately 200 black-and-white images s ketch out an original perspective on Japanese society, especially during the period from the 1950s to the '70s. During this time, he produced a collection of photographs -- Nippon gekijo shashincho -- which showed darker sides of urban life and relatively unknown parts of cities. In them, he attempted to show what was being left behind during the technological advances and increased industrialization in much of Japanese society. His work was often stark and contrasting within itself--one image c ould convey an array of senses; all without using color. His work was jarring, yet symbiotic to his own fervent lifestyle. In addition, the artist has included a number of photos shot in the past decade to complete this volume.