Skira strana 4 z 6

Inspired by Oriental carpets, Persian miniature paintings, Japanese ukiyo-e prints and geological maps, Los Angeles-based British Iranian artist Kour Pour (born 1987) produces paintings and prints that are either highly patterned or minimal and geometric. This book is the first comprehensive survey of Pour's 10-year career.

Nasser Alyousif

Rafa Nasiri : Artist Books

A vast catalog dedicated to Leonardo s entire oeuvre on the occasion of the largest exhibition realized on the genius, symbol of Italian art and creativity, during Milan Expo 2015. This volume represents a unique opportunity to admire and understand Leonardo s extraordinary complexity as an artist, painter, and sketcher, and, in part, his work as a scientist and technologist. This alluring volume is meant to illustrate, through twelve sections, some central themes in Leonardo s entire artistic and scientific career, underlining some constants in his vision as an artist and a scientist, as well as his interdisciplinary vocation and continuous intermingling of interests. The catalog gathers oeuvres signed by Leonardo paintings, drawings, and manuscripts introduced by works from his predecessors painters, sculptors, technicians, theorists which can contextualize Leonardo s contribution to the history of art, science, and technology while offering, at the same time, a vision of Leonardo the artist and scientist of his age, without giving in to mythmaking and banality. Two final sections show the influence of Leonardo the painter and art theorist on the modern era and the creation of his legend, centered on the Mona Lisa.The volume also includes masterpiece paintings by Leonardo, some of his original codes, and over one hundred signed drawings, as well as a considerable number of artworks, drawings, manuscripts, sculptures, and codes from major museums and libraries around the world and from private collections, with works by Antonello da Messina, Botticelli, Filippino Lippi, Paolo Uccello, Ghirlandaio, Verrocchio, Antonio and Piero del Pollaiolo, Jan van Eyck, and Bramante, just to name a few."

Twenty-five years after Mapplethorpe's death, an overview on his nudes, portraits, self-portraits, floral still lifes, and other works compiled by the art critic Germano Celant. Robert Mapplethorpe's wide, provocative, and powerful body of work has established him as one of the most important artists of the twentieth century. Since 1977, Germano Celant has studied the life and work of Robert Mapplethorpe, participating in interviews and writing essays for several publications and exhibitions. For the first time, this volume gathers the complete anthology of Celant's writings on the artist: from the 1983 exhibition at Palazzo Fortuny, Venice, with the collaboration of the artist himself, to the posthumous writings published in the catalogs prepared on the occasion of the exhibitions at the Guggenheim Museum, New York, and the Hermitage Museum, St. Petersburg, since 1990.This publication, through over 140 images and texts that appear both personal and scientific, aims to pay tribute to Robert Mapplethorpe's contribution to the history of photography.

Authors and professionals from different fields narrate Lamborghini's past, present, and future in a totally new way. Over the course of half a century, Lamborghini has gradually established itself as a leader in its sector, perfectly integrating into the culture of its time and becoming a symbol of innovation in design and technology, as well as a veritable phenomenon with regard to culture and communication. This beautifully illustrated book describes every step of the journey, with references to cinema, technology, design, and the work of the men who made their fortune from the brand. A large-format volume with 200 striking color images, brilliantly evoking a surprising combination of tradition and innovation for all those who are interested in design, technology, material culture, communication and, of course, the classic qualities of Italian manufacture at its best.

Accompanying a ground-breaking exhibition, this is the first comprehensive survey of the magnificent artistic traditions of the Plains Indians. The Plains Indians: Artists of Earth and Sky celebrates the extraordinary beauty, power, and spiritual resonance of Plains Indian art throughout time. Richly illustrated, this monumental volume includes a wealth of masterworks from European and North American collections, ranging from a 2,000-year-old Human Effigy stone pipe to a 2011 beaded adaptation of designer shoes. Works of art collected centuries ago by French traders and travellers are presented together with those acquired by Lewis and Clark on their famous expedition of 1804-6, along with objects from the early reservation era and contemporary works based in traditional forms and ideas. The distinct Plains aesthetic-intertwined with the natural world, ephemeral, and materially rich-is revealed through an array of forms and mediums: painting and drawing; sculptural works in stone, wood, antler, and shell; porcupine quill and glass bead embroidery; feather work; painted robes depicting figures and geometric shapes; and richly ornamented clothing and ceremonial objects. Many nations are represented-Osage, Quapaw, Omaha, Crow, Cheyenne, Arapaho, Lakota, Blackfeet, Pawnee, Kiowa, Comanche, Mesquakie, Kansa, and others. With newly researched texts by leading scholars, this important book charts the continuum of centuries of artistic tradition and reflects the significant place that Plains Indian culture holds in European history and in the heritage of North America.

This fourth and final volume in the Photography series addresses the major themes of contemporary photography and the issues regarding the production and use of photographs in present-day society. With the advent of digital technology and the Internet, the late twentieth and early twenty-first century have marked a crucial milestone in the evolution of the photographic language and technique affecting professionals, amateurs, scholars, and enthusiasts alike, thus leading to the creation of an incredible number of images, often shared amongst millions. Through over 200 photographs from 1981 to 2013, this book closes the great Skira series dedicated to the history of photography. Providing an absolutely and truly international overview, the volume sheds light on modern historical figures like Robert Mapplethorpe, Luigi Ghirri, Martin Parr, Boris Mikhailov, Nan Goldin, Jeff Wall, and Cindy Sherman as well as their younger heirs.

Farid Belkahia is one of the pioneers of contemporary Art in the Maghreb. Since the 1960s, his artistic research has focused on new ways of self-expression and examining his own identity and relationship with the other. Belkahia left the practice of traditional painting to work with copper, a new material for him, which he hammers, burns, oxidizes, and wounds in order to achieve emblematic traces, undulations, and flexible, rhythmic bas relief effects. Since 1974, Belkahia has also been working on parchment, which he darkens and softens to make it thinner, and almost translucent. This results in a kind of purifying process that is essential to his work, setting free an otherwise restrained creative energy. His use of leather is similar to parchment stretched on board, producing his unique totemic icons.

A reference book written by collectors for collectors. An essential guide to estimate and buy vintage motorbikes from this prestigious international brand. Ninety years after the first BMW, the R32, was created in 1923, this magnificent volume serves as a unique source of reference for all collectors and enthusiasts of vintage BMW motorbikes. With precise images and technical information on every single model produced between 1923 and 2000, this book provides precious advice and suggestions, as well as in-depth analysis of the motorbikes' characteristics. For the first time, all the specific details are gathered in a single publication: chassis, motor numbers, and engines of every model, economic values, and original auto parts. This accurate and practical guide is accompanied by a historic overview of the Bayerische Motoren Werke, from its origins in 1917 to the present day.

A groundbreaking work, this catalog accompanies the largest exhibition ever realized on Damien Hirst, surveying the oeuvres of the highly acclaimed British artist. Published on the occasion of Relics, Hirst's first retrospective exhibition in Doha, Qatar, this richly illustrated book offers a different perspective on the work of one of the best-known artists working today. Tracing Hirst's career from his emergence on the art scene in the Young British Artists movement to his present status as one of the most controversial and highly regarded artists of his generation, this volume offers a complete overview on his wide-ranging practice, which includes installation, painting, sculpture, and drawing and challenges the boundaries between art, science, and popular culture. The catalog gathers over one hundred works, combining historic oeuvres with more recent projects: from The Kingdom to The History of Pain, from Pharmacy to For the Love of God, to the spot, spin, and butterfly paintings.With an essay by Francesco Bonami, an interview with the artist by Nicholas Serota, director of the Tate Britain, and essays by the Qatari writer Sophia Al Maria and the Pakistani writer Mohsin Hamid, the volume offers an original point of view on Hirst's oeuvre, whose works have become collective icons of our civilization.

This third volume in Skira's History of Photography series serves as a major reference in the field of photography. The third volume (1941-1980) of the Skira History of Photography series considers the years signed by the revolution of color that marked the start of a radical change in the very nature of amateur photography. At the same time, through photojournalism, photography became a mirror of society and a tool for attempts to change it. This monograph traces the historical evolution of photography, focusing on artists such as Helen Levitt, Weegee, Robert Doisneau, Henri Cartier-Bresson, Josef Sudek, William Klein, Robert Frank, Richard Avedon, Shomei Tomatsu, William Eugene Smith, Gerhard Richter, Bernhard and Hilla Becher, Ugo Mulas, Ed Ruscha, and Larry Clark, just to name a few. The essays provide an in-depth discussion of some of the primary themes of the historical period: the evolution of documentary photography between 1950 and 1980, the color revolution, and the relationship between photography and conceptual art.

The prestigious new volume by Skira devoted to international contemporary photography is focused on some of the greatest American masters of the twentieth-century. This will be the first of two books (with the second coming in 2014) that seek to illustrate the outstanding quality and variety of the works which have marked American photography from the mid-twentieth-century to the present day. This first volume presents a detailed and annotated selection of works executed between the 1940s and 1970s by twenty photographers of undisputed importance--from Edward Weston and Robert Adams to Minor White and Garry Winogrand, from Lee Friedlander down to Stephen Shore--whose pursuits represent benchmarks in the history of contemporary photography. As in the case of other titles in the series, the reproductions of all the works are accompanied by a critical apparatus with texts discussing the area, artists, and research explored.

Monografie je poctou Marilyn u příležitosti 50. výročí její smrti. Je plodem pečlivého výzkumu editorů Stefanie Ricci a Sergia Risaliti i Museo Salvatore Ferragamo. Představují se v ní fotografie, oděvy, obuv a některé osobní věci této filmové hvězdy spolu s důležitými dokumenty odhalujícími její složitou osobnost. Pozoruhodná série snímků Marilyn v každodenním životě je porovnána se silou archetypu a trvající legendou, jejíž velikost nejspíše spočívá v ambivalentní povaze této ženské ikony a postavy popkultury. Na základě studia pramenů a bulvárních informací se autoři pokusili interpretovat pozoruhodnou genezi některých proslulých uměleckých fotografií (Beaton, Stern, Barris, Greene), které Marilyn zachycují v "klasických" pózách. Současně tyto portréty srovnávají s některými nejslavnějšími uměleckými díly minulosti, v nichž lze najít tytéž pózy a výrazy.

A beautifully illustrated catalogue on the most comprehensive and ambitious full-scale retrospective of Munchs artistic oeuvre ever. In conjunction with the 150th anniversary of the birth of Edvard Munch (18631944) in 2013, a once in a lifetime exhibition is produced by the Munch Museum and the National Museum of Art, Architecture, and Design in Oslo. Munch 150 is the most comprehensive and ambitious full-scale retrospective of Munchs artistic oeuvre ever. It includes both an exceptional number of highlights, as well as some works that are less known, and is based on extensive loans from public and private collections. The exhibition and its catalogue encompass the entire development of Munchs art from the 1880s to his death in 1944; the primary focus will be on Munchs paintings, prints, drawings, and photographs. They cover Munchs oeuvre in an overarching perspective: Self-presentation and self-portraiture; Places and perception; Visual rhetoric; The Frieze of Life as a lifelong project; Munch and public life; Narration and abstraction; Figure and representation; The staging of gender; and The construction of Munch after 1944. The catalogue also reflects Munch scholarship from recent decades revitalizing the artists importance, and include a timeline, a biography, and an index of names and places.

A richly illustrated and extremely enjoyable reference book on the historical evolution of the nude. From the Paleolithic "great mothers" to the Greek athletes, from the Venus of Urbino by Titian to Leonardo's Vitruvian Man, from the Odalisque by Boucher to those by Ingres, to the Amazons of Helmut Newton and the desolate, lifeless bodies of Andres Serrano, the nude is the theme of artistic representation par excellence. The nude body as the incarnation of perfect beauty and the suspicions concerning its sensuality imposed by Christian culture; the renewed triumph of ancient beauty in the Renaissance and the study of anatomy; the visual licentiousness of the eighteenth century and the photographic nude; ideal beauty, eroticism, pornography; the nude also as representation of the ugly and its flaunted truthfulness in the art of the twentieth century; the nude that itself becomes a work of art in the avant-garde of the post-WWII period, with performance, body art and experimental theater. These threads of the narration make for a deeply informative historical exploration of the nude in Western art, all conducted around a rich apparatus of images.