Taschen GmbH strana 2 z 8

Unmatched in his ingenuity, technical prowess, and curiosity, Leonardo da Vinci (1452-1519) epitomizes the humanistic ideal of the Renaissance man: a peerless master of painting, sculpture, cartography, anatomy, architecture - and more. Simultaneously captivating art historians, collectors, and the millions who flock yearly to admire his works, Leonardo's appeal is as diffuse as were his preoccupations. His images permeate nearly every facet of Western culture - The Vitruvian Man is engraved into millions of Euro coins, The Last Supper is considered the single most reproduced religious painting in history, and the Mona Lisa has entranced countless artists and observers for centuries.

Though it lies just across the Mediterranean from Europe, barely a stone's throw from Spain's southernmost tip, Morocco couldn't possibly be farther away. With its mountainous and desert landscapes, labyrinthine souks, delectable cuisine, exquisite rugs and textiles, vibrant mosaics, fragrant odors, mesmerizing music, and welcoming people, Morocco is a most alluring and tantalizingly exotic destination. Digging a little deeper into the myth of Morocco, Barbara and Rene Stoeltie bring us this eclectic selection of homes to demonstrate all that is most wonderful about the Moroccan style: from tiled, turquoise swimming pools and lavish gardens to carved wooden furniture and jade-colored marble fountains. With more than 500 pages featuring stunning, inspiring photographs, flipping through these fairy tale-like visions of exotic havens (ideally while sipping a steaming cup of sweet, fragrant mint tea) will instantly whisk you away.

"You may have the universe," composer Giuseppe Verdi once said, "if I can have Italy." Back in the mid-19th century, Verdi's emotive language appealed to the patriotic sentiments of an emergent nation state. After decades of struggle and bloodshed, the movement known as Risorgimento triumphed with the 1861 proclamation of Italian Unity, assembling disparate kingdoms, territories, and borders that had hitherto been ruled by Austria, the Kingdom of Sardinia, and the Papal States. Today, Verdi's call to Italy resounds not only for its native patriots, but for the millions around the world who look upon this peninsula shaped like a boot and delight in a land of light, art, and sensuality. This collection is a fascinating visual document of Italy at the turn of the century, gathering photochromes and vintage colored prints. From coast to coast, through classical sites and Renaissance wonders, down beguiling Venetian waterways and along the dappled shores of the Amalfi coast, each evocative image impresses as much for its color clarity as for the vivid evocation of times gone by. As if in an enchanted dream, we walk an empty and dusklit St. Mark's Square, stroll the shady Uffizi courtyard alone, and find just a few horse carts pulled up in front of the Pantheon in Rome. In place of cameras, guides, and tour groups, we find ordinary traders and laborers, quiet street scenes, and humble settlements. As sunlit charms and historic reality combine, the result is an unrivaled record of this young nation that fought hard to exist, and went on to win the world's hearts.

Loved by travelers for its lush tropical scenery and charming people, Bali is one of the most magnificent places on Earth. Spirituality and nature are integral parts of everyday life for the Balinese, so one can easily see why the island's traditional architecture has a peaceful presence to it, mimicking its surroundings and sometimes blending in with them. When it comes to Balinese houses, walls are not compulsory, wood is everywhere, earth tones are dominant, and thatched roofs abound. Opening onto gorgeous green landscapes, majestic mountains, or beautiful coastlines, the homes herein ooze relaxing, contemplative vibes. This portfolio of Southeast Asian living features a swath of fresh and inspiring photographs and comes in a compact size, so you can take a little bit of paradise with you wherever you go. Gazing at these opulent examples of simple and elegant living, it's a wonder why more people aren't rushing to move to Bali.

Cinema has likely never been written off so often. In the decade of the 2010s, it is true, much has changed - both in how we watch movies, and in how we see ourselves. Social media and the internet have shaped a new understanding of the self and the world. As streaming services multiplied our viewing options and video games offered alluring realities of their own, the big screen faced serious competition. Even before the usual delays between theatrical release and further distribution became ever shorter, movies often found themselves downgraded to mere "content", to be clicked at on colorful screen tiles. Are all that remain to cinema its cult of celebrity, blockbusters, and computer-animated visual effects? Quite the contrary - even a cursory glance at our anthology reveals a cinema that is surprisingly diverse, dynamic, and above all alive and kicking, resulting in a decade that was anything but boring, monotonous, and doomed to extinction. And in all honesty: Would you really be satisfied watching all the films compiled here purely via streaming? The movie theater remains a place of yearning, and our book lets you feel its powerful breath. Each of the 100 most compelling movies of the decade is discussed in detail by editor Jurgen Muller and his team of authors, and illustrated with a wealth of visual material. The volume also includes biographies of actors and directors, box-office takings, background information, and a comprehensive list of Oscar (R) winners from 2012 to 2021. For Jurgen Muller and Philipp Buhler in their wide-ranging introduction, Quentin Tarantino's masterpiece Once Upon a Time... in Hollywood (2019) offers the perfect metaphor for the contradictions and ambivalences of contemporary cinema. This volume is a new milestone for all cineastes and movie lovers!

Starting with an early picture of a gang of badass gold prospectors who put this beautiful Northern California city on the map, this ambitious and immersive photographic history of San Francisco takes a winding tour through the city from the mid-nineteenth century to the present day. Enjoy eye-catching views of the city's most enduring landmarks and symbols: the Golden Gate Bridge, Chinatown, the picturesque trams that wind up and down the famously steep hills, the popular waterfront, its beautiful bay, and its spectacular cityscapes and vistas. San Francisco's counterculture movements that shaped our collective consciousness are also featured prominently: the beats of North Beach, the hippies of Haight-Ashbury, the gay communities of Castro, and the Black Panthers of neighboring Oakland. Some of the city's most famous residents also make appearances: Robin Williams, The Grateful Dead, Angela Davis, Janis Joplin, Sylvester, and Allen Ginsberg, among others. This book features hundreds of newly found images from dozens of archives including museums, universities, libraries, galleries, private collections, and historical societies, from 19th-century daguerreotypes to mid-century Kodachromes to 21st-century digital pictures. Master photographers include, among others: Stephen Shore, Imogen Cunningham, Fred Lyon, Steve Schapiro, Minor White, Dorothea Lange, Albert Watson, Robert Frank, Garry Winogrand, William Claxton, Fred Herzog, Ansel Adams, Jim Marshall, and many local shooters. Also includes introductory essays and captions by Bay Area-based author Richie Unterberger and a "Best of San Francisco" books, music, and movies section and biographies of the photographers. Tony Bennett famously sang, "I left my heart in San Francisco," and this meticulously researched and conceived portrait will equally inspire and make you fall in love with the spirit of the City by the Bay.

From Edouard Manet's portrait of naturalist writer Emile Zola sitting among his Japanese art finds to Van Gogh's meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe-but often remains misunderstood as an "exotic" artifact that helped inspire Western creativity. The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art-including, as Karl Marx put it, that "all that is solid melts into air"-were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century. This volume, derived from the original XXL monograph, lifts the veil on a much-loved but little-understood art form by presenting the most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or "pictures of the floating world," to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up an unmatched record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan. From mystical mountains to snowy passes, samurai swordsmen to sex workers in shop windows, each piece is explored as a work of art in its own right, revealing the stories and people behind the motifs. We discover the four pillars of the woodblock print-beauties, actors, landscapes, and bird-and-flower compositions-alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans-rock stars who populated the "floating world" and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, man-eaters, and otherworldly creatures torment the living-stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship. As part of our 40th anniversary series, this edition compiles the finest extant impressions from museums and private collections across the globe in a lightweight, accessible format, offering extensive descriptions to guide us through this frantic period in Japanese art history.

From the Beatles to Beck, Sinatra to Sam Smith, a parade of era-defining artists have passed through the doors of the Capitol Records Tower, one of Hollywood's most distinctive landmarks and home to one of the world's most defining labels for the past 75+ years. To commemorate this extraordinary history of recorded music, TASCHEN presents this official account of Capitol Records, from its founding year of 1942 to today. With a foreword by Beck, essays by cultural historians and music and architecture critics, as well as hundreds of images from Capitol's extensive archives, we follow the label's evolution and the making of some of the greatest music of the 20th and 21st centuries. Through pop, rock, country, classical, soul, and jazz, the photographic and musical history includes the label's most successful, cool, hip, and creative stars, as well as the one-hit wonders who had their all-too-brief moments in the spotlight. Along the way, we encounter the likes of Miles Davis, Nat King Cole, the Kingston Trio, and Frank Sinatra in Capitol's first 20 years; the Beach Boys, the Band, and the Beatles in the 1960s; global rock magnets Pink Floyd, Wings, Steve Miller Band, Bob Seger, and Linda Ronstadt in the 1970s; Beastie Boys, Duran Duran, Radiohead, and Bonnie Raitt in the 1980s and 1990s; and such contemporary stars as Coldplay, Katy Perry, and Sam Smith. An unmissable milestone for music lovers, Capitol Records is a live and kicking celebration of the mighty giant of the industry that created the soundtrack to generations past, present, and future.

Inspired by the development of Cubism, the Futurist movement was founded in 1909 by Filippo Tommaso Marinetti, along with painters Giacomo Balla. Umberto Boccioni, Carlo Carra, and Gino Severini. The school, which celebrated technology and the mechanical era, was comprised of painters, sculptors, designers, architects, and writers. Motion and machines were two main themes of this movement, which attacked the bastions of establishment and sparked controversy by its glorification of war and support of Fascism. Experimenting with movement, and speed, and abstract light and color, the Futurists developed approaches and techniques that were revolutionary at the time, and in retrospect one can see that the Futurists influenced other avant-garde art movements, most notably Russian Constructivism. Artists featured: Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Carlo Carra, Tullio Crali, Fortunato Depero, Gerardo Dottori, Leonardo Dudreville, Virgilio Marchi, F.T. Marinetti, Enrico Prampolini, Luigi Russolo, Antonio Sant'Elia, Gino Severini. Mario Sironi, Ardengo Soffici.

For The Love of Letters A history of fonts and graphic styles from 1628 to 1938 This comprehensive book offers a thorough overview of typeface design from 1628 to the mid-20th century. Derived from a distinguished Dutch collection, a series of exquisitely designed catalogues trace the evolution of the printed letter via specimens in roman, italic, bold, semibold, narrow, and broad fonts. Borders, ornaments, initial letters, and decorations are also included, along with lithographic examples, letters by sign writers, inscription carvers, and calligraphers. The first part of the book covers pre-20th century typeface, with texts by editor Cees de Jong and collector Jan Tholenaar. The second part covers the period from 1900 to the mid-20th century, and contains a historical outline by Alston W. Purvis. Featured type designers include: William Caslon, Fritz Helmuth Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan Tschichold, A. M. Cassandre, Aldo Novarese, and Adrian Frutiger.

Light and Shadows Paul Outerbridge's provocative nudes and pioneering color Whether in his sumptuous images for advertising or his soft-hued nudes, Paul Outerbridge (1896-1958) was an alchemist of desire. Color was integral to his aesthetic allure, embracing the complex tri-color-carbro process to create a seductive surface of texture and tone. His quest was for "artificial paradises"-a perfection of form, with a surreal edge. This concise monograph introduces Outerbridge's unique aesthetic and its commercial and artistic trajectory, from his professional peak as New York's highest-paid commercial photographer through to his retreat to Hollywood in the 1940s after a scandal over his erotic photography. With key examples from his oeuvre, the book explores Outerbridge's innovative style through Cubist still life images, magazine photographs, and his controversial nudes, as well as his interaction with other avant-garde photographers, such as Alfred Stieglitz, Paul Strand, and Man Ray. Along the way, we recognize Outerbridge's particular ability to transform everyday objects into a quasi-abstract composition and his pioneering role in championing the expressionistic, as much as commercial, potential of color photographs.

Uncompromising Passion The sensuality and straight photography of Edward Weston Few photographers have created such a legacy as Edward Weston (1886-1958). After a decade of successfully making photographs with painterly soft-focus techniques, he became the driving figure behind a group of West Coast artists dubbed Group f/64, which pioneered the sharp, precise school of "Straight Photography." With that stylistic leap, Weston's career moved into high gear, creating photographs of extraordinary sensual realism, perfectly poised between compositional stillness and searing intensity. With nudes, nature studies, and myriad perspectives on the dramatic Californian landscape, Weston's works aimed to locate the "very substance and quintessence of the thing itself." In this concise monograph, we gather some of the finest Weston works to explore how he pursued and achieved this aim whether with a landscape, shell, or naked body.

Renaissance Grace Allegory and beauty in Florence With the patronage of the powerful Medici family, a canon of secular and religious work, and contributions to the celebrated Sistine Chapel, Sandro Botticelli (1444/45-1510) was well placed for fame. After his death, however, his work was eclipsed for some four hundred years. It wasn't until the 19th century that the painter began to gain major art-historical recognition. Today, Botticelli is hailed as a towering figure of the Florentine Early Renaissance. His secular works The Birth of Venus and Primavera, mostly read as an allegory of Spring, are among the most recognized paintings in the world, resplendent in their delicate details, graceful lines, and compositional balance. His arrangements are fluid yet poised, his figures serene yet sensual. Venus, in particular, is held up as art-historical icon of beauty pale-skinned, delicately featured, soft with fecund promise. This essential introduction presents key works from Botticelli's oeuvre to understand the making of a Renaissance legend. Through the painter's most famous mythological and allegorical scenes, as well as his radiant religious works, we explore a mastery of figuration, movement, and line, which has gone on to inspire artists from Edgar Degas to Andy Warhol, Rene Magritte to Cindy Sherman.

Fine lines 100 illustrators to remember Drawn from TASCHEN's Illustration Now! series, this go-to catalog brings together 100 of the most successful and important illustrators around the globe. With featured artists including Istvan Banyai, Gary Baseman, Seymour Chwast, Paul Davis, Brad HollandMirko IliÄ, Anita Kunz, and Christoph Niemann, the international overview provides an invigorating record of the dynamism and diversity of the illustration scene. Each illustrator is featured with a self-portrait, samples from their portfolio, and a succinct description by Steven Heller, with a supplementary list of selected exhibitions and publications. In his introduction, Steven Heller describes the dynamic realm of illustration today and the challenging process of selection within this highly competitive and ever-moving genre. About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm's delight -- never bore, always excite!

Let's get abstract Making sense of revolutionary new forms Abstraction shook Western art to its core. In the early part of the 20th century, it refuted the reign of clear, indisputable forms and confronted audiences instead with vivid visual poems devoid of conventional, representational imagery and characterized instead by allegories of emotion and sensation. This radical artistic adventure established new artistic means, as much as narratives. Expression became characterized by shocking juxtapositions of color, light, and line. Artist abandoned the conventions of brush and easel and played with new materials and methods of artistic gesture commercial paints and housepainter's brushes, working on unstretched and unprimed canvases, moving the canvas to the floor, and applying paint with hands. This essential introduction spans the international breadth, conceptual depth, and seismic impact of Abstract art with a thorough survey not only of the big names such as Picasso, Klee, Kline, Rothko, and Pollock, but also lesser-known figures who made equally significant abstract contributions, including Antoni T pies, K.O. Gotz, Ad Reinhardt, and Sophie Taeuber-Arp.

Glasgow Style: The life and work of Glasgow School pioneer, Charles Rennie MackintoshScottish architect, designer, and painter Charles Rennie Mackintosh (1868-1928) was one of the earliest pioneers of modern architecture and design. While he never received major recognition in his hometown of Glasgow, his bold new blend of simplicity and poetic details inspired modernists across Europe.Mackintosh's avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining a healthy dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light.Mackintosh's projects in Glasgow include the famous Willow Tearooms, the private residences Windyhill and The Hill House, and the Mackintosh Building at the Glasgow School of Art, widely considered his masterwork. Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald. The couple made up half of the loose Glasgow collective known as "The Four"; the other two were Margaret's sister, Frances, and her husband, Herbert MacNair.On the continent, this "Glasgow Style" was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear, yet lyrical, forms. In this introductory book, we take in Mackintosh's practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe.show less