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It was as a revolutionary and troublemaker that Picasso, Dali and Andre Breton described the husband of Frida Kahlo, Diego Rivera, but he was also responsible for creating a public art that was both highly advanced and profoundly accessible. From 1910 Rivera lived in Europe where he absorbed the influence of Cubism. After the Mexican revolution, however, he returned to his homeland and harnessed the lessons of the European avant-garde to the needs of the Mexican people. His own murals, and those of the Mexican Muralists who followed his example, presented a utopian vision of a post-revolutionary Mexico. Rivera's historical paintings expressed his interpretation of the revolution and its ideals, in a style that showed him returning to the pre-Columbian roots of Mexican culture, re-inventing a colourfully realistic visual idiom that could appeal directly to a largely illiterate people. This is the first study which, independently of the exhibition circuit, coherently presents the work of this extraordinary artist.

Andy Warhol was a relentless chronicler of life and its encounters. Carrying a Polaroid camera nearly everywhere he went from the late 19605 until his death in 1987, he amassed a huge collection of instant pictures of friends, lovers, patrons, the famous, the obscure, the scenic, the fashionable, and himself. Created in collaboration with the Andy Warhol Foundation, this book features hundreds of these instant photos, most of them never seen before. Portraits of celebrities such as Mick Jagger, Alfred Hitchcock, Jack Nicholson, OJ Simpson, Pele, Debbie Harry are included alongside images of his entourage and high life, landscapes, and still lifes from Cabbage Patch dolls to the iconic soup cans. Often raw and impromptu, Warhol's Polaroids document his era like Instagram captures our own. From the unofficial court photographer of New York high and low society, this collection is an indispensable record of Warhol's life, world, and vision.

Roaring Jackets: The finest German publishing 1919 1933 The years between the First and Second World Wars in Germany are famed for their cultural boom. With Berlin as its epicenter, the Weimar Republic was replete with ground-breaking literature, philosophy, and art. At the heart of thisintellectual and creative hubwere some of the mostoutstanding and forward-thinking book designs in history.Book Covers in the Weimar Republicassembles1,000 of the most striking examples from this golden age of publishing activity and innovation.Based on the remarkable collection of Jurgen Holstein and his rare collectibleBlickfang, it combines anunparalleled catalog of dust jackets and bindingswith Holstein s introduction to the leading figures and particular energy of the Weimar publishing age. Expert essays discuss the aesthetic and cultural context of theseprecious fourteen years, in which a freewheeling spirit would flourish, only to be trampled, burned, or driven out of the country with the rise of National Socialism.From children s books to novels in translation, bold designs for political literature to minimalist artist monographs, this is a dazzling line-up of typography, illustration, and graphic design at its most energetic and daring.Part reference compendium, part vintage visual feast for the eyes, this very particularcultural historyis at once a testament to an irretrievable period of promise and acelebration of the ambition, inventiveness, and beauty of the book. Text in English and German "

From the streets of New York to the walls of its most prominent galleries, young graffiti artist Jean-Michel Basquiat (1960-1988) was catapulted to international fame in his early 20s and died of a drug-overdose at 27. The subject of a feature film by fellow artist Julian Schnabel, Basquiat is one of the most admired artists to emerge from the 1980s art boom. This book explores his short but prolific career.

Notorious bad boy of Italian Baroque painting, Caravaggio (1571-1610) is finally getting the recognition he deserves. Though his name may be familiar to all of us, his work had been habitually detested and forced into obscurity. Not only was his theatrical realism unfashionable in his time, but his sacrilegious subject matter and use of lower-class models were violently scorned. Caravaggio's great work had the misfortune of enduring centuries of disrepute. It wasn't until the end of the 19th century that he was rediscovered and, quite posthumously, deemed a great master. He is now considered the most important painter of the early Baroque period; without him there would have been no Ribera. Zurbaran, Velazquez, Vermeer or Georges de La Tour. Frans Hals, Rembrandt, Delacroix, and Manet would have been different. In this book you'll find over 50 of Caravaggio's best paintings; we think you'll agree that he was a genius beyond his time.

Comics grow up The humanized super hero. On December 15, 1978, the dreams of generations of American children finally came true. "You'll believe a man can fly," read the posters and billboards for the blockbuster film Superman. With an undeniable mass appeal, it cemented the role of the super hero as America's most enduring archetype, and the comic book as one of the country's most significant native art forms. That art form, however, was already moving in a new direction. Influenced by the emergence of underground comics and shifting political tides, DC's line of comics was increasingly aimed at adults, and sold in comic book shops, rather than on newsstands. Socially relevant subjects such as drug addiction, racism, and women's rights had entered the mainstream, and comics weren't just for kids anymore. The Bronze Age of DC Comics includes an original interview with Green Lantern/Green Arrow writer Denny O'Neil. About the series: Taschen's series on DC Comics explores the origins of comics' most enduring legends and the behind-the-scenes stories of the men and women who created them, era by era. Expanded from the Eisner Award-winning XL book, 75 Years of DC Comics, this new series hits the shelf at a reader-friendly size with essays updated by author Paul Levitz and more than 1,000 new images across five volumes. Thousands of covers and interiors, original illustrations, photographs, film stills, and collectibles have been reproduced to bring the story lines, the characters, and their creators to vibrant life, making this an invaluable reference for comics fans.

The solitude of man and the bleak beauty of nature are prominent themes in the work of Caspar David Friedrich (1774-1840), the great romantic painter whose importance and influence have often been underestimated. Now widely considered to be the most important German artist of his generation. Friedrich died in obscurity and wasn't fully appreciated until the early 20th century. An important precursor to the Expressionists, Friedrich once wrote that an artist must "close your bodily eye so that you may see your picture first with the spiritual eye. Then bring to the light of day that which you have seen in the darkness so that it may react upon others from the outside inwards."

The boys are back in town: A short history of male nude photography While the female nude has long played a conspicuous role in western iconography, the male nude has not always enjoyed such attention, or acceptance. Thisode to the male physiquecelebrates the evolving, at one time illicit, art form from anonymous 19th century erotica through to contemporary work fromDavid HockneyandDuane Michaels.Throughthe classic, the playful, and the provocative, it explores the compositions, postures, and role-playing of this often under-explored genre. Esteemed masters such asHerbert List, George Platt LynesorRobert Mapplethorpe are all there, alongsideBaron Wilhelm von Gloeden, famed for his homoerotic images ofnude youths in classical postures in Sicily. Further highlights include illustrations fromPhysique Pictorial, the leading organ of the mid-50s gay scene and a pioneer in gay publishing. About the Series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing.Bibliotheca Universalisbrings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite! Text in English, French, and German "

Ludwig Mies van der Rohe (1886-1969) was one of the founding fathers of modern architecture, and creator of the Barcelona Pavilion (1929), the Farnsworth House in Plano, Illinois (1945-1951) and the Seagram Building in New York (1954-1958). Famed for his motto "less is more," Mies sought a refined purity in architectural expression that was missing from the vocabulary of his Bauhaus peers. He aimed to build for those of modest income while also building economically and sustainably, both in technical and esthetic terms; the use of industrial materials such as steel and glass were the foundation of this approach. Though his stark forms and modern materials provoked some criticism, over the years many have tried - most unsuccessfully-to copy his original and elegant style. This book explores more than 20 of his projects between 1906 and 1967, from his early work around Berlin to his most important American buildings.

Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Little Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes's The Outlaw and Frederick's of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World's Largest Natural Breasts. This new portable edition contains all the same beautiful and provocative photos, plus the nine original interviews, including rare conversations with Tempest Storm and Uschi Digard, and the last interview with Candy Barr before her untimely death in 2005. In a world where silicone is now the norm, these spectacular real women stand as testament that nature knows best, while this new affordable edition shows TASCHEN knows what you want.

After the bust out success of The Big Book of Breasts TASCHEN presented the perfect companion, The Big Penis Book. Now comes The Little Big Penis Book, with all the photos and interviews of its big brother, in a more portable, and affordable, edition. When it comes to pleasure, size doesn't matter: as we all know it's quality, not quantity, that counts. But let's admit it: a big penis is undeniably compelling. Big shoulders, big lapels, and big hair may come and go, but the big penis never goes out of fashion. With those possessing more than 8 inches (20 cm) making up less than 2% of the world's population, this rare accessory will always fascinate. In The Little Big Penis Book we explore the centuries-old enthrallment with the large phallus, a fascination common to men and women alike. The book is profusely illustrated with over 400 historic photos of spectacular male endowments, including rare photos of the legendary John Holmes. The majority of the photographs are from the 1970s, when the sexual revolution first freed photographers to depict the male entirely nude. Photographers include Bob Mizer of Athletic Model Guild, David Hurles of Old Reliable, Colt, Falcon, Sierra Domino, Third World, and Champion Studios, with each of these iconic photographers interviewed or profiled, along with information about each of their models. And if this isn't enough, the book closes with a special, extra-big, extra-long anticipated surprise!

Lyrical life-wear: The ultimate Issey Miyake monographIn 1983, Japanese designer Issey Miyake told The New Yorker that he aspired to forge ahead, to break the mold . With the boundary-defying fashion lines that followed, he not only broke molds, but recast clothing altogether. With a unique fusion of poetry and practicality, his creations blur the boundaries between tradition, modern technology, and everyday function.This definitive history of Miyake s clothes coincides with a major exhibit at The National Art Center, Tokyo, and offers expert insight into the designer s vision and daring. Initiated and conceived by Midori Kitamura, the book looks at the texture-driven originality of Miyake s materials and techniques from the very earliest days of his career, before he had even established the Miyake Design Studio. Drawing on more than 40 years of collaborative work with Miyake, Kitamura creates an encyclopedic reference of his material and technical innovations through the clothes based on A Piece of Cloth concept, Body Series of the 1980s, Miyake Pleats series, and such practical, everyday designs as Pleats Please pieces.Stunning photographs from Miyake s contemporary Yuriko Takagi capture the clothes in their particular quotidien originality, including a breathtaking shoot in Iceland. In her far-reaching essay, meanwhile, leading cultural figure Kazuko Koike offers both a complete chronology of Miyake s work, and an unprecedented personal profile, looking at the ambition and inspirations that have driven his repertoire from tender teenage years. A must-have for designers, students and fashion devotees, this is a timeless tribute to one of the most innovative makers of our age.Text in English and Japanese"

As a blind person might see the world if the gift of sight were suddenly returned - this is how we might describe the effect of William Turner's paintings on the observer. John Ruskin, Turner's uncompromising 19th-century defender, alluded to this idea when he spoke of an "innocence of the eye" which perceived the world's colours and forms before it could recognize their significance. But to develop such a style, William Turner (1775-1851) first had to overcome the legacy of late rococo academic teachings. He was simultaneously a romantic and a realist - and yet he transcended both styles. His landscapes, far in advance of their time, have been called forerunners of Impressionism, yet they also possess traits that influenced Expressionism, and many of his late compositions are undeniably surrealistic. Turner's art cannot be bound by such classifications, and remains an oddity to art history even today. His work arises from a unique relation to the nature that it depicts: through his brilliant sketches, he found a rigorously open kind of painting in which nature sets free the use of colour. And through the workings of the natural elements - especially atmospheric light - Turner confronted nature at the point where nature itself is an image. This book opens up Turner's paintings for the eye, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itself-through a world of light and colour.

This landmark publication is the most comprehensive visual history to-date of the sport and culture of surfing. As much a cultural event as a publication, it brings together two and a half years of meticulous research with institutions, collections, and photographic archives around the world to trace the visual history of surfing from its first description by Captain Cook in 1778 to today's global phenomenon. Divided into five chronological chapters, with essays by top surfing journalists, the book examines and celebrates the evolution of surfing both on and off the water, as a sport, a lifestyle, a philosophy. More than 500 images detail surf's remarkable crossover from the originary shores of Hawaii to fashion, film, music, and even car design. A must-have for any serious player on the surfing scene, this is an unrivalled tribute to the breadth, complexity, and richness of surfing.