Dian Hanson

The world's finest contemporary erotic photographers Imagine walking into a room filled with the world’s finest contemporary erotic photographers, each with a portfolio of his or her best work. As you browse the photographs they discuss inspiration, censorship, how to find models, and how to make a living capturing beautiful women on film and in pixels. The New Erotic Photography is the room, and dozens of photographers from various countries are the hosts of this intimate gathering. In this 320 page volume you will meet Ralph Gibson, Jan Saudek, Terry Richardson, Natacha Merritt, Petter Hegre, Richard Kern, and the many fresh new talents currently redefining eroticism. Playful, provocative and exuberantly sexy, these aren’t your granddad’s art nudes—this is The New Erotic Photography.

In his second book for TASCHEN, a groundbreaking exploration of "authentic human passion," Roy Stuart produced photos that were both finely crafted compositions and highly charged representations of desire, without slipping into the tired stereotypes of pornography and the degrading portrayals that genre normally offers up. In his pictorial world, women are potently sexual figures who know what they want and are going to get it. Exploratory, experimental, they hold all the cards in the consensua l power plays and fantasy enactments presented. This collection of narratives and pictorials does not fail to deliver either, with its refreshingly honest and strikingly explicit take on the more creative areas of the sexual psyche. Playing off drea m scenarios against shots caught on the run in the street, and portrait style nudes against group love-ins, it will satisfy both the connoisseur of the erotic as well as the curious newcomer. With his trademark interest in the daily rituals of womank ind still apparent, and his richly textured appreciation of the garments of seduction, Stuart's work might take a little acclimatisation. But once you let go and enter in, you will find that, along with the loosening of clothing, a little relaxation of one's inhibitions can go a long way.

Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes’s The Outlaw and Frederick’s of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World’s Largest Natural Breasts.

Some call it the most vulgar magazine ever made; others see it as the last honest compendium of American sexual humor, starting just as the sexual revolution was expanding minds and stomping taboos, and ending when political correctness made all such humor socially unacceptable. Whatever your stance, the magazine Sex to Sexty was and is an outrageous collection of dirty jokes and cartoons published from 1965 to 1983 by Texas entrepreneur John Newbern, whose life was lifted straight from the page s of his publication. His partner in crime against good taste was hillbilly artist Pierre Davis, who created elaborate oil painted covers for each issue that celebrate every permutation of manly humor. No topic was safe from the lowbrow wit of these two men and the cartoonists they recruited to preserve what they called the "True Jokelore of America". Sex to Sexty reproduces all 198 covers of the magazine and many of the original paintings that adorned them. Then, in the first in-depth analysis of American sexual humor, author and editor Dian Hanson categorizes the great themes revealed by the thousands of cartoons and jokes into spreads with titles like "Stinkfinger," "Incest on the Best," "Cannibal Cuisine," and "I Love Ewe!" Raw, irrever ent, uncensored and all-American, Sex to Sexty spares no gender, sexual preference, ethnic orientation, or hygienic dysfunction in bringing you what the magazine's original publisher called the "World's Largest Accumulation of He-Man Robust Humor in the World." Special fold-out dust jacket shows every cover image and unfolds to reveal a poster of a never before seen, unreleased Sex to Sexty cover originally deemed "too tasteless" by the magazine's publisher, but definitely "suitable for framing in your bar, rumpus room or bathroom".

After the bust out success of The Big Book of Breasts TASCHEN presents the perfect companion, The Big Penis Book. When it comes to pleasure, size doesnt matter; as we all know its quality, not quantity, that counts. But lets admit it: a big penis is undeniably compelling. Big shoulders, big lapels, and big hair may come and go, but the big penis never goes out of fashion. With those possessing more than 8 inches (20 ) making up less than 2% of the worlds population, this rare accessory will always fascinate. In The Big Penis Book we explore the centuries-old fascination with the large phallus, a fascination common to men and women alike. This hefty book is profusely illustrated with over 400 historic photos of spectacular male endowment s, including rare photos of the legendary John Holmes. The majority of the photographs are from the 1970s, when the sexual revolution first freed photographers to depict the male entirely nude. Photographers include Bob Mizer of Athletic Model Guild, David Hurles of Old Reliable, Colt, Falcon, Sierra Domino, Third World, and Champion Studios, with each of these iconic photographers interviewed or profiled, along with information about each of their models. And if this isnt enough, the book clos es with a special surprise comparable to the Guinness Book of Records Norma Stitz featured in The Big Book of Breasts! Can you guess what body part Dian is dissecting next?

In 1965, Tom of Finland began flirting with the idea of an ongoing character for his panel stories, the ultimate Tom's Man. He tried out a blond named Vickya common male name in Finlandfollowed by a Tarzan-inspired Jack. Then in 1968 Tom settled on Kake, a dark-haired, mustached leatherman who often wore a tight white t-shirt bearing the motto Fucker. Kake lived up to this moniker, a sort of post-Stonewall, hyper-masculine Johnny Appleseed traveling the world on his motorcycle to spread the seeds of liberated, mutually satisfying, ecstatically explicit gay sex. Tom lived out many of his most personal fantasies through Kake, and Kakes international fans made him the template for what came to be known as the gay clone look of the 1970s. Between 1968 and 1986, Tom published 26 episodes of Kake adventures, most as 20 page booklets. Now for the first time all 26 stories have been collected in one volume. Return with Kake to the days when men were men, sex was carefree, and everyone wor e a big thick mustache.

The legendary leg. Gobs of gorgeous gams. The female leg is a sexual oddity. It's non-genital, nearly identical in structure to the corresponding male body part, and there is no obvious reason why it should be eroticized. Yet, through much of history, across many cultures, the female leg was hidden from sight and treated as such a taboo topic that it became an object of intense sexual obsession. In the Victorian era, the word 'leg' was so forbidden that it couldn't be uttered in polite society, lest men be driven wild with lust. Even now, 80 years after women's legs came out of hiding, their allure remains strong. In this third book of Dian Hanson's wildly successful body parts series, she explores how freeing the female leg became central to women's liberation, beginning with the French Revolution and ending with the sexual revolution. Over 400 photos document the first burlesque 'leg shows' of the 1800s, the silk-stockinged flappers of the 1920s, the nylon-mania of the 1940s, the dawn of the stiletto heel in the 1950s, all leading to the golden age of leg magazines in the 1960s. Learn who wore the first high heels, how nylons became a weapon of war, why Betty Grable's were the million dollar legs, where Elmer Batters got his start and just what the deal is with feet, while enjoying great vintage photos by Irving Klaw, Batters, and other great masters of leg art.

Bob Mizer spent 48 years making photos and films for his Athletic Model Guild, and 41 years publishing Physique Pictorial, America's first, and most explicitly gay physique magazine. His diaries, kept from the age of eight, make it clear that he was openly homosexual from his late teens, but until the age of 42 he lived and worked in his mother's L.A. rooming house, where his strict ethical code prevented him from fully expressing his fantasies. For 24 years he worked in black and white and never showed a completely naked man, but following his mother's death in 1964 Mizer built a kingdom dedicated to the pleasures of male flesh, and photographed fully nude men in explicit poses and psychedelically saturated colors. In the 1970s and '80s Bob Mizer's compound, centered around the old rooming house, became home to dozens of his young models, who lived outdoors on couches and porch gliders among the chickens, geese, goats and monkeys, Roman statuary, cast off Christmas trees and other sundry props that featured in his increasingly quirky films and photography. Sometimes called the Hugh Hefner of gay publishing for his pioneering magazine (republished in entirety by TASCHEN in 1997), Mizer influenced figures in art and society from David Hockney–who first came to America partly to meet Bob Mizer–to California governor Arnold Schwarzenegger, who modeled for Mizer in 1975. Bob's World: The Life and Boys of AMG's Bob Mizer is the first book to celebrate the full-color, deliriously uninhibited carnival of late-period Mizer. Over 250 photos are accompanied by an oral history by contributing artists David Hockney, Jack Pierson and John Sonsini, photographers David Hurles and Hal Roth, models Ben Sorensen and Andrew Sears, and Wayne Stanley, inheritor of the Mizer estate. The book includes a one-hour DVD of Mizer films spanning 1958–1980, specially edited for this edition.

Long, long ago, in the year 1965, there was no explicit pornography. There was the odd grainy stag film, the occasional French postcard, the rare Cuban chapbook or homemade Polaroid, but the glossy professional color pornography ubiquitous to modern society did not exist. The man who changed all that was Berth Milton of Stockholm, with his audacious little digest, Private. He and Private were directly responsible for Swedish Parliament's decision to treat sexually explicit materials as protected free speech, leading to the abolition of obscenity laws over most of northern Europe. With its smiling, exuberantly uninhibited models, Private created a fantasy of Sweden as the most liberated country on earth, a sexual wonderland that enchanted men around the globe. Publisher Milton was the magazine's sole photographer, so the Private paradise was very much his personal dream. Genius and tyrant, he insisted on only the best for his magazine, rising in the 1970s to become the Hugh Hefner of Hardcore. This five-volume, 960-page mini-boxed set presents the best of Private from 1970 to 1979. Each 192-page book features seven to ten of the best photo sets, arranged in chronological order, produced from the original color transparencies. Also included are photos never seen in the magazine, plus behind-the-scenes photos of Milton at work and all of the magazine covers. Vintage art, ads, and editorials complete this fascinating look at the birth of pornography and the infamous Swedish Sin.

The Kama Sutra gives detailed instructions on how to spank it. Contemporary Italians touch it for luck before placing a bet. Americans are having it cosmetically enhanced at rates approaching breast enlargement surgery. The female butt, tush, culo, or derrière has always inspired awe, fantasy, and slavish devotion. Curiously, its primary purpose is functional rather than aesthetic: butts balance our bodies while running, according to biologists. But ask any pygophiliac—as fundament fans are clinically termed—and you'll get the same answer: female hindquarters exist to please the eye, the hands, and parts south. A pert posterior causes instant arousal, as Zora Neale Hurston observed in Their Eyes Were Watching God: "The men noticed her firm buttocks like she had grape fruits in her hip pockets." Or, as rapper Sir Mix-a-lot proclaimed, "My anaconda don't want none, unless you’ve got buns, hun." Having all but disappeared from western culture in the breast-obsessed second half of the 20th century, the fully formed fanny is currently enjoying a massive resurgence, attributed by some to American actress Jennifer Lopez, by others to the rise of booty-centric hip hop culture. Yet this rage for shapely butts is nothing new. The ancient Greeks worshipped at the temple of Aphrodite Kallipygos, Goddess of the Beautiful Buttocks, while a womanly rump has always been an object of worship in most of the southern hemisphere. The Big Butt Book explores this perennial fascination with female booty—from small and taut to large and sumptuous—in the fourth installment of Dian Hanson's critically acclaimed body parts series. Over 400 photos from 1900 to the present day, including works by Elmer Batters, Ellen von Unwerth, Jean-Paul Goude, Ralph Gibson, Richard Kern, Jan Saudek, Ed Fox, Terry Richardson and Sante D'Orazio, of butts ranging from petite Pam Anderson's to sumptuous Serena Williams', are contextualized by interviews with porn icon John (Buttman) Stagliano, filmmaker Tinto Brass, artist Robert Crumb, bootylicious butt queens Buffie The Body, Coco and Brazil's Watermelon Woman, plus Eve Howard and her life-long spanking obsession.

What distinguished Swedish publication Private, the world's first sexually explicit magazine, in the 1980s? Female lust. After 20 years of photographing mostly amateur models, publisher Berth Milton came to believe that females were more sexually ravenous than males. In the 1980s he became obsessed with portraying women as the voracious hedonists of his experience. Always controlling with Private, in the '80s he became maniacal, determined that the magazine bear no creative stamp but his own. After nights of heavy drinking he'd return to his offices and tear up his designer's layouts, redoing them to his taste; anyone who challenged him was fired. After moving the Private headquarters to Barcelona, he shot most of the photo sets in his own home and garden, playing out his most intimate fantasies in the pages of his magazine. There is no doubt that the 1980s were a dark time for Berth Milton, but his personal torment resulted in some inspired photography. Blunter and more emphatic than his 1970s work, this is the 1980s in all its self-obsessed, big-haired glory. This five-volume, 960-page mini-boxed set presents the best of Private from 1980 to 1989. Each 192-page book features seven to ten of the finest photo sets, arranged in chronological order, produced from the original color transparencies. Also included are photos never seen in the magazine, as well as all the magazine covers, plus behind-the-scenes photos of Milton at work. Vintage art, ads, and editorials complete this fascinating look at the golden age of pornography as interpreted by Sweden's most notorious publisher-photographer.

Ed Fox has been called the new Elmer Batters, but he's clearly no imitator. Yes, there's that "little secret" he shares with the late Mr. Batters, but Fox celebrates the female foot in his own way, creating a style that is unique, contemporary and technically impeccable. Because he draws inspiration from both still photography and music video there's a strong sense of movement in his photos, reflecting his own energetic personality. Fox is a native of Los Angeles, so its no surprise his specialty is finding and shooting the most compelling beauties in the adult film industry. Says Fox, "A beautiful foot is an extra, the same as shapely breasts or a nice ass, and all part of a feminine shape. It's all about voluptuousness." Accordingly, most of his models are exceptionally curvy from top to bottom. Fox was one of the first to shoot strip diva Dita von Teese, as well as Valentina Vaughn, Tera Patrick, Brittany Andrews, Jill Kelly, Kelly Madison, Temptress, Tall Goddess, Aria Giovanni, Jewel De'Nyle, Belladonna, Terri Weigel, Penny Flame, and Ginger Jolie, all of whom appear in his very first book. Bonuses: an hour-long DVD featuring many of the stars, with an original musical score. this edition's special Panic Cover is reversible to a realistic-looking academic book to keep the real contents hidden from your annoying boss or even help you impress an attractive onlooker!!

OK, imagine the best photos from the iconic first volume of the body parts series, The Big Book of Breasts, in their original 30 by 30 cm size, but popping off the page in state-of-the-art 3D. An impossible dream? Not so, Luddites! In this wonderful modern world of digital magic, 90 photos from the original book, plus 18 stunning new photos, have been transformed from boring old last-century 2D into cutting edge 21st century 3D by Jon Schnitzer and The Brain Factory, the geniuses whipping up special effects for filmmakers such as Tim Burton. This 220-page special edition has a revised introduction, updated layout, and comes with a pair of red/blue anaglyph viewing glasses. Unlike other 3D pictures you may have seen before, the photos in The Big Book of Breasts 3D do not look distorted when viewed without the glasses. The Brain Factory’s technique is so subtle it’s hard to even detect the red/blue tint in many of the black and white photos, but when you put on your glasses the curves leap from the page, not in flat layers as in old-style 3D, but as fully rounded body contours. It doesn’t take a genius to guess that this will be the gift book of the year. As Playboy’s Hugh Hefner recently observed, “What would people most like to see in 3D? Probably a naked lady.” We hear you Hef, and we deliver.

It’s hard to imagine a book that could beat The Big Penis Book for grabbing attention and driving sales, unless it would be those same unimaginably colossal generative units seen in breathtaking 3D. That pop-up centerfold we joked about adding? In 3D every page becomes a pop-up! This 220-page, 30 by 30 cm special edition includes 96 images from the original book, plus 8 new bonus photos, transformed into eye-popping 3-D by Jon Schnitzer and The Brain Factory, the geniuses whipping up special effects for filmmakers such as Tim Burton. There is a revised introduction, new layout, and a pair of red/blue anaglyph glasses included. Unlike other 3D pictures you may have seen, the photos in The Big Penis Book 3D do not look distorted when viewed without the glasses. The Brain Factory’s technique is so subtle it’s hard to even detect the red/blue tint in many of the black and white photos, but when you put on your glasses the parts of interest leap from the page, not in flat layers as in old-style 3D, but as thick, fully rounded, touchable contours. That this is a red-hot gift book is a no-brainer. From the dawn of 3D technology, spears, sticks, guns, and rockets have been aimed at the audience to demonstrate the realism of the effect. The special effects in The Big Penis Book 3D are no less convincing.

THE COMICS is the most affordable compilation of Tom of Finland's popular panel stories. This 320 page volume features 14 stories, including the first completed by Tom in 1946, and the last, done in 1986. Along the way we meet Jack in the Jungle, Beach Boys, Greasy Rider, Ringo and the Renegades, and Tom's most infamous creation, Kake, the ultimate leatherman. The stories are arranged chronologically in a book sized to fit perfectly in one hand, wrapped in our new Panic Cover that allows the book to be read any place, any time, by simply removing and reversing the cover to give the appearance of a serious scholarly tome. For boys who like boys who like art - but are sometimes embarrassed to enjoy their art in public - this attractive package is not to be missed. Durk Dehner is Tom's archivist and provided the original art for these volumes. He was born in Alberta, Canada, where he studied art before moving to the United States in the mid-'70s. Dehner was instrumental in bringing Tom out of the underground and in focusing public attention on his work. The two co-founded the Tom of Finland Foundation in 1984, and Dehner continues as head of the Foundation, headquartered in Los Angeles, California.