Dian Hanson strana 4 z 5

Tom's Brando-inspired bikers and leathermen. This is a mixture of multi-panel comics and single panel drawings and paintings, starting in the 1940s through the '50s, '60s, '70s and '80s. In 1953 "The Wild One", starring Marlon Brando as Johnny, leader of the Black Rebels Motorcycle Club, was released worldwide. In 1954 Tom of Finland, previously known for his military and blue-collar subjects, drew his first civilian motorcyclist dressed in black leather. Coincidence? Hardly. "The Wild One", originally marketed to a female audience with a poster featuring a close-up of Brando's face sans leather cap, hair tousled, cheeks and pout tinted pink with the tagline "That 'Streetcar' Man has a new Desire!", resonated far more with gay audiences, who took Brando's character as a template for the first leatherman. After seeing "The Wild One" Tom never drew men in brown leather again; black leather now dominated his fantasies, and his art. Tom adopted Brando's leather Perfecto jacket, white t-shirt, Levi's, and high boots as his signature look. It was this same look that Tom selected for Kake, his confident, ever-horny hero of 26 panel stories. Kake became Tom's fearless, outgoing alter ego, and bikers supplanted military men as his favorite subject. In "Tom of Finland Volume II - Bikers" we explore Tom's fascination with bikers through a mixture of multi-panel comics and single panel drawings and paintings, starting in the 1940s, before "The Wild One" fixed his taste on black leather, through the '50s, '60s, '70s and '80s. Historic film stills and posters, personal photos of Tom, sketches, and Tom's own reference photos make this far more than another Tom's Comics retread.

First, The Big Book of Breasts, then The Big Penis Book, The Big Book of Legs, and the weighty Big Butt Book. What could follow but an in-depth exploration of the female pudendum, that coveted orifice man spends nine months trying to escape, and a li fetime attempting to reenter? The Big Book of Pussy, not to be confused with a book of big pussy, closes out this popular series with an offering sure to be as controversial as it is popular. As in previous volumes, editor Dian Hanson delves into the historical significance of this humble os, to show how the yoni has been coveted, feared, reviled, and worshipped by civilizations worldwide, from New Guinea to old Ireland. The text is supported by playful photographs of women exposing their vulvas , from 1900 to the present day. Because depiction of this body part has long been wrapped in unwarranted shame, The Big Book of Pussy reframes the subject, featuring models who expose their most private part enthusiastically, happily, with smiles spr ead wide as well, you get the picture. And with 400+ photos the point is made emphatically, in images both naturally furry and stylishly groomed.

The glamour goes on. This title emphasizes on the delightfully curvy female foot. Our first Ed Fox title, "Glamour From the Ground Up", introduced the heir to the peculiar photographic niche long ruled by the great Elmer Batters. California native Fo x had not even heard of Batters when he first started photographing women with an emphasis on their feet. In fact, he thought he was the only young man who checked out a woman's feet before her face, and most of the time couldn't meet his models' eye s for fear they'd discern his secret. Then he became the official foot photographer for "Leg Show" magazine, just months before Batters' death, and learned of the big shoes he had to fill at the same time he realized there were thousands of men just like himself - except without the talent to capture their passion on film, or as today, in pixels. Since then, Ed Fox has become internationally known for a sensual photographic style that captures every curve of a woman's body, right down to the tip s of her toes. In "Ed Fox II" he brings us voluptuous new models, arresting locations - many blending the desert landscapes of Southern California with Fox's passion for automobiles - and fantasies mild to extra spicy, all shot in warm, caressing nat ural light. And, like "Glamour From the Ground Up", "Ed Fox II" comes with a 60-minute original DVD, bringing the still photos to vibrant life

The glamour goes on. This title emphasizes on the delightfully curvy female foot. Our first Ed Fox title, "Glamour From the Ground Up", introduced the heir to the peculiar photographic niche long ruled by the great Elmer Batters. California native Fo x had not even heard of Batters when he first started photographing women with an emphasis on their feet. In fact, he thought he was the only young man who checked out a woman's feet before her face, and most of the time couldn't meet his models' eye s for fear they'd discern his secret. Then he became the official foot photographer for "Leg Show" magazine, just months before Batters' death, and learned of the big shoes he had to fill at the same time he realized there were thousands of men just like himself - except without the talent to capture their passion on film, or as today, in pixels. Since then, Ed Fox has become internationally known for a sensual photographic style that captures every curve of a woman's body, right down to the tip s of her toes. In "Ed Fox II" he brings us voluptuous new models, arresting locations - many blending the desert landscapes of Southern California with Fox's passion for automobiles - and fantasies mild to extra spicy, all shot in warm, caressing nat ural light. And, like "Glamour From the Ground Up", "Ed Fox II" comes with a 60-minute original DVD, bringing the still photos to vibrant life

The glamour goes on. This title emphasizes on the delightfully curvy female foot. Our first Ed Fox title, "Glamour From the Ground Up", introduced the heir to the peculiar photographic niche long ruled by the great Elmer Batters. California native Fo x had not even heard of Batters when he first started photographing women with an emphasis on their feet. In fact, he thought he was the only young man who checked out a woman's feet before her face, and most of the time couldn't meet his models' eye s for fear they'd discern his secret. Then he became the official foot photographer for "Leg Show" magazine, just months before Batters' death, and learned of the big shoes he had to fill at the same time he realized there were thousands of men just like himself - except without the talent to capture their passion on film, or as today, in pixels. Since then, Ed Fox has become internationally known for a sensual photographic style that captures every curve of a woman's body, right down to the tip s of her toes. In "Ed Fox II" he brings us voluptuous new models, arresting locations - many blending the desert landscapes of Southern California with Fox's passion for automobiles - and fantasies mild to extra spicy, all shot in warm, caressing nat ural light. And, like "Glamour From the Ground Up", "Ed Fox II" comes with a 60-minute original DVD, bringing the still photos to vibrant life

If orgasm is the little death, is masturbation the little suicide? The title means "the little death," a euphemism for orgasm, but the women who exuberantly masturbate for Toronto photographer Will Santillo in this book are as lively a bunch as you&# x2019;ll ever meet. Santillo conceived the project eight years ago to include a thorough cross section of women: young to old, slim to thick, perfect beauties to those not considered beautiful until seen through his lens. The one constant would be th at each would decide and direct how she masturbated to climax while he captured the moment. From previous projects with amateur subjects Santillo had come to believe that masturbation is a far more personal act than most sex play because it is conduc ted almost exclusively in private. He set out to reveal the diversity and creativity with which women approach self-stimulation, and to portray the beauty of ordinary women in the throes of orgasm-a beauty far richer than the male oriented depictions seen in pornography. Santillo says he seeks to uncover the hidden face of his subjects, and indeed, it’s the faces that best show the intensity of response in these artfully explicit photos. Dian Hanson interviewed 37 of the women, and their candid insights on overcoming inhibition, giving in to exhibitionism, and achieving orgasm in front of a stranger with a camera provide a framework for the lush, sepia-toned photos. For all who are curious about just what the woman next door-or one's own wife-gets up to in her private moments,La Petite Mortis a breath of life.

If orgasm is the little death, is masturbation the little suicide? The title means "the little death," a euphemism for orgasm, but the women who exuberantly masturbate for Toronto photographer Will Santillo in this book are as lively a bunch as you&# x2019;ll ever meet. Santillo conceived the project eight years ago to include a thorough cross section of women: young to old, slim to thick, perfect beauties to those not considered beautiful until seen through his lens. The one constant would be th at each would decide and direct how she masturbated to climax while he captured the moment. From previous projects with amateur subjects Santillo had come to believe that masturbation is a far more personal act than most sex play because it is conduc ted almost exclusively in private. He set out to reveal the diversity and creativity with which women approach self-stimulation, and to portray the beauty of ordinary women in the throes of orgasm-a beauty far richer than the male oriented depictions seen in pornography. Santillo says he seeks to uncover the hidden face of his subjects, and indeed, it’s the faces that best show the intensity of response in these artfully explicit photos. Dian Hanson interviewed 37 of the women, and their candid insights on overcoming inhibition, giving in to exhibitionism, and achieving orgasm in front of a stranger with a camera provide a framework for the lush, sepia-toned photos. For all who are curious about just what the woman next door-or one's own wife-gets up to in her private moments,La Petite Mortis a breath of life.

If orgasm is the little death, is masturbation the little suicide? The title means "the little death," a euphemism for orgasm, but the women who exuberantly masturbate for Toronto photographer Will Santillo in this book are as lively a bunch as you&# x2019;ll ever meet. Santillo conceived the project eight years ago to include a thorough cross section of women: young to old, slim to thick, perfect beauties to those not considered beautiful until seen through his lens. The one constant would be th at each would decide and direct how she masturbated to climax while he captured the moment. From previous projects with amateur subjects Santillo had come to believe that masturbation is a far more personal act than most sex play because it is conduc ted almost exclusively in private. He set out to reveal the diversity and creativity with which women approach self-stimulation, and to portray the beauty of ordinary women in the throes of orgasm-a beauty far richer than the male oriented depictions seen in pornography. Santillo says he seeks to uncover the hidden face of his subjects, and indeed, it’s the faces that best show the intensity of response in these artfully explicit photos. Dian Hanson interviewed 37 of the women, and their candid insights on overcoming inhibition, giving in to exhibitionism, and achieving orgasm in front of a stranger with a camera provide a framework for the lush, sepia-toned photos. For all who are curious about just what the woman next door-or one's own wife-gets up to in her private moments,La Petite Mortis a breath of life.

OK, imagine the best photos from the iconic first volume of the body parts series, The Big Book of Breasts, in their original 30 by 30 cm size, but popping off the page in state-of-the-art 3D. An impossible dream? Not so, Luddites! In this wonderful modern world of digital magic, 90 photos from the original book, plus 18 stunning new photos, have been transformed from boring old last-century 2D into cutting edge 21st century 3D by Jon Schnitzer and The Brain Factory, the geniuses whipping up special effects for filmmakers such as Tim Burton. This 220-page special edition has a revised introduction, updated layout, and comes with a pair of red/blue anaglyph viewing glasses. Unlike other 3D pictures you may have seen before, the photos in The Big Book of Breasts 3D do not look distorted when viewed without the glasses. The Brain Factory’s technique is so subtle it’s hard to even detect the red/blue tint in many of the black and white photos, but when you put on your glasses the curves leap from the page, not in flat layers as in old-style 3D, but as fully rounded body contours. It doesn’t take a genius to guess that this will be the gift book of the year. As Playboy’s Hugh Hefner recently observed, “What would people most like to see in 3D? Probably a naked lady.” We hear you Hef, and we deliver.

OK, imagine the best photos from the iconic first volume of the body parts series, The Big Book of Breasts, in their original 30 by 30 cm size, but popping off the page in state-of-the-art 3D. An impossible dream? Not so, Luddites! In this wonderful modern world of digital magic, 90 photos from the original book, plus 18 stunning new photos, have been transformed from boring old last-century 2D into cutting edge 21st century 3D by Jon Schnitzer and The Brain Factory, the geniuses whipping up special effects for filmmakers such as Tim Burton. This 220-page special edition has a revised introduction, updated layout, and comes with a pair of red/blue anaglyph viewing glasses. Unlike other 3D pictures you may have seen before, the photos in The Big Book of Breasts 3D do not look distorted when viewed without the glasses. The Brain Factory’s technique is so subtle it’s hard to even detect the red/blue tint in many of the black and white photos, but when you put on your glasses the curves leap from the page, not in flat layers as in old-style 3D, but as fully rounded body contours. It doesn’t take a genius to guess that this will be the gift book of the year. As Playboy’s Hugh Hefner recently observed, “What would people most like to see in 3D? Probably a naked lady.” We hear you Hef, and we deliver.

It’s hard to imagine a book that could beat The Big Penis Book for grabbing attention and driving sales, unless it would be those same unimaginably colossal generative units seen in breathtaking 3D. That pop-up centerfold we joked about adding? In 3D every page becomes a pop-up! This 220-page, 30 by 30 cm special edition includes 96 images from the original book, plus 8 new bonus photos, transformed into eye-popping 3-D by Jon Schnitzer and The Brain Factory, the geniuses whipping up special effects for filmmakers such as Tim Burton. There is a revised introduction, new layout, and a pair of red/blue anaglyph glasses included. Unlike other 3D pictures you may have seen, the photos in The Big Penis Book 3D do not look distorted when viewed without the glasses. The Brain Factory’s technique is so subtle it’s hard to even detect the red/blue tint in many of the black and white photos, but when you put on your glasses the parts of interest leap from the page, not in flat layers as in old-style 3D, but as thick, fully rounded, touchable contours. That this is a red-hot gift book is a no-brainer. From the dawn of 3D technology, spears, sticks, guns, and rockets have been aimed at the audience to demonstrate the realism of the effect. The special effects in The Big Penis Book 3D are no less convincing.

THE COMICS is the most affordable compilation of Tom of Finland's popular panel stories. This 320 page volume features 14 stories, including the first completed by Tom in 1946, and the last, done in 1986. Along the way we meet Jack in the Jungle, Beach Boys, Greasy Rider, Ringo and the Renegades, and Tom's most infamous creation, Kake, the ultimate leatherman. The stories are arranged chronologically in a book sized to fit perfectly in one hand, wrapped in our new Panic Cover that allows the book to be read any place, any time, by simply removing and reversing the cover to give the appearance of a serious scholarly tome. For boys who like boys who like art - but are sometimes embarrassed to enjoy their art in public - this attractive package is not to be missed. Durk Dehner is Tom's archivist and provided the original art for these volumes. He was born in Alberta, Canada, where he studied art before moving to the United States in the mid-'70s. Dehner was instrumental in bringing Tom out of the underground and in focusing public attention on his work. The two co-founded the Tom of Finland Foundation in 1984, and Dehner continues as head of the Foundation, headquartered in Los Angeles, California.

It’s hard to imagine a book that could beat The Big Penis Book for grabbing attention and driving sales, unless it would be those same unimaginably colossal generative units seen in breathtaking 3D. That pop-up centerfold we joked about adding? In 3D every page becomes a pop-up! This 220-page, 30 by 30 cm special edition includes 96 images from the original book, plus 8 new bonus photos, transformed into eye-popping 3-D by Jon Schnitzer and The Brain Factory, the geniuses whipping up special effects for filmmakers such as Tim Burton. There is a revised introduction, new layout, and a pair of red/blue anaglyph glasses included. Unlike other 3D pictures you may have seen, the photos in The Big Penis Book 3D do not look distorted when viewed without the glasses. The Brain Factory’s technique is so subtle it’s hard to even detect the red/blue tint in many of the black and white photos, but when you put on your glasses the parts of interest leap from the page, not in flat layers as in old-style 3D, but as thick, fully rounded, touchable contours. That this is a red-hot gift book is a no-brainer. From the dawn of 3D technology, spears, sticks, guns, and rockets have been aimed at the audience to demonstrate the realism of the effect. The special effects in The Big Penis Book 3D are no less convincing.

The Kama Sutra gives detailed instructions on how to spank it. Contemporary Italians touch it for luck before placing a bet. Americans are having it cosmetically enhanced at rates approaching breast enlargement surgery. The female butt, tush, culo, or derrière has always inspired awe, fantasy, and slavish devotion. Curiously, its primary purpose is functional rather than aesthetic: butts balance our bodies while running, according to biologists. But ask any pygophiliac—as fundament fans are clinically termed—and you'll get the same answer: female hindquarters exist to please the eye, the hands, and parts south. A pert posterior causes instant arousal, as Zora Neale Hurston observed in Their Eyes Were Watching God: "The men noticed her firm buttocks like she had grape fruits in her hip pockets." Or, as rapper Sir Mix-a-lot proclaimed, "My anaconda don't want none, unless you’ve got buns, hun." Having all but disappeared from western culture in the breast-obsessed second half of the 20th century, the fully formed fanny is currently enjoying a massive resurgence, attributed by some to American actress Jennifer Lopez, by others to the rise of booty-centric hip hop culture. Yet this rage for shapely butts is nothing new. The ancient Greeks worshipped at the temple of Aphrodite Kallipygos, Goddess of the Beautiful Buttocks, while a womanly rump has always been an object of worship in most of the southern hemisphere. The Big Butt Book explores this perennial fascination with female booty—from small and taut to large and sumptuous—in the fourth installment of Dian Hanson's critically acclaimed body parts series. Over 400 photos from 1900 to the present day, including works by Elmer Batters, Ellen von Unwerth, Jean-Paul Goude, Ralph Gibson, Richard Kern, Jan Saudek, Ed Fox, Terry Richardson and Sante D'Orazio, of butts ranging from petite Pam Anderson's to sumptuous Serena Williams', are contextualized by interviews with porn icon John (Buttman) Stagliano, filmmaker Tinto Brass, artist Robert Crumb, bootylicious butt queens Buffie The Body, Coco and Brazil's Watermelon Woman, plus Eve Howard and her life-long spanking obsession.

The Kama Sutra gives detailed instructions on how to spank it. Contemporary Italians touch it for luck before placing a bet. Americans are having it cosmetically enhanced at rates approaching breast enlargement surgery. The female butt, tush, culo, or derrière has always inspired awe, fantasy, and slavish devotion. Curiously, its primary purpose is functional rather than aesthetic: butts balance our bodies while running, according to biologists. But ask any pygophiliac—as fundament fans are clinically termed—and you'll get the same answer: female hindquarters exist to please the eye, the hands, and parts south. A pert posterior causes instant arousal, as Zora Neale Hurston observed in Their Eyes Were Watching God: "The men noticed her firm buttocks like she had grape fruits in her hip pockets." Or, as rapper Sir Mix-a-lot proclaimed, "My anaconda don't want none, unless you’ve got buns, hun." Having all but disappeared from western culture in the breast-obsessed second half of the 20th century, the fully formed fanny is currently enjoying a massive resurgence, attributed by some to American actress Jennifer Lopez, by others to the rise of booty-centric hip hop culture. Yet this rage for shapely butts is nothing new. The ancient Greeks worshipped at the temple of Aphrodite Kallipygos, Goddess of the Beautiful Buttocks, while a womanly rump has always been an object of worship in most of the southern hemisphere. The Big Butt Book explores this perennial fascination with female booty—from small and taut to large and sumptuous—in the fourth installment of Dian Hanson's critically acclaimed body parts series. Over 400 photos from 1900 to the present day, including works by Elmer Batters, Ellen von Unwerth, Jean-Paul Goude, Ralph Gibson, Richard Kern, Jan Saudek, Ed Fox, Terry Richardson and Sante D'Orazio, of butts ranging from petite Pam Anderson's to sumptuous Serena Williams', are contextualized by interviews with porn icon John (Buttman) Stagliano, filmmaker Tinto Brass, artist Robert Crumb, bootylicious butt queens Buffie The Body, Coco and Brazil's Watermelon Woman, plus Eve Howard and her life-long spanking obsession.

Ed Fox has been called the new Elmer Batters, but he's clearly no imitator. Yes, there's that "little secret" he shares with the late Mr. Batters, but Fox celebrates the female foot in his own way, creating a style that is unique, contemporary and technically impeccable. Because he draws inspiration from both still photography and music video there's a strong sense of movement in his photos, reflecting his own energetic personality. Fox is a native of Los Angeles, so its no surprise his specialty is finding and shooting the most compelling beauties in the adult film industry. Says Fox, "A beautiful foot is an extra, the same as shapely breasts or a nice ass, and all part of a feminine shape. It's all about voluptuousness." Accordingly, most of his models are exceptionally curvy from top to bottom. Fox was one of the first to shoot strip diva Dita von Teese, as well as Valentina Vaughn, Tera Patrick, Brittany Andrews, Jill Kelly, Kelly Madison, Temptress, Tall Goddess, Aria Giovanni, Jewel De'Nyle, Belladonna, Terri Weigel, Penny Flame, and Ginger Jolie, all of whom appear in his very first book. Bonuses: an hour-long DVD featuring many of the stars, with an original musical score. this edition's special Panic Cover is reversible to a realistic-looking academic book to keep the real contents hidden from your annoying boss or even help you impress an attractive onlooker!!