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Inventing Modernity The godfather of Italian design Italian architect and designer Gio Ponti (1891-1979) is difficult to pin down. With an extraordinarily prolific output and eclectic style, his oeuvre remains one of the most diverse and groundbreaking in design history. Trained initially in architecture, Ponti soon moved into industrial and interior design, experimenting with ceramics, silverware, and glass. Ponti's key works are spread throughout this extensive overview, including structures of all kinds, from small residential dwellings to high-rise buildings, schools, and office blocks. The home was one of Ponti's recurring interests and central areas of innovation. His talent for total design--a careful consideration of both interior and exterior space--is charted in the glossy reproductions, floor plans, and drawings featured in this edition. Ponti's colorful, carefree, and elegant spaces blended an expressive neoclassicism with emerging modernist sensibility. The founder and nearly lifelong editor of domus magazine never ceased to develop and reinvent his style. From the Denver Art Museum to his collection of churches, from bespoke homeware to the symbol of modern Milan, the Pirelli Tower, this monograph provides an introduction to Ponti's exuberant creativity and illustrious career. "Pure architecture is a crystal. When it is pure, it is clear like a crystal--magic, closed, exclusive, autonomous, unsullied, absolute, conclusive like a crystal. Architecture refuses unfinished shapes... Architecture begins and ends. Architecture stands." -- Gio Ponti

Hot on the heels (or lobster claws) of the best-selling Salvador Dalí phenomenon, Les dîners de Gala, TASCHEN presents the artist’s equally surreal and sensual viticulture follow-up: The Wines of Gala. A Dalínian take on pleasures of the grape and a coveted collectible, the book sets out to organize wines “according to the sensations they create in our very depths.” Through eclectic metrics like production method, weight, and color, the book presents wines of the world in such innovative, Dalíesque groupings as “Wines of Frivolity,” “Wines of the Impossible,” and “Wines of Light.” Bursting with imagery, the book features more than 140 illustrations by Dalí. Many of these are appropriated artworks, including various classical nudes, all of them reconstructed with suitably Surrealist, provocative touches, like Jean-François Millet’s The Angelus, one of Dalí’s favorite points of reference over the decades. Dalí also included what is now considered one of the greatest works from his late “Nuclear Mystic” phase, The Sacrament of the Last Supper (1955), which sets the iconic biblical scene in a translucent dodecahedron-shaped space before a Catalonian coastal landscape. Dalí was by this stage a devout Catholic, simultaneously captivated by science, optical illusion, and the atomic age. The first section is dedicated to “Ten Divine Dalí Wines,” an overview of 10 important wine-growing regions, while the second develops Dalí’s revolutionary ordering of wine by emotional experience, instead of by geography or variety. Rather than any prescriptive classification, it’s a flamboyant, free-flowing manifesto in favor of taste and feeling, as much a multisensory treat as a full-bodied document of Dalí’s late-stage oeuvre, in which the artist both reflected on formative influences and refined his own cultural legacy.

Hot on the heels (or lobster claws) of the best-selling Salvador Dalí phenomenon, Les dîners de Gala, TASCHEN presents the artist’s equally surreal and sensual viticulture follow-up: The Wines of Gala. A Dalínian take on pleasures of the grape and a coveted collectible, the book sets out to organize wines “according to the sensations they create in our very depths.” Through eclectic metrics like production method, weight, and color, the book presents wines of the world in such innovative, Dalíesque groupings as “Wines of Frivolity,” “Wines of the Impossible,” and “Wines of Light.” Bursting with imagery, the book features more than 140 illustrations by Dalí. Many of these are appropriated artworks, including various classical nudes, all of them reconstructed with suitably Surrealist, provocative touches, like Jean-François Millet’s The Angelus, one of Dalí’s favorite points of reference over the decades. Dalí also included what is now considered one of the greatest works from his late “Nuclear Mystic” phase, The Sacrament of the Last Supper (1955), which sets the iconic biblical scene in a translucent dodecahedron-shaped space before a Catalonian coastal landscape. Dalí was by this stage a devout Catholic, simultaneously captivated by science, optical illusion, and the atomic age. The first section is dedicated to “Ten Divine Dalí Wines,” an overview of 10 important wine-growing regions, while the second develops Dalí’s revolutionary ordering of wine by emotional experience, instead of by geography or variety. Rather than any prescriptive classification, it’s a flamboyant, free-flowing manifesto in favor of taste and feeling, as much a multisensory treat as a full-bodied document of Dalí’s late-stage oeuvre, in which the artist both reflected on formative influences and refined his own cultural legacy.

Baroque and Roll Meet Sir Peter Paul Rubens, master painter and polymath There are over 1,000 catalogued works by Sir Peter Paul Rubens (1577-1640), the 16th-century flag bearer for Baroque drama, movement, and sensuality. This essential introduction takes in the most important works from this astonishingly prolific oeuvre to explore Rubens's influences and innovations, and his remarkable visual, and art historical, impact. The richly illustrated survey takes in Rubens's portraits, landscapes, historical paintings, as well as his famed and bountiful nudes. Along the way, we examine the artist's astonishing technique and his deft ability to depict narrative in a compelling and legible visual form, whether an erotic mythologial scene or a tender biblical story. This remarkable artistic bravura is placed in context both with Rubens's long art historical legacy through van Dyck, Velazquez, and beyond, and his other talents as a classical scholar, diplomat, and knight.

Timberland The wooden structures of the 21st century Not so very long ago, some might have considered wood a material of the past, long since replaced by more modern components such as concrete and steel. The truth is radically different. Bolstered by new manufacturing techniques and ecological benefits, wood has seen a fabulous resurgence in contemporary construction. This Bibliotheca Universalis edition explores how architects around the world have created and invented with this elementary material. Featuring follies, very large buildings, and ambitious urban renewal schemes, it celebrates the diverse deployment of wood by architects around the world. We see how wood can at once transform urban spaces, as in the Metropol Parasol in Seville by Jurgen Mayer H., and allow for sensitive interventions in natural environments, such as at the Termas Geometricas Hot Springs Complex in Pucon, Chile, by German del Sol. True to all TASCHEN architecture titles, the book pays tribute to many emerging international talents as well as to such renowned figures as Tadao Ando to Renzo Piano. It celebrates each architect's vision and innovation, as well as investigating the techniques, trends, and principles that have informed their work with wood. It examines the computer guided milling that has allowed for novel new forms, the responsible harvesting that allows wood to align with our environmental concerns, and, above all, wood's enduring appeal to our senses and psyche, comforting hectic modern lives with a sense of Arcadian simplicity.About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm's delight -- never bore, always excite!

Debuting in Milan, Fontana settled in Paris in the mid 1930s, where he joined the Abstraction-Creation group and created expressionist sculptures in ceramic and bronze. He later moved to Argentina, where he developed his highly influential Technical Manifesto of Spatialism, a modernist marvel, characteristic of post-war innovation and fuelled by a forward-looking synthesis of art, technology, and science. With Spatialism, the artist sought to project color and form into spaces, most famously in his minimally ripped, or slashed canvases, such as his extensive Spatial Concept Waiting series.This dependable artist introduction follows Fontana on his personal and artistic journey to explore the evolution of his pioneering ideas as well as their remarkable legacy on conceptual and performance art which flourished in his wake.

Sculptural Structures Eero Saarinen's new dimensions The creator of the ubiquitous Knoll "Tulip" chairs and tables, Eero Saarinen (1910-1961) was one of the 20th century's most prominent space shapers, merging dynamic forms with a modernist sensibility across architecture and design. Among Saarinen's greatest accomplishments are Washington D.C.'s Dulles International Airport, the very sculptural and fluid TWA terminal at JFK Airport in New York, and the 630 ft. (192 m) high Gateway Arch of St. Louis, Missouri, each of them defining structures of postwar America. Catenary curves were present in many of his structural designs. During his long association with Knoll, Saarinen's other famous furniture pieces included the "Grasshopper" lounge chair and the "Womb" settee. Married to Aline Bernstein Saarinen, a well-known critic of art and architecture, Saarinen also collaborated with Charles Eames, with whom he designed his first prize-winning chair. With rich illustration tracing his life and career, this architecture introduction follows Saarinen from his studies to training to his most prestigious projects, and explores how each of his designs brought a new dimension to the modernist landscape.

Fernando Botero is an artist with his own style. For more than six decades, the Colombian's "Boterismo" technique has captured collectors, institutions, and public spaces worldwide with a unique, fleshy, overblown approach to the human body. Through these corpulent creations, Botero has become one of the most recognized artists from Latin America, his artworks displayed in prominent places around the globe, including Park Avenue in New York City and the Champs-Elysees in Paris. This TASCHEN Basic Art edition offers an essential introduction to this leading figure of figures in contemporary art. Tracing Botero's oeuvre from his earliest caricatures of animals through to recent large-scale bronze sculptures, the book examines the artist's diverse array of influences, from Paolo Uccello to Abstract Expressionism, and celebrates the wit, irony, insight, and critical acumen that round out his compositions, however absurd the proportions.

Into the Night All you need to know about Film Noir Whether it's Double Indemnity, Kiss Me Deadly, or The Big Sleep, roam a screen world of dark and brooding elegance with this essential handbook to Film Noir. From private eyes and perfect crimes to corrupt cops and doomed affairs, editors Paul Duncan and Jurgen Muller examine noir's key themes and their most representative movies from 1940 to 1960. Copiously illustrated with film stills as well as original posters, this book offers page after page of noir's masterful visual compositions while exploring the narrative paradigms of this cryptic, compelling, and evolving genre. If that weren't enough to tickle your cinematic appetite, the volume concludes with TASCHEN's top 50 pick of noir classics. Brimming with the enigmatic dames, desperate gangsters, and psycho killers that continue to cast a long and captivating shadow over cinema, this is a must-have handbook for noir aficionados and amateurs alike. "Crime has never looked so good." -- The Times, London

We owe a great debt to Jean Baptiste Marc Bourgery (1797–1849) for his Atlas of Anatomy, which was not only a massive event in medical history, but also remains one of the most comprehensive and beautifully illustrated anatomical treatises ever published. Bourgery began work on his magnificent atlas in 1830 in cooperation with illustrator Nicolas Henri Jacob (1782–1871), a student of the French painter Jacques Louis David. The first volumes were published the following year, but completion of the treatise required nearly two decades of dedication; Bourgery lived just long enough to finish his labor of love, but the last of the treatise’s eight volumes was not published in its entirety until five years after his death. The eight volumes of Bourgery’s treatise cover descriptive anatomy, surgical anatomy and techniques (exploring in detail nearly all the major operations that were performed during the first half of the 19th century), general anatomy and embryology, and microscopic anatomy. Jacob’s spectacular hand-colored lithographs are remarkable for their clarity, color, and aesthetic appeal, reflecting a combination of direct laboratory observation and illustrative research. Unsurpassed to this day, the images offer exceptional anatomical insight, not only for those in the medical field but also for artists, students, and anyone interested in the workings and wonder of the human body.

Mert Alas and Marcus Piggott

An Era of the Invincible The making of Marvel's household heroes It was an age of mighty heroes, misunderstood monsters, and complex villains. With the publication, in November 1961, of Fantastic Four No. 1, comics giant Marvel inaugurated a transformative era in pop culture. Through the next two decades, the iconic Hulk, Spider-Man, Iron Man, and the X-Men leapt, darted, and towered through its pages. Captain America was resurrected from his 1940s deep-freeze and the Avengers became the World's Greatest Super Heroes. Daredevil, Dr. Strange, and dozens more were added to the pantheon, each with their own rogues' gallery of malevolent counterparts. More than 50 years later, these thrilling characters from the '60s and '70s are more popular than ever, fighting the good fight in comics, toy aisles, and blockbuster movies around the world. The Marvel Age of Comics 1961-1978 takes you to the heart of this seminal segment in comic history--an age of triumphant character and narrative innovation that reinvented the super hero genre. With hundreds of images and insider insights, the book traces the birth of champions who were at once epic in their powers and adversaries and grounded in a world that readers recognized as close to their own; relatable heroes with the same problems, struggles, and shortcomings as everyone else. By the '70s, we see how the House of Ideas also elevated horror, sword and sorcery, and martial arts in its stable of titanic demigods, introducing iconic characters like Man-Thing, Conan, and Shang-Chi and proving that their brand of storytelling could succeed and flourish outside of the capes and tights. Behind it all, we get to know the extraordinary Marvel architects whose names are almost as familiar as the mortals (and immortals!) they brought to life--Stan "The Man" Lee, Jack "King" Kirby, and Steve Ditko, along with a roster of greats like John Romita, John Buscema, Marie Severin, Jim Steranko, and countless others. The result is a behind-the-scenes treasure trove and a jewel for any comic fan's library, brimming with the innovation and energy of an invincible era for Marvel and its heroes alike.

Back in the USSR: 250 film posters capture the cultural energy of the pre-Stalin era At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the pre-Stalin Soviet Union of the 1920s and 1930s to explore the energy and invention of this period, before Soviet Realism became the official art doctrine. Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.

Whether it's the flower-filled meadows of the Dolomites or a blanket of stars above Chile's Elqui Valley, set forth and share in the discoveries of Mountains, Deserts & Plains, a collection of 25 dream destinations in TASCHEN's Explorer series with The New York Times. Discover the deliciously intricate geology of China's Wulingyuan National Park with Simon Winchester, the otherworldly beauty of Namibia with Elinor Burkett, or the sunrise serenity of the Sawtooth Valley in Idaho. The Times writers are your guides, and the wealth of color photographs that accompany their writing capture the catch-your-breath awe of each spectacular location. The Explorer series takes travel beyond the obvious with adventures in exotic places and new perspectives in familiar ones, all based on the distinguished travel journalism in The New York Times. Each journey features a first-person narrative and postcard-perfect photography that capture the unique personality of the destination-as well as practical information to help get you on your way. Edited by Barbara Ireland, whose 36 Hours travel series has been a TASCHEN best seller, the Explorer series launches with Beaches, Islands & Coasts and Mountains, Deserts & Plains. Upcoming volumes include Urban Adventures and Road, Rail & Trail.

Instant Andy Before there was Instagram, there was Warhol Andy Warhol was a relentless chronicler of life and its encounters. Carrying a Polaroid camera from the late 1950s until his death in 1987, he amassed a huge collection of instant pictures of friends, lovers, patrons, the famous, the obscure, the scenic, the fashionable, and himself. Created in collaboration with the Andy Warhol Foundation, this book features hundreds of these instant photos. Portraits of celebrities such as Mick Jagger, Alfred Hitchcock, Jack Nicholson, Yves Saint Laurent, Pele, Debbie Harry are included alongside images of Warhol's entourage and high life, landscapes, and still lifes from Cabbage Patch dolls to the iconic soup cans. Often raw and impromptu, the Polaroids document Warhol's era like Instagram captures our own, offering a unique record of the life, world, and vision behind the Pop Art maestro and modernist giant.

Whether it's a languid day on the postcard-perfect bays of the Maldives, a swim to the tiny monastery island in Italy's Lago d'Orta, or a chocolate tour of the Caribbean, dive in and share the discoveries of Beaches, Islands & Coasts. Part of TASCHEN's Explorer series with The New York Times, this book tells the stories of 25 dream trips for curious minds, where the water is always only a pebble's throw away. Motor past pink sands and bougainvillea in Bermuda with Andrew McCarthy, walk the rugged trail where Wales meets the sea with Dominique Browning, or skip Tuscany's countryside in favor of its inviting coastline with Frank Bruni. The Times writers are your guides, and the wealth of color photographs that accompany their writing capture the soul-nourishing magic of places where the water rolls up to meet the land. The Explorer series takes travel beyond the obvious with adventures in exotic places and new perspectives in familiar ones, all based on the distinguished travel journalism in The New York Times. Each journey features a first-person narrative and postcard-perfect photography that capture the unique personality of the destination-as well as practical information to help get you on your way. Edited by Barbara Ireland, whose 36 Hours travel series has been a TASCHEN best seller, the Explorer series launches with Beaches, Islands & Coasts and Mountains, Deserts & Plains. Upcoming volumes include Urban Adventures and Road, Rail & Trail.