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Building virtuoso: The exploration and iconoclasm of an Italian masterWhile some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form.Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that turned the architecture world upside down. Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan s Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union.This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the inside-out Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano s own words, each time, it is like life starting all over again. About the series: Each book in TASCHEN s Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)"

Divine forms: The heavenly grace and human grandeur of a supreme Renaissance master In art history, we tend to be on first name terms only with the most revered of masters. The Renaissance painter and architectRaphael Santi(1483 1520) is one such star. The man we call simply Raphael has for centuries been hailed as a supreme Renaissance artist. For some, he even outstrips his equally famous, equally first-named, contemporaries, Leonardo and Michelangelo.From 1500 to 1508, Raphael worked throughout central Italy, particularly in Florence where he secured his reputation as a painter of portraits and beautifully rendered Madonnas, archetypical icons within the Catholic faith. In 1508 he was summoned to Rome by Pope Julius II and later embarked on an ambitious mural scheme for theStanza della Segnaturain the Vatican. Within this room, Raphael sThe School of Athensis considereda paradigm of the High Renaissance, merging Classical philosophy with perfected perspectival space, animated figures, and a composition of majestic balance.This essential introduction explores how in just two decades of work, Raphael painted his way to legendary greatness. With highlights from his prolific output, it presents the mastery of figures and forms that secured his place not only in the trinity of Renaissance luminaries but also among the most esteemed artists of all time. About the series: Each book in TASCHEN s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions.

The way we wore: The story of modern fashion from couture to mass market The 20th century saw fashion evolve from an exclusive Parisian salon business catering to a wealthy elite into a global industry employing millions, with new trends whisked into stores before the last model has left the catwalk. Along the way, the signature silhouettes of each era evolved beyond recognition. For women, House of Worthcrinolines gave way to Vionnet s bias-cut gowns, Dior s New Look toQuant s Chelsea Look, Halston s white suit toFrankie B. s low-rise jeans. In menswear, ready-made suits signaled the demise of bespoke tailoring, long before Hawaiian shirts or skinny jeans entered the fore.20th-Century Fashionoffers a retrospective of the last hundred years of style via400 fashion advertisementsfrom the Jim Heimann Collection. Theimages trace not only the changing trends but also the evolution in their marketing and audience, as fashion was adopted into popular culture and the mass market, decade by decade. An in-depth introduction and illustrated time line detail the style-makers and trendsetters and how the historic events, design houses, retailers, films, magazines, and celebrities shaped the way we dressed then and now. About the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing.Bibliotheca Universalisbrings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite! Text in English, French, and German "

Faces, places, and punk: The Alice Springs portfolioWhen her husband who happened to be world-famous photographer Helmut Newton fell sick with flu on the eve of a pressing deadline in 1970 it was up to his wife, June, to photograph an advertisement for Gitanes cigarettes. After the barest instruction in lighting and camerawork, June clicked the shutter on a smoking model and ignited her own career behind the lens.Using the pseudonym Alice Springs, June Newton began as a commercial photographer, shooting advertisements for French and international fashion magazines, before exploring portraiture and celebrity via the highlife in Hollywood and lowlife of the L.A. punk scene during the 1980s. She became Helmut s artistic director, collaborating on exhibitions and books as well as developing her own characteristically intense, revealing photography.Coinciding with a major retrospective at the Helmut Newton Foundation which was shown at the Maison Europeenne de la Photographie, this TASCHEN collection celebrates Alice Springs s work with a focus on the glamour and seedy excitement of 1980s Melrose in Los Angeles, as well as some of her most compelling self-portraits and studies of Helmut. Throughout, we celebrate Springs s sensitivity to subjects in composition and her particular skill at capturing the charisma animating a figure or face.Text in English, French, and German"

At its heyday, the American circus was the largest show-biz industry the world had ever seen. From the mid-1800s to mid-1900s, traveling circuses performed for audiences of up to 14,000 per show, employed as many as 1,600 men and women, and crisscrossed the country on 20,000 miles of railroad in one season alone. The spectacle of death-defying daredevils, strapping super-heroes and scantily-clad starlets, fearless animal trainers, and startling "freaks" gripped the American imagination, outshining theater, vaudeville, comedy, and minstrel shows. This book sheds fresh light on the circus phenomenon. With photographic gems of early circus performers, as well as original posters, lightographs, sideshow banners and engravings from the 16th-19th centuries illustrating the worldwide roots of the circus, readers are transported to a world of thrill and skill, grit and glamor. Highlights include iconic circus photographs by Mathew Brady, Cornell Capa, Walker Evans, Weegee, and Lisette Model, and little-known circus images by Stanley Kubrick and Charles and Ray Eames.

Brushwork revolution: The neglected champions of ImpressionismIt was a dappled and daubed harbor scene that gave Impressionism its name. When Impression, Sunrise by Claude Monet was exhibited in April 1874, critics seized upon the work s title and its loose stylistic rendering of light and motion upon water to deride this new, impressionistic, tendency in art.As with many seminal art movements, the critics got their comeuppance. Today, Impressionism is close contender for the world s favorite period of painting. With blockbuster exhibitions, record-breaking auction prices, and packed museums, the works once dismissed as unfinished or imprecise are now beloved for their atmospheric evocation of time and place, as well as the stylistic flair of rapid brushstrokes upon canvas.Despite its popularity and a whole host of publications, many areas and artists of Impressionism remain inadequately researched. This TASCHEN book fills the gap, raising the profile of unjustly neglected pioneers such as Berthe Morisot, Lucien Pissarro, and Gustave Caillebotte, while exploring the characteristics of Impressionism, from painting en plein air to vivid color contrasts, not only in the movement s native France but also across the rest of Europe and North America.About the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite!"

Sometimes considered the first avant-garde art movement, the Pre-Raphaelites rejected their era's dominant artistic theories for what they saw as a more spiritual, naturalistic and intensely personal approach. Fascinated by the romantic aspects of medieval culture and the vivid, jewel-like colors of Quattrocento art, the movement abhored the Classical poses and composition of Raphael and those influenced by him-hence the group's name-and the influence of Sir Joshua Reynolds. Founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti, the original Pre-Raphaelites were joined by William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner to form a seven-member "brotherhood". Its influence on many later British artists was extensive, and Rossetti's work is now seen as a precursor of the wider European Symbolist movement. This book examines the group's emergence, development, influence, and subsequent demise.

Like dreamers do: The lyrical mark-making of a modern maestroWith a career spanning seven decades, Catalan-born Joan Miro (1893 1983) was a polymath giant of modern art, producing masterworks across painting, sculpture, art books, tapestry, and ceramics, and embracing ideologies as varied as Fauvism, Surrealism, Dada, Magic Realism, Cubism, and abstraction.Over the course of his prodigious output, Miro evolved constantly, seeking to eschew categorization and the approval of bourgeois art critics as much as he pursued his own dreamlike worlds. Emerging into the public spotlight in the early 1920s, he first experimented with Fauvism and Cubism before developing a distinctive style of symbols and pictograms, arranged in elusive visual narratives, with frequent reference to Catalan life. As his career progressed, Miro moved towards Surrealism, and, despite never fully identifying with the movement, emerged as one of its most celebrated practitioners with techniques including automated drawing, Lyrical Abstraction, and Color Field painting. In later years, he diversified his media further, working with ceramics, textiles, and even proposing sculptures made of gas.Through his vivid colors, dreamlike fantasies, and enigmatic symbols, this book brings together the numerous strands of Miro s kaleidoscopic oeuvre to introduce his fascinating career, its interaction with major modernist movements, and its making of a modernist legend.About the series: Each book in TASCHEN s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions"

The 35 paintings that have come down to us from the hand of Jan Vermeer (1632-1675) place him beside Rembrandt and Frans Hals as one of the great masters of the golden age of Dutch art. Little is known of Vermeer's early life and training, though we can be certain that he never knew great success or acclaim during his lifetime, and after his death - reputedly in part because of the stress of his debts - his work was almost completely forgotten for the best part of two centuries. And yet today he is acknowledged as an exquisitely talented and highly original artist. Most of his pictures (all of which are reproduced in this book) show middle-class women about their daily business. Vermeer records the tasks and duties of these women, the imperatives of virtue under which their lives were lived, while also evoking their dreams and their contrasting inner worlds.

A fresh look: Pivotal paintings of modernityLampooned during his lifetime for his style as much as his subject matter, French painterEdouard Manet (1832 1883) is now considered a crucial figure in the history of art, bridging the transition from Realism to Impressionism.Manet s work combined a painterly technique with strikingly modern images of contemporary life, centered on the urban Paris experience. He recorded the city s parks, bars, and cabarets, often delighting in the frisson of underground or provocative content. The Paris salon rejected his Dejeuner sur l herbe with its juxtaposition of fully dressed men and a nude woman, while the steady gaze and unabashed pose of the prostitute Olympia, a very modern reworking of Titian s Venus of Urbino, caused a society scandal.With rich illustration, this book introduces Manet s work and his uniquely influential combination of Realism, Impressionism, and reworked Old Masters that would become paradigms of a brave new world for generations of modernists to come.About the series: Each book in TASCHEN s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions"

Brazilian curves: A uniquely sensual modernism in Brasilia and beyondUntil his death at age 104, Oscar Niemeyer (1907 2012) was something of an unstoppable architectural force. Over seven decades of work, he designed approximately 600 buildings, transforming skylines from Bab-Ezzouar, Algeria, to his homeland masterpiece Brasilia.Niemeyer s work took the reduced forms of modernism and infused them with free-flowing grace. In place of pared-down starkness, his structures rippled with sinuous and seductive lines. In buildings such as the Niteroi Contemporary Art Museum, Edificio Copan, or the Metropolitan Cathedral in Brasilia, he brought curvaceousness to the concrete jungle. In the futuristic federal capital of Brasilia, he designed almost all public buildings, and thus became integral to the global image of Brazil.With rich illustrations documenting highlights from his prolific career, this book introduces Niemeyer s unique vision and its transformative influence on buildings of business, faith, culture, and the public imagination of Brazil.About the series: Each book in TASCHEN s Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)"

Anguished art: The tortured talents of a post-Impressionist masterToday, the works of Vincent van Gogh (1853 1890) are among the most well-known and celebrated in the world. In Sunflowers, The Starry Night, Self-Portrait with Bandaged Ear, and many, many paintings and drawings beyond, we recognize an artist uniquely dexterous in the portrayal of mood and place through paint, pencil, charcoal, or chalk.Yet as he was deploying the lurid colors, emphatic brushwork, and contoured forms that would subsequently make his name and inspire generations of expressionist artists, van Gogh battled not only the disinterest of his contemporary audience but also devastating bouts of mental illness. His episodes of depression and anxiety would eventually claim his life, when, in 1890, he committed suicide shortly after his 37th birthday.This richly illustrated introduction follows Vincent van Gogh s story from his earliest pictures of peasants and rural workers, through his bright Parisian period, to his final, feverish burst of creative energy in the South of France during the last two and a half years of his life.About the series: Each book in TASCHEN s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions".

Dance class: The master of bodies in motionMost commonly associated with the birth of the Impressionist movement in mid-19th-century Paris, Edgar Degas (1834 1917) in fact defied easy categorization and instead developed a unique style, strongly influenced by Old Masters, the body in motion, and everyday urban life.The elder scion of a wealthy family, Degas cofounded a series of exhibitions of Impressionist art, but soon disassociated himself from the group in pursuit of a more realist approach. His subjects centered on the teeming, noisy streets of Paris, as well as its leisure entertainments, such as horse racing, cabarets, and, most particularly, ballet. With often ambitious, off-kilter vantage points, his images of ballerinas numbered approximately 1,500 works, all deeply invested in the physicality and the discipline of dance.Through illustrations of Foyer de la Danse (1872), Musicians in the Orchestra (1872) and many more, this book provides an essential overview of the artist who resisted categorization but created a category of his own, a world of classical resonance, bold compositions, and an endless fascination with movement, which together produced some of the most striking and influential works of the era.About the series: Each book in TASCHEN s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions"

All our work is about freedom The universe of Christo and Jeanne-ClaudeThe work of the artist couple Christo (born 1935) and Jeanne-Claude (1935 2009) resists categorization. It is a hybrid of art, urban planning, architecture, and engineering, but above all an aesthetic uniquely their own: surreal and ethereal environmental interventions that have graced monuments, public parks, and centers of power alike.This compact book spans the complete career of the couple who were born on the very same day, met in Paris, fell in love, and became a creative team like no other. With rich illustration, it spans Christo and Jeanne-Claude s earliest projects in the 1950s right through to The Floating Piers, to be installed at Lake Iseo, Italy, in 2016. The book celebrates all of the couple s most famous environmental interventions, such as The Gates in New York s Central Park and the Wrapped Reichstag in Berlin, while also featuring early drawings and family photos unknown to the wider public.About the series: Each book in TASCHEN s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions"

Under the microscope: Paintings hidden secrets revealed This important addition to our understanding of art history s masterworks puts some of theworld's most famous paintingsunder a magnifying glass to uncover their most small and subtle elements andall they reveal about a bygone time, place, and culture.Guiding our eye to theminutiae of subject and symbolism, authors Rose-Marie and Rainer Hagen allow even the most familiar of pictures to come alive anew through theirintricacies and intrigues.Is the bride pregnant? Why does the man wear a beret? How does the shadow of war hang over a scene of dancing? Along the way, we travel fromAncient Egypt through to modern Europe, from theRenaissanceto theRoaring Twenties.We meetGreek heroes and poor German poetsand roamfrom cathedrals to cabaret bars, from the Garden of Eden to a Garden Bench in rural France.As we pick apart each painting and then reassemble it like a giant jigsaw puzzle, these celebrated canvases captivate not only in their sheer wealth of details but also in the witness they bear to thefashions and trends, people and politics, loves and lifestylesof their time. About the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing.Bibliotheca Universalisbrings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite! "

Girls, Gags & Giggles" - this was publisher Robert Harrison's recipe for dishing up the American pin-up to the U.S. male. In the 1950s his girlie magazines sold by the millions, before becoming icons of pulp and trash culture. These skilfully illustrated girls with their curvaceous forms and inviting lingerie soon overtook America's national dessert, in terms of popularity, and even developed considerable potential as a cultural export during the 1940s. "Never show everything," was always the motto. Smiling prettily at the camera, the models exuded just the right amount of sex appeal without seeming too sophisticated or artful. They were the 'girls next door' whose wholesome attraction soon made one forget the magazines' deliberately trashy presentation. Their rosy complexions and innocent allures still titillate even in an age when far more graphic material is the norm. For everyone who enjoys pin-ups, push-ups and pulp style!