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From stylized Zen gardens in Provence to cactus displays on the Cote d'Azur, from classical palace gardens to quaint domestic beds, travel round the most beautiful gardens in France, home to some of the most elegant, charming, and inspiring horticulture in the world. The typical plants of each climatic region are represented-delphiniums, roses and irises in the North, and Californian poppies, santolinas, and lavender in the Midi. With pictures through every season, celebrate the particular beauty of spring, summer, fall, and winter, and discover plenty of inspiring ideas for your own garden. The collection celebrates both such famous displays as Villandry, Versailles, and the gardens of Claude Monet, as well as lesser known gems of equal, if smaller-scale, charm. A spectacular source book for all garden and nature lovers, this is also a special travel guide for any visitors to France, with a number of the chosen gardens open to the public.

The world through Linda's eyes: A retrospective of Linda McCartney's life and photography In 1966, during a brief stint as a receptionist for Town and Country magazine, Linda Eastman snagged a press pass to a very exclusive promotional event for the Rolling Stones aboard a yacht on the Hudson River. With her fresh, candid photographs of the band, far superior to the formal shots made by the band's official photographer, Linda secured her name as a rock 'n' roll photographer. Two years later, in May 1968, she entered the record books as the first female photographer to have her work featured on the cover of Rolling Stone with her portrait of Eric Clapton. She went on to capture many of rock's most important musicians on film, including Areth a Franklin, Jimi Hendrix, Bob Dylan, Janis Joplin, Simon & Garfunkel, The Who, The Doors, and the Grateful Dead. In 1967, Linda went to London to document the "Swinging Sixties," where she met Paul McCartney at the Bag 'O Nails club and subsequently photographed The Beatles during a launch event for the Sgt. Pepper's Lonely Hearts Club Band album. Paul and Linda fell in love, and were married on March 12, 1969. For the next three decades, until her untimely death, she devoted herself to her family, vegetarianism, animal rights, and photography. From her early rock 'n' roll portraits, through the final years of The Beatles, to raising four children with Paul, Linda captured her whole world on film. Her shots range from spontaneous family pictures to studio sessions with Stevie Wonder and Michael Jackson, as well as encounters with artists Willem de Kooning and Gilbert and George. Always unassuming and fresh, her work displays a warmth and feeling for the precise moment that captures the essence of any subject. Whether photographing her children, celebrities, animals, or a fleeting moment of everyday life, she did so without pretension or artifice. This retrospective volume is a lasting and deeply personal testament to Linda's talen t, produced in close collaboration with the McCartney family, with forewords by Paul, Stella, and Mary McCartney.

It started in 1978 with an ordinary coffee shop near Kyoto. Word spread that the waitresses wore no panties under their miniskirts. Similar establishments popped up across the country. Men waited in line outside to pay three times the usual coffee price just to be served by a panty-free young woman. Within a few years, a new craze took hold: the no-panties "massage" parlor. Increasingly bizarre services followed, from fondling clients through holes in coffins to commuter-train fetishists. One particularly popular destination was a Tokyo club called "Lucky Hole" where clients stood on one side of a plywood partition, a hostess on the other. In between them was a hole big enough for a certain part of the male anatomy. Taking the Lucky Hole as his title, Nobuyoshi Araki captures Japan's sex industry in full flower, documenting in more than 800 photos the pleasure-seekers and providers of Tokyo's Shinjuku neighborhood before the February 1985 New Amusement Business Control and Improvement Act put a stop to many of the country's sex locales. Through mirrored walls, bed sheets, the bondage and the orgies, this is the last word on an age of bacchanalia, infused with moments of humor, precise poetry, and questioning interjections.

After the global success of Yes Is More, one of the best-selling architecture books of its generation, BIG - Bjarke Ingels Group presents Hot to Cold, an odyssey of architectural adaptation. The book coincides with the Hot to Cold Show at the Nationa l Building Museum in Washington DC and presents 60 case Studies in harsh climate conditions in order to examine where and how we live on our planet. As we travel from one end of the spectrum to its opposite we will see that the more harsh the climate gets, the more intense its impact on the architecture. The central challenge is to mitigate the climatic extremes for hospitable human life, while finding solutions that can be both economically and environmentally profitable. Architecture is the ar t and science of accommodating the lives we want to live. Our cities and buildings aren't givens; they are the way they are because that is as far as we have gotten to date. They are the best efforts of our ancestors and fellow planetizens, and if th ey have shortcomings, it is up to us to continue that effort, pick up where they left off. Hot to Cold stays true to BIG - Bjarke Ingels Group's grand mission to find a pragmatic utopia, shaping not only a particular structural entity, but the kind o f world we wish to inhabit.

From dazzling cities to eccentric small towns, from vast mountains to plains as far as the eye can see, Canada and the United States offer an awe-inspiring abundance of travel adventures. In this discerning hotel guide, Angelika Taschen guides you on your way, scouring the North American continent for the most extraordinary, elegant, and inspiring places to rest your head. Coast to coast, from North to south, from a tiny island in the Florida Keys to an Italianate villa in rural Massachusetts, s panning the rustic, the boutique, the regal, the minimalist, the period-piece and the architectural gem, this is the ultimate directory in tasteful accommodation. Special highlights include raised safari tents in California's El Capitan Canyon, a his toric ranch nestled in a Death Valley oasis, a Frank Lloyd Wright house overlooking Mirror Lake, Wisconsin, and a 1930s hotel in Texas where James Dean once stayed.

Masters and monographs: An encyclopedia of 20th century photographers and their finest publications Arranged alphabetically, this biographical encyclopedia features every major photographer of the 20th century alongside her or his most significant monographs. From the earliest representatives of classical Modernism right up to the present day, Photographers A-Z celebrates those photographers who have distinguished themselves with important publications or exhibitions, and who have made a significant contribution to the culture of the photographic image. The entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China. Richly illustrated with facsimiles from books and magazines, the coll ection also features photographers working in "applied" areas, whose work is regarded as photographic art. Star turns include Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle.

Ellen von Unwerth was a supermodel before the term was invented, so she knows a thing or two about photographing beautiful women. Now one of the world's most original and successful fashion photographers, she pays homage to the world's most delectable females in Fraulein. This celebration of our era's sexiest female icons includes Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green, Christina Aguilera, Monica Bellucci and dozens more. Switching effortlessly between color and immaculate black and white, von Unwerth's photography revels in sexual intrigue, femininity, romance, fetishism, kitsch humor, decadence and sheer joie de vivre. Whether nude or in lingerie and a dazzling smile. Her subjects are never objectified. Some flaunt personal fantasies; others are guarded, suggesting that we have stumbled into a secret world. Fashion and fantasy were never so enchantingly combined. These images were shot over the last 15 years and many are previously unpublished.

From Rio to London, Cusco to Seville, Mario Testino is renowned for his free-spirited chronicles of dress and demeanor. In SIR, his largest book to-date, the influential photographer presents over 300 photographs in his search to define the allure of men. Featuring an essay by Pierre Borhan, an interview with Patrick Kinmonth, and many previously unpublished works from Testino's archive of thousands, this book traces the evolution of male identity over the past three decades. Costume, tradition, gender play, portraiture, photojournalism, and fashion collide as Testino observes masculinity in all its modern manifestations: through the dandy and the gentleman, the macho and the fey, the world-famous face to the unknown passerby. Every photograph represents a unique point of view, and a new visual connection between photographer and sitter. With Josh Hartnett for VMAN (2005), Testino evokes the fall of Helmut Berger in the abyss of Luchino Visconti’s The Damned. Studies of Brad Pitt, George Clooney, Jude Law and Colin Firth are as candid as they are curious. David Beckham, David Bowie, Mick Jagger and Keith Richards feature for the courage they have taken in redefining male identity. Through a kaleidoscope of guises, these portraits define a period in which men’s changing role, style and appearance has never escaped Testino’s eye and impeccable intuition. Limited edition of 1,000 numbered copies, each signed by Mario Testino, bound in Japanese cloth, and delivered in a metal slipcase.

For the past seven years, photographer and artist Lena Herzog has followed the evolution of a new, kinetic species. Intricate as insects, but with bursts of equine energy, the "Strandbeests" or "beach creatures," are the creation of Dutch artistTheo Jansen, who has been working for nearly two decades to develop a new life-form that moves, and even survives, on its own. Set to roam the beaches of Holland, the Strandbeests pick up the wind in their gossamer wings and spring, as if by metamorphosis, into action. As if it were blood, not the breeze, running through their delicate forms, they quiver, cavort, and trot against the sun and sea, pausing to change direction if they sense loose sand or water that might destabilize their movement. Coinciding with a travelling exhibition, Herzog's photographic tribute captures Jansen's menagerie in a meditative black and white, showcasing Jansen'simaginative vision, as well as the compelling intersection of animate and inanimate in his creatures. The result is a work of art in its own right and a mesmerizing encounter not only with a very surrealist brand of marvelous, but also with whole new ideas of existence. The author and photographer: Born and raised in Russia’s Urals, Lena Herzog studied languages and literature at St. Petersburg University, before emigrating to the United States in 1990 where she studied philosophy. She began taking pictures in 1997, and has since authored the photography books Tauromaquia, Flamenco, Pilgrims, and Lost Souls. Her work has been published in The New York Times, Harper’s Magazine, The New Yorker, The Paris Review, and Vanity Fair and exhibited in Europe and the United States. The artist: Dutch visual artist Theo Jansen studied science at the University of Delft. He spent his early career painting, before deciding to strike out on a new course by making a real flying saucer which flew over Delft in 1980. Since then he has been working on the creation of the Strandbeest species. Jansen’s work has been featured in several television programs, as well as in The New Yorker, New Scientist, and Wired. The contributing author: Lawrence Weschler is Director Emeritus of the New York Institute for the Humanities at NYU. A former staff writer at The New Yorker, he is the author of over 15 books, including the Pulitzer-nominated Mr Wilson's Cabinet of Wonderand Everything That Rises: A Book of Convergences, winner of the 2007 National Book Critics Circle Award for Criticism. He is a contributing editor at Threepenny Review, The Virginia Quarterly Review, and McSweeney's.

The sense of a scene: Pieter Bruegel’s mastery of composition and community The great Flemish painter Pieter Bruegel the Elder ( c. 1526/31-1569) was an astoundingly inventive painter and draftsman, who made his art historical mark with beautiful, evocative landscapes as well as religious subjects, both notable for their vernacular language and attention to everyday, contemporary life. Immersing himself in rural or small-town communities, Bruegel is particularly notable for his depiction of peasant experience and folk culture, earning the artist nickname “Peasant Bruegel.” Whether hunters shivering in the snow or a boisterous country fair, Bruegel raised the farming, festivals, gatherings, and games of peasant culture to the status of high art. Bruegel’s imposing religious and moral subjects, meanwhile, such as The Triumph of Death and The Tower of Babel are as awestriking and influential today as they were in the 16th century, inspiring contemporary culture from The Lord of the Rings cinematic battle scenes to Don DeLillo’s novel Underworld. From the corn harvest to the conversion of Saul, from quaint wedding processions to Christ’s road to Calvary, this book brings together the rich range of Bruegel’s subjects to introduce his powerful compositions of both biblical and earthly tableaux. About the Series: Each book in TASCHEN’s Basic Art series features: •a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance •a concise biography •approximately 100 illustrations with explanatory captions "synopsis" may belong to another edition of this title.

Life behind the Iron Curtain. Art and artifacts from East Germany. The history book to make history. This groundbreaking volume features hundreds of GDR political artifacts, design pieces, and everyday objects from the Wende Museum, Los Angeles, established in 2002 to study the culture of the former Eastern Bloc. From high fashion photography to secret police surveillance equipment, this extraordinary collection reveals the full scope of human experience and potential in a now-vanished world. For 40 years, the Cold War dominated the world stage. East and West Germany stood at the frontlines of the global confrontation, symbolized by the infamous Berlin Wall, which separated friends, families, and countrymen. But while the world teetered on the edge, life went on in the communist East, as it did in the capitalist West. From the outside, it seemed that life behind the Iron Curtain was gray and dull, but beneath the surface of its faded buildings, it was filled with color, texture and deeply-held convictions. The Wende Museum in Los Angeles, California, named after the period of change following the destruction of the Berlin Wall, was created in 2002 to study the visual and material culture of the former Eastern Bloc. With physical and psychic distance from political trauma and personal attachment, it aims to foster multiple perspectives and interpretations of a pivotal and multilayered history that has continues to shape our world. To commemorate the Museum's 10-year anniversary, this unprecedented and encyclopedic volume features thousands of items from its extraordinary collections, including icons of East German design and political advertisement as well as everyday objects and images from a now-vanished world. Never before has a book included this full a spectrum of art, archives, and artifacts from socialist East Germany: official symbols and dissident expressions, the spectacular and the routine, the mass-produced and the handmade, the beautiful and the ugly, and the funny and the tragic. Accompanying the featured collections are illuminating and provocative texts from scholars and specialists from Germany, Great Britain, the Netherlands, Canada, and the United States (Paul Betts, Andreas Ludwig, Josie McLellan, Katherine Pence, Eli Rubin, Jana Scholze, Joes Segal, Edith Sheffer, David Thomson), with themes ranging from the secret police to sexuality, space flight to flight across the border, and from monuments to mental-mapping.

Curate your home. Print Set Matisse, Cut-Outs. This inspiring print set offers sixteen designs to transform a blank wall into a personalized display. Each set of sixteen images has been specially selected from the TASCHEN collection as the most loved, and most interesting, examples of Matisse' Cut-Outs. The prints are packaged in a sturdy cardboard box and are suitable either for framing or as a poster.

The painter's painter. Light, color and penetrating portraits from Spain's Golden Age luminary. Manet called him "the greatest painter of all." Picasso was so inspired by his masterpiece Las Meninas that he painted 44 variations of it. Monet, Renoir, and Degas were heavily influenced by the paintings of Philip IV's grand chamberlain. Francis Bacon famously painted a study of his portrait of Pope Innocent X. Indeed, Diego Rodriguez de Silva y Velazquez (1599-1660) was more than the most important painter of the Spanish Golden Age. He is one of the most admired European painters who ever lived, and an authority and influence for generations of artists to come. This catalog raisonne brings together Velazquez's complete works, jaw-droppingly reproduced in extra-large format, with a selection of enlarged details and brand new photography of recently restored paintings, brought about by the joint initative of TASCHEN and Wildenstein. The book's dazzling images are accompanied by insightful commentary from Jose Lopez-Rey on Velazquez's interest in human liveliness and equal attention to all subjects, from an old woman frying eggs to a pope or a king, as well as his commitment to color and light, which would influence the Impressionists over two centuries later.

Rock on. From Elvis to Nirvana: the most important record covers in rock history. Album art is indelibly linked to our collective musical memories; when you think of your favorite albums, you picture the covers. Many photographers, illustrators, and art directors have become celebrities from their album artworks-the best examples of which will go down in history as permanent fixtures in popular culture. Paying tribute to this art form, Rock Covers brings you a compilation that includes 600 remarkable covers, from legendary to rare record releases. Artists as varied as Elvis Presley, The Beatles, The Sex Pistols, Pink Floyd, The Cure, Iron Maiden, and Sonic Youth are all gathered together here in celebration of the covers that defined their albums. Each cover is accompanied by a fact sheet listing the art director, photographer or illustrator, year, label, and more. Two hundred seminal records that marked turning points for a band, an artist, or the music genre, are highlighted with short descriptions. Five professionals who made and shaped the history of rock share insider information in featured interviews while 10 leading rock collectors seal the deal with top-10 favorite records.

A time for greatness. This is Norman Mailer's game-changing coverage of John F. Kennedy's presidential campaign. With his Hollywood good looks, boundless enthusiasm, and mesmeric media presence, John F. Kennedy was destined to capture the imaginations of the more than 70 million Americans who watched the nation's first televised presidential debate. Just days after beating out Richard Nixon by the narrowest margin in history, Kennedy himself said, "It was the TV more than anything else that turned tide." But one man begged to differ: writer Norman Mailer, who bragged that his pro-Kennedy treatise, "Superman Comes to the Supermarket," had "won the election for Kennedy." Whether or not that was the case, the article, published in Esquire magazine just weeks before polls opened, did redefine political reporting and New Journalism with Mailer's frank, first-person voice identifying Kennedy as the "existential hero" who could awaken the nation from its postwar slumber and conformist Eisenhower years. Now, TASCHEN reimagines this no-holds-barred portrait of one of America's most revered presidents on his path to the White House, publishing Mailer's essay in book form with over 300 photographs that bring the campaign and the candidate's family to life. These images were captured by some of the great photojournalists of the day - Cornell Capa, Jacques Lowe, Paul Schutzer, Stanley Tretick, Hank Walker - and appear in this volume alongside many never-before-published photos by Garry Winogrand and Burton Berinsky, providing a fascinating look at the man who declared the '60 "a time for greatness."

Despite its chilly weather and barren landscapes, wintertime has inspired some of the most magical and heartwarming stories in history. This season of celebration, frost and snow, religion, tradition, and adventure has produced such holiday classics as Clement Moore’s 'Twas the Night Before Christmas, and such colorful tales as the account of a pre-Christmas Posada parade in Mexico City. A Treasury of Wintertime Tales pays homage to this rich variety of winter storytelling with thirteen tales dating 1823–1972. Featuring authors and illustrators of American, German, Hungarian, Italian, Mexican, Norwegian, Russian, and Swedish descent, it includes stories about playful snowflakes that have come to life, losing one’s mittens, encounters with the Sami people in Northern Scandinavia, celebrating the Chinese New Year, and more.