Taschen strana 51 z 96

Following her best-selling TASCHEN monograph Life in Photographs, discover a more intimate and highly personal side of Linda McCartney's photographic work in The Polaroid Diaries. The collection focuses on McCartney's distinctive way of seeing the world and her family, through charming and quirky portraits of Paul McCartney and the couple's four children. We see them pulling faces and in matching pajamas. We see James pouring water on himself, and Mary and Stella playing dress-up. There's dancing, eating, horse riding, and countless moments of everyday life on their farm in Southern England. As Paul says in the introduction: "She would just see things. Many of her photos, it's just that one click. You've got to recognise when a great photo is happening in front of you. And then you've got to snap it at exactly the right moment... And she did that so many times that it always impressed me." The Polaroid Diaries curates more than 200 of these "right" moments from the early 1970s until the mid-1990s, along with a foreword by Chrissie Hynde and an essay by art critic Ekow Eshun. The book also features luminous landscapes across Scotland and Arizona, as well as the odd celebrity, as the likes of Steve McQueen and Adam Ant wander into the frame. Other pictures attest to her love of animals, with compassionate images of cats, lambs, horses, and hens. It's a pre-Instagram glimpse into the life of an extraordinary family, a celebration of Linda's legacy as a fiercely committed artist and of the instant magic of Polaroid film.Also available in a signed Collector's Edition and in two limited Art Editions, each with a print numbered and signed by Paul McCartney.

The last three decades have marked an era of technological upheaval as frenetic and groundbreaking as there ever has been. From early desktop computers and mobile phones to virtual reality: the web is now virtually inseparable from all facets of human interaction and daily life. But it wasn't always funny cat videos and sleek interfaces. This collection is a visual journey through time, gathering the very earliest examples of what we today take for granted: the first website to use surround sound, the first drag-and-drop navigation, the first page-turn effect, the first website to use seamless video integration, the first viral site, the first parallax website, the first 'upload-your-face' website, the first site to incorporate a mobile phone, the first ever YouTube-like "website", and many more. It gathers more than 200 websites, and each comes with quotes and insights from the creators themselves-an invaluable peek into the minds of pioneers who paved the pixelized way for many to follow, including Jonathan Gay (Flash), Gabo Mendoza (Gabocorp), Yugo Nakamura (Yugop), Peter Van Den Wyngaert (NRG.BE), Joshua Davis (Praystation), and Eric Jordan (2Advanced). This comprehensive visual history gathers 21 chapters that detail, for every year since 1998, the best websites and examples of hardware used at the time, and explore how user experience, usability, and technological milestones have influenced the development of the internet we use today. Year-by-year factsheets and smart Google insights orient the reader through major developments across such categories as world news headlines, highest grossing films, new soft and hardware, greatest website traffic, and many more. For many, this collection will offer a virtual trip down nostalgia lane-but all generations will find a sweeping reference work as well as a celebration of how the earliest creative minds came to define the web, and eventually the world, as we know it.

Little Nemo may be a diminutive hero of comic narrative, but he sure stands tall as one of the greatest voyagers of the 20th century. The master creation of Winsor McCay (1869-1934), this small and restless sleeper inspired generations of artists with his weekly adventures from bed to Slumberland, a dream realm of colorful companions, elaborate architecture, psychedelic scenery, and thrilling adventures. This second volume collects, in glorious full color and XXL resolution, all 329 of Nemo's nocturnal escapades from 1910 to 1927. Through them, we delight not only in the splendor of Slumberland, a surreal benchmark for Robert Crumb and Federico Fellini, but also McCay's pioneering panel layout and storytelling techniques, his timing and pacing, and extraordinary architectural detail. At once an adventure story, visual delight, and piece of cultural history, this publication is a monument to one of the most innovative pioneers-and one of the most intrepid explorers-of comic history.The XXL clothbound volume features all episodes from: The New York Herald years (1910-1911, "Little Nemo in Slumberland") including the legendary Airship Adventures The William Randolph Hearst years (1911-1914, "In the Land of Wonderful Dreams") The New York Herald Tribune years (1924-1927, "Little Nemo in Slumberland")

This is the big one, True Believers! The mostly true tale of Stan Lee: a Giant-Size extravaganza, nearly ten years in the making, about the one and only Godfather of Comics. From his childhood in Depression-era New York, to transforming Marvel into the number one comics publisher in the world, to his 21st-century reinvention as Chief Creative Officer of global entertainment company POW! Entertainment, Stan "the Man" Lee stands the test of time as the most legendary name in comicbook history. Stanley Lieber began working at Timely Comics in 1940 at the age of 17 and found himself at the helm of the bullpen as its top editor just two years later. But it wasn't until 1961 that he ignited a revolution known as the "Marvel Age of Comics." With a legendary stable of art partners including Jack Kirby, Steve Ditko, John Romita, and Jim Steranko, Lee unleashed a dizzying cascade of seminal comicbook creations-the Fantastic Four, Hulk, Spider-Man, Thor, Iron Man, the X-Men, and the Avengers to name a few. After moving to Hollywood in 1980, he did it again, developing TV and film projects that laid the groundwork for the "Marvel movie." Stan's constant cameo presence in these billion-dollar worldwide events is a testament to his influence. As the man behind POW! Entertainment, he became a master of all media-working with rock stars and professional sports leagues, movie mavens and reality TV shows-reinforcing his creative stature the world over.First published as a signed Collector's Edition and sold out within a week, the book was written and edited with Lee himself. His tale is told by his successor at Marvel, renowned comics writer, editor, and historian Roy Thomas, who brings "you are there" insights and wide-eyed clarity to key moments of Lee's journey to pop culture immortality. Featuring hundreds of treasures of comicbook art, intimate photographs sourced straight from his family archives, a foreword written by Lee himself, a novel-length essay and new epilogue by Thomas, and an appendix with complete reprints of Stan's comics from throughout the decades, this is a titanic tribute worthy of the Man.First published as a signed Collector's Edition, now available as an unlimited XXL edition.

In June of 1938, Action Comics debuted with a new kind of comic-book character on its cover: a costumed man with two identities, who possessed extraordinary strength and powers-a man able to protect the public when ordinary measures would not do. He was not the first super hero, but the Man of Steel would become the prototype for all super heroes thereafter. Superman's story, and those of Batman, Wonder Woman, and hundreds of other DC Comics characters, are all told in The Golden Age of DC Comics. Expanded from the Eisner Award-winning XL book, 75 Years of DC Comics, this edition offers readers the ultimate insight on DC's first decades, from its pulp origins up to the comic-book burnings of the McCarthy '50s. More than 600 pages of covers and interiors, original illustrations, photographs, film stills, and ephemera bring the story lines, the characters, and their creators to vibrant life. Also included is an exclusive interview with legendary artist Joe Kubert. Copyright (c) 2019 DC Comics. All related characters and elements (c) & TM DC Comics. (s19)

Pioneers of Modernity A tribute to the Bauhaus’s women artists Celebrating the centennial of a groundbreaking School of Art and Design, this volume marks the founding of the Bauhaus with a visual exploration of its most underrated members. While the institution provided women with new opportunities in education, along the way, they were faced with unreasonable family expectations, the ambiguous attitude of the faculty and administration, outdated social conventions, and, ultimately, the political repression of the Nazi regime. Unprecedented in current literature, Bauhausmädels presents 87 artists and artisans through texts and photographic portraits, many published for the very first time. Recent archival discoveries revive the biographies of better-known talents. In the 1920s, the title “Bauhaus girl” expressed a silent admiration for the young women who courageously eluded traditional gender roles to build a different, creative future. These include Marianne Brandt, the first woman to be admitted to the Bauhaus metalworking program whose designs are used by Alessi to this day; Gertrud Arndt who, dissuaded by the faculty from studying architecture, instead shone through her photography and rug design; and Lucia Moholy, who photographed the Bauhaus buildings in iconic shots, but spent the rest of her life trying to retrieve the negatives which were withheld from her. Moreover, the volume reminds us of other women artists whose names, nearly forgotten, also stand for early pioneers of gender equality, refusing to follow the beaten tracks society and their families insisted on. With almost 400 portrait photographs taken between 1919 and 1933, Bauhausmädels creates a visual impression of the women artists who attended the most progressive art school of the 20th century and, departing from there, often changed the world of art, architecture, design, and even politics. Insightful biographical data sheds light on each artist’s individual struggle, persistence in the face of adversity, and incredible accomplishments. In this grand family album, we discover a group of unique trailblazers whose legacy paved the way for women artists after them. Text in English French, and German

Emperor Maximilian I (1459-1519) treated the spectacle of his tournaments, hastiludes, and mummeries as an art form unto itself. One of modern Europe's most important sovereigns, he shaped the continent's political map well into the 20th century, not least due to his keen awareness of the power of a good public display towards diplomacy and networking. From 1512 to 1515, Maximilian commissioned a massive, exquisitely detailed and illustrated manuscript of the 64 tournaments. The 255 elaborately gilt and silvered miniatures were more than just a collection of jousting scenes from the Habsburg court-from the grand melee and tilting at the lists to foot combat and closing ceremonies-they were an allegorical epic telling the story of an intrepid hero, a knight errant who is no other than Maximilian himself. In the guise of his literary alter ego "Freydal", the Emperor jousted to prove his love for a noble lady. The story ends with the lady agreeing to marry him-she is no other than Mary of Burgundy, whom Maximilian wed in 1477 at Ghent.Produced under the direct supervision of Maximilian himself, Freydal is an invaluable record of late-medieval chivalry, one which introduces us to the jousts that the Emperor revived and even invented-such as the spectacular Rennen mit geschifften Tartschen, where shields would be catapulted into the sky and disintegrated into metal wedges. To this day, it remains the largest extant tournament book from the Late Middle Ages and the essential source on European courtly festivities of the early modern era. Much too fragile to be on permanent display, the miniatures are safely locked away in the vaults of the Kunsthistorisches Museum in Vienna. To commemorate the fifth centenary of Emperor Maximilian I's death, TASCHEN reproduces the complete 255 miniatures in full-color photographs, making the unique manuscript accessible to all for the very first time. The astounding collection is introduced by Stefan Krause, director of the Kunsthistorisches Museum's Imperial Armoury, who tells its fascinating story.

“I’ve always been fascinated by sex, the diversity of practices, the will and perseverance of people to realize their fantasies,” says Paris photographer Laurent Benaim. “These moments of pleasure captivate me in all their forms: the beautiful, the ugly. I have no criteria for aesthetic selection, only the expression of human desire interests me.” That said, Monsieur Benaim seldom photographs simple desire or simple sex acts. His models, he insists, run the show, bringing their uncommon interests to his studio; he acts only as witness and documentarian, offering his creative encouragement and nonjudgmental camera. He shoots only amateurs, people whose lives range from button-down white collar to transient to circus sideshow. They are young and old, straight, gay and transgender, able bodied, ample bodied and oddly bodied. They have been coming to Benaim’s large commercial studio in the Parisian suburb of Montreuil since 1999, first a trickle, then a flood, as word spread that their quirks and obsessions would not just be embraced, but transformed into art, through a painstaking 19th-century print technique little used in the last 100 years. Benaim earned his photographic degree in 1982. He set up shop as a conventional photographer, but at heart was a pictorialist, always searching for ways to defeat photographic realism. In 1991 he saw an antique photo with just the look he sought, and through trial and much error taught himself the dichromate gum process. It’s tedious, smelly, and probably poisonous, but Benaim has used it exclusively since 1996, giving his startling sex photos the look of oversized French postcards, printed, perhaps, in the damp cellar of a Belle Époque whorehouse. The technique softens the extremity of his subject, leading to gallery shows in Paris, Berlin, Milan, Luxembourg, Zurich and, fittingly, at the Kinsey Institute for sexual research in Bloomington, Indiana. Laurent Benaimpresents 300 of the photographer’s 1,000+ photos in what will be among TASCHEN’s most transgressive—and talked about—titles, with an introduction by editor Dian Hanson.

Between 1987 and 2001, Dian Hanson, then editor of Leg Show magazine, and photographer Roy Stuart collaborated on over 100 fetish photo shoots. It was critical to Stuart's taboo-busting philosophy that any sex portrayed in these photos be authentic, and he often included female masturbation, always to climax. To Stuart it seemed absurd that so many young women didn't know how to reliably give themselves orgasms. It smacked of male/female inequality. He therefore kept a number of high-powered vibrators in his studio and encouraged prospective models, during the often weeks-long educational process leading up to a photo shoot, to experiment with these machines to learn what pleased them best. When he and Hanson would confer on a shoot he might ask if masturbation would be appropriate; she came to understand this meant the model had acquired the necessary skill and wanted to demonstrate it. The answer, therefore, was always "yes". The volume Getting Off, second in the Embrace Your Fantasies series, represents the best of these photo sessions, accompanied by original Leg Show text by Hanson. All images are from the original transparencies, rescued from the Leg Show archives before the magazine ceased publishing in 2012. Join us once again for an exploration of 1990s sexual freedom, and a unique celebration of female empowerment.

Attract, protect, inform, collect—good packaging is synonymous with multitasking. Creating these ultimate all-rounders calls for a deep understanding of the good, the market, the customer, the environment, the flow of trade—no easy task. Each year, the Pentawards spotlight the ingenious masterminds behind these complex containers and grant their coveted trophies to the cleverest and most innovative designs in the field. This latest edition of The Package Design Bookrounds up the winning designs from the 2017–2018 competitions. With introductory essays, product descriptions, and plenty of images, this book features more than 400 winners from over 40 countriesacross five main categories—beverages, food, body, luxury, and other markets—and no fewer than 57 subcategories. The result is an authoritative surveyof the best of the best, and a rich celebration of packaging as a kaleidoscopic art form.

Nestled in the south of France, bordering the Mediterranean Sea, is a land renowned for its lavender fields, fine cuisine, golden sun, and dreamy landscapes.The region of Provence has inspired such masters as Alphonse Daudet and Vincent van Gogh. So enthralled was Paul Cezanne by the Mont Sainte-Victoire that he immortalized it in a series of paintings. We enter his Provence studio, which still looks the same as it did over a century ago, as well as the house where Frederic Mistral, 1904 Nobel Prize winner, lived and wrote. We also admire the wrought-iron staircase and embroidered curtains of the Hotel Nord-Pinus in Arles, which hosted the likes of Napoleon III, Jean Cocteau, and Picasso.This updated edition gathers the region's most remarkable homes and interiors, complete with insightful captions, enthralling double spreads, and brand new photography. Across picturesque villages perched atop rocky hillsides, quaint gardens filled with olive trees and the heady scent of lavender, tiled rooftop terraces and warm, ochre tones: this book paints a gorgeous picture of Provencal living.

In collaboration with Sylvester Stallone and MGM, this Collector's Edition, signed by Sylvester Stallone, brings you all the guts and all the glory of the complete Rocky story, right through to Creed. Copious images, including many on-set pictures from famed sports photographer Neil Leifer, come together with precious archival material from the Academy Library and MGM archive to reveal the making of an enduring action hero as much as a movie masterpiece. A foreword by Stallone and vintage interviews over the course of his career bring insight into the development of the hero and the franchise, as well as privileged access to the tenacity, spirit, and passion that characterized Rocky behind the scenes as much as on screen.

History Marked by Hand An extraordinary collection of handwritten documents Handwriting works magic: it transports us back to defining moments in history, creativity, and everyday life, and intimately connects us with the people who marked the page. For nearly half a century, Brazilian author and publisher Pedro Correa do Lago has been assembling one of the most comprehensive autograph collections of our age, acquiring thousands of handwritten letters, manuscripts, and musical compositions as well as inscribed photographs and drawings. From an 1153 document signed by four medieval popes to a 2006 thumbprint signature by physicist Stephen Hawking, the items illustrated here span nearly nine hundred years, and along the way bring us up close and personal with the writers, artists, composers, political figures, performers, explorers, scientists, philosophers, rebels, and more whose actions and creations have made an indelible mark on humankind. Rather than focusing on a single era or subject, Correa do Lago made the ambitious decision to divide his collection into nine areas of human endeavor?art, history, literature, science, music, the performing arts, philosophy, and exploration. On display for the very first time at the Morgan Library, some 140 extraordinary selections gathered in this book include letters by Lucrezia Borgia, Vincent van Gogh, and Emily Dickinson, annotated sketches by Michelangelo, Jean Cocteau, and Charlie Chaplin, and manuscripts by Giacomo Puccini, Jorge Luis Borges, and Marcel Proust. Handwriting is one of the most visceral means by which we leave tracks of our existence. At a time when information and communication have become utterly immaterial, this collection is a seed bank of humanity’s gifts, exploring its most eclectic nuances while transmitting its owner’s unbridled pleasure of being a member, a guardian, and an enthusiastic promoter of our collective story.

Under the burning Tuscan sun roll marvelous hills, vineyards, and olive groves-all postcard-perfect landscapes nestling centuries-old towns, rural villas, and contadino farmhouses. We've tracked down the best examples of such havens to paint a warm-hued picture of the look and feel of Tuscan living.Follow in Michelangelo's footsteps to the Eremo Santa Maria Maddalena, a medieval hermitage nestled in the steep Arezzo hillside. Take a dip in the California-style pool of Roberto Budini Gattai, the architect who turned a modest winegrower's house into a dazzling homage to David Hockney. Cool down in the tiled bedrooms of the Villa Villoresi, where, legend has it, Dante's wife took refuge during the poet's exile in the early 14th century.This collection gathers the region's most remarkable homes and interiors, complete with insightful captions and enthralling double spreads. Across contemporary architecture and traditional craftsmanship, minimal earthenware and decadent furniture, we discover all the natural tones and sun-kissed textures of Tuscany.

Perfection in Simplicity Tadao Ando’s complete works from 1975 until today Discover the completely unique aesthetic of Tadao Ando, the only architect ever to have won the discipline’s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. Philippe Starck defines him as a “mystic in a country which is no longer mystic.” Philip Drew calls his buildings “land art” as they “struggle to emerge from the earth.” His designs have been described as haiku crafted from concrete, water, light, and space. But to Ando, true architecture is not expressed in metaphysics or beauty, but rather through space that embodies physical wisdom. This thoroughly updated 2018 edition spans the breadth of his entire career, including such stunning new projects as the Shanghai Poly Grand Theater and the Clark Center at Clark Art Institute in Williamstown, Massachusetts. Each project is profiled through photographs and architectural drawings to explore Ando’s unprecedented use of concrete, wood, water, light, space, and natural forms. Featuring designs from award-winning private homes, churches, museums, and apartment complexes to cultural spaces throughout Japan, Korea, France, Italy, Spain, and the USA, this XXL-sized tribute is the definitive overview of this Modernist master. Text in English, French, and German

Hungarian-French painter Victor Vasarely (1906-1997) was a precocious talent. His earliest surviving painting, a landscape done at age 12, baffled through its realism-an indication of the compelling illusions of spatial depth that would later define his dazzling universe.Inspired by the likes of Malevich and the Bauhaus school, Vasarely developed his own abstract-geometric visual language, exploring the relationship between pure form and pure color. Vasarely's experimentation with optical effects in the 1940s and '50s earned him a central role in the evolution of Op Art. By the late '50s and early '60s, he concentrated on the "democratization of art" by producing "multiples"-reasonably priced originalworks reproduced in large editions. Vasarely's attempt to "destroy the completely obsolete myth of the unique, inimitable masterwork" was a tremendous contribution to art theory. To him, there was no place for hierarchical division into originals and reproductions, nor for distinction between fine and commercial art-"We cannot leave the enjoyment of art to an elite of connoisseurs forever," he declared. This redefinition of the artist's position and function in society marked a crucial first step in the Pop Art movement.Vasarely's boldly colorful and eye-popping paintings are instantly recognizable and remain entirely modern and relevant today. In this dependable introduction, we explore the makings of an artist ahead of his time. Crisp reproductions and insightful texts celebrate the father of the Op Art movement, from his earliest hypnotizing optical illusions to his hallmark checkerboard works.