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Sexual revolution, civil rights, Flower Power, miniskirt, women's liberation, The Pill, Black Panthers, hippies; all these words and phrases entered our language in the turbulent 1960s. The decade started as an extension of the domestic '50s and ended with worldwide chaos as baby boomers reached sexual maturity. What a fun decade for men's magazines. While Playboy's world dominance grew, with France, Germany, England, and Italy producing "men's lifestyle" titles, diversification spread in the U.S. The first big breast magazines debuted, with Fling, Gem and The Swinger; men's adventure titles - with nudes - provided nostalgia for mid-life veterans; humor magazines hung on - barely - while hippie nudist titles exploited a legal loophole allowing them to show pubic hair. Italy finally joined the party with sexy fumetto photo comics and a hero named Supersex. Latin America clung to the old burlesque format, mired in religious restriction and political unrest. France retained post-war favorite Folies de Paris et de Hollywood for an older audience and launched elegant Playboy clone LUI for its sons. While the world donned miniskirts England did England, reveling in bloomer and petticoat fetishism with Spick and Span digests. But no one topped Germany, where Ulrike Meinhof edited Konkret in 1969, a magazine of sexual and political revolution, before forming Red Army Fraction with Andreas Baader to bomb, kidnap, and assassinate her way into domestic terror history. Volume 3 contains over 650 groovy covers and photos from Argentina, England, France, Germany, Italy, and The U.S., plus text.

Frank Frazetta has reigned as the undisputed lord of fantasy art for 50 years, his fame only growing in the 12 years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips.This monograph is the biggest and most complete ever produced on the artist, done in collaboration with the Frazetta family and with top collectors.

A veritable folk hero in Latin America and Mexico's most important artist-along with his wife, painter Frida Kahlo-Diego Rivera (1886-1957) led a passionate life devoted to art and communism. After spending the 1910s in Europe, where he surrounded himself with other artists and embraced the Cubist movement, he returned to Mexico and began to paint the large-scale murals for which he is most famous. In his murals, he addressed social and political issues relating to the working class, earning him prophetic status among the peasants of Mexico. He was invited to create works abroad, most notably in the United States, where he stirred up controversy by depicting Lenin in his mural for the Rockefeller Center in New York City (the mural was destroyed before it was finished). Rivera's most remarkable work is his 1932 Detroit Industry, a group of 27 frescos at the Detroit Institute of Art in Michigan. This volume features numerous large-scale details of the murals, allowing their various components and subtleties to be closely examined. In addition to the murals is a vast selection of paintings, vintage photos, documents, and drawings from public and private collections around the world, many of which the whereabouts were previously unknown to scholars and whose inclusion here is thanks to the most intense research performed on Rivera's work since his death. Texts include an illustrated biography and essays by prominent art historians offering interpretations of each mural. One could not ask for a more comprehensive study of Rivera's oeuvre; finally his work is the subject of the sweeping retrospective it deserves.

At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the Soviet Union of the 1920s and early 1930s to explore the energy and invention of this period, before Soviet Realism became the official art doctrine. Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.

With his smooth, warm, ruddy face which radiated light in all directions, Chairman Mao Zedong was a fixture in Chinese propaganda posters produced between the birth of the People's Republic in 1949 and the early 1980s. Chairman Mao, portrayed as a stoic superhero (aka the Great Teacher, the Great Leader, the Great Helmsman, the Supreme Commander), appeared in all kinds of situations (inspecting factories, smoking a cigarette with peasant workers, standing by the Yangzi River in a bathrobe, presiding over the bow of a ship, or floating over a sea of red flags), flanked by strong, healthy, ageless men and "masculinized" women and children wearing baggy, sexless, drab clothing. The goal of each poster was to show the Chinese people what sort of behavior was considered morally correct and how great the future of Communist China would be if everyone followed the same path toward utopia by uniting together. This book brings together a selection of colorful propaganda artworks and cultural artifacts from Max Gottschalk's vast collection of Chinese propaganda posters, many of which are now extremely rare.

Famous First Edition: First printing of 5,000 numbered copies The Golden Age of Travel neatly overlaps with the reign of the Emperor Meiji, which began in 1868 with the overthrow of a feudal order that had kept Japan secluded from the outside world for more than 200 years. In the ensuing four-and-a-half decades, Japan became a less remote and more attractive destination for the international traveler and a popular subject for photographers, both Japanese and foreign. In 536 pages, this book presents more than 700 vintage images of Japan, texts by a specialist in early Japanese photography, and extensive commentary through thematic sections exploring traditions as varied as tea, silk and Buddhism, as well as itineraries across five regions, all of which guide the reader through this captivating land. Our travels take us from the enchanting vistas of Nagasaki to the seagirt shrine of Miyajima, long esteemed among the "Three Views" considered the most beautiful in Japan; from the rambling streets of Kobe to the energetic bustle of Osaka; from the cornucopia of historic sights in the ancient cities of Kyoto and Nara to the twin delights of shopping and sex in the vibrant modern port of Yokohama; from the timeless beauty of Mount Fuji and the mountainside scenery of nearby Hakone to the urban melange of Japan's modern capital, where the traditions of Edo and the modernity of Tokyo co-existed; and, finally, from the jewel-like architecture of Nikko set amidst forests and waterfalls to the islet-studded bay of Matsushima, until our journey ends in the remote wilds of Hokkaido, home to the indigenous Ainu.

With blockbuster exhibitions, record-breaking auction prices, and packed museums, Impressionism remains close contender for the world's favorite period of painting. Its favorite subjects- from dappled harbor scenes and summer days to vibrant Parisian salons and gardens-brim with optimism and joie de vivre. The works once dismissed as unfinished or imprecise are now beloved for their atmospheric evocation of time and place, as well as the stylistic flair of rapid brushstrokes upon canvas. The lives and oeuvres of Impressionist pillars Cezanne, Degas, Gauguin, Manet, Monet, Renoir, Rousseau, Seurat, Toulouse-Lautrec, and van Gogh are each explored in-depth in TASCHEN's Basic Art series. Now, this volume combines all 10 monographs into one for the price of three. What we take for granted today-the relativity of perception depending on the viewer, lighting mood, or location to the object-was then the inspiration for some of the finest paintings in art history. Consider Monet's 30+ variations of the Rouen Cathedral, Cezanne's dazzling experimentation with color, Gauguin's primitivist innovations, or Manet's scandalous nudes: rarely has a single genre produced so many brilliant artists in such a short time. Since 1985, TASCHEN's Basic Art series has published some 200 individual volumes, making it the world's most successful art-book series. Each title contains an extensive text on the artist's life and work, a detailed biography, and some 100 high-quality color illustrations with explanatory captions. With Ten in One, TASCHEN now presents ten Basic Art monographs in one volume. A must for every art lover! This book gathers ten Basic Art monographs into one volume featuring: Cezanne, Degas, Gauguin, Manet, Monet, Renoir, Rousseau, Seurat, Toulouse-Lautrec, and van Gogh a detailed chronological summary of the life and oeuvre of each artist, covering their cultural and historical importance approximately 1,000 illustrations with explanatory captions

Often misunderstood, Pierre-Auguste Renoirremains one of history’s most-loved painters—undoubtedly because his works exude such warmth, tenderness, and good cheer. Gathering brilliant reproductionsand sketches, as well as photosand a complete chronologyillustrating his life and work, this is the essential work of referenceon Renoir. Pierre-Auguste Renoir’s (1841–1919) timelessly charming paintings still reflect our ideals of happiness, love, and beauty. Derived from our large-format volume, the most comprehensive retrospective of his work published to date, this compact edition examines the personal history and motivation behind the legend. Though he began by painting landscapes in the Impressionist style, Renoir found his true affinity in portraits, after which he abandoned the Impressionists altogether. Though often misunderstood, Renoir remains one of history’s most well-loved painters—undoubtedly because his works exude such warmth, tenderness, and good spirit. In an incisive text tracing the artist’s career and stylistic evolution, Gilles Néret shows how Renoirreinvented the painted female form, with his everyday goddesses and their plump forms, rounded hips and breasts. Renoir’s later phase, marked by his return to the simple pleasure of the female nude in his baigneusesseries, was his most innovative and stylistically influential, and would inspire such masters as Matisse and Picasso. With acomplete chronology,bibliography, photos, sketches, and brilliant reproductions, this is theessential work of reference on this enduring master artist. The author Gilles Néret(1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Oiland Connaissance des Artsand received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse,and Erotica Universalis.

At the age of six, Salvador Dali (1904-1989) wanted to be a cook. At the age of seven, he wanted to be Napoleon. "Since then," he later said, "my ambition has steadily grown, and my megalomania with it. Now I want only to be Salvador Dali, I have no greater wish." Throughout his life, Dali was out to become Dali: that is, one of the most significant artists and eccentrics of the 20th century. This weighty volume is the most complete study of Dali's painted works ever published. After years of research, Robert Descharnes and Gilles Neret located painted works by the master that had been inaccessible for years-so many, in fact, that almost half the featured illustrations appear in public for the first time in this book. More than a catalogue raisonne, this book contextualizes Dali's oeuvre and its meanings by examining contemporary documents, from writings and drawings to material from other facets of his work, including ballet, cinema, fashion, advertising, and objets d'art. Without these crutches to support analysis, the paintings would simply be a series of many images. The study is divided into two parts: the first examines Dali's beginnings as an unknown artist. We witness how the young Dali deployed all the isms-Impressionism, Pointillism, Cubism, Fauvism, Purism and Futurism-with playful mastery, and how he would borrow from prevailing trends before ridiculing and abandoning them. The second part unveils the conclusions of Dali's lifelong inquiries, as well as the great legacy he left in works such as Tuna Fishing (1966/67) or Hallucinogenic Toreador (1970). It includes previously unpublished homages to Velazquez or Michelangelo, painted to the same end as the variations on past masters done by his contemporary, Picasso. We discover how, motivated by the desire to tease out the secrets of great works and become a Velazquez of the mid-20th century, Dali became Dali.

From Edouard Manet's portrait of naturalist writer Emile Zola sitting among his Japanese art finds to Van Gogh's meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe-but often remains misunderstood as an "exotic" artifact that helped inspire Western creativity. The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art-including, as Karl Marx put it, that "all that is solid melts into air"-were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century. This book lifts the veil on a much-loved but little-understood art form by presenting the 200 most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or "pictures of the floating world," to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up an unmatched record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan. From mystical mountains to snowy passes, samurai swordsmen to sex workers in shop windows, each piece is explored as a work of art in its own right, revealing the stories and people behind the motifs. We discover the four pillars of the woodblock print-beauties, actors, landscapes, and bird-and-flower compositions-alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans-rock stars who populated the "floating world" and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, man-eaters, and otherworldly creatures torment the living-stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship. Three years in the making, this XXL edition presents reproductions of the finest extant impressions from the vaults of museums and private collections across the globe-many newly photographed especially for this project. Some 17 stunning fold-outs invite us to study even the subtlest details, while extensive descriptions guide us through this frantic period in Japanese art history. Features: The work of 89 artists, from the world-renowned to the unfamiliar 7 chapters organized chronologically to trace the history of the medium from 1680 to 1938 17 fold-outs, which had to be hand-folded due to their size and specifications Exclusive reproductions from museums and private collections An appendix listing all artists and works

An encounter with Gerhard Richter, the German artist who widened horizons in the relationship between painting and reality. From early photographic paintings, along with his famous RAF cycle, to late abstract paintings, experiencing Richter's work always offers us the unexpected and unseen. Where he once set out to liberate the medium from ideological ballast, today, faced with the overwhelming presence of digital images, he shows us the unsurpassed impact and intensity of painting. A definitive introduction to one of the greatest artists of our time spanning not only his entire career, but also 50 years of cultural, economic, and political events.

The Polaroid Corporation's photography collection is the greatest portfolio of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes some 23,000 images by hundreds of photographers throughout the world, including pieces by the likes of David Hockney, Andy Warhol, and Jeanloup Sieff.The Polaroid Book dives into these archives, paying tribute to a medium that continues to defy the digital age. Like an oversized Polaroid film pack, this collection curates works by luminaries and unknowns alike, celebrating the boundless possibilities that develop inside the white borders of the original instant photograph. Features: more than 250 works from the Polaroid Collections an essay by Polaroid's Barbara Hitchcock on the beginnings of instant photography and the collection's history a chapter featuring the various types of Polaroid cameras

To travel in North America is to face a delicious quandary: over these vast spaces with so many riches, from glittering cities to eccentric small towns and heart-stoppingly beautiful mountains and plains, how to experience as much as possible in limited time? The New York Times has the answer, offering up dream weekends with practical itineraries in its popular weekly 36 Hours column for nearly two decades. In this fully revised and updated third edition of the best-selling USA & Canada volume, TASCHEN presents the best itineraries from across the continent. You’ll find marquee metropolises like New York, Montreal, and Los Angeles; world-famous natural wonders at Niagara Falls and the Grand Canyon; the hidden charm of Rust Belt cities like Duluth and Detroit, as well as 33 new stories including Anchorage, the Berkshires, Boulder, and many more. More than 5,400 hours worth of insightful itineraries to make the most of your stay Practical recommendations for more than 600 restaurants and 450 hotels Comprehensive revisions to all 130 itineraries New destinations including Downtown Miami, Oakland, Chattanooga, and more Color-coded tabs for each region Nearly 1,000 photos 33 new stories Detailed city-by-city maps that pinpoint every stop on your itinerary From Antwerp to Zurich, trust TASCHEN’s New York Times 36 Hours series with your next travel adventure.

The turn of the 20th century was a golden era in France. It was an age of peace, prosperity, and progress after a series of bruising wars and turmoil within the French Republic, culminating in the Franco-Prussian War, which had ended in 1871. From the ruins of conflict, the Belle Epoque brought joie de vivre flourish, a boom in art, design, industry, technology, gastronomy, education, travel, entertainment, and nightlife. Through some 800 vintage photographs, postcards, posters, and photochromes from the extensive archives of Marc Walter and Photovintagefrance, France around 1900 follows up on TASCHEN's best-selling vintage photographic collections Italy around 1900, The Grand Tour, Germany around 1900, and An American Odyssey to provide a precious record of France in all its turn-of-the-century glory. With the photochrome technique used in many of the images restoring the past to vivid color, we enjoy a bristling close, bittersweet, encounter with this hopeful age: the brave, stony splendor of the Mont Saint-Michel; the icy peaks of Chamonix; and the honey light of the Cote d'Azur. With an introduction, six essays, and detailed commentary by Sabine Arque exploring the stories behind the pictures, this is an unrivalled portrait of a nation on the cusp of the century and of its poignant exuberance before the paroxysm of the First World War. While paying tribute to the precious Belle Epoque, crushed by the traumas of history, it also celebrates the unwavering allure of La Belle France, its beauty, culture, traditions, and legendary romance

An intoxicating mix of color, pattern, and texture, The Sartorialist: India is a photographic tribute to the country's diversity and splendor. Famed American photographer and blogger Scott Schuman journeyed to India many times to capture its wildly idiosyncratic styles, whether on the streets, in markets, on the cricket fields, or at residences in cities like Delhi, Jaipur, Pushkar, and Mumbai. Schuman's affinity for his subjects is evident, and he celebrates people of all ages and from all walks of life, from ravers, transgender subjects, wrestlers, surfers, grandfathers, and fashionistas to children and laborers. He also shines a light on the new India as much as on the time-honored. The casually chic layering of textiles, the enduring prevalence of traditional attire, and India's pure physical beauty all add up to a richly satisfying visual and cultural experience. The images are also illuminated by an introduction by the acclaimed fashion writer Bandana Tewari. This vibrant monograph is Schuman's first for TASCHEN, and it showcases all the unique qualities that have brought him worldwide renown: a photojournalist's eye for a decisive moment, a humanist's sense of empathy, and a fashion aficionado's appreciation for design.

Following her best-selling TASCHEN monograph Life in Photographs, discover a more intimate and highly personal side of Linda McCartney's photographic work in The Polaroid Diaries. The collection focuses on McCartney's distinctive way of seeing the world and her family, through charming and quirky portraits of Paul McCartney and the couple's four children. We see them pulling faces and in matching pajamas. We see James pouring water on himself, and Mary and Stella playing dress-up. There's dancing, eating, horse riding, and countless moments of everyday life on their farm in Southern England. As Paul says in the introduction: "She would just see things. Many of her photos, it's just that one click. You've got to recognise when a great photo is happening in front of you. And then you've got to snap it at exactly the right moment... And she did that so many times that it always impressed me." The Polaroid Diaries curates more than 200 of these "right" moments from the early 1970s until the mid-1990s, along with a foreword by Chrissie Hynde and an essay by art critic Ekow Eshun. The book also features luminous landscapes across Scotland and Arizona, as well as the odd celebrity, as the likes of Steve McQueen and Adam Ant wander into the frame. Other pictures attest to her love of animals, with compassionate images of cats, lambs, horses, and hens. It's a pre-Instagram glimpse into the life of an extraordinary family, a celebration of Linda's legacy as a fiercely committed artist and of the instant magic of Polaroid film.Also available in a signed Collector's Edition and in two limited Art Editions, each with a print numbered and signed by Paul McCartney.