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This book brings together twenty-seven of the most beloved of the famous Grimms fairy tales, including all the classics, such as Cinderella, Snow White,Sleeping Beauty, and Hansel and Gretel in an all-new translation specially commissioned for this publication. Containing a painstakingly-researched selection of illustrations by some of the most famous illustrators from the 1820s to the 1950sincluding golden age legend Kay Nielsen, bestselling author Gustaf Tenggren, British darlings Walter Cra ne and Arthur Rackham, and giants of nineteenth century German illustration Gustav Süs, Heinrich Leutemann, and Viktor Paul Mohn, as well as many new discoveriesthis compilation also includes beautiful silhouettes culled from original publications f rom the 1870s and 1920s that run throughout the entire layout. Interlaced in the book are also dozens of entirely new silhouettes designed and created especially for this book. In addition to the tales, the book also includes an introduction to the G rimms' legacy, brief introductory texts for each tale, and extended artists' biographies in the appendix. For adults and children alike, this classic addition to any library brings to life the never-ending magic of the Grimms' fairy tales and their d elightful illustrations. * Features illustrations by famous artists from Germany, Britain, Sweden, Austria, the Czech Republic, Switzerland, and the United States in a unique format pairing one tale with one artist * Includes a new translation acces sible to readers of all ages that is based on the final 1857 edition of the tales * Contains dozens of new, unique silhouettes specially commissioned for the book * As part of UNESCOs Memory of the World Register (which safeguards cultural documents ), these tales are widely recognized as a vital part of world history Following fairy tales are featured in the book: The Frog Prince, The Wolf and the Seven Little Goats, Little Brother and Little Sister, Rapunzel, Hansel and Gretel, The Fisherman and His Wife, The Brave Little Tailor, Cinderella, Mother Holle, Little Red Riding Hood, The Bremen Town Musicians, The Devil with Three Golden Hairs, The Shoemaker and the Elves, Tom Thumbs Travels, Sleeping Beauty, Snow White, Rumpelstiltskin, The Three Feathers, The Golden Goose, Jorinde and Joringel, The Goose Girl, The Twelve Dancing Princesses, The Star Coins, Snow White and Red Nose, The Hare and the Hedgehog, Puss n' Boots, The Golden Key

As economic problems make some shy away from grandiose, long-lasting buildings, a wave of new temporary buildings and architectural is sweeping over the planet. These can have uses from emergency relief to concert or performance venues. Another fasci nating area that is covered here is exhibition and fair design, a veritable treasure trove of exciting designs that come and go in the space of a week or less, to show fashion, jewelry or design. Fashion shows or art displays are all part of this dyn amic trend that includes some of the great names in contemporary architecture like Zaha Hadid or Rem Koolhaas, but also many architects that you have never heard of until now!Featured architects and practices include:Werner Aisslinger, Atelier Bow Wo w, Aybar Mateos, Cecil Balmond, Shigeru Ban, Bernardes Jacobsen, BIG, Alberto Campo Baeza, Carmody Groarke, Santiago Cirugeda, Coop Himmelblau, Diller Scofidio + Renfro, Ecosistema Urbano, Olafur Eliasson, Ammar Eloueini, Essentia, Established a Sons , Fantastic Norway, Mark Fisher, Massimiliano Fuksas, Laurent Grasso a Pascal Grasso, Zaha Hadid, Heatherwick, Institute of Computational Design, Toyo Ito, Adam Kalkin, Ken Min Architects, Koers Mulder, Adolf Krischanitz, Liu Jiakun, LOT-EK, MAPT, Mi ralles Tagliabue, MOS, Eric Owen Moss, NASA, Ivan Navarro, Jean Nouvel, OBRA Architects, OMA, OMD, John Pawson, Philippe Rahm, Raumlabor Berlin, Francesc Rifé, Michael Rojkind, Rotor, Tomas Saraceno, SO-IL, Tamassociati, Javier Terrados Cepeda, UNStu dio, Helena Willemeit, Tokujin Yoshioka

Come on in! Tour contemporary home decors around the world. "The Interiors Now!" series features the world's most amazing, exquisite, and interesting contemporary apartments and houses. With an inspirational richness and diversity of styles, here are homes, residences, hideaways, and studios to astound and astonish, no matter what your taste. Whatever your preference - flea market romance or space age bachelor pad, minimalism or neo-baroque - you'll find hundreds of fresh and provocative ideas. Volume 2 highlights include: a Berlin interior designed by the architecture firm Craft, a sumptuous rooftop garden New York, a crazy, curvy house in Helsinki, an elegant and thoroughly eclectic London residence (complete with an antique car in one of the rooms), a Turkish residence in Istanbul, a modern house in Kuala Lumpur, and Matteo Thun's Capri getaway.

When Kunstwerke und Geräthschaften des Mittelalters und der Renaissance (18521863) was published, what purchasers in fact bought was a small printed museum of unusual treasures. With 216 hand-colored copperplate engravings, the publication gives a c omprehensive overview of applied arts in Europe from the 9th to the 16th centuries. The objects presented comprise furniture, metalwork, jewelry, tapestries, and works of bookbinding. Carefully selected masterpieces such as the gilt Corvinus goblet, an enamelled saltcellar, and medieval ivory combs are depicted, along with a decorative sword, now lost. The editor Jakob Heinrich von Hefner-Alteneck (1811-1903) was head of the Royal Cabinet of Prints and Drawings in Munich and later director of t he Bavarian National Museum. His work helped influence the creation of new museums of art and design the South Kensington Museum in London (today the Victoria and Albert Museum), founded in 1852, being the very first in which artists could study the hand-crafted masterpieces of earlier epochs. Although the co-editor Carl Becker (1794-1859) commissioned various artists to make drawings of the historical originals for Kunstwerke und Geräthschaften, the signatures on the plates show that most of the illustrations stem from the hand of artist Jakob Heinrich von Hefner-Alteneck and he can therefore be considered as the works main draughtsman; considering that Becker died before the completion of the work, the most influential figure behind it was undoubtedly Hefner-Alteneck. Before his collaboration with Becker, Hefner-Alteneck had previously publishedTrachten des christlichen Mittelalters (Costumes of the Christian Middle Ages). With their publication, Jakob Heinrich von Hefner-Alt eneck and Carl Becker gave expression to the 19th centurys revived interest in the art of the Middle Ages and the Renaissance. By selecting masterpieces from public and private collections, and reproducing them faithfully in pictures, they created a document of artistic quality in itself, which also provides evidence of works which have since been lost. With this new edition, which includes a commentary, TASCHEN is making an important publication accessible once more, giving a glimpse of the t reasure chambers of the Middle Ages and the Renaissance. This complete reprint was created on the basis of an original copy in the Württembergische Landesbibliothek in Stuttgart.

In this volume photographer Frédéric Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what could be considered as the fourth age of Soviet architecture. They reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the twenties and thirties, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announces the end of Soviet Union.

Frank Lloyd Wright (1867-1959) is widely considered to be the greatest American architect of all time; indeed, his work virtually ushered in the modern era and remains highly influential today. His wide-ranging and paradigm-shifting oeuvre is the sub ject of TASCHEN's three-volume monograph that covers all of his designs (numbering approximately 1100), both realized and unrealized. Made in cooperation with the Frank Lloyd Wright Archives in Taliesin, Arizona, this collection leaves no stone untur ned in examining and paying tribute to Wright's life and work. From his early Prairie Houses (typified by the Robie House) to the Usonian concept home and progressive living architecture buildings to late projects like the spiral Guggenheim Museum in New York and the development of his fantastic vision of a better tomorrow via his concept of the living city, all of the phases of Wright's career are painstakingly described and illustrated herein. Author and preeminent Wright expert Bruce Brooks P feiffer highlights the latest research and gives fresh insight into the work, providing new dating for many of the plans and houses. A plethora of personal photos gives readers a feeling of what it was like to work in Frank Lloyd Wright's fellowship, traveling each spring from Taliesin West to the old Taliesin complex in Wisconsin and returning the next fall to spend the winter in sunny Arizona again. This volume, Volume 1, covers the early Chicago years and the Prairie Houses, the period which provoked a profound influence on European architects. Wright's architectural work during these early years was mostly residential, as it would be throughout his career, and from his earliest work, Frank Lloyd Wright demonstrated a knowledge of and re spect for natural materials. In the ten years betweeen 1896 and 1906 he developed and perfected the so-called prairie house. Wright believed the architect should have complete charge of architectural design, and for him this meant interior furnishing s as well as exterior landscape. He was not often given this freedom, but the 1908 Avery Coonley residence in Riverside, Illinois is one of the finest examples. With the administration building for the Larkin Soap Company (19031905) and the Unity Te mple (1905) he could realize bigger commissions. In 1910 he worked on his famous publication Ausgeführte Bauten und Entwürfe for the German publisher Wasmuth, which brought his ideas to a worldwide recognition. The personal tragedy of 1914 brought a shadow over his successful, but struggled life: A servant at Taliesin had set fire to the residence and murdered his mistress Mamah, her two children, a draftsman, and three workmen. But this could not stop Wright on his permanent search for a new ar chitecture.

Simple, sensual portraits of dark-skinned beauties "This is erotica with a subtle flavour, photography that has truly gone back to basics." -Amateur Photographer, London Uwe Ommer, a sought-after commercial photographer based in New York and Paris, has made a name for himself with his own uncommissioned works, as this book eloquently attests. For the aesthete Uwe Ommer, the bodies of black women represent the epitome of beauty. His photographs are exactly what they show, no more and no less than a homage to female beauty. And of course that homage is paid in the perfect setting, the stunning landscape of Africa. Calixthe Beyala, born in Cameroon, is one of the leading Francophile African poets. The texts in this book were written especially as a commentary on the photography of Uwe Ommer.

This is the vivid history of the capital of love and photography. After Berlin, Los Angeles, and New York, here comes the 4th volume in our "Portrait of a City" series: "L'air de Paris". A city built on two millennia of history, Paris is entering the third century of its love story with photography. It was on the banks of the Seine that Niepce and Daguerre officially gave birth to this new art that has flourished ever since, developing a distinctive language and becoming a vital tool of knowledge. "Paris, Portrait of a City" leads us through what Goethe described as 'universal city where every step upon a bridge or a square recalls a great past, where a fragment of history is unrolled at the corner of every street'. This history is recounted in photographs, all the way from Daguerre's incunabula to the most recent images. In fact, Paris can claim to be the only city in the world whose archives house an almost complete record of over a century and a half of transformations. This huge panorama of nearly 600 pages and as many photographs makes Paris, Portrait of a City unique. This book brings together the past and the present, the monumental and the everyday, objects and people. Thanks to images captured by the most illustrious photographers - Daguerre, Marville, Atget, Lartigue, Brassai, Kertesz, Ronis, Doisneau, Cartier-Bresson and many more - but also by many unknown amateurs, these pages show the essential workings of a human drama acted out on the stage of history. These visions attempt to bottle just a little of that 'Parisian air', something of that particular poetry given out by the stones and inhabitants of a constantly changing city that has inspired untold numbers of writers and artists over the ages. Presenting an exciting patchwork of images from past and present, "Paris, Portrait of a City" is a huge and unique photographic study that, in a way, is the true family album of all Parisians. It is to them, and to all lovers of this capital city, that this vibrant, loving and tender testimony is dedicated.

All of Richard Neutra's works gathered together in one volume "[...] the definitive volume on the Viennese-born architect." - Los Angeles Times, Los Angeles Originally from Vienna,Richard Neutracame to America early in his career, settling in California.His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. His ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works(nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs,including those of Julius Shulman and other prominent photographers.

The Book of Symbols combines original and incisive essays about particular symbols with representative images from all parts of the world and all eras of history. The highly readable texts and almost 800 beautiful full-color images come together in a unique way to convey hidden dimensions of meaning. Each of the c. 350 essays examines a given symbol's psychic background, and how it evokes psychic processes and dynamics. Etymological roots, the play of opposites, paradox and shadow, the ways in which diverse cultures have engaged a symbolic image—all these factors are taken into consideration. Authored by writers from the fields of psychology, religion, art, literature, and comparative myth, the essays flow into each other in ways that mirror the psyche's unexpected convergences. There are no pat definitions of the kind that tend to collapse a symbol; a still vital symbol remains partially unknown, compels our attention and unfolds in new meanings and manifestations over time. Rather than merely categorize, The Book of Symbols illuminates how to move from the visual experience of a symbolic image in art, religion, life, or dreams, to directly experiencing its personal and psychological resonance. The Book of Symbols sets new standards for thoughtful exploration of symbols and their meanings, and will appeal to a wide range of readers: artists, designers, dreamers and dream interpreters, psychotherapists, self-helpers, gamers, comic book readers, religious and spiritual searchers, writers, students, and anyone curious about the power of archetypal images.

LaChapelle Heaven to Hell is the third volume in an exhilarating trilogy that began with LaChapelle Land (1996) and continued with the infamous Hotel LaChapelle (1999). Packed with astonishing, color-saturated, and provocative images, those titles both became instant collector's items and have since gone through multiple printings. Featuring almost twice as many images as its predecessors, LaChapelle Heaven to Hell is an explosive compilation of new work by the visionary photographer. Since the publication of Hotel LaChapelle, the strength of LaChapelle's work lies in its ability to focus the lens of celebrity and fashion toward more pressing issues of societal concern. LaChapelle's images—of the most famous faces on the planet, and marginalized figures like transsexual Amanda Lepore or the cast of his critically acclaimed social documentary Rize—call into question our relationship with gender, glamour, and status. Using his trademark baroque excess, LaChapelle inverts the consumption he appears to celebrate, pointing instead to apocalyptic consequences for humanity itself. While referencing and acknowledging diverse sources such as the Renaissance, art history, cinema, The Bible, pornography, and the new globalized pop culture, LaChapelle has fashioned a deeply personal and epoch-defining visual language that holds up a mirror to our times. This popular hardcover edition of LaChapelle Heaven to Hell is a must-have for anyone interested in contemporary photography. It is also keenly priced, especially for those who have coveted TASCHEN's limited edition, LaChapelle, Artists & Prostitutes.

Universally acclaimed as the greatest sportsman of the modern era, someone who transformed not just his sport but the cultural status of athletes everywhere, Muhammad Ali still towers over the "sweet science" of boxing, more than three decades after announcing his retirement. Acknowledged as one of the most remarkable personalities of our time and undoubtedly the most popular sporting personality ever, his status as the finest heavyweight champion to grace a ring is beyond all doubt. To honor this living legend, TASCHEN created an epic book, as powerful and vibrant as the man himself, a phenomenal artefact that reflects the scale of Ali's many achievements: GREATEST OF ALL TIME - A TRIBUTE TO MUHAMMAD ALI is a book with the power, courage, depth, creativity and dazzling energy of its extraordinary subject. Containing thousands of images—photography, art and memorabilia—from over 100 photographers and artists, 2 gatefold sequences, original essays as well as the best interviews and writing of the last five decades round off the picture of the Champ, this monumental publication is finally available in an affordable, unlimited edition. Today, seven years after the publication of GOAT, we are proud to publish this affordable edition at last so that Ali’s genius can be shared with the widest possible audience. Smaller in size but not in impact, this new version brings the people’s champ to the people.

A decade after his sizzling debut A Private View, Sante D'Orazio returns with a second volume of photo-diary-scrapbook, covering 1997 to 2008. Uncensored and provocative, D'Orazio's shots are mounted in collage-style entries framed with candid, handwritten observations. All-night parties and day-long photo sessions provide the light and shade of D'Orazio's jetset lifestyle—celebrities, models, musicians, actors and artists all feature, in various states of dress and undress. Included here are Kate Moss, Naomi Campbell, Claudia Schiffer, Diane Kruger, Tricia Helfer, Stephanie Seymour, Liz Hurley, Jay-Z, Mickey Rourke, Angelina Jolie, Christina Aguilera, Pam Anderson, Keith Richards, Axl Rose, Damien Hirst, Julian Schnabel and many more. Informal images contrast with posed shots, color with black and white, and outtakes are shown along published photos from the likes of Playboy and Interview. With a keen eye, this New York-based photographer creates a dynamic tableau of moods and styles. Access to this demi-monde is rare; capturing its essence in words and pictures, rarer still. Sante D'Orazio succeeds on both counts.

This book presents the mysterious formula that rules art, nature, and science. This book deals with the Divine Proportion, a secret code that rules art, nature, and science. It is known by many names: Golden Mean, Sacred Cut and Phi are only a few; and it is not by chance that the Divine Proportion was given its name. It has been called divine because over thousands of years it has been deemed to be so.The Divine Proportion reveals a number of simple patterns: It is seen in the seed patterns of fruits, the family tree of bees, the pyramids of Egypt, Gothic cathedrals, Renaissance paintings, the human body, shells...the list is endless.Mathematicians use the Greek symbol F to represent the Divine Proportion and equate it to a number that is defined by the ratio (1 + v5) / 2 or 1.6180339...Numbers do little, however, in describing this unique ratio that is found everywhere in nature and for 2500 years has been an aesthetic guide in art and architecture.Beginning with calculations found on clay tablets in ancient Babylon, the story of Divine Proportion can be traced alongside the history of numbers to the fractals of the digital age. As its many forms unfold we uncover the Golden Rectangle in the Parthenon, Golden Spirals in the human inner ear, a Golden Angle in the petal patterns of a rose, and the Fibonacci numbers in lilies, daisies, pineapples, and in our own DNA.With its natural balance and elegant beauty, the Divine Proportion is a perpetual reminder that our hope for regeneration and continuity lies in realizing the meaningful and harmonious relationship of all the parts to the whole.