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The Fab Five. Behind Beatlemania. `These photos convey a really happy period for them and for me. It all comes down to music, they were without a doubt the greatest band of the 20th century, and that's why these photographs are so important.` (Harry Benson, 2011). In early 1964, Harry Benson was getting on a plane for a foreign assignment in Africa, when he got a call from his photo editor of London newspaper `The Daily Express`. He was now going with the Beatles to Paris to document French Beatlemania and what followed was the biggest (ticket to) ride of his life. Benson was warmly welcomed into the Beatles' inner sanctum, resulting in some of the most intimate photographs ever taken of the band, then on the cusp of world domination. In Paris, he took the iconic photograph of the Fab Four having a pillow fight at the George V hotel; he shot their groundbreaking first visit to the United States, the full impact of New York hysteria, their famous appearance on the `Ed Sullivan` show, the band in Florida, including their surprising encounter with Cassius Clay; as well as on the set of `A Hard Day's Night`. The relationship continued in 1966, including George's honeymoon in Barbados and their notorious US tour, under the shadow cast by Lennon's comment that the Beatles were `bigger than Jesus Christ.` Benson's luminous black and white photographs show at close quarters the Beatles composing, performing, encountering their fans, relaxing, and engaging with each other, while trying to cope with their increasingly isolating fame. As well as hundreds of photographs, many previously unseen, there is an introductory essay by Benson as well as quotes and newspaper clippings from the period.

The Big Idea. American print advertising in the 50s and 60s. Gleaned from thousands of images, this companion set of books offers the best of American print advertising in the age of the "Big Idea." At the height of American consumerism magazines were flooded with clever campaigns selling everything from girdles to guns. These optimistic indicators paint a fascinating picture of the colorful capitalism that dominated the spirit of the 1950s and '60s, as concerns about the Cold War gave way to the carefree booze-and-cigarettes Mad Men era. Also included is a wide range of significant advertising campaigns from both eras, giving insight to the zeitgeist of the time. Bursting with fresh, crisp colors, these ads have been digitally mastered to look as bright and new as the day they first hit newsstands.

Exceptional contemporary houses from Chile to Croatia to China Designing private homes offers architects more freedom than corporate projects to express their ideas and try out new concepts. Conceiving living spaces is not without its own set of challenges, for which architects are forever looking for innovative solutions--rethinking the way we inhabit our home and live our daily lives is all part of the job when designing a house. Nowadays environmental concerns have become crucial in building sustainable structures, changing the playing field quite profoundly. This two-volume publication rounds up 100 of the world's most interesting and pioneering homes from the past decade, featuring a host of talents both new and established, including John Pawson, Richard Meier, Shigeru Ban, Tadao Ando, and Zaha Hadid.

Accept no substitutes: Wolfgang Tillmans could well be the coolest photographer on the planet. Always imitated, never bettered, he's the lens-meister of the zeitgeist, the photo-journo who went artside, a man in constant demand, moving effortlessly from magazine to fashion shoot to gallery retrospective. He creates identities, he's the brand name of hip. From Ray Gun to i-D, his images feel iconic before they're out of the fluid. I'll be your mirror, he whispers, and the Gen X-kids find themselves reflected in his always open pictures. From the portraits that made him famous, through the still lives and landscapes (undermining the genres with every shot), Tillmans's work is high color, dirty realist heaven. Finding the still point in the information overload, the sexuality in the machine, and the image in the image saturation, Tillmans gives us the brief epiphanies we might just remember as our own.

This book brings together twenty-seven of the most beloved of the famous Grimms fairy tales, including all the classics, such as Cinderella, Snow White,Sleeping Beauty, and Hansel and Gretel in an all-new translation specially commissioned for this publication. Containing a painstakingly-researched selection of illustrations by some of the most famous illustrators from the 1820s to the 1950sincluding golden age legend Kay Nielsen, bestselling author Gustaf Tenggren, British darlings Walter Cra ne and Arthur Rackham, and giants of nineteenth century German illustration Gustav Süs, Heinrich Leutemann, and Viktor Paul Mohn, as well as many new discoveriesthis compilation also includes beautiful silhouettes culled from original publications f rom the 1870s and 1920s that run throughout the entire layout. Interlaced in the book are also dozens of entirely new silhouettes designed and created especially for this book. In addition to the tales, the book also includes an introduction to the G rimms' legacy, brief introductory texts for each tale, and extended artists' biographies in the appendix. For adults and children alike, this classic addition to any library brings to life the never-ending magic of the Grimms' fairy tales and their d elightful illustrations. * Features illustrations by famous artists from Germany, Britain, Sweden, Austria, the Czech Republic, Switzerland, and the United States in a unique format pairing one tale with one artist * Includes a new translation acces sible to readers of all ages that is based on the final 1857 edition of the tales * Contains dozens of new, unique silhouettes specially commissioned for the book * As part of UNESCOs Memory of the World Register (which safeguards cultural documents ), these tales are widely recognized as a vital part of world history Following fairy tales are featured in the book: The Frog Prince, The Wolf and the Seven Little Goats, Little Brother and Little Sister, Rapunzel, Hansel and Gretel, The Fisherman and His Wife, The Brave Little Tailor, Cinderella, Mother Holle, Little Red Riding Hood, The Bremen Town Musicians, The Devil with Three Golden Hairs, The Shoemaker and the Elves, Tom Thumbs Travels, Sleeping Beauty, Snow White, Rumpelstiltskin, The Three Feathers, The Golden Goose, Jorinde and Joringel, The Goose Girl, The Twelve Dancing Princesses, The Star Coins, Snow White and Red Nose, The Hare and the Hedgehog, Puss n' Boots, The Golden Key

As economic problems make some shy away from grandiose, long-lasting buildings, a wave of new temporary buildings and architectural is sweeping over the planet. These can have uses from emergency relief to concert or performance venues. Another fasci nating area that is covered here is exhibition and fair design, a veritable treasure trove of exciting designs that come and go in the space of a week or less, to show fashion, jewelry or design. Fashion shows or art displays are all part of this dyn amic trend that includes some of the great names in contemporary architecture like Zaha Hadid or Rem Koolhaas, but also many architects that you have never heard of until now!Featured architects and practices include:Werner Aisslinger, Atelier Bow Wo w, Aybar Mateos, Cecil Balmond, Shigeru Ban, Bernardes Jacobsen, BIG, Alberto Campo Baeza, Carmody Groarke, Santiago Cirugeda, Coop Himmelblau, Diller Scofidio + Renfro, Ecosistema Urbano, Olafur Eliasson, Ammar Eloueini, Essentia, Established a Sons , Fantastic Norway, Mark Fisher, Massimiliano Fuksas, Laurent Grasso a Pascal Grasso, Zaha Hadid, Heatherwick, Institute of Computational Design, Toyo Ito, Adam Kalkin, Ken Min Architects, Koers Mulder, Adolf Krischanitz, Liu Jiakun, LOT-EK, MAPT, Mi ralles Tagliabue, MOS, Eric Owen Moss, NASA, Ivan Navarro, Jean Nouvel, OBRA Architects, OMA, OMD, John Pawson, Philippe Rahm, Raumlabor Berlin, Francesc Rifé, Michael Rojkind, Rotor, Tomas Saraceno, SO-IL, Tamassociati, Javier Terrados Cepeda, UNStu dio, Helena Willemeit, Tokujin Yoshioka

Come on in! Tour contemporary home decors around the world. "The Interiors Now!" series features the world's most amazing, exquisite, and interesting contemporary apartments and houses. With an inspirational richness and diversity of styles, here are homes, residences, hideaways, and studios to astound and astonish, no matter what your taste. Whatever your preference - flea market romance or space age bachelor pad, minimalism or neo-baroque - you'll find hundreds of fresh and provocative ideas. Volume 2 highlights include: a Berlin interior designed by the architecture firm Craft, a sumptuous rooftop garden New York, a crazy, curvy house in Helsinki, an elegant and thoroughly eclectic London residence (complete with an antique car in one of the rooms), a Turkish residence in Istanbul, a modern house in Kuala Lumpur, and Matteo Thun's Capri getaway.

When Kunstwerke und Geräthschaften des Mittelalters und der Renaissance (18521863) was published, what purchasers in fact bought was a small printed museum of unusual treasures. With 216 hand-colored copperplate engravings, the publication gives a c omprehensive overview of applied arts in Europe from the 9th to the 16th centuries. The objects presented comprise furniture, metalwork, jewelry, tapestries, and works of bookbinding. Carefully selected masterpieces such as the gilt Corvinus goblet, an enamelled saltcellar, and medieval ivory combs are depicted, along with a decorative sword, now lost. The editor Jakob Heinrich von Hefner-Alteneck (1811-1903) was head of the Royal Cabinet of Prints and Drawings in Munich and later director of t he Bavarian National Museum. His work helped influence the creation of new museums of art and design the South Kensington Museum in London (today the Victoria and Albert Museum), founded in 1852, being the very first in which artists could study the hand-crafted masterpieces of earlier epochs. Although the co-editor Carl Becker (1794-1859) commissioned various artists to make drawings of the historical originals for Kunstwerke und Geräthschaften, the signatures on the plates show that most of the illustrations stem from the hand of artist Jakob Heinrich von Hefner-Alteneck and he can therefore be considered as the works main draughtsman; considering that Becker died before the completion of the work, the most influential figure behind it was undoubtedly Hefner-Alteneck. Before his collaboration with Becker, Hefner-Alteneck had previously publishedTrachten des christlichen Mittelalters (Costumes of the Christian Middle Ages). With their publication, Jakob Heinrich von Hefner-Alt eneck and Carl Becker gave expression to the 19th centurys revived interest in the art of the Middle Ages and the Renaissance. By selecting masterpieces from public and private collections, and reproducing them faithfully in pictures, they created a document of artistic quality in itself, which also provides evidence of works which have since been lost. With this new edition, which includes a commentary, TASCHEN is making an important publication accessible once more, giving a glimpse of the t reasure chambers of the Middle Ages and the Renaissance. This complete reprint was created on the basis of an original copy in the Württembergische Landesbibliothek in Stuttgart.

In this volume photographer Frédéric Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what could be considered as the fourth age of Soviet architecture. They reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the twenties and thirties, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announces the end of Soviet Union.

Frank Lloyd Wright (1867-1959) is widely considered to be the greatest American architect of all time; indeed, his work virtually ushered in the modern era and remains highly influential today. His wide-ranging and paradigm-shifting oeuvre is the sub ject of TASCHEN's three-volume monograph that covers all of his designs (numbering approximately 1100), both realized and unrealized. Made in cooperation with the Frank Lloyd Wright Archives in Taliesin, Arizona, this collection leaves no stone untur ned in examining and paying tribute to Wright's life and work. From his early Prairie Houses (typified by the Robie House) to the Usonian concept home and progressive living architecture buildings to late projects like the spiral Guggenheim Museum in New York and the development of his fantastic vision of a better tomorrow via his concept of the living city, all of the phases of Wright's career are painstakingly described and illustrated herein. Author and preeminent Wright expert Bruce Brooks P feiffer highlights the latest research and gives fresh insight into the work, providing new dating for many of the plans and houses. A plethora of personal photos gives readers a feeling of what it was like to work in Frank Lloyd Wright's fellowship, traveling each spring from Taliesin West to the old Taliesin complex in Wisconsin and returning the next fall to spend the winter in sunny Arizona again. This volume, Volume 1, covers the early Chicago years and the Prairie Houses, the period which provoked a profound influence on European architects. Wright's architectural work during these early years was mostly residential, as it would be throughout his career, and from his earliest work, Frank Lloyd Wright demonstrated a knowledge of and re spect for natural materials. In the ten years betweeen 1896 and 1906 he developed and perfected the so-called prairie house. Wright believed the architect should have complete charge of architectural design, and for him this meant interior furnishing s as well as exterior landscape. He was not often given this freedom, but the 1908 Avery Coonley residence in Riverside, Illinois is one of the finest examples. With the administration building for the Larkin Soap Company (19031905) and the Unity Te mple (1905) he could realize bigger commissions. In 1910 he worked on his famous publication Ausgeführte Bauten und Entwürfe for the German publisher Wasmuth, which brought his ideas to a worldwide recognition. The personal tragedy of 1914 brought a shadow over his successful, but struggled life: A servant at Taliesin had set fire to the residence and murdered his mistress Mamah, her two children, a draftsman, and three workmen. But this could not stop Wright on his permanent search for a new ar chitecture.

Simple, sensual portraits of dark-skinned beauties "This is erotica with a subtle flavour, photography that has truly gone back to basics." -Amateur Photographer, London Uwe Ommer, a sought-after commercial photographer based in New York and Paris, has made a name for himself with his own uncommissioned works, as this book eloquently attests. For the aesthete Uwe Ommer, the bodies of black women represent the epitome of beauty. His photographs are exactly what they show, no more and no less than a homage to female beauty. And of course that homage is paid in the perfect setting, the stunning landscape of Africa. Calixthe Beyala, born in Cameroon, is one of the leading Francophile African poets. The texts in this book were written especially as a commentary on the photography of Uwe Ommer.

This is the vivid history of the capital of love and photography. After Berlin, Los Angeles, and New York, here comes the 4th volume in our "Portrait of a City" series: "L'air de Paris". A city built on two millennia of history, Paris is entering the third century of its love story with photography. It was on the banks of the Seine that Niepce and Daguerre officially gave birth to this new art that has flourished ever since, developing a distinctive language and becoming a vital tool of knowledge. "Paris, Portrait of a City" leads us through what Goethe described as 'universal city where every step upon a bridge or a square recalls a great past, where a fragment of history is unrolled at the corner of every street'. This history is recounted in photographs, all the way from Daguerre's incunabula to the most recent images. In fact, Paris can claim to be the only city in the world whose archives house an almost complete record of over a century and a half of transformations. This huge panorama of nearly 600 pages and as many photographs makes Paris, Portrait of a City unique. This book brings together the past and the present, the monumental and the everyday, objects and people. Thanks to images captured by the most illustrious photographers - Daguerre, Marville, Atget, Lartigue, Brassai, Kertesz, Ronis, Doisneau, Cartier-Bresson and many more - but also by many unknown amateurs, these pages show the essential workings of a human drama acted out on the stage of history. These visions attempt to bottle just a little of that 'Parisian air', something of that particular poetry given out by the stones and inhabitants of a constantly changing city that has inspired untold numbers of writers and artists over the ages. Presenting an exciting patchwork of images from past and present, "Paris, Portrait of a City" is a huge and unique photographic study that, in a way, is the true family album of all Parisians. It is to them, and to all lovers of this capital city, that this vibrant, loving and tender testimony is dedicated.

All of Richard Neutra's works gathered together in one volume "[...] the definitive volume on the Viennese-born architect." - Los Angeles Times, Los Angeles Originally from Vienna,Richard Neutracame to America early in his career, settling in California.His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. His ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works(nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs,including those of Julius Shulman and other prominent photographers.

LaChapelle Heaven to Hell is the third volume in an exhilarating trilogy that began with LaChapelle Land (1996) and continued with the infamous Hotel LaChapelle (1999). Packed with astonishing, color-saturated, and provocative images, those titles both became instant collector's items and have since gone through multiple printings. Featuring almost twice as many images as its predecessors, LaChapelle Heaven to Hell is an explosive compilation of new work by the visionary photographer. Since the publication of Hotel LaChapelle, the strength of LaChapelle's work lies in its ability to focus the lens of celebrity and fashion toward more pressing issues of societal concern. LaChapelle's images—of the most famous faces on the planet, and marginalized figures like transsexual Amanda Lepore or the cast of his critically acclaimed social documentary Rize—call into question our relationship with gender, glamour, and status. Using his trademark baroque excess, LaChapelle inverts the consumption he appears to celebrate, pointing instead to apocalyptic consequences for humanity itself. While referencing and acknowledging diverse sources such as the Renaissance, art history, cinema, The Bible, pornography, and the new globalized pop culture, LaChapelle has fashioned a deeply personal and epoch-defining visual language that holds up a mirror to our times. This popular hardcover edition of LaChapelle Heaven to Hell is a must-have for anyone interested in contemporary photography. It is also keenly priced, especially for those who have coveted TASCHEN's limited edition, LaChapelle, Artists & Prostitutes.