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Forms on the front line: Architecture and design in the context of WWIIFounded in 1928 as a living diary by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world s most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design.This fresh reprint of domus s coverage of the 1940s brings together the most important features from a decade of destruction and reconstruction. Even amid the bombing raids inflicted on Milan, domus continued to publish through much of the war, charting the design zeitgeist, while managing a successive turnover of editors and editors-in-chief during Ponti s interregnum between 1941 and 1948.The pages from this period record reports and features on modern industrial design and furniture, new prefabricated houses, American academic architecture, the building projects of Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni, as well as the postwar flowering of Organic Design.domus distilled Seven volumes spanning 1928 to 1999 Over 6,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context New introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers and manufacturers names About the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite!Text in English, French, German, and Italian"

Forms on the front line: Architecture and design in the context of WWIIFounded in 1928 as a living diary by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world s most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design.This fresh reprint of domus s coverage of the 1940s brings together the most important features from a decade of destruction and reconstruction. Even amid the bombing raids inflicted on Milan, domus continued to publish through much of the war, charting the design zeitgeist, while managing a successive turnover of editors and editors-in-chief during Ponti s interregnum between 1941 and 1948.The pages from this period record reports and features on modern industrial design and furniture, new prefabricated houses, American academic architecture, the building projects of Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni, as well as the postwar flowering of Organic Design.domus distilled Seven volumes spanning 1928 to 1999 Over 6,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context New introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers and manufacturers names About the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite!Text in English, French, German, and Italian"

Space shapers An encyclopedia of modern architecture With more than 280 entries, this architectural A–Z, now part of our Bibliotheca Universalis series, offers an indispensable overview of the key players in the creation of modern space. From the period spanning the 19th to the 21st century, pioneering architects are featured with a portrait, concise biography, as well as a description of her or his important work. Like a bespoke global architecture tour, you’ll travel from Manhattan skyscrapers to a Japanese concert hall, from Gaudí’s Palau Güell in Barcelona to Lina Bo Bardi’s sports and leisure center in a former factory site in Sao Paulo. You’ll take in Gio Ponti’s colored geometries, Zaha Hadid’s free-flowing futurism, the luminous interiors of SANAA, and Charles Rennie Mackintosh’s unique blend of Scottish tradition and elegant japonisme. The book’s A to Z entries also cover groups, movements, and styles to position these leading individual architects within broader building trends across time and geography, including International Style, Bauhaus, De Stijl, and much more. With illustrations including some of the best architectural photography of the modern era, this is a comprehensive resource for any architecture professional, student, or devotee. About the series: Bibliotheca Universalis— Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price! Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia. Bookworm’s delight — never bore, always excite!

Monuments and marvelsA defining record of Islamic art and architectureEmile Prisse d Avennes (1807 1879), a French Orientalist, author, and artist, was one of the greatest pre-20th-century Egyptologists. As a youth he dreamed of exploring the Orient, and at 19 began traveling to Greece, India, and Palestine. Over the next 40 years he explored Syria, Arabia, Persia, and also spent periods living in Egypt and Algeria. Having converted to Islam, he traveled under the Arabic name Idris Effendi.With a keen eye for the symmetry, opulence, and complexity of local visual cultures, d Avennes recorded the art and architecture which he encountered on his travels. His work would later become one of the most outstanding surveys on Islamic art and architecture, Arab Art (L Art arabe d apres les monuments du Kaire), published between 1869 and 1877 in Paris.This TASCHEN edition revives Prisse d Avennes s magisterial chromolithograph survey in all its attention to detail, as well as to historical, social, and religious contexts. For further situational understanding, it includes his supplementary studies of the people and costumes of the Nile Valley, which he published as the Oriental Album (Oriental Album: Characters, Costumes, and Modes of Life, the Valley of the Nile, London, 1848). It is a precious record not only of Islamic heritage but also of the history of thought and imagination between Europe and the Middle East.About the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite!Text in English, French, and German"

Founded in 1928 as a "living diary" by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world's most influential architecture and design journal. With both style and rigor, it has offered consistent coverage of major themes and stylistic movements in product, structure, interior, and industrial design. In this fresh reprint of all 1960s issues, the magazine documents the daring, practical, and beautiful projects of a decade of futuristic thrill and booming pop culture. Synthetics and plastics hit the stage, leading to radical new design, while conventional notions of elegance give way to fresh, exploratory forms. For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and / or grace. Those projects and practitioners that made the grade include the Anti and Radical Design movements, Ray and Charles Eames, Gae Aulenti, Kenzo Tange, Verner Panton, Achille and Pier Giacomo Castiglioni, Ettore Sottsass, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and Eero Saarinen.

When German photographer Peter Lindbergh shot five young models in downtown New York City in 1989, he produced not only the iconic British Vogue January 1990 cover but also the birth certificate of the supermodels. The image didn’t just bring revered faces together for the first time; it marked the beginning of a new fashion era and a new understanding of female beauty. Coinciding with his major retrospective at the Kunsthal in Rotterdam, the Netherlands, this book gathers more than 400 images from four decades of Lindbergh’s photography to celebrate his unique and game-changing storytelling and the new romantic and narrative vision it brought to art and fashion. Whether in striking single portraits or dramatic situations of figure and setting, we trace the photographer’s cinematic inflections and his provocative play with female archetypes as subjects adopt the guise of dancers, actresses, heroines, and femmes fatales. Raw and seductive at once, we see how Lindbergh’s trademark monochrome pictures also redefined standards of beauty by emphasizing spirit and personalityas much as looks, celebrating the elegance and sensuality of older women, and privileging natural and authentic beauty in an era of pervasive retouching. In a testimony to Lindbergh’s illustrious status in the fashion world, his images are contextualized by commentaries from collaborators such as Jean Paul Gaultier, Nicole Kidman, Grace Coddington, Cindy Crawford, and Anna Wintour, who chose Lindbergh to shoot her first US Vogue cover. Their tributes explain just what makes Lindbergh’s images so unique and powerful.?? Exhibition Peter Lindbergh. A Different Vision on Fashion Photography atKunsthal Rotterdam, the Netherlands, September 10, 2016–February 12, 2017

When German photographer Peter Lindbergh shot five young models in downtown New York City in 1989, he produced not only the iconic British Vogue January 1990 cover but also the birth certificate of the supermodels. The image didn’t just bring revered faces together for the first time; it marked the beginning of a new fashion era and a new understanding of female beauty. Coinciding with his major retrospective at the Kunsthal in Rotterdam, the Netherlands, this book gathers more than 400 images from four decades of Lindbergh’s photography to celebrate his unique and game-changing storytelling and the new romantic and narrative vision it brought to art and fashion. Whether in striking single portraits or dramatic situations of figure and setting, we trace the photographer’s cinematic inflections and his provocative play with female archetypes as subjects adopt the guise of dancers, actresses, heroines, and femmes fatales. Raw and seductive at once, we see how Lindbergh’s trademark monochrome pictures also redefined standards of beauty by emphasizing spirit and personalityas much as looks, celebrating the elegance and sensuality of older women, and privileging natural and authentic beauty in an era of pervasive retouching. In a testimony to Lindbergh’s illustrious status in the fashion world, his images are contextualized by commentaries from collaborators such as Jean Paul Gaultier, Nicole Kidman, Grace Coddington, Cindy Crawford, and Anna Wintour, who chose Lindbergh to shoot her first US Vogue cover. Their tributes explain just what makes Lindbergh’s images so unique and powerful.?? Exhibition Peter Lindbergh. A Different Vision on Fashion Photography atKunsthal Rotterdam, the Netherlands, September 10, 2016–February 12, 2017

This compilation brings together highlights from TASCHEN's Fashion Now! series to create a comprehensive overview of fashion design around the world at the start of the 21st century. Edited by i-D creator Terry Jones, this book is an indispensible work of reference for anyone interested in the future of fashion. Fast-rising new designers - tomorrow's superstars - feature alongside industry giants and established practitioners, including Haider Ackermann, Azzedine Alaia, Ann Demeulemeester, Dolce & Gabbana, Tom Ford, Jean Paul Gaultier, Nicolas Ghesquiere, Marc Jacobs, Rei Kawakubo, Christian Lacroix, Karl Lagerfeld, Martin Margiela, Stella McCartney, Alexander McQueen, Rodarte, Dries Van Noten, Rick Owens, Stefano Pilati, Zac Posen, Miuccia Prada, Proenza Schouler, Gareth Pugh, Jeremy Scott, Raf Simons, Jil Sander, Olivier Theyskens, Alexander Wang, Junya Watanabe, Vivienne Westwood, Bernhard Willhelm, and Yohji Yamamoto.

This compilation brings together highlights from TASCHEN's Fashion Now! series to create a comprehensive overview of fashion design around the world at the start of the 21st century. Edited by i-D creator Terry Jones, this book is an indispensible work of reference for anyone interested in the future of fashion. Fast-rising new designers - tomorrow's superstars - feature alongside industry giants and established practitioners, including Haider Ackermann, Azzedine Alaia, Ann Demeulemeester, Dolce & Gabbana, Tom Ford, Jean Paul Gaultier, Nicolas Ghesquiere, Marc Jacobs, Rei Kawakubo, Christian Lacroix, Karl Lagerfeld, Martin Margiela, Stella McCartney, Alexander McQueen, Rodarte, Dries Van Noten, Rick Owens, Stefano Pilati, Zac Posen, Miuccia Prada, Proenza Schouler, Gareth Pugh, Jeremy Scott, Raf Simons, Jil Sander, Olivier Theyskens, Alexander Wang, Junya Watanabe, Vivienne Westwood, Bernhard Willhelm, and Yohji Yamamoto.

A blueprint for Expressionism Printmaker Franz Marc s short life fueled the rise of German Expressionism Printmaker, landscape painter, and cofounder of Der Blaue Reiter ( The Blue Rider ), Franz Marc (1880 1916) left an exceptional legacy in German Expressionism. His work absorbed influences including Paul Gauguin, van Gogh, Picasso, Henri Matisse, and Robert Delaunay to galvanize a new vocabulary of form and color. Especially keen on depictions of animals, Marc s work began emphasizing cubist, semi-abstracted shapes; frenetic, whirling compositions; and in his paintings, a new vocabulary of color. Marc located spiritual values in different shades. Blue was spirituality and masculinity. Yellow depicted femininity and joy. Red hues correlated to anger and violence. It was with his friend and peer Wassily Kandinsky that Marc founded Der Blaue Reiter, a loose band of artists connected by a shared interest in woodcuts and prints, the symbolic values of color, and spontaneous approaches to painting. The group was short-lived, dissolving with the onset of the First World War which would also claim Marc s life in 1916 but it set an Expressionist standard that would flourish for decades. In this new edition in TASCHEN s popular Basic Art series, we meet this pivotal figure of German art and explore his short but hugely accomplished career, which at once defined an era and set an enduring point of Expressionist reference.About the series: Each book in TASCHEN s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions"

Hieronymus at home16 ready-to-frame prints from the rebel genius Hieronymus BoschBring a fantastical vision to your wall with these 16 ready-to-frame prints from the Renaissance rebel genius, Hieronymus Bosch, including spectacular details from The Garden of Earthly Delights.

Master innovator: Challenging accepted notions of architectureFrom emergency relief shelters to a cardboard cathedral and exhibition spaces in shipping containers, Pritzker-prize winning architect Shigeru Ban has made his name with his restlessly inventive response to material and situation, as much as with his humanitarian work at the sites of natural and man-made disasters.In the spirit of a three-dimensional poetry, Ban uses materials as an incorporated part of his design, selected not for their cutting-edge credentials but rather for their expressive ability, their capacity to convey the building s overall concept. In particular, Ban has made regular use of paper tubing in projects as varied as the Japanese Pavilion at Expo 2000 and emergency shelters for Rwanda s Byumba Refugee Camp.This essential introduction, compiled with Ban s own collaboration, presents every one of his projects to date to survey the full reach and importance of, in the words of the Pritzker Prize jury, a committed teacher who is not only a role model for younger generation, but also an inspiration. About the series: Each book in TASCHEN s Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)"

Helmut Newton and Alice Springs turn the lens on their love and their lifeUs and Them is an ode to partnership and art. First published in 1999, it gathers photographs by Helmut Newton and his wife, the actress and photographer June Newton, who worked under the pseudonym Alice Springs. The collection is arranged into five sections, alternating the gaze between Newton and Spring's own tender internal world of "Us", and the glamorous encounters of their social and professional milieu -"Them".The "Us" sections of the book reveal the pair's portraits of each other and themselves, as startling in their moments of vulnerability as they are infectious in their episodes of joy. We see the pair pensive, weary, or roaring with laughter. Alice photographs Helmut on set with his models, in the shower, and in stilettos. Helmut captures Alice in the kitchen, in costume, and hanging up the washing in the nude. Along the way, we are alerted to the frailties and intimacies that make up a long-term partnership and that coexisted with the high-voltage glamour for which Newton is renowned. The particular power of the pictures is to locate as much magnetism and beauty in an aging, ailing partner (Helmut in the hospital, Alice adjusting her spectacles), as in the pristine physiques of a Newton fashion shoot. In the concluding "Them" section, Newton and Springs each turn their lens on the same, typically famous, subjects, including Catherine Deneuve, Charlotte Rampling, David Hockney, Dennis Hopper, Karl Lagerfeld, and Timothy Leary. While Newton casts these subjects with his unique brand of statuesque allure, Springs deploys a softer focus to find something more suggestive, delicate, or playful. As we move from, in Newton's words, "truth and simplicity" to "editorializing", through youth and age, love and sex, and the public and private spheres, Us and Them offers not only an elegant example of independent visions within a shared life, but also a tender and inspiring chronicle of love through passing time.

Behind the pyramids: Everyday life in Ancient EgyptHow much do we really know about Ancient Egypt? The pharaohs and pyramids are familiar history fodder, but what about the farmers, the soldiers, the laborers, and the families that made up the vast majority of this much mythologized civilization?With a thrilling spread of visual references, this TASCHEN adventure attempts to set the record straight by offering a distinctive everyday take on Ancient Egypt. Like a piece of published excavation, the book explores the many layers of this ancient society, digging down from the sacred or grandiose to the daily experiences and ordinary individuals.The democratic approach bestows this distant era with exciting vitality and relevance for all the family. As we explore everything from family arrangements to leisure activities to labor movements, we not only uncover the different experiences of this ancient land but also parallels and precedents to our own societies. With a bounty of visual references to document this distinct social history, the result is a particularly vivid encounter with an ancient age and with some of our most ingenious and influential forebears.

The devil in the details: The life and times of Adolf LoosAdolf Loos (1870 1933) was a flamboyant character, whose presence in the cultural hotbed of early 1900s Vienna galvanized the country s architectural landscape. An early, impassioned advocate of modernism, he all-out rejected the grand Secessionist aesthetic prevalent in contemporary Viennese architecture, as well as any hallmarks of the European fin de siecle.Instead, in lectures and essays, such as the milestone Ornament and Crime of 1913, Loos articulated his passion for smooth and precious surfaces. He advocated that architectural ornamentation was, by its nature, ephemeral locked into current trends and styles, and therefore, quickly dated. In doing so, it would drag the building it decorated, into obsolescence. Loos, himself a Classicist at heart, argued instead for simple, timeless designs with time-honored aesthetic and structural qualities.Rising to prominence in Vienna in the 1890s with commercial retail projects in the city, Loos developed his signature style, introducing the concept of spatial plan architecture and eschewing decorative fripperies for opulent, fine-quality materials, rendered in crisp lines. Major projects, such as Vienna s Cafe Museum (1899), Loos House (1912), and the fashion store Knize (1913), divided critics, the public, and even royalty Emperor Franz Joseph I would refuse to travel past Loos House, bristling with rage at its insolently minimalist aesthetic.In this introduction to Adolf Loos colorful and inspiring career, we get to explore the writings, achievements, and legacy which continued to resound down the decades, influencing successive styles and generations in the architectural conversation between elaborate and elemental aesthetics."

Dream a little dream: The art of selling more than just a carMarketing one of the major purchases of their lives to Americans was an exacting process that involved not only traditional advertising but also a crucial item that extolled the virtues of the cars: the brochure. Often oversize and sumptuously produced, including acetate overlays with fabric and paint swatches, brochures were only available at dealer showrooms or auto fairs hence specimens of antique and vintage car brochures are rare collector s items today.Frequently overlooked in design and automotive histories, this piece of ephemera is a surprisingly lucid mirror image of American tastes, consumerism, and buying habits since the dawn of the automobile. Automobile Design Graphics presents for the first time a comprehensive overview of this mostly forgotten breed of collateral advertising. From the most obscure (Tucker, Ajax, Columbia) to the most iconic (General Motors, Ford, and Chrysler), this unprecedented visual history brings together over 500 reproductions from these rare and collectible customer brochures. Across eight decades, they present not only some of the finest cars, but also some of the best illustration and graphic design of the 20th century.Ancillary examples of automotive literature, including the elaborate dealer manuals are also featured, alongside essays by automobile and cultural historian Jim Donnelly and America s preeminent design historian Steven Heller. Testament to a bygone era when cars were, quite simply, the stuff dreams were made of, this books is visual and informative pleasure for car enthusiasts, designers, and pop culture aficionados alike.Text in English, French, and German"