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The Russian painter Wassily Kandinsky (1866-1944), who later lived in Germany and France, is one of the pioneers of 20th-century art. Nowadays he is regarded as the founder of abstract art and is, moreover, the chief theoretician of this type of painting. Together with Franz Marc and others he founded the group of artists known as the "Blane Reiter" in Munich. His art then freed itself more and more from the object, eventually culminating in the First Abstract Watercolor of 1910. In his theoretical writings Kandinsky repeatedly sought the proximity of music; and just as in music, where the individual notes constitute the medium whose effect stems from harmony and euphony, Kandinsky was aiming for a pure concord of color the rough the interplay of various shades. Gauguin had demanded that everything "must be sacrificed to pure colors." Kandinsky was the first to realize this and thus to influence a whole range of artists.

Originally published in France between 1876 and 1888, Auguste Racinet's Le Costume historique was the most wide-ranging and incisive study of clothing ever attempted. Covering the world history of costume, dress, and style from antiquity through to the end of the 19th century, the six volume Work remains completely unique in its scope and detail. TASCHEN's complete reprint presents Racinet's exquisitely precise and colored illustrations, as well as his delightful descriptions and often witty comments. Spanning everything from ancient Etruscan attire to French women's couture, material is arranged according to Racinet's orginal organization by culture and subject. As expansive in its reach as it is passionate in its research and attention to detail, The Complete Costume History is an invaluable reference for students, designers, artists, illustrators, and historians; and a rich source of inspiration for anyone with an interest in clothing and style.

Modernist aesthetics in architecture, art and product design are familiar to many of the creatively inclined. In soaring glass structures or minimalist canvases we recognize a time of vast technological advance which affirmed the power of human beings to reshape their environment and to break, radically, from the conventions or constraints of the past. Less well-known, but no less fascinating, is the distillation of Modernism in logo design. With the creation of clean visual concepts, graphic designers sought to move away from the mystique they identified with the commercial artist, and to counterbalance an increasingly complicated world with clarity. This unprecedented TASCHEN publication, authored by Jens Muller, brings together approximately 6,000 trademarks, focused on the period 1940-1980, to examine how Modernist attitudes and imperatives gave birth to corporate identity. Ranging from media outfits to retail giants, airlines to art galleries, this sweeping survey of the logo is organized into three design-orientated chapters: Geometric, Effect, and Typographic. Each chapter is then sub-divided into form and style led sections such as alphabet, overlay, dots and squares. Alongside this comprehensive catalog resource, the book features an introduction from Jens Muller on the history of logos, and an essay by R. Roger Remington on Modernism and Graphic Design. Eight designer profiles and eight instructive case studies are also included, with a detailed look at the life and work of such luminaries as Paul Rand, Yusaku Kamekura, and Anton Stankowski, and at such significant projects as Fiat, The Daiei, Inc., and the Mexico Olympic Games of 1968. An unrivalled, encylopedic resource for graphic designers, advertisers, and branding specialists, Logo Modernism is equally fascinating to anyone interested in social, cultural and corporate history, and in the sheer persuasive power of image and form.

Finnish architect Alvar Aalto (1898-1976) was strongly influenced by both the landscape of his native country, as well as the political struggle over Finland's place within European culture. After early neoclassical buildings, Aalto turned to ideas based on Functionalism, subsequently moving toward more organic structures, with brick and wood replacing plaster and steel. In addition to designing buildings, furniture, lamps, and glass objects with his wife Aino, he painted and was an avid traveler. A firm believer that buildings have a crucial role in shaping society, Aalto once said, "The duty of the architect is to give life a more sensitive structure."

Peace, love, and pudenda. How men's magazines turned hot and hippy between 1967-1972. Love, Sex and Drugs. Take the latest sex-trip with Dian Hanson. Starring all-natural flower-power hotties, these hippy, horny, hilarious images of nubile flesh and mind-bending graphics showcase a brief golden period in publishing, when men's magazines promised to recreate the wonders of libido on LSD. In a brief golden span between 1967 and 1972, the sexual revolution collided with recreational drug exploration to create "psychedelic sex." While the baby boomers blew their minds and danced naked in the streets, men's magazine publishers attempted to visually recreate the wonders of LSD, project them on a canvas of nubile hippie flesh, and dish it up to men dying for a taste of free love. Way Out, Groovie, Where It's At - each magazine title vied to convince the straight audience it offered the most authentic flower power sex trip, complete with mind-bending graphics and all-natural hippie hotties. Along the way hippies joined in the production, since what could be groovier than earning bread in your birthday suit? At its height, psychedelic sex encompassed posters, tabloids, comics, and newsstand magazines, but the most far-out examples of all were the glossy magazines from California, center of both hippie culture and the budding American porn industry. It's these sexy, silly reminders of peace, love, and pudenda we celebrate in Psychedelic Sex. So put on your beads, tune up your sitar, and let the love-in begin!

Bacon Hardback| English By (author) Luigi Ficacci Share ? ? ? ? 13,79 € Free delivery worldwide Available Dispatched from the UK in 2 business days When will my order arrive? Add to basketAdd to wishlist Francis Bacon (1909-1992) possessed the rare ability to transform unconscious compulsions into figurative, human-like forms that seem to evoke the raw emotions that bore them. Mixing realism and abstraction, Bacon delves deep beneath the surfaces of things, opening up the human body to reveal the chaos that lies within and struggling with all that is inexplicable. Erotic and grotesquely beautiful is the work of this legendary painter whose haunting, distorted figures have inspired entire generations of painters who seek to emulate his highly original style.

Living well: The ultimate sourcebook for stylish interiors Making stops in North and South America, Europe, Asia, Africa and Australia, this edition rounds up some oftoday s most exceptional and inspiring interiorsacross six continents. From rustic minimalism to urbane eclecticism, the selection celebrates a global spectrum of styles, united byauthenticity, a love of detail, and a zest for individual expressionthat will never go out of fashion.Includes interiors in Argentina, Brasil, China, Cuba, Denmark, France, Germany, Greece, Indonesia, Italy, Japan, Kenya, Morocco, South Africa, Spain, Sweden, Turkey, the UK, the USA, and many more countries.With pictures by leading interior photographers including: Xavier Bejot, Pieter Estersohn, Marina Faust, Reto Guntli, Francois Halard, HieplerBrunier, Ditte Isager, Nikolas Koenig, Ricardo Labougle, Eric Laignel, Ake Lindman, Thomas Loof, Jason Schmidt, Mark Seelen, Rene Stoeltie, Tim Street-Porter, Vincent Thibert, Simon Upton, Paul Warchol. About the Series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing.Bibliotheca Universalisbrings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite! Text in English, French, and German "

A good logo can glamorize just about anything. Now available in our popular Klotz format, this sweeping compendium gathers diverse brand markers from around the world to explore the irrepressible power of graphic representation. Organized into chapters by theme, the catalog explores how text, image, and ideas distil into a logo across events, fashion, media, music, and retailers. Featuring work from both star names and lesser-known mavericks, this is an excellent reference for students and professionals in design and marketing, as well as for anyone interested in the Visuals and philosophy behind brand identity.

Mark Rothko belongs to the generation of American artists who completely revolutionized the essence of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting. Rothko characterized this relationship as "a consummated experience between picture and onlooker". His colour formations indeed draw the observer into a space filled with an inner light. Rothko always resisted attempts to interpret his paintings. He was mainly concerned with the viewer's experience, the merging of work and recipient beyond verbal comprehension. Rothko was an intellectual, a thinker, a highly educated man. He loved music and literature and was very involved in philosophy, especially in the works of Friedrich Wilhelm Nietzsche and of ancient Greek philosophy and mythology. Rothko was a protagonist within the movement of American painters who became known as the Abstract Expressionists. First formed in New York City during the inter-war years, this group was also called the New York School. In all the history of art, they became the first American artists to receive international recognition as a significant movement. Many among them, including Rothko, have become legendary figures.

Claude Monet (1840-1926) was the most typical and the most individual Impressionist painter. His long life he dedicated to a pictorial exploration of the sensations which reality, and in particular landscape, offers the human eye. But while Monet the painter was faithful and persevering in the pursuit of his motifs, his personal life followed a more restless course. Parisian by birth, he discovered plein-air painting as a youth in the provinces, where one of his homes, Argenteuil, has come to represent the artistic flowering and official establishment of Impressionism as a movement, with Monet as its creative leader. In his endeavor to capture the ever-changing face of reality, Monet went beyond Impressionism and thereby beyond the confines of self-contained panel painting: in Giverny he painted the Poplars, Grain Stacks and Rouen Cathedral series in which he addressed one motif in constantly new variations. Here, too, Monet laid out the famous garden with its water-lily pond which he was to paint on huge canvases well into the 1920s. He thereby sought to render not reality as objectively experienced, but rather that which takes place "between the motif and the artist." In their open, merely tenuously representational structure and impressive scale, Monet's water lily paintings - created long before the currents of the contemporary avant-garde - point the way to the developments of the future.

If Hieronymus Bosch (1450-1516) remains an enigma today, it is little wonder. Even his contemporaries found the Netherlandish painter's work difficult to Decipher - and it still presents riddles to contemporary art historians. Part of the problem in decoding his shocking and richly allegorical paintings is that virtually nothing is known of the artist himself, apart from his birthplace. There is no record of his life or training, no personal letters, diaries or notebooks, and no contemporary insights into his personality or thoughts on the meaning of his art. Even his date of birth can only be guessed at, and that based on a drawing assumed to be a self-portrait, made shortly before his death in 1516, which supposedly shows the artist in his late sixties. Bosch remains as mysterious as the worlds he painted. Although rooted in the Old Netherlandish tradition, Bosch developed a highly subjective, richly suggestive formal language. With a mixture of religious humility and satanic wit, he illustrated both the joys of heaven and the cruelly imaginative tortures of hell. In his pictorial world teeming with surrealistic nightmares, the medieval imagination catches fire in a moment of final brilliance before succumbing to humanism and modern rationalism. Though the man himself remains a mystery, this book pulls together the elusive threads of Bosch's entire oeuvre into a cohesive and comprehensive analysis of his visionary work and methods.

Tortured talent: The genius and the angst of an Expressionist master Vincent van Gogh s story is one of the most ironic in art history. Today, he is celebrated the world over as one of the most important painters of all time, recognized with sell-out shows, feted museums, and record prices of tens of millions of dollars at auction.Yet as he was painting the canvases that would subsequently become these sell-out modern masterpieces, van Gogh was battling not only the disinterest of his contemporary audiences but also devastating bouts of mental illness, with episodes of depression and paralyzing anxiety which would eventually claim his life in 1890, when he committed suicide shortly after his 37th birthday.This comprehensive study of Vincent van Gogh (1853 1890) pairs a detailed monograph on his life and art with a complete catalogue of his 871 paintings. About the Series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing.Bibliotheca Universalisbrings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite! "

Antiquarian, archaeologist, vulcanologist, and envoy to the British Embassy in Naples, Sir William Hamilton (1731-1803) was a leading European figure of his time. Though the romance between his wife Lady Emma Hamilton and Horatio Nelson tends to eclipse Sir William's own activities, his work as a scientist and a classicist made major contributions to the study of Pompei, Herculaneum, and Mt Vesuvius. As an expert in ancient art, Hamilton also built up an invaluable collection of ancient Greek vases, subsequently sold to the British Museum in London in 1772. Before the pieces were shipped off to England, Hamilton commissioned Pierre-Francois Hugues d'Hancarville, an adventurous connoisseur and art dealer, to document the vases in words and images. The resulting catalog, published in four volumes and known as Les Antiquites d'HancarvilIe, represents a neoclassical masterpiece. Never before had ancient vases been represented with such meticulous detail and sublime beauty. With this reprint, TASCHEN revives d'Hancarville's masterful catalog for a contemporary audience, reproducing in exacting detail the same pristine images that sparked Europe's love affair with the classical style.

We owe a great debt to Jean Baptiste Marc Bourgery (1797-1849) for his Atlas of Anatomy, which was not only a massive event in medical history, but also remains one of the most comprehensive and beautifully illustrated anatomical treatises ever published. Bourgery began work on his magnificent atlas in 1830 in cooperation with illustrator Nicolas Henri Jacob (1782-1871), a student of the French painter Jacques Louis David. The first volumes were published the following year, but completion of the treatise required nearly two decades of dedication; Bourgery lived just long enough to finish his labor of love, but the last of the treatise's eight volumes was not published in its entirety until five years after his death. The four parts of Bourgery's treatise cover descriptive anatomy, surgical anatomy and techniques (exploring in detail nearly all the major operations that were performed during the first half of the 19th century), general anatomy and embryology, and microscopic anatomy. Jacob's spectacular hand-colored, life-size lithographs are remarkable for their clarity, color, and aesthetic appeal, reflecting a combination of direct laboratory observation and illustrative research. Unsurpassed to this day, the images offer exceptional anatomical insight, not only for those in the medical field but also for artists, students, and anyone interested in the workings and wonder of the human body.

Binge watching. The trendsetters and triumphs of the TV boom. Their names are Walter White, Birgitte Nyborg and Don Draper and they are the stars of a cultural revolution. In the last decade, shows like Breaking Bad, Borgen and Mad Men have toppled cinema from its leading position in the popular culture universe and ushered in a whole new level of small screen excellence and appreciation. With ambition to tear down the barriers around commercial television networks such as HBO, AMC, and ABC have launched a new era of cinematic narrative, while cable TV networks, DVDs, and the Internet have brought about new, flexible ways of watching and engaging. Global fan communities devour episode after episode, season after season, independently of programs and broadcasting schedules and probe the multiple levels of meaning in their favorite series in blogs, fan groups and online forums. Alongside a wealth of stills, this overview of the TV revolution presents the most important and successful series of recent years from David Lynch's groundbreaking masterpiece Twin Peaks to current highlights like Game of Thrones, Girls and House of Cards. Who were the trendsetters? What inspired the creators? You can find all of the facts about authors and actors, influences and backgrounds, sequels and spin-offs. You can learn something new about your favorite shows, and about those you're still to discover.

Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning "pictures of the floating world," ukiyo-e was a particular genre of art that flourished between the 17th and 19th centuries and came to characterize the Western world's visual idea of Japan. In many ways images of hedonism, ukzyo-e scenes often represented the bright lights and attractions of Edo (modern-day Tokyo): beautiful women, actors and wrestlers, city life, and spectacular landscapes. Though he captured a variety of subjects, Hiroshige was most famous for landscapes, with a final masterpiece series known as "One Hundred Famous Views of Edo" (1856-1858), which depicted various scenes of the city through the seasons, from bustling shopping streets to splendid cherry orchards. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. It pairs each of the 120 illustrations with a description, allowing readers to immerse themselves in these beautiful, Vibrant vistas that became paradigms of Japomisme and inspired Impressionist, Post-Impressionist and Art Nouveau artists alike, from Vincent van Gogh to James McNeill Whistler.