Taschen strana 35 z 97

Bella Figura Milan's sumptuous modernist hallways First impressions count, especially in Milano. In this unprecedented photographic journey, editor Karl Kolbitz opens the door to 140 of the city's most sumptuous entrance halls, captivating in their diversity and splendor. These vibrant Milanese entryways, until now hidden away behind often restrained facades, are revealed as dazzling examples of Italian modernism, mediating public and private space with vivid configurations of color and form, from floors of juxtaposed stones to murals of minimalist geometry. The collection spans buildings from 1920 to 1970 and showcases the work of some of the city's most illustrious architects and designers, including, and Luigi Caccia Dominioni, as well as non-pedigreed architecture of equal impact and interest. The photographs for the publication were exclusively created by the Delfino Sisto Legnani, Paola Pansini and Matthew Billings, each evoking the entryways with individual sensibility and a stylistic interplay of detail shots - such as stones, door handles, and handrails - with larger architectural views. The images are accompanied by outstanding written contributions from Penny Sparke, Fabrizio Ballabio, Lisa Hockemeyer, Daniel Sherer, Brain Kish, and Grazia Signori, together bring a wealth of architecture, design, and natural stone expertise to guide the reader through the art-historical, social, and technical intricacies of the ingressi. As much an architectural city guide as an architectural study, the book provides the exact address and an annotated Milan map for all featured entryways, as well as the architect name and date of construction. In the well-documented realm of 20th-century Italian design, Kolbitz has stepped over the threshold and delivered a brand new area of enquiry in Milanese modernism. With the rigor of its multi-faceted research, poised photography, and breadth of its featured hallways, this is an invigorating new reference work and an inside look at the city's design DNA across high to low architecture.Text in English and Italian

The self as a subject is one of the most fascinating and fruitful of artistic enterprises. From the 15th century to today, this collection brings together some of the best examples of self-portraiture to explore the genre's evolution over the centuries as well as the enduring questions of selfhood and self-representation that have besieged human experience for centuries before social media and the selfie. Is a self-portrait of an artist a medium of reflection? Or is it merely a black void, the "false mirror," as the Surrealist René Magritte entitled his 1928 painting of an eye? How much does it impart about contemporary notions of beauty, power, and status? From Albrecht Dürer to Egon Schiele, Fra Filippo Lippi to Frida Kahlo, this far-reaching collection explores the numerous ways in which artists have taken themselves as subjects, the variety of ingenious methods and perspectives they have used, and the intriguing questions they raise.

Baby Talk The Anne Geddes phenomenon An infant curled within a seashell, on a bed of flowers, or its mother's body. With her distinct style and sensitive compositions, Anne Geddes has become one of the world's most widely known and loved photographers, celebrated for her unique take on infancy and parenthood in soft, characterful, vibrant portraits. Like no photographer before, Geddes strives to capture the beauty, purity, and vulnerability of early childhood and to embody within an image her deeply held belief that each and every child must be "protected, nurtured and loved." Since its inception in 1992, The Geddes Philanthropic Trust has designated significant funds from the range of Anne Geddes products to help prevent child abuse and neglect in countries around the world. This Geddes retrospective draws from access to the photographer's complete archive, reaching back to the late 1980s. With many previously unseen images as well as a sticker motif, it honors not only a whimsical and endearing aesthetic but its underlying philosophy of care for the young and vulnerable and for the future of mankind.Text in English, French, and German

Hang, well hung Chinese photographer Ren lets it all Hang out Ren Hang is an unlikely rebel. Slight of build, shy by nature, prone to fits of depression, the 28-year-old Beijing photographer is nonetheless at the forefront of Chinese artists battle for creative freedom. Like his champion Ai Weiwei, Ren is controversial in his homeland and wildly popular in the rest of the world. He says, I don't really view my work as taboo, because I don't think so much in cultural context, or political context. I don t intentionally push boundaries, I just do what I do. Why? Because his models, friends, and increasingly, fans, are naked, often outdoors, high in the trees or on the terrifyingly vertiginous rooftops of Beijing, stacked like building blocks, heads wrapped in octopi, body cavities sprouting phone cords and flowers, whatever enters his mind at the moment. He denies his intentions are sexual, and there is a clean detachment about even his most extreme images: the urine, the insertions, the many, many erections. In a 2013 interview VICE magazine asked, there are a lot of dicks do you just like dicks? Ren responded, It s not just dicks I m interested in, I like to portray every organ in a fresh, vivid and emotional way. True though that may be, the penises Ren photographs are not just fresh and vivid, but unusually large, making one wonder just where he meets his friends. In the same piece, Hang also stated, Gender isn t important when I m taking pictures, it only matters to me when I m having sex, putting him at the forefront of gender inclusiveness. Young fans eagerly follow his website, Facebook, Instagram, and Flickr accounts. His photographs, all produced on film, have been the subject of over 20 solo and 70 group shows in his brief five-year career, in cities as disparate as Tokyo, Athens, Paris, New York, Copenhagen, Frankfurt, Vienna, and yes, even Beijing. He has self-published eight monographs, in tiny print runs, that now sell for up to $600. TASCHEN s Ren Hang will be his first international collection, covering his entire career, with well loved favorites and many never-before-seen photos of men, women, Beijing, and those many, many erections.Text in English, French, and German"

International sex appeal 62 photographers take on the nude female form In 2007 TASCHEN released The New Erotic Photography, followed in 2012 by The New Erotic Photography 2. Each book featured hundreds of fresh and provocative images from the world's most intriguing erotic talents. Now the best of both books is available in The New Erotic Photography, featuring 62 photographers from 10 countries, exploring the global variations of erotic photography, as well as the evolution of photographic media over the last decade. We see film give way to digital, while those who persist with film are as likely to use Polaroids and primitive cameras like the Lomo and Holga as traditional SLRs. The featured photographers include new names Gregory Bojorquez, Jo Schwab, Tomohide Ikeya, Frederic Fontenoy, Andrew Pashis, and Jan Hronsky, as well as established artists Guido Argentini, Bruno Bisang, Eric Kroll, and the late Bob Carlos Clarke. Several outstanding women are also featured in this edition, including erotic film star Kimberly Kane, digital pioneer Natacha Merritt, heavy metal skateboarder Magdalena Wosinska, self-portraitist Jody Frost, and cover artist April-lea Hutchinson. It all adds up to an awful lot of nudes for a tantalizingly low price.Text in English, French, and GermanAbout the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm's delight -- never bore, always excite!

Startling Life The astonishing oeuvre of Johannes Vermeer This book brings together the complete catalog of Johannes Vermeer (1632-1675), presenting the calm yet compelling scenes so treasured in galleries across Europe and the United States into one monograph of utmost reproduction quality. With new photography of many works, Vermeer's restrained but richly evocative repertoire of domestic actions-ranging from letter writing to music making to preparations in the kitchen-unfolds in generous format. Numerous details emphasize the artist's remarkable ability not only to bear witness to the trends and trimmings of the Dutch Golden Age but also to encapsulate an entire story in just one transient gesture, expression, or look. In his lifetime, Vermeer's fame barely extended beyond his native Delft and a small circle of patrons. After his death, his name was largely forgotten, with works outside of Holland even misattributed to other artists. It was not until the mid-19th century that Vermeer came to the attention of the international art world, which suddenly looked upon his narrative minutiae, meticulous textural detail, and majestic planes of light, and spotted a forgotten master. Today, Vermeer's works have inspired a New York Times best seller and a film starring Scarlett Johansson and Colin Firth not to mention record visitor numbers at art institutions from Amsterdam to Washington, DC; and special crowd-control measures at the Mauritshuis, The Hague, where thousands flock to catch a glimpse of the enigmatic and enchanting Girl with a Pearl Earring , also known as the -Dutch Mona Lisa.

Printed treasure trove: Eight centuries of decorative artsWhen Kunstwerke und Gerathschaften des Mittelalters und der Renaissance (1852-1863) was published, what purchasers in fact bought was a printed museum. With 216 hand-colored copperplate engravings, the publication gives a comprehensive overview of applied arts in Europe from the 9th to the 16th centuries, spanning furniture, metalwork, jewelry, tapestries, and bookbinding.The book's lead editor was well placed to select masterpieces from the Middle Ages through to the Renaissance from both public and private collections. Jakob Heinrich von Hefner-Alteneck (1811-1903), was head of the Royal Cabinet of Prints and Drawings in Munich and later director of the Bavarian National Museum. The signatures on the plates of Kunstwerke und Gerathschaften show that he was also the work's main draftsman.As much an artwork in itself as a collection of applied arts over eight centuries, this exquisite catalog is now revived in a compact TASCHEN edition. From delicate jewelry to the most elaborate goblet, it offers the contemporary reader both a record and a sourcebook for all that can be achieved by the human hand and creative imagination.About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing.Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm's delight -- never bore, always excite!Text in English, French, and German

Saving space: Big ideas for small buildingsOver the years, talented architects have occasionally indulged themselves with the challenge of designing small but perfectly formed buildings. Today, with reduced budgets, many architects have turned in a more focused way to creating works that may be diminutive in their dimensions, but are definitely big when it comes to trendsetting ideas. Whether in Japanese cities, where large sites are hard to come by, or at the frontier between art and architecture, small buildings present many advantages, and push their designers to do more with less.A dollhouse for Calvin Klein in New York, a playhouse for children in Trondheim, pop-up stores for fashion stars, vacation cabins, and housing for victims of natural disasters are all part of the new rush to develop the great small architecture of the moment. The 2013 Pritzker Prize winner Toyo Ito is here, but so are emergent architects from Portugal, Chile, England, and New Zealand. Alvaro Siza and Kazuyo Sejima (SANAA) display their eye for tiny detail alongside artists Doug Aitken and Olafur Eliasson. From world-famous names to the freshest new talent, come discover architectural invention on a whole new, small scale.About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm's delight -- never bore, always excite!

Destination exoticPaul Gauguin's Pacific visions radiate with color and sunshine Paul Gauguin (1848-1903) was not cut out for finance. Nor did he last particularly long in the French Navy, or as a tarpaulin salesman in Copenhagen who did not speak Danish. He began painting in his spare time in 1873 and in 1876 took part in the Paris Salon. Three years later, he was exhibiting alongside Pissarro, Degas, and Monet. A querulous, hard-drinking individual, Gauguin often called himself a savage. His close but fraught friendship with the similarly temperamental Vincent van Gogh climaxed in a violent incident in 1888, when Van Gogh purportedly confronted Gauguin with a razor blade, and later cut off his own ear. Shortly afterwards, following the completion of a midcareer masterpiece Vision After the Sermon (1888), Gauguin took himself to Tahiti, with the intention of escaping "everything that is artificial and conventional..." On Tahiti, Gauguin's unfettered joy in the island's nature, native people, and figurative images leapt over a prolific output of paintings and prints. In works such as Woman with a Flower (Vahine no te Tiare, 1891) and Sacred Spring: Sweet Dreams (Nave Nave Moe, 1894), he developed a distinct, Primitivist style that positively oozed with sunshine and color. In the tradition of exotic sensuality, his thick, buttery lashings of paint lingered in particular over the curves of Tahitian women. Gauguin died alone, on Tahiti's neighboring Marquesas Islands, with many of his personal papers and belongings dispersed in a local auction. It was not until a smart art dealer began curating and showing Gauguin's work in Paris that the artist's profound influence began making itself felt, especially to the new breed of French avant-garde artists, such as Picasso and Matisse. This book offers the essential introduction the artist's truly colorful life, from the Impressionist salons of 1870s Paris to his final days in the Pacific, productive and passionate to the end.About the series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

The Impressionism revolution Discover how scenes of daily life and delicate dabs of color shocked the art world establishment. In this TASCHEN Basic Art introduction to Impressionism, we explore the artists, subjects, and techniques that first brought the easel out of the studio and shifted artistic attention from history, religion, or portraiture to the evanescent ebb and flow of modern life. As we tour the theaters, bars, and parks of Paris and beyond, we take in the movement’s radical innovations in style and subject, from the principle of plein air painting to the rapid, broken brushwork that allowed the Impressionists to emphasize spontaneity, movement, and the changing qualities of light. We take a close look at their unusual new perspectives and their fresh palette of pure, unblended colors, including many vividly bright shades that brought a whole new level of chromatic intensity to the canvas. Along the way, we recognize Impressionism’s established greats, such as Edgar Degas, Claude Monet, Berthe Morisot, and Camille Pissarro, as well as many associated artists worthy of closer attention, including Marie Bracquemond, Medardo Rosso, and Fritz von Uhde.

Walter Gropius (1883-1969) set out to build for the future. As the founding director of the Bauhaus, the Berlin-born architect had an inestimable influence on our aesthetic environment, championing a bold new hybrid of light, geometry, and industrial design, as dazzling today as it was a century ago.In this essential architect introduction, we survey the evolution and influence of a 20th-century visionary with 20 of his most significant projects, from the Bauhaus Building in Dessau, Germany to the Chicago Tribune Tower and Harvard University Graduate Center, completed after Gropius' exodus to the United States in 1937. We explore his role both as an architectural practitioner, and as a writer and educator, not only as a Bauhaus pioneer, but also, along with Ludwig Mies van der Rohe, as a leading proponent of the International Style.

In 1956, TIME magazine called him one of the defining "form-givers of the 20th century." Today, Marcel Breuer (1902-1981) remains a locus classicus of modernism for architects and designers alike. As a Bauhaus pioneer, even his earliest work was marked by a material restraint; the balance of texture, color, and shape; and a symbiosis of local and global, big and small, rough and smooth.In this essential introductory monograph, we survey Breuer's complete career through some of his most influential projects and ideas, from his landmark tubular furniture to the MoMA Research House to his innovation of "binuclear" housing, splitting living and sleeping areas into separate wings. Along the way, we follow Hungarian-born Breuer's journey to international acclaim, with featured projects from Germany, France, England, Switzerland, and across the United States contributing to his global status as a modernist maestro.

Architect Albert Frey (1903-1998) saw modernist utopia in the desert. Born in Zurich, he studied in Europe with Le Corbusier before moving to the United States in 1930, convinced it was the land of architectural opportunity. On a visit to Palm Springs, he fell under the desert spell. It was here, amid the arid and empty landscape, that he could truly envisage a perfect modern future.Like fellow Californian luminary, John Lautner, Frey would spend the rest of his career nurturing the consonance of architecture and nature: studying the fall of sunlight and rain, merging aluminium, steel, and glass with the boulders and sands of the West Coast wilds. His vision centered in particular on Palm Springs, capitalizing on the city's post-war population boom to create a bastion of the sleek, leisurely modernism that defines mid-century California.

Spices, spas, and crystal seas: The finest sanctuaries across AsiaAsia promises multisensory marvels. Whether it's a scorching hot curry, the vivid sounds of a local market, or an expert massage in a haven of feng-shui calm, the world's largest continent continent offers abundant opportunities to invigorate mind and body.From the futuristic urban metropolis to the pristine island shore, from your own piece of paradise in Bali to palatial splendor in India, this revised and updated TASCHEN collection gathers the finest Asian getaways. Each featured hotel is presented with interior and exterior photographs; pricing, service, and contact information; as well as an atmospheric reading recommendation.Text in English, French, and German

Henri Matisse (1869-1954) was a fighting spirit. Despite a cancer diagnosis in 1941, increasing frailty and the confines of a wheelchair, the indomitable Frenchman never stopped in his quest to make art. With what he called "une seconde vie," a second life, he embarked on a remarkable collage period, cutting and pasting pieces of colored paper into "gouaches decoupees" of birds, plants, flowers, and the female form.Emphasizing color and contrast, the cut-out technique generated both striking lines and vivid juxtapositions. In works such as The Fall of Icarus (1943), The Blue Nude (1952), The Snail (1953), and La Gerbe (1953), clean forms and elemental structures power a compositional force that belies the work's decorative appeal, at once tightly organized and infectious with joie de vivre. As his work progressed, Matisse's excitement with his results fueled ever-larger pieces, advancing from small works to vast wall-sized murals.

The artist who owned ultramarine In the mid-Fifties, Yves Klein (1928–1962) declared that “a new world calls for a new man”. With his idiosyncratic style and huge charisma, this bold artist would go on to pursue a brief but bountiful career, producing more than a thousand paintings over seven years in an oeuvre now considered a mainstay of the postwar modernism. Klein made his name above all with his large, monochrome canvases in his own, patented hue of blue. International Klein Blue (IKB), composed of pure pigment and binding medium, is at once rich and luminous, evocative and decorative, and was conceived by Klein as a means of evoking the immateriality and infinitude of the world. The works of this “Blue Revolution” seem to draw us into another dimension, as if hypnotized by a perfect summer sky. A pioneer of daring painting techniques, Klein was also renowned for his deployment of “living paintbrushes”, in which naked women, daubed in International Klein Blue, would make imprints of their bodies on large sheets of paper. Often, these Anthropométries were staged as elaborate performances, complete with blue cocktails or Klein’s own Monotone Symphony. This Basic Art introduction presents key Klein works to introduce an artist who was at once a showman, inventor, and pioneer of performance art. With page after page of the ever-alluring International Klein Blue, it is both an essential guide to a modern art master and a meditation on the unique effects of a single color.