Taschen strana 28 z 83

Florence's golden child: The Early Renaissance master During Sandro Botticelli's lifetime (1444/45-1510), the influence of his art scarcely reached beyond his native Florence, and following his death he was soon forgotten, to be rediscovered only in the 19th century by the Pre-Raphaelites. Since then, Botticelli has ranked among the greatest of the Renaissance artists. In the Uffizi Gallery in Florence, paintings such as"Primavera" and "The Birth of Venus" are among the foremost attractions for tourists and art lovers. Botticelli's captivating figures of women, his intimate portrayals of the Madonna and Child, and the angelic beauty of his adolescents are famous the world over today. The artist's life and work are explored in this thoughtful and beautifully illustrated study.About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions.

A prophet of modernism. Strong colours and sinuous figures El Greco (1541-1614) was born Domenikos Theotokopoulos in Crete in 1541. He arrived in Venice in 1566, where his work was greatly influenced by Titian and Tintoretto. Later he made an offer to the Pope to paint over Michelangelo's "Last Judgement" in the spirit of the Counter Reformation, which so incurred the wrath of Roman artists that a career in Italy was no longer conceivable. El Greco then settled in Spain, in Toledo, where he received numerous commissions from the Church and the nobility. Between 1586 and 1588 he created a major work of European painting, the monumental "Burial of the Count of Orgaz" for a chapel altar in the parish church of Santo Tome in Toledo. El Greco confined his range of colours to a small number of very expressively used shades, with an evident preference for pale purple, pink, and yellow and greyish tones. He located the iconographical events in a space that he dramatized by means of light and atmospheric phenomena. His oeuvre had a wide-ranging impact on art up to and including modern 20th century painting. Paul Cezanne and later Picasso and the Expressionists regarded El Greco as a prophet of modernism.About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions.

The mystery of the revealed form: A mirror of the artistic and intellectual developments of the 17th century Rembrandt Harmensz van Rijn (1606-1669) was one of the most complex and multi-faceted artists of the 17th century. From his initial period in Leiden to his early and late phases in Amsterdam, the stages of Rembrandt's career mirror the artistic and intellectual developments of the century. After breaking off his studies in Leiden, the young Rembrandt trained as a painter for two years and eventually established his own painting workshop. Characteristic of the Leiden period are his biblical histories, such as "The Raising of Lazarus," but the roots of Rembrandt's portraiture, nourished by his intensive studies of physiognomy, also are to be found in these same years. Later, in Amsterdam, the perfection of Rembrandt's likenesses initially won him the favor of numerous patrons--but the artist soon surpassed their expectations. Transcending traditional modes of presentation, Rembrandt composed his portraits in the same manner in which he had earlier constructed his scenes. The results are visible, for example, in the famous group portrait "The Anatomy Lesson of Dr. Nicolaes Tulp" from 1632. In the last phase of Rembrandt's work--when, plagued by financial problems, he had withdrawn into seclusion--it is no longer possible to distinguish between event paintings and portraits.About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions.

Drawing with scissors: The revolutionary late-period work by Matisse Towards the end of his monumental career as a painter, sculptor, and lithographer, an elderly, sickly Matisse was unable to stand and use a paintbrush for a longer period of time. In this late phase of his life he was almost 80 years of age he developed the technique of carving into color, creating bright, bold paper cut-outs. Though dismissed by some contemporary critics as the folly of a senile old man, these gouaches decoupees (gouache cut-outs) in fact represented a revolution in modern art, a whole new medium that re-imagined the age-old conflict between color and line. This fresh, standard TASCHEN edition of our original prize-winning XL volume provides a thorough historical context to Matisse s cut-outs, tracing their roots in his 1930 trip to Tahiti, through to his final years in Nice. It includes many photos of Matisse, some rare color images, by Henri Cartier-Bresson, Brassai, and the filmmaker Murnau and text from Matisse, Picasso, publisher E. Teriade, the poets Louis Aragon, Henri Michaux, and Pierre Reverdy, and Matisse s son-in-law, Georges Duthuit. In their deceptive simplicity, the cut-outs achieved both a sculptural quality and an early minimalist abstraction which would profoundly influence generations of artists to come. Exuberant, multi-hued, and often grand in scale, these works are true pillars of 20th century art, and as bold and innovative to behold today as they were in Matisse s lifetime."

Feast your eyes. This is the art of hospitality design. Restaurants and bars offer architects and interior designers the opportunity to design for both style and entertainment; aesthetics and function must come together to create ambiance and conviviality in a way that both makes a statement and keeps clients wanting to come back. The Restaurant & Bar Design Awards - the world's only awards dedicated to hospitality design - recognizes the importance of this particular field, and is dedicated to singling out the world's most exceptional settings for eating and drinking. Each year, entries are submitted from all types of sectors, including hotels, offices, transport, industry, fine dining, education, sports and leisure, healthcare, government, aviation, cruise, and retail. A panel of top design, lifestyle, and hospitality professionals judges the entries. Divided into five chapters by continent - Americas, Asia, Europe, Middle East & Africa, and Oceania - the book features the 150 establishments worldwide that were selected by the panel. Texts include chapter introductions by experts and judges such as Tony Chambers (editor-in-chief of Wallpaper) and designer Karim Rashid, and a preface by the author and founder of the awards, Marco Rebora. Entries include: numerous photographs; a fact sheet including location, number of seats, price range, architect/designer, cost of project, and size of build; a text describing the briefing, the challenge, and the solution; information about the architect and designer; and, the location, the operator, specialties, and interesting facts.

Once upon a time in America: Rediscovering the first color photographs of the New World These rediscovered Photochrom and Photostint postcard images from the private collection of Marc Walter were produced by the Detroit Photographic Company between 1888 and 1924. Using a photolithographic process that predated the autochrome by nearly 20 years, they offered people the very first color photographs of The United States. Suddenly, the continent's colors were available for all to see. The rich ochres and browns of the Grand Canyon, the dazzle of Atlantic City, became a visual delight not only for eyewitnesses, but for Americans far and wide. Imbued with this sense of discovery and adventure, the pictures gathered here are a voyage through peoples, places and time at once. They take us through North America's vast and varied landscape, encounter its many communities, and above all transport us back to the New World of over a century ago. Over more than 600 pages including fold-out spreads, this sweeping panorama takes us from Native American settlements to New York's Chinatown, from some of the last cowboys to Coney Island's heyday. As luminous now as they were some 120 years ago, these rare and remarkable images that brought America to Americans now bring American's past to our present.

A perfect synthesis of color and line. The trailblazing paper cut-outs of Henri Matisse. When Henri Matisse (1869 1954) was forced to give up painting in the mid-1940s due to a serious illness, he began to work with painted paper and a pair of scissors, "carving into color" to create bright, bold patterns and forms. Though many critics at the time were unstinting in their cruel remarks about the supposed foolishness of an old man, the work, termed gouaches découpées ( gouache cut-outs ), in fact represented a milestone in modern art. Matisse had not only defied frailty to pursue his artistic impetus, he had also created a whole new medium for exploring the age-old conflict between color and line. This 96-page, hardcover edition includes rich image reproductions from many of Matisse's most celebrated cut-outs,and a detailed biography for context of the artist's life and work.

Il divino. This is a glorious exploration of Michelangelo's works. Before reaching the tender age of thirty, Michelangelo Buonarroti (1475-1564) had already sculpted "David" and "Pieta", two of the most famous sculptures in the entire history of art. His achievements as a sculptor, painter, draughtsman, and architect are unique - no artist before or after him has ever produced such a vast, multi-faceted, and wide-ranging oeuvre. This is demonstrated not only by the frescoes of the Sistine Chapel but also by Michelangelo's monumental sculptures and his unconventional architectural designs, whose forms went far beyond the accepted vocabulary of his day. Such was his renown that Michelangelo was the subject of two biographics during his lifetime. TASCHEN brings you this comprehensive two-volume edition that explores Michelangelo's life and work in more depth and detail than ever before. The first volume concentrates on the life of Michelangelo via an extensive and copiously illustrated biographical essay; the main body of the book presents his work in four parts providing a complete analytical inventory of Michelangelo's paintings, sculptures, buildings and drawings. Gorgeous, full page reproductions and enlarged details bring readers up close to the works. This sumptuous book also takes account, to a previously unseen extent, of Michelangelo's more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his miserliness, his immense wealth, and his skill as a property investor. In addition, the book tackles the controversial issue of the attribution of Michelangelo drawings, an area in which decisions continue to be steered by the interests of the art market and the major collections. This is the definitive work about Michelangelo for generations to come.

The devastating events of the First World War were captured in myriad photographs on all sides of the front. Since then, thousands of books of black-and-white photographs of the war have been published as all nations endeavour to comprehend the scale and the carnage of the “greatest catastrophe of the 20th century”. Far less familiar are the rare colour images of the First World War, taken at the time by a small group of photographers pioneering recently developed autochrome technology. To mark the centenary of the outbreak of war, this groundbreaking volume brings together all of these remarkable, fully hued pictures of the „war to end war“. Assembled from archives in Europe, the United States and Australia, more than 320 colour photos provide unprecedented access to the most important developments of the period – from the mobilization of 1914 to the victory celebrations in Paris, London and New York in 1919. The volume represents the work of each of the major autochrome pioneers of the period, including Paul Castelnau, Fernand Cuville, Jules Gervais-Courtellemont, Léon Gimpel, Hans Hildenbrand, Frank Hurley, Jean-Baptiste Tournassoud andCharles C. Zoller. Since the autochrome process required a relatively long exposure time, almost all of the photos depict carefully composed scenes, behind the rapid front-line action. We see poignant group portraits, soldiers preparing for battle, cities ravaged by military bombardment – daily human existence and the devastating consequences on the front. A century on, this unprecedented publication brings a startling human reality to one of the most momentous upheavals in history. The author: Peter Walther has edited various publications on literary, photographic, and contemporary historical themes, including books on Goethe, Fontane, Thomas Mann, and writers in the First World War, as well as several illustrated books with historical colour photographs. He has also curated several exhibitions. He is particularly interested in early colour photography techniques.

Out of the blackout, into the boom years: Tracing 1940s America through ads The aftermath of World War II brought unprecedented pride and prosperity to the American people. From Western Electric communication tools (for "the modern battle") to Seagram's whiskey (for "Men Who Plan Beyond Tomorrow") to the Hoover vacuum ("For every woman who is proud of her home"), the post-war era represented a flood of products and services for every occasion. Combining social, corporate and graphic history, this new hardcover edition of 40s ads follows America's development through the anxieties of war to the buying-frenzy of peace. These colorful signs of the times feature both blasts from the past and many brand names still going strong today. It's hard to believe that the company who made your ultra-compact mobile phone was once advertising portable radios with "Motorola: More radio pleasure for less money," or that Electrolux didn't have any qualms about using Mandy, the portly black maid, to promote their new silent refrigerators: "Lor-dy, it sure is quiet!" Through motorcars, cigarettes, lipsticks and cans of Cambell's soup, this is an at once entertaining and eye-opening survey of the fears, fads and dreams that characterized a decisive decade.

It was Pelé who coined the phrase “the beautiful game”, and in the 1970s the gamewas at its most beautiful, free-flowing and entertaining. Football became truly international thanks to extraordinarily talented teams and charismatic players who became the first generation of football superstars, long before David Beckham stripped down to his underwear. This book tackles the global and cultural impact of the game, the memorable fashions, the girlfriends, the cars, the politics, the fans, the hooligans, the passion, the thrills and, of course, the sideburns. It’s a joint celebration of the world’s most popular sport and the sizzling 70s – including the 1970 World Cup in Mexico, the first football championship televised in colour, and won by the legendary Brazilian side led by Pelé; the 1974 World Cup, dominated by the intense rivalry between the powerful West German side and the “Total Football” of the Dutch team; the 1978 World Cup, hosted and won by Argentina; and the extraordinary club sides such as Ajax, Liverpool, Bayern Munich, and the New York Cosmos. The Age of Innocence features photography by Neil Leifer, Peter Robinson, Gerry Cranham, Terry O’Neill, Volker Hinz, Jerry Cooke, Harry Benson, Sven Simon, and many others, as well as images sourced from archives all over the world, and essays from award-winning football writers Rob Hughes, David Goldblatt, Brian Glanville and Barney Ronay.

High Five! TASCHEN's regular Illustration Now! series brings you the latest, groundbreaking work from the world's most exciting illustrators. A stimulating mix of established master draftsmen and neophytes, working in a vast range of techniques, this Illustration Now! Vol. 5 features 150 illustrators from over 30 countries, including illustration duo Craig&Carl, reportage artist Sue Coe, upcoming Agata Nowicka, old masters James McMullan and Syrian artist Youssef Abdelke. The spread includes personal work, as well as high-profile projects for clients such as Nike, The New Yorker, Harper's Bazar, The New York Time Magazine or Time magazine. Looking back at the history of media, the book's introduction from Steven Heller explores the many styles of illustration. It is a perfect round-up of illustration's here-and-now for graphic artists, creative professionals and illustration students, but also for anyone with an appreciation of draftsmanship and visual language.

Dreaming outside the lines. The life and work of the Austrian artist and architect. "A world full of color," said Friedensreich Hundertwasser, "is synonymous with paradise." With his demonstrations and actions, his manifestos for nature, for more human-oriented architecture, and for the improvement of the quality of life and living conditions, Friedensreich Hundertwasser was one of the most fascinating artists of the 20th century. He became a symbolic figure, not only as a painter but also as an architect, ecologist, and philosopher, in particular for all those who are searching for a life tuned to the natural and the human. This standard edition consists of the first volume of TASCHEN's limited edition Friedensreich Hundertwasser 1928-2000, and offers a comprehensive presentation of Hundertwasser's work and life, with a detailed text by Hundertwasser's longtime friend Wieland Schmied.

When Benedikt Taschen asked the most important portrait photographer working today to collect her pictures in a SUMO-sized book, she was intrigued and challenged. The project took several years to develop and proved to be revelatory. Annie Leibovitz drew from over 40 years of work, starting with the viscerally intimate reportage she created for Rolling Stone magazine in the 1970s and extending through the more stylized portraiture of her work for Vanity Fair and Vogue. Celebrated images such as John Lennon and Yoko Ono entwined in a last embrace are printed alongside portraits that have rarely, and sometimes never before, been seen. Annie Leibovitz was able to present some of her famous group portraits in a format that proves that she is the master of the genre. Her pictures are at once intimate and iconic, wide-ranging stylistically and also uniquely hers. Annie Leibovitz is often imitated, particularly by younger photographers, but her work is somehow immediately recognizable. The bookends of the Leibovitz collection are the black-and-white photograph of Richard Nixon's helicopter lifting off from the White House lawn after he resigned as president in 1974 and the formal color portrait of Queen Elizabeth II taken in a drawing room of Buckingham Palace in 2007. In between are portraits that make up a family album of our time: actors, dancers, comedians, musicians, artists, writers, performance artists, journalists, athletes, businesspeople. Performance and power are recurring themes. A supplementary book contains essays by Annie Leibovitz, Graydon Carter, Hans Ulrich Obrist, and Paul Roth and short texts describing the subjects of each of the over 250 photographs. The Collector's Edition is available in four different dust jackets: 1. Whoopi Goldberg, Berkeley, California, 1984 2. Keith Haring, New York City, 1986 3. David Byrne, Los Angeles, 1986 4. Patti Smith, New Orleans, Louisiana, 1978 Limited to a total of 10,000 signed and numbered copies, this book is available as Collector's Edition (No. 1,001-10,000) and also as Art Edition (No. 1-1,000) with a fine art print, signed by Annie Leibovitz, and the full set of all four dust jackets. Both editions come with a tripod book stand designed by Marc Newson.

Is this a man's world? Bright, bold pictograms from Yang Liu revisit the roles, relationships and age-old cliches of male and female experience. Imagine a setting in which a man wearing a dress might be as habitual as a woman in trousers. Where a woman exposing herself in public wasn't sexy, but as creepy as a male flasher. Where professional status and success presented the same prospects for both sexes. In this first in a new series for TASCHEN, leading graphic designer Yang Liu tackles one of the hottest, and one of the oldest, topics of all: he and she. Drawing on the experiences, challenges and many perspectives on men and women she has encountered in her own life, Yang Liu distils the vast, swirling question of gender to bold, binary pictograms. Dealing with a whole host of situations from the bedroom to the boardroom, Yang Liu's designs are as simple and accessible in their presentation as they are infinite in the associations, evocations and responses they elicit. Combining age-old stereotypes with topical discrepancies, this fresh approach to the roles and relationships of men and women is above all an effort to synthesize a notoriously thorny issue into a fun and refreshing graphic form, and so to lighten and enlighten our mutual understanding and tolerance.