Thames & Hudson strana 108 z 126

Anders Petersen (b. 1944) lives and works in Stockholm, Sweden. He is noted for his intimate and personal documentary-style black-and-white photographs. In 1967, he started to photograph the late-night regulars (prostitutes, transvestites, drunks, lovers, drug addicts) in a bar in Hamburg, Germany, named Cafe Lehmitz, and continued that project for three years. His photobook of the same name was published eight years later, in 1978, and has since become regarded as a seminal book in the history of European photography. In 1970, he co-founded SAFTRA, the Stockholm group of photographers, with Kenneth Gustavsson, and simultaneously taught at Christer In 2007, he was one of four finalists for the GBP30,000 Deutsche Borse Photography Prize.

This book, published to coincide with a major exhibition at the National Maritime Museum, explores and celebrates Turners lifelong fascination with the sea. It also sets his work within the context of marine painting in the 19th century. Each chapter has an introductory text followed by discussion of specific paintings. Four of the chapters conclude with a feature essay on a specific topic.

Fashionistas, photographers and stylists love the infinite possibilities of hair. It can define a look, embellish an outfit, show status, tribe or culture. Each hairstyle says something about who we are and where we belong. This book celebrates the art of hair: braids, curls, loose hair, mohawks, chignons, coloured hair, wigs, crops. Fabulous images from the greatest names in fashion photography mix with rare and unseen archive pictures. There are text contributions from stars of fashion, photography and hairstyling, as well as offbeat commentaries: Yannick dIs on working with Avedon; Veruschka on Ara Gallant; Patti Wilson on the Afro; Amanda Lepore on transsexual glamour; burlesque heroine Dita von Teese on Hollywood glamour; Vidal Sassoon gives one of his last interviews; and beauty editor Kathy Phillips writes on blondes. There is also a street-level view of Londons Seventies punk scene. This book will be a style classic, a bible for anyone in the profession, a must-have source of information and ideas, and pure pleasure for fashion addicts everywhere.

How to Read an Impressionist Painting is a new, original exploration of the hugely popular and revolutionary 19th-century art movement. James Rubin organizes his discussion by subject matter, rather than by artist, looking at urban views and city life, interiors and still life, family and friends, and other common themes. By avoiding an artist-based structure, and without the convention of a chronological approach, he provides readers with the tools to think critically and analytically about Impressionism as a movement, and offers a new understanding of the collective momentum that drove the artists to work with such originality and commitment to modern themes and pictorial originality.

Thought-provoking and richly visual, Nature Morte brings together, for the first time, the poignant, provocative re-imaginings of the traditional still life by over 180 international contemporary artists. This visually stunning and timely book reveals how leading artists of the 21st century are reinvigorating the still life, a genre previously synonymous with the sixteenth- and seventeenth-century Old Masters. Michael Petrys careful selection celebrates works by emerging and established artists alike, from all over the globe, including John Currin, Elmgreen & Dragset, Robert Gober, Renata Hegyi, Damien Hirst, David Hockney, Gary Hume, Sarah Lucas, Beatriz Milhazes, Gabriel Orozco, Elizabeth Peyton, Marc Quinn, Gerhard Richter, Sam Taylor-Wood and Ai Wei Wei. Short and compelling introductions begin each chapter and are followed by dramatic, visually led spreads that pair each work with a perceptive reading of its significance to the still-life tradition. Petrys engaging, provocative text reveals how contemporary practitioners are revisiting the major motifs of the still life and translating them for the modern world. Petry explores the timeless themes of life, death and the irrevocable passing of time in these new works for our modern world; artworks that invite us to pause and reconsider what it means to be human.

This new and completely redesigned edition explores the deepest secrets of the afterlife. Stanislav Grof guides readers through Egyptian, Tibetan, Mesoamerican and Christian texts, art and iconography of death, as well as modern consciousness research into near-death experiences, psychedelic paintings and meditation. The result is vivid and arresting: a series of overlapping maps and manuals for the worlds beyond death, drawing on a host of spiritual and artistic traditions.

This new and completely redesigned edition is a dazzling display of angels in art, folklore, literature and scripture, around the world and through the ages. Peter Lamborn Wilson explains how philosophers, mystics and artists have envisioned the messengers of the gods since ancient times: their appearance, work, nature and surroundings, and presents some of the most important angelic narratives. This is a celebration of the sacred origins and artistic evocation of angels across every tradition: Buddhist, Jewish, Christian, Muslim, Hindu, Taoist, Classical, pagan, Native American and Zoroastrian alike. Five abundantly illustrated Themes sections complement the text.

By the end of the decade, styles, markets, materials, demographics, inspirations and the very definition of fashion had been transformed. The young generation wanted informal but stylish clothes, and self-expression was paramount. Fashion had given way to style. Jonathan Walford charts these revolutions, from Londons mod youthquake to the ye-yes in Paris via the flower children and Afro movement in the US, and shows how a new internationalism changed the fashion landscape, as London, New York, Florence, San Francisco, Hong Kong, Madrid and Rome challenged the dominance of Paris haute couture.

A photographic journey that spans the greats of contemporary literature, Portrait of the Writer is a collection of more than 250 images of the worlds most renowned and revered writers, as immortalized by renowned photographers. The book features unforgettable images of 20th-century literary greats Ernest Hemingway, Jean-Paul Sartre, Thomas Mann, Marcel Proust, Samuel Beckett to the stars of today Haruki Murakami, Zadie Smith, Julian Barnes, Ian McEwan and many more. Portrait of the Writer offers a sweeping cast of literary characters, showcasing a stunning collection of photographs that are now part of our collective memory.

Islamic geometric designs are admired worldwide for their beauty and marvellous intricacy, yet in truth they are seldom understood. Indeed, their complexity and artistry can seem almost beyond the powers of human ingenuity. In this handsomely illustrated volume, artist and teacher Eric Broug analyses and explains these complex designs in their historical and physical context. His own original drawings accompany magnificent photographs of mosques, madrasas, palaces and tombs from the Islamic world, ranging from North Africa to Iran and Uzbekistan, and from the 8th to the 19th centuries. Chapters are devoted to each of the main families of geometric design fourfold, fivefold and sixfold and to the complex combined patterns. Every design is carefully explained, and illustrated with a wealth of stunning photographs and clear, meticulously detailed drawings. Readers can follow the design processes by which these patterns were created and even learn to reproduce and invent geometric patterns for themselves, using exactly the same tools as the Islamic craftsmen of old: a ruler and a pair of compasses.

This is the most complete monograph yet published on the internationally acclaimed South African artist William Kentridge. Bringing together nearly two hundred of his works made between 1989 and the present day, the book explores Kentridges work across a wide range of media, including film, video, sculpture, design, drawing and printmaking. Two essays discuss the development of Kentridges art and his unique creative process, and a large body of Kentridges own writings help to illuminate the origins of and inspiration behind his work, including the idea of fortuna, Kentridges description of his practice as one governed by neither programme nor chance in the making of images.

Posters by their very nature are ephemeral: crookedly plastered on a roadside billboard, tacked to the back of a tabac, they lasted a few weeks until advertisers issued another imaginative argument for soap or an ocean voyage. While few contemporary observers understood the richness of their design or appreciated the ingenuity of their unsung creators, they are now highly prized. William Crouse, long-time poster aficionado, has selected over 300 of the most sought-after examples of poster art created between the wars to include in this definitive volume. Organized thematically into subject categories (aviation, communication, fashion and more), this book includes over 300 highly rare and even unique examples by masters of the art form, including Nizzoli, Cassandre and Beall. Each poster digitally photographed under carefully controlled conditions is accompanied by an expanded caption that addresses the aesthetic, sociological, economic and/or political context of the image. Introduced by Art Deco specialist Alastair Duncan, Art Deco Posters is an essential addition for all interested in graphic design, Art Deco, and life and culture between 1919 and 1939.

An insightful new look at Balthus's ongoing fascination with cats and girls, including his controversial paintings of young adolescents An insightful new look at Balthus's ongoing fascination with cats and girls, including his controversial paintings of young adolescents.

Here is a beautifully photographed collection of real homes that stand as a reflection of their owners personalities and an expression of their interests rather than a homage to current trends. The homes featured are from all around the world, whether in Europe, America, Asia or Africa, and will inspire readers to create their own unique style. From a modern house near Cape Town to an innovative Indonesian home-office, an 1830s barn purchased in New Jersey and then transported in pieces to Martha's Vineyard, or the home of a Norwegian collector of African artifacts in Ibiza, the homes vary enormously in location, size and style. There are ten chapters, taking you through each area of the home. This book has a refreshingly original approach and will appeal to everyone who is seeking inspiration for their own spaces.

The distillation of a lifetimes study of Viking art by a leading authority, this new account covers all the intricate and beautiful art styles of the so-called Viking Age. It ranges in time from the first major Viking expeditions overseas around ad 800 to the general establishment of Christianity in Scandinavia some 300 years later. An opening chapter gives the historical and geographical background. Thematic chapters then describe and discuss the six main Viking art styles, showing how they emerged from and interacted with one another. Delicate metalwork is contrasted with elaborate wood-carvings and the famous Gotland picture-stones, while we move in scale from the Oseberg ship to decorated weapons and fine jewelry. The books conclusion looks at the art in relation to pagan Viking mythology, the Conversion period and the Norse sagas as well as at its legacy in later times. With striking illustrations of all the different aspects of Viking art and detailed maps, this will become the definitive guide for all those interested in this vibrant art form and in Norse history.

Gordon Parks (1912-2006) was a pioneering figure in 20th-century photography. As well as being the first African-American photographer to join the Farm Security Administration (FSA) and to become a staff photographer for Life magazine, he was also a writer, film director and composer. Although best known for documenting issues such as poverty, race relations and civil rights, he was remarkably versatile, turning his gift for visual narrative to subjects as diverse as news coverage, fashion, art and sport. He also captured prominent figures of his era, from Malcolm X to Marilyn Monroe, in a series of memorable portraits. Working in the US and around the world, he was driven by a commitment to social justice: The common search for a better life and a better world is deeper than colour or blood.'