Thames & Hudson strana 15 z 126

A remarkable compendium of diverse and evocative imagery exploring the wide-ranging and profound associations of the five natural elements?masterfully curated by image alchemist and cult social media figure Stephen Ellcock. Elements is an eclectic, evocative, and resoundingly beautiful treasury of imagery exploring depictions of the elemental forces that reveal their profound significance to ancient philosophers, alchemists, and astrologers, and modern artists, photographers, and scientists alike. Expertly curated, themed, and paired by image alchemist Stephen Ellcock, modern and visionary images are juxtaposed with the ancient and arcane, and the creative power of the elements is contrasted with the disastrous. Following physician and occultist Robert Fludd's (1574–1637) order of the elements, Ellcock guides readers through a remarkable selection of images, ascending from earth through water, air, and fire before culminating in the most spiritual of the elements, celestial aether. He makes parallels with the five elements of eastern philosophies and their relationship to the chakras, acupuncture, and Chinese astrology. Introductory text explores how the elements have defined the components of Earth and the heavens since the ancient creation myths from around the world that first proposed the elements as the fundamental substances of the universe. Insightful panel texts punctuate the pages, illuminating key concepts. Pertinent literary, philosophical, and spiritual quotations are interspersed with the amazing images, presenting further commentary on the overarching themes. At a time when humanity's relationship with the Earth teeters on the edge of catastrophe, this compendium of images exploring the natural elements envisions the possibility of earthly and spiritual harmony emerging from the chaos. 300 color illustrations

A world history of citrus, from the art of classical antiquity to the science of the modern era. Mandarin, citron, pomelo, bergamot, kumquat… Citrus traces the history of today’s global superfood from its cultivation in the ancient world from just a handful of original ‘wild’ species, via Arab trade routes, the noble collectors of medieval Europe, imperial conquerors on the high seas, and merchants risking ruin for the highest-value fruit crop ever known. The story of citrus permeates human history, as recorded in the literature and art of civilisations from antiquity to the present day. When Alexander the Great’s army swept over the Persian Empire, they found the citron: the first citrus fruit known in the West. During the Napoleonic wars, British ships carried lemons and limes to protect their sailors against scurvy: the ‘Limeys’ ruled the waves. As the citrus trade grew in importance in the nineteenth century, the Sicilian Mafia was established among citrus farmers, protecting their crops and their livelihoods. From the art of the Renaissance to modern advertising and graphic design, this richly illustrated, invigorating cultural history reveals how these extraordinary, life-giving fruits have flavoured, scented, healed and coloured our world.

A new edition of one of the first books to focus on the world of women artists and their practice. Women have always practiced as artists, but for centuries the art world considered them mere dilettantes. Their work was derided as second-rate, and they were considered intruders in a male profession. This study examines how, against the odds, they overcame these difficulties and shifts the focus away from women artists as "victims" to give an account of how they actually practiced their art. This stirring account documents the centuries- long struggle of gifted women who confronted the exclusionary tactics of a male-dominated art establishment but pressed ahead undaunted to gain acceptance as sought-after professionals. Art historian Frances Borzello takes readers deep into the restricted world of women artists of the past, showing how diligently they trained themselves, set up studios, and pursued sympathetic patrons. Starting with Renaissance painters Sofonisba Anguissola and Lavinia Fontana, the book reconstructs the changing world of women artists as social attitudes evolved. Seventeenth-century painters Artemisia Gentileschi and Judith Leyster enjoyed success by depicting subjects relevant to women, as did eighteenth- century greats Angelica Kauffman and Élisabeth Vigée-Lebrun with lucrative commissions. Further breakthroughs came in the nineteenth century as young hopefuls Mary Cassatt and Marie Bashkirtseff strove to be admitted to exhibiting societies and opened art schools. Finally, as equality for women advanced through the twentieth century, Augusta Savage, Georgia O'Keeffe, Frida Kahlo, Cindy Sherman, Mona Hatoum, and others led the way for today's talented women to secure their rightful place in the annals of art. Now fully revised and updated, Frances Borzello's engaging narrative continues to inspire. 215 color illustrations

The definitive illustrated retrospective on the Oscar-winning director of some of the most resonant and enduring films of all time. For more than five decades, Steven Spielberg has created inspiring, exciting and unforgettable movie magic. Jaws, E.T., the Indiana Jones series, Close Encounters of the Third Kind, Schindler's List, Saving Private Ryan and West Side Story are among the many favourites that have thrilled cinema audiences all over the world. They are some of the highest-grossing, most captivating and enduring films of all time - contemporary classics that indelibly remain part of our lives. This timely retrospective celebrates more than fifty years of Steven Spielberg's boundless energy and his unwavering commitment to excellence in all areas of his work. Drawing on his many first-person interviews, distinguished writer and critic Richard Schickel provides unique insight on every one of Spielberg's thirty-four major movies. John H. Foote, one of Canada's best known film critics, updates the retrospective to the present day on Spielberg's six latest films, from Bridge of Spies (2017) to The Fabelmans (2022). Including a personal foreword by the director himself, this is an insider's perspective on Spielberg's legendary achievements. Impeccably designed and illustrated with over 450 superb images (including revealing behind-the-scenes photos from DreamWorks' own archives), Spielberg: A Retrospective is the ultimate tribute to a moviemaking icon, and a book to treasure.

An accessible, inspirational, and engaging introductory survey of LGBTQIA+ photography, as told through the collection of the Victoria and Albert Museum, London. Drawing on one of the oldest and largest photography collections in the world, Calling the Shots offers an unprecedented view of photographic history through a queer lens. It includes a broad range of global LGBTQIA+ representation from the mid-nineteenth century to now, presenting images from pioneering LGBTQIA+ photographers and subjects alongside work documenting activism and hard-won legal battles, over a century of performance, nightlife, and diverse queer communities, collectives, and subcultures. Following an introductory essay by Zorian Clayton, images are presented in six thematic chapters: Icons, Staged, Body, Liberty, Making a Scene, and Beyond the Frame. Each chapter opens with a short introductory essay, followed by an extended plate section. Expanded captions highlight key images, and "artist in focus" inserts draw on the work of selected photographers to illuminate particularly rich moments in LGBTQIA+ history. Bold proclamations of queer identity and community sit alongside personal explorations of self; documentation of struggle, joy, and everyday life is considered side-by-side with performances and photographic fictions that continue to challenge the bounds of gender and sexuality. This vital, accessible volume offers an exciting, expansive appraisal of photography's role in expressing, documenting, and celebrating queer life. It will be essential for all with an interest in the history of photography, but especially for those with an interest in LGBTQIA+ history. 200 illustrations, 50 in color

Best known for her work documenting the political upheaval in Central America during the 1970s and 80s, American photographer Susan Meiselas has been at the forefront of ethical debates around documentary photography for most of her career. Through close engagement with subjects such as war and exploitation, she has interrogated her own relationship to what she's photographing, the circulation and dissemination of these images, and the pivotal questions around social and cultural representation and memory. Her influential contribution to the way audiences approach and engage with photography is as vital and resonant today as it was 40 years ago. This new addition to the Photofile series also includes short texts by Meiselas herself accompanying each work in the volume.

The definitive biography of the greatest photographer of modern times - a vital addition to the library of everyone with an interest in photography Henri Cartier-Bresson was the eye of the 20th century. His lens chronicled the decisive moments of his time – from Chinese communist victories to the Spanish Civil War and the Liberation of Paris. A co-founder of Magnum Photos, Cartier-Bresson produced unparalleled portraits of his contemporaries, capturing the spirit of Albert Camus, Jean-Paul Sartre and William Faulkner. Cartier-Bresson took Pierre Assouline into his confidence over a number of years, detailing his youthful devotion to surrealism, lifelong passion for drawing, and experiences of war and prison camps. This sensitive biography emerges from a meeting of two minds, revealed with the same truth as one of Cartier Bresson’s photographs.

With the discovery of her archive in a thrift auction house in 2007, Vivian Maier's posthumous trajectory from relative obscurity to one of the great American photographers of the 20th century is a story of a singular consistent talent. From the mid 1950s throughout her adult life she worked as a nanny between New York and Chicago, and it was during this time that she created a huge body of photographs and films recording every day street life, often including her own self portrait and moments of fleeting reflection within the cityscape. With her work compared to Helen Levitt, Robert Frank and Diane Arbus, her photographs are a fascinating window into American life.

Most surveys of the history of art come neatly packaged. They are divided up into historic periods, artistic schools and movements, and the careers of individual painters. They may make the subject appear more manageable, but they are oversimplifications. In reality, movements and careers overlapped and intertwined, reacting to events in the world around them. A Chronology of Art places the genuine developments of the art world into sharp focus. By prioritizing a purely chronological approach and side-stepping the clichés of conventional, academic pigeonholes, it presents an entirely fresh perspective on the subject. The book is structured around a central timeline, which features lavish illustrations of paintings, together with commentaries, and additional information about the social, political and cultural events of the period. The text is divided into four historical sections, becoming more detailed as it nears the present. From 1800 onward, each spread covers a five-year span, which is far more comprehensive than other surveys of this kind. The chronological spreads are interwoven with lively ‘In Focus’ features, highlighting social, stylistic and technical developments.

An updated edition of this essential practical handbook for all those involved in or studying the dynamic field of curating. From pitching your ideas and writing loan requests to working with artists, lenders, and art handlers; from writing interpretation material to installing and promoting your exhibition, The Curator's Handbook is the most clear and complete guide yet to the art and practice of curating. An introduction maps the history of curating from its origins in the seventeenth century to the multifarious roles of the curator today: tastemaker, custodian, interpreter, educator, facilitator, and organizer. Adrian George then guides the reader, across thirteen chapters, through the process of curating an exhibition. Each step is described in valuable detail and clear, informative language by this experienced curator, whose text pinpoints the keys to success (as well as which pitfalls to avoid). With advice and tips from a renowned cast of international museum directors and curators?including Daniel Birnbaum, Aric Chen, Elizabeth Ann Macgregor, Hans Ulrich Obrist, Jennifer Russell, and Nicholas Serota?this new edition, updated to reflect on current concerns in the art world and the latest recommended best practices, is the essential handbook for all students, museum, and gallery professionals, and established or aspiring curators.

A Financial Times Book of the Year: An intimate exploration of Yves Saint Laurent’s creative world, captured by photographer – and son of the couturier’s right-hand woman, Anne-Marie Munoz – Carlos Munoz-Yagüe. Yves Saint Laurent: Inside Out presents an extraordinarily intimate insight into a fascinating world of creativity in the latter, sumptuous phase of Saint Laurent’s career, between 1989 and his final collection in 2002. The book offers a comprehensive and multi-faceted exploration of the life of an haute couture house: from informal, atmospheric portraits of Yves Saint Laurent at work in his studio, drawing and creating, to the behind-the-scenes work of the ‘petites mains’ in the ateliers, the skilled army of artisans whose activity is rarely documented. The house’s world-famous models also feature, captured during pre-collection fittings in the house’s grandiose salons and in electric backstage moments before the shows. Private archive materials – letters, documents, drawings, and ephemera – that situate the protagonists and give context to the unique position that the young Carlos enjoyed as a ‘fly on the wall’ in this rarefied universe are also included in the book, and published here for the first time. A moving and visually stunning tribute to the iconic Yves Saint Laurent house as you’ve never seen it before, Yves Saint Laurent: Inside Out will be a must-have for fashion and photography fans.

A laugh-out-loud bedtime story in which a little girl imagines what it would be like to have a vampire bat for a pet. What would it be like to live a nocturnal lifestyle? What funny scenarios might one encounter trick-or-treating or at the funfair with a vampire bat as your pal? Facts about vampire bats combine with seasonal spookiness and positive messages about dental hygiene in this brilliant book for bedtime.

The paint-loaded palettes of fifty world-renowned artists are displayed alongside the paintings the artists created using those hues, and the colours and brushstrokes employed are analysed to uncover surprising new stories about each artist and their work. Presented broadly chronologically, the artists featured in this revelatory book range from those working in the 17th century to the present day, including Artemisia Gentileschi, Paul Cézanne, Berthe Morisot, Vincent Van Gogh, Wassily Kandinsky, Georgia O’Keeffe and Bridget Riley. Each artist’s palette – whether photographed or visible in self-portraits – is paired with one or more works by the artist that reflect the colours of the paint remaining on the palette. Colour expert and art historian Alexandra Loske skilfully analyses each artist’s colour palette and brushstrokes to reveal not only exactly how they used colour in their work but also to tell the story of their journey with colour and the influence of their approach on the wider culture to which they belonged. For example, Georges Seurat meticulously arranged the paints on his palette in prismatic order, isolating the colours and pairing each with a blot of white paint. His pointillist technique was equally apparent on his palette and his canvas. Kerry James Marshall uses blots of zinc white and smears of pale pink on the surfaces of symbolically oversized white palettes held by black artists in his portraits, raising provocative questions about the role of colour in the story of black history and white western art. The Artist’s Palette will appeal to an art history audience, a wider audience eager to learn more about the use of colour by the great artists and amateur painters looking for inspiration in the creation of their own work.

An exquisite photography book featuring the collaborative work of fashion photographer Tom Kublin and renowned haute couture designer Cristóbal Balenciaga. The first book to document the short yet prolific artistic career of fashion photographer and filmmaker Tom Kublin, and a celebration of his creative union with Cristóbal Balenciaga during the fashion house's postwar heyday in Paris. More than 140 photographs and film stills by Kublin capture the golden age of Balenciaga couture in the 1950s and 1960s, from the impeccable elegance of the collection shoots—including exclusive film footage of Balenciaga himself at work—to striking covers and editorials for high-profile magazines. Balenciaga – Kublin begins with a foreword by Maria Kublin and continues with a biography by Ana Balda, charting Kublins career, his place in the artistic milieu of the European avant-garde, and his working relationship with Balenciaga. Miren Vives, head of the Cristóbal Balenciaga Museum, also contributes. Additional texts come from fashion industry professionals who worked with and knew Kublin best: an interview with his partner and muse, the model Katinka Bleeker; memories from the Italian fashion photographer Gian Paolo Barbieri, who began his career as Kublin's assistant in Paris in the 1960s; and a piece by Lydia Slater, editor in chief of Harper's Bazaar UK, who looks back on Kublin's work for the magazine at a pivotal time in its history. This book honors the successes and innovations of Kublin's career, recording for posterity his contribution to fashion photography and the iconography of the House of Balenciaga.

A new history of digital art from the 1960s to the present day, with decade-by-decade essays exploring evolving digital art practices, alongside interviews with artists, gallerists, museum curators, and collectors. This new, image-led history of global digital art from the 1960s to the present day draws on the V&A's rich collection while linking the digital art scene to wider art and design histories, and to their social, political, and technological contexts. Decade-by-decade essays by leading authorities explore evolving digital art practices, and a series of interviews and discussions with prominent artists, gallerists, museum curators, and collectors from the world of digital art offer fascinating insights into the subject. Digital Art: 1960s to Now explores ideas of artificial intelligence, computer animation, simulation, and cybernetics. Global in reach, it features historic works from pioneering artists such as Analivia Cordeiro, Eduardo Mac Entyre, Manfred Mohr, Vera Molnar, and Frieder Nake, alongside renowned contemporary artists such as Danielle Brathwaite-Shirley, Harm van den Dorpel, Trevor Paglen, Anna Ridler, and Nye Thompson.

The direct sequel to a classic photobook. An exceptional selection of photographs from Daido Moriyama's seminal magazine publication from 2017 to today. Between June 1972 and July 1973, Daido Moriyama produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. In 2006, encouraged by the Japanese publisher Akio Nagasawa, Moriyama was able to resume publication of Record. The first thirty issues of Record were edited by Mark Holborn into the now classic 2017 photobook of the same title. Daido Moriyama: Record 2, also edited by Mark Holborn, picks up from where the original left off, with a selection of images and texts by Moriyama from issues thirty-one to fifty of the magazine. With Moriyama now in his eighties, Record 2 will likely be the end of the story. But despite his advancing years, the work is unmistakably Moriyama's aesthetic?fiercely contrasted images with fragmentary, intensely composed frames that express the vision of one of the greatest photographers. 270 color illustrations