Thames & Hudson strana 17 z 102

The ultimate repertoire of wit and wisdom from fashions sharpest pin Karl Lagerfeld is a modern master of couture. He is also famously outspoken: his wise, surprising statements pop up like offbeat news flashes. This collection of quotations pays homage to the legendary eminence grise of the fashion world. Lagerfeld's pronouncements on fashion, women, art, politics, love, and life high and low are famously oracular, seized upon by fashionistas, acolytes and sages around the world. Created with the full approval of the designer himself, this cornucopia of Lagerfeld's maxims is required reading for us all today as we negotiate the trickiest curves of modern life. Cultivated, unpredictable, provocative, sometimes shocking, Lagerfeld's bons mots are always impossible to ignore. Jean-Christophe Napias is an author, translator and editor of books on dandies, dance music and camp culture. Sandrine Gulbenkian is director of Parigramme, a Parisian publishing house. Patrick Mauries is a writer and publisher of many notable titles on fashion and design, including Jewelry by Chanel, also published by Thames & Hudson.

The encounter between art and fashion has been a rapidly growing phenomenon over the last decade, with major international artists working with top fashion houses to produce contemporary masterpieces that challenge the traditional boundary between these two dynamic cultures. In Art/Fashion in the 21st Century, five chapters feature concise essays with profiles of the key designers, break-out stories about the most avant- garde projects and interviews with the leading lights of the art-fashion crossover phenomenon. Nearly 250 illustrations showcase collaborative art/fashion work from Acne Studios, Balenciaga, Chanel, Hussein Chayalan, Tracey Emin, Jean Paul Gaultier, Zaha Hadid, Hermes, Marc Jacobs, Calvin Klein, Jeff Koons, Stella McCartney, Issey Miyake, Takashi Murakami, Prada, Richard Prince, Anselm Reyle, Cindy Sherman, Juergen Teller, Viktor & Rolf, and many more. This is essential and inspiring reading for all those interested in the very cutting edge of both art and fashion and those who are already there.

Here is the long-awaited and much needed new translation of the correspondence of Paul Cezanne, known as the father of modern art. The existing collection in English, produced in the 1930s, is dated, inaccurate and incomplete; for this book, Alex Danchev has gone back to the original manuscript letters, clearing up decades of questionable scholarship and producing a fresh, honest and accurate translation. In his introduction Danchev paints a picture of Cezanne as a singular thinker and an uncompromising seeker after artistic truth qualities that shine through in the letters, but that many of his contemporaries failed to appreciate or comprehend. Danchev fills in the gaps here and in his many notes, revealing the mans very human hopes and fears as he strove to harness his sensations and artistic passion. The result is a collection of over 250 letters, written to family, friends, fellow artists and dealers, and encompassing major cultural figures of the late nineteenth century.

An insightful new look at Balthus's ongoing fascination with cats and girls, including his controversial paintings of young adolescents An insightful new look at Balthus's ongoing fascination with cats and girls, including his controversial paintings of young adolescents.

By the end of the decade, styles, markets, materials, demographics, inspirations and the very definition of fashion had been transformed. The young generation wanted informal but stylish clothes, and self-expression was paramount. Fashion had given way to style. Jonathan Walford charts these revolutions, from Londons mod youthquake to the ye-yes in Paris via the flower children and Afro movement in the US, and shows how a new internationalism changed the fashion landscape, as London, New York, Florence, San Francisco, Hong Kong, Madrid and Rome challenged the dominance of Paris haute couture.

Islamic geometric designs are admired worldwide for their beauty and marvellous intricacy, yet in truth they are seldom understood. Indeed, their complexity and artistry can seem almost beyond the powers of human ingenuity. In this handsomely illustrated volume, artist and teacher Eric Broug analyses and explains these complex designs in their historical and physical context. His own original drawings accompany magnificent photographs of mosques, madrasas, palaces and tombs from the Islamic world, ranging from North Africa to Iran and Uzbekistan, and from the 8th to the 19th centuries. Chapters are devoted to each of the main families of geometric design fourfold, fivefold and sixfold and to the complex combined patterns. Every design is carefully explained, and illustrated with a wealth of stunning photographs and clear, meticulously detailed drawings. Readers can follow the design processes by which these patterns were created and even learn to reproduce and invent geometric patterns for themselves, using exactly the same tools as the Islamic craftsmen of old: a ruler and a pair of compasses.

This mouthwatering book presents 38 of the finest pastry chefs working worldwide today, together with samples of their glorious, highly sophisticated confections. Some of the chefs are up-and-coming, others are well established; all are innovative pioneers in a uniquely appealing creative field. Profiles of each patissier include an informative biography giving a sense of their individual style. Also included are scores of recipes for world-class cakes, tarts, biscuits, petits fours, plated desserts, pastries, confectionery, chocolate, ice creams and sorbets, with a final chapter focusing on the lavish sugar-paste world of celebratory cakes. Offering a wealth of inspiring and delicious material, this book is a must for professional pastry chefs, keen amateurs and anyone interested in the gourmet lifestyle.

Posters by their very nature are ephemeral: crookedly plastered on a roadside billboard, tacked to the back of a tabac, they lasted a few weeks until advertisers issued another imaginative argument for soap or an ocean voyage. While few contemporary observers understood the richness of their design or appreciated the ingenuity of their unsung creators, they are now highly prized. William Crouse, long-time poster aficionado, has selected over 300 of the most sought-after examples of poster art created between the wars to include in this definitive volume. Organized thematically into subject categories (aviation, communication, fashion and more), this book includes over 300 highly rare and even unique examples by masters of the art form, including Nizzoli, Cassandre and Beall. Each poster digitally photographed under carefully controlled conditions is accompanied by an expanded caption that addresses the aesthetic, sociological, economic and/or political context of the image. Introduced by Art Deco specialist Alastair Duncan, Art Deco Posters is an essential addition for all interested in graphic design, Art Deco, and life and culture between 1919 and 1939.

This is the most complete monograph yet published on the internationally acclaimed South African artist William Kentridge. Bringing together nearly two hundred of his works made between 1989 and the present day, the book explores Kentridges work across a wide range of media, including film, video, sculpture, design, drawing and printmaking. Two essays discuss the development of Kentridges art and his unique creative process, and a large body of Kentridges own writings help to illuminate the origins of and inspiration behind his work, including the idea of fortuna, Kentridges description of his practice as one governed by neither programme nor chance in the making of images.

A year-by-year history of people and events, The Chronicle of Jazz tells the whole story of jazz music and its personalities. Each chronologically arranged section contains special features, on topics ranging from the bossa nova craze to jazz in Paris, personality sketches and seminal gigs and albums. Readers are brought fully up to date with the significant and exciting recent developments in the world of jazz, from the rise of modern big bands and the renaissance of the piano trio to the popular appeal of Jamie Cullum and HBO's television series Treme, set in New Orleans. The Chronicle of Jazz is a celebration of this most imaginative and enduring music, and is a complete resource for both jazz aficionados and lovers of music in general.

This book, published to coincide with a major exhibition at the National Maritime Museum, explores and celebrates Turners lifelong fascination with the sea. It also sets his work within the context of marine painting in the 19th century. Each chapter has an introductory text followed by discussion of specific paintings. Four of the chapters conclude with a feature essay on a specific topic.

Thought-provoking and richly visual, Nature Morte brings together, for the first time, the poignant, provocative re-imaginings of the traditional still life by over 180 international contemporary artists. This visually stunning and timely book reveals how leading artists of the 21st century are reinvigorating the still life, a genre previously synonymous with the sixteenth- and seventeenth-century Old Masters. Michael Petrys careful selection celebrates works by emerging and established artists alike, from all over the globe, including John Currin, Elmgreen & Dragset, Robert Gober, Renata Hegyi, Damien Hirst, David Hockney, Gary Hume, Sarah Lucas, Beatriz Milhazes, Gabriel Orozco, Elizabeth Peyton, Marc Quinn, Gerhard Richter, Sam Taylor-Wood and Ai Wei Wei. Short and compelling introductions begin each chapter and are followed by dramatic, visually led spreads that pair each work with a perceptive reading of its significance to the still-life tradition. Petrys engaging, provocative text reveals how contemporary practitioners are revisiting the major motifs of the still life and translating them for the modern world. Petry explores the timeless themes of life, death and the irrevocable passing of time in these new works for our modern world; artworks that invite us to pause and reconsider what it means to be human.

Fashionistas, photographers and stylists love the infinite possibilities of hair. It can define a look, embellish an outfit, show status, tribe or culture. Each hairstyle says something about who we are and where we belong. This book celebrates the art of hair: braids, curls, loose hair, mohawks, chignons, coloured hair, wigs, crops. Fabulous images from the greatest names in fashion photography mix with rare and unseen archive pictures. There are text contributions from stars of fashion, photography and hairstyling, as well as offbeat commentaries: Yannick dIs on working with Avedon; Veruschka on Ara Gallant; Patti Wilson on the Afro; Amanda Lepore on transsexual glamour; burlesque heroine Dita von Teese on Hollywood glamour; Vidal Sassoon gives one of his last interviews; and beauty editor Kathy Phillips writes on blondes. There is also a street-level view of Londons Seventies punk scene. This book will be a style classic, a bible for anyone in the profession, a must-have source of information and ideas, and pure pleasure for fashion addicts everywhere.

The entire story of jazz from its earliest days in New Orleans to the 1970s and beyond told through archival material from Verve, the genres most important label. Verve signed practically every major jazz artist of the 1950s and 1960s and is home to some of the greatest music ever recorded. Charlie Parker, Count Basie, Billie Holiday, Dizzy Gillespie, Oscar Peterson, and Ella Fitzgerald all released records through Verve. This superb new volume presents some of the rarest records and unseen ephemera from the label that helped define the world of jazz. Hundreds of the best examples of iconic seven-inch, ten-inch, and twelve-inch records appear, along with publicity reports, news clippings, posters, telegrams, and programmes. The ultimate music guide, the book includes features on key artists and key albums as well as insightful timelines that connect Verve with wider musical history. Looking beyond the music scene, the book discusses segregation in America, the missions to take jazz to Europe and the world, the clubs, the places, and the people who made Verve great and jazz cool. Commentary from the biggest names in jazz today, including some of Verves own artists, complements the text. 1,200 illustrations in color and black and white.

The first volume of The Mr Porter Paperback: The Manual for a Stylish Life is a witty compendium of life and style advice for the modern man. Compiled by Mr Porters Editor-in-Chief Jeremy Langmead, it covers everything from the essential (how to take care of dress shoes or charm the in-laws) to the just-in-case (how to pull off daring feats or dance at a wedding). Derived from the sites online journal (which has a large readership), the diverse content includes interviews with male icons inside and outside the fashion world (John Pawson, David Hockney, Irvine Welsh...); profiles of style icons past and present (Jean-Paul Belmondo, Bob Dylan, River Phoenix, Haile Selassie, Tom Waits and many more); mini-features on fashion classics including the knitted tie, the biker jacket, the polo shirt; sixty pages of The Knack, snippets of advice on everything from how to behave in a spa to how to mix a Bloody Mary; and much more. The cover is crafted to evoke traditional letterpress printing methods and the book comes with a silk ribbon bookmark.

How to Read an Impressionist Painting is a new, original exploration of the hugely popular and revolutionary 19th-century art movement. James Rubin organizes his discussion by subject matter, rather than by artist, looking at urban views and city life, interiors and still life, family and friends, and other common themes. By avoiding an artist-based structure, and without the convention of a chronological approach, he provides readers with the tools to think critically and analytically about Impressionism as a movement, and offers a new understanding of the collective momentum that drove the artists to work with such originality and commitment to modern themes and pictorial originality.