Thames & Hudson strana 24 z 126

A stunning photographic presentation of the guitars that defined the distinctive sounds and style of Johnny Marr with personal reflections and insights from the legendary guitarist himself. The guitarist’s guitarist, Johnny Marr redefined music for a generation. His ringing arpeggios and chordal innovations helped elevate The Smiths to be one of the most influential and important British bands of all time. Tracing Marr's career from his teenage years to his recent work on the Bond soundtrack, Marr’s Guitars showcases the most significant of Marr’s superb collection of electric and acoustic guitars, revealing through them the evolution of his iconic sound and style of playing. Each guitar is identified with a crucial moment, a specific song or a particular sound, and each embodies a key aspect of Marr’s lifelong passion. Renowned photographer Pat Graham presents each instrument as a full portrait, supported by micro shots highlighting the specific details that make each one unique, while Johnny Marr himself reveals in his accompanying commentary on what tracks and at which shows the guitars were played. Many of the guitars are closely associated with Marr, such as the Rickenbacker 330, the Gibson ES-355 and the Johnny Marr Signature Fender Jaguar. Some were passed down to him, including Nile Rodgers’ Stratocaster, Bryan Ferry’s Roxy Music Hagstrom and Bert Jansch’s Yamaha. Others are guitars once owned by Marr that have since been passed on to the next generation of guitar heroes, including the Stratocaster used by Noel Gallagher on ‘Wonderwall’ and the Gibson Les Paul Goldtop used on In Rainbows by Radiohead’s Ed O’Brien. Punctuating the photography of the guitars and the accompanying commentary are contextual studio, backstage and onstage shots. Together, they make Marr’s Guitars a unique cultural history of modern music and guitar playing told through the prism of Johnny Marr’s experiences and achievements.

An elegant presentation of interiors for introverts, placing the memorable work of London architect William Smalley alongside buildings around the world that have inspired his practice. The interiors in Quiet Spaces were made for private contemplation: calm places in which to read a book, listen to music, or have dinner with friends. Showcasing the possibilities of sophisticated, low-key luxury design,this book presents the work of William Smalley alongside a selection of inspirational spaces across the globe that have influenced his practice. This timely publication speaks to the growing trend for slow and calm living, boosted by a return to focusing on home life thanks to the pandemic. Organized into four themed chapters?Space, Silence, Shadows, and Life?Quiet Spaces reveals the importance of key design concepts in creating quiet equilibrium in Smalley’s practice, as well as in homes, interiors, and architecture more generally. Projects range from Smalley’s work?including his own Bloomsbury apartment and several private residences, frequently in old houses?to inspiring buildings around the world, such as Mexico City’s Casa Luis Barragán, Villa Saraceno in Italy, and Kettle’s Yard in Cambridge. Newly commissioned photography and interviews with the owners give fresh insights into the experience of living in these exquisite spaces, brought together in an elegant and covetable package that will inspire designers, architects, and anyone with a love of restrained and refined design. 185 illustrations / 153 in color

Personal encounters with some of the world’s most influential modern and contemporary artists by leading art critic and writer Richard Cork. In Encounters with Artists , Richard Cork turns his impeccable skills as a critic and writer to tell the story of his encounters with some of the world’s most influential artists. From a serendipitous meeting with Pablo Picasso in Cannes in 1965 through his early days as a writer on the Evening Standard and his later role as chief art critic for The Times , Cork records the personal encounters that reveal the characters behind the art. From individuals who can look back over a lifetime’s career, such as Louise Bourgeois, Roy Lichtenstein, and Jasper Johns, to younger artists encountered at the beginning of their careers, such as Tracey Emin and Damien Hirst, Cork reveals artists’ inner thoughts, anxieties, and creative ambitions. From a studio meeting with Lucian Freud to being driven through the Yorkshire countryside by David Hockney and given a tour of Soho drinking locations with Francis Bacon, Cork has found that “talking to artists can, in my experience, be surprising, revealing, salutary, testing, provocative, stimulating, and at times capable of overturning all my preconceptions about the individuals I encounter.” Cork has played a significant role in popularizing late modern and contemporary art. In the words of art critic Louisa Buck, his “lucid, evenhanded and at times trenchantly critical judgement has been invaluable in helping to create the multiplicity of approach and vigorous debates of today’s artistic climate.” 1 black-and-white illustration

A down-to-earth, visual guidebook that shows how to “read,” understand, and get the most out of art. For beginners, art history might seem a daunting subject with complex rules and impenetrable technical language. Even for more seasoned art lovers the question of how to think about art is a perennial riddle. Art Uncovered is the perfect resource for both an engaging, visual primer for the general reader and educators. Designed like an instruction manual, fifty key artworks from around the world are deconstructed with explanations, diagrams, and close-ups in order to reveal the elements that comprise a masterpiece. Dating from the earliest times to the present, the artworks under analysis are drawn from many cultures and cover all forms of visual media, including drawing, illustration, photography, prints, and sculpture. Matthew Wilson’s simple approach, using established art historical methods, enables the reader to discover the fundamentals of art history, from considerations of function, historical context, iconography, and artists’ experience to broader issues of identity, including feminism, gender, and postcolonialism. Whether it’s the mask of Tutankhamun or Dorothea Lange’s photograph Migrant Mother , Katsushika Hokusai’s Great Wave or Kara Walker’s Gone , each image is dissected on the page in a no-nonsense style, with explanatory notes detailing artists’ sources of inspiration, associated styles and movements, plus any relevant quotes, related visuals, and other contextual and issue-led information with keywords for handy cross-referencing. The resulting book is a dynamic visual resource that will inspire and spark enjoyment of art in all its forms. 850 color illustrations.

The Drawings of Vincent van GoghArranging by theme, from drawings of humble harvesters to beautifully rendered depictions of landscapes, pensive life studies to memorable sketches of the famous Yellow House, eminent art historian Christopher Lloyd encourages readers to consider the artist’s drawings from a fresh viewpoint: documenting successes and failures, experiments, trials, and disappointments. Primarily self-taught, Van Gogh’s approach to drawing was instinctual, but he soon recognized the importance of mastering the grammar of art, as well as materials and techniques, in order to expresshis emotional responses to a subject as vividly as possible. With examples from the artist’s voluminous and highly charged family correspondence, sketchbooks, and comparative artworks, this engaging study outlines why drawing is central to Van Gogh’s oeuvre, and equal to the intensity and reputation of his paintings. Featuring works from the Van Gogh Museum, Amsterdam, and many other important collections in Europe and the United States, this beautifully illustrated volume offers an extensive interpretation of the artist’s drawings, beyond what has been published to date.

Timeless, evocative and hauntingly beautiful: a retrospective monograph by a truly innovative image maker whose female gaze transformed fashion photography. American photographer Deborah Turbeville defies classification. She belongs to no school or movement. Her unique visual signature has been recognizable since her emergence as a major talent in the 1970s. Her images are evocative, difficult to date at first glance, and seem dreamlike to our 21st-century eyes. Turbeville stands apart from her male contemporaries, whose hard-edged, highly sexualized photographs of women now seem to be of their time in comparison with Turbeville's very different representation of beauty. This book focuses on the area of Turbeville's practice where her genius as an artist can be found: photocollage. In contrast to her contemporaries in fashion photography, she was deliberately playful with her images: xeroxing, cutting, scraping and pinning prints together, writing in the margins and creating narrative sequences. Her work is located far from single, glossy images. It inhabits a liminal zone between art and commerce. Built upon extensive research in the Deborah Turbeville archive, the work shown spans commercial and personal projects, with many images published for the first time. With texts by Vince Aletti, Anna Tellgren and Felix Hoffmann, this book brings into the spotlight the ways in which Turbeville redefined fashion photography, moving away from the sexual provocation and stereotypes assigned by male photographers to an idea of femininity on her terms. Deborah Turbeville: Photocollage will be an essential publication with modern relevance for all with a passion for fashion photography.

An Atlas of Es Devlin, the first monograph on artist Es Devlin's genre-defying practice, is an experiential publication encompassing art, activism, theatre, poetry, music, dance, opera and sculpture. Publisher's note: Our first print run of The Atlas of Es Devlin has sold through in record time and we are currently reprinting. Further copies will become available in December with more stock then due in early 2024. Devlin's protean work is rooted in a life-long practice of reading and drawing. From sketches in the margins of texts, be they poetry, drama, song lyrics, opera libretti, climate reports or endangered species lists, emerge the technically advanced, collectively imagined universes for which she is globally renowned. Fragile miniature paintings, paper cuts and small mechanical cardboard models form the seeds of some of the most iconic, large-scale, multi-disciplinary cultural manifestations in recent times, from public sculptures and installations at Tate Modern, Serpentine, V&A, Barbican, Imperial War Museum and the Lincoln Center, to kinetic stage designs at the Royal Opera House, the Royal Ballet, the Metropolitan Opera, La Scala and the National Theatre, as well as Olympic Ceremonies, Super-Bowl half-time shows, and monumental illuminated stage sculptures for Beyonce, The Weeknd, U2, Rosalía, Dr Dre and Kendrick Lamar. Devlin's work is at once deeply personal and inherently collective. Over the past decade her art practice has engaged with biodiversity, linguistic diversity and collective AI-generated poetry. She views the audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works. Published in association with a retrospective exhibition opening at Cooper Hewitt, Smithsonian Design Museum in New York in November 2023, An Atlas of Es Devlin is a unique, sculptural volume of over 900 pages, including foldouts, cut-outs, and a range of paper types, mirror and translucencies, with over 700 colour images documenting over 120 projects spanning over 30 years, and a 50,000 word text featuring the artist's personal commentaries on each art work as well as interviews with her collaborators including Hans Ulrich Obrist, Bono, Benedict Cumberbatch, Pharrell Williams, Carlo Rovelli, Brian Eno, Sam Mendes, Alice Rawsthorn and Abel 'The Weeknd' Tesfaye. Each book is boxed and includes a die-cut print from an edition of 5000.

The birth of twins is unusual. Throughout history they have been revered as gods and reviled as monsters; they have been adored as amusing music hall double acts and feared as duplicitous criminals; and they have been studied by anthropologists and scientists engaged in the nature vs nurture debate and genetic experiments. Their existence challenges the norm; they are seen by singletons as ‘other’ and regarded with an equal measure of wonder and distrust. Do twins have special powers? Does a twin birth present a good or bad omen? Are they telepathic? Should we fear the appearance of the ghostly doppelganger? From the Aztec creation twins Quetzalcoatl and Tezcatlipoca to the divine opposites of Greek myth, Apollo and Artemis, and from criminal gang leaders the Kray twins to the disconcerting Grady twins in The Shining, this visually arresting and often disturbing book explores and interrogates twindom in all its facets in a wide range of cultures and media from ancient times to today. The visual presentation of twins, cultural attitudes to twins and scientific uses of twins are examined within three broad themes: twins of myth and legend and the instruction their stories provide; the anatomical, sociological and scientific studies of twins from Galton to genetic engineering; and twins as entertainers, sources of spectacle and community. Punctuating the cabinets of thematic imagery are nine thought-provoking essays that provide considered analysis and intriguing investigation of the myriad meanings, responses to and uses of twinkind.

Legendary designer Yves Saint Laurent’s maxims on haute couture, women, style, and elegance, presented in an attractive gift format. Founded by Yves Saint Laurent and Pierre Bergé in 1962, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic, art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. The designer put the women who wore his clothes first (“What’s most important in couture is the body we dress, the woman we dress, more so than the ideas we might have”) and was determined to change attitudes of the era (“Fashion’s purpose is not only to make women look beautiful, but also to reassure them and to give them confidence”). He could be critical of the fashion industry (“I adore clothes but I hate fashion”), and he saw himself as a craftsman who perfectly understood his customer (“I think there are three kinds of designers. The great ones, the true ones, and the ones who know how to delight a woman just by making a very simple dress, or a very simple suit”). Presented in a beautiful package and accessible format, The World According to Yves Saint Laurent is the perfect gift for fashion fans, capturing the essence of a true visionary. 40 color illustrations.

An essential foundation course for graphic designers working in digital media, print and moving image. Regularly revised and in print for over twenty years, this practical resource for students is used in graphic design classes in Europe, the UK and the USA. Graphic Design School is organized into two main sections, ‘principles’ and ‘practice’. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section puts these basics into practice, and gives information about studio techniques and production issues relevant to a number of different graphic design disciplines. The second section closes with an overview of some of the different career choices open to students entering the graphic design field. This new edition features over forty new images, updated reading lists and expert voices referencing a more diverse set of practitioners, and is as packed as ever with exercises, tutorials, and real-world graphic design briefs. Examples are taken from all media – digital media, websites, magazines, books and corporate brand identities. It remains a must-have book for anyone starting in graphic design.

A treasure trove of visual delights: examples of the sketchbooks of sixty international illustrators offer new insights into their artistic practice. Intimate and often unseen, the sketchbook means something different to each illustrator. It might be a beautiful object, a work of art in its own right, where every line is painstakingly considered. It might be a pictorial playground, where mistakes can make art. The boundaries between sketchbooks, notebooks and visual journals are often blurred, lending to the creativity that fills their pages. It is likely that you will recognize many of the illustrators featured, including classic childhood favourites Beatrix Potter, Jean de Brunhoff, Edward Ardizzone and Tove Jansson, and established names such as Beatrice Alemagna, Oliver Jeffers and Shaun Tan. Others are up-and-coming, for example Charlotte Ager and Leah Yang. Martin Salisbury draws on decades of experience as an illustrator and educator to shed light on the lives and work of each artist. He even reveals pages from his own sketchbooks, exposing the rawness of his ideas and the narratives that surround them. As the reader will discover, sketchbooks are often a fascinating and surprising window into the mind of the illustrator.

The Japanese House Since 1945Unparalleled in their conceptual purity, many Japanese houses have become icons at home as well as abroad. Presented with clear prose and accompanied by photographs and drawings, the book features ninety-seven houses, divided among nine chapters and organized by decade. In addition to acquainting the reader with individual homes, the book illuminates the social, technological, geographic, and historical factors behind these epoch-making houses. Developments over the period are underscored by the visual presentation, as it evolves from monochrome to color and from hand-drawn to digital. Decade lead-ins set the historical context for each chapter, while “Spotlight” segments draw attention to the separate components of the Japanese house. “At Home” sections, most authored by architects and their family members, bring to life the experience of living in these unique houses.

The ruins of ancient Athens, Luxor, and Rome are familiar cornerstones of world history, visited by travelers from across the globe. But what about the cities that have dropped off the map? That have been submerged under water, or swallowed up by the sands of time? Where are they, and what can they tell us about our past?Lost Cities of the Ancient WorldMatyszak reveals a dynamic network of peoples and cultures who fought and traded between themselves, exchanging inventions, ideas, and philosophies, with the result that people as far apart as Catalhöyükin Turkey and Skara Brae in Scotland’s Orkney Islands shared a common heritage. By examining the motivations that first drew populations to gather and settle together, as well as the challenges that led to their cities’ abandonment, this visually striking and often surprising book offers us a fresh perspective on our urban origins.

This indispensable introductory guide explores the art of the African continent from its early origins over 150,000 years ago to the contemporary, set in the context of postcolonial debates, the restitution of cultural objects and artifacts, and the challenges of the present. This enormous and complex field of study, once under-appreciated by the Western art world, is now of global importance and an essential subject of education in art history. For ease of reference and analysis, leading African art expert Suzanne Preston Blier has structured this guide chronologically into manageable and meaningful chapters covering ancient art, the Middle Ages, travel and trade, encounters with Europe in the age of exploration, the colonial era, the rebuilding of the continent in recent times, and contemporary art. Addressed are core, continent-wide themes in African visual and cultural expression, from the life cycle (children, initiation, motherhood, religion) to the body and representations of power dynamics. Important regional artistic expressions are also explored, such as the cultures of Mali (the Western Sudan), Nigeria (the lower Niger and Benue area), the Congo Basin, and various nomadic populations across the continent.Written from an inclusive, modern perspective, focusing not only on royal traditions but also the broader global history of the continent and its artistic practices, this is an excellent introduction for students, museum visitors, and anyone with an interest in fine art, African history, and cultural studies.

Karl Lagerfeld lived a very public life. He shaped the Chanel and Fendi brands for decades, and his wit and wisdom amused and informed the world. Yet despite a massively public persona, his hinterland remained unknown. What is the truth behind this larger-than-life but enigmatic figure? The journalist and fashion specialist Alfons Kaiser met Lagerfeld on numerous occasions. He has now written the first authoritative biography on this fascinating character, whose life has always been marked by elements of secrecy. From his parents’ links with the Nazi regime to Lagerfeld’s last days in the company of only his closest friends, this book – the result of unprecedented archival and field work – divulges all the facets of a passionate artist and workaholic: the precocious boy who preferred to draw in the attic rather than play with his peers; the son who quarrelled with his parents but never got away from them; the competitor of Yves Saint Laurent, whom he outshone in the end; the brother, uncle, friend; and finally, the partner of Jacques de Bascher, the great love of his life.

A career-to-date retrospective of a unique creative talent. A journey to the most inaccessible Arctic regions of Siberia, showing dreamlike encounters with its people, landscapes, and fauna. Hyperborea presents unforgettable visual tales of life in the Siberian Arctic that Evgenia Arbugaeva knew when she was growing up in Tiksi, a town on the shore of the Laptev Sea in the Republic of Yakutia. Her work discloses both the fragility and beautiful desolation of the land and those who inhabit it, and her rigorously composed photographs glow with rich otherworldly color, bristle with the raw vibrancy of the climate, and exhibit the quiet intensity of lives borne out in seclusion and extremes. This beautifully produced photobook contains a decade of work, with photographs selected from across the full range of Arbugaeva’s series and extensive travels across the Russian Arctic coast to connect with people living in these remote and inhospitable places. The photographs that she brings back from her long-term visits convey a world where everything seems humans and nature, the sky and the land. An elemental space of deep solitude and slower pace of life. Her images invite us to contemplate a territory that has been a place of longing and imagination for many, which is now under existential threat from a multitude of environmental changes. With an introduction by anthropologist Piers Vitebsky, four texts by Arbugaeva to supplement the images, and a specially commissioned map to provide a sense of where Arbugaeva’s work is located, Hyperborea is a future collectible for all photobook fans and introduces a global audience to a very special talent in the world of photography. 45 color illustrations