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John Thackara has spent a lifetime roving the globe in search of design that serves human needs in a sustainable way. He believes that in our eagerness to find technological solutions to the big challenges faced by the human race, we have all too often ignored the astonishing creativity generated when people work together and in harmony with the world around them. Drawing on an inspiring range of examples, from a temple-led water management system in Bali that dates back hundreds of years to an innovative e-bike collective in Vienna, Thackara shows that below the radar of the mainstream media there are global communities creating a replacement economy from the ground up. Through a series of chapters each devoted to essential human concerns, he demonstrates that it is possible to live a rich and fulfilling life based on stewardship rather than exploitation of the natural environment. Ultimately optimistic, Thackara believes that through a huge variety of quiet, piecemeal changes of thought and action, we are coming to a tipping point: the end of one civilization but the beginning of another.

This beautifully illustrated book is a style bible for anyone interested in design and the home. It is arranged into ten distinct chapters, each one concentrating upon a specific interior style or theme. Each chapter is illustrated with ten evocative houses or flats, whose aesthetic essence is captured within an opening double-page spread concentrating on the most spectacular space in the home. Its story unfolds in the accompanying text, and design elements and individual features are picked out in more detail on the following pages. Each entry provides an in-depth discussion of an engaging space including bedrooms, bathrooms, dining rooms, kitchens, living rooms and much more that illustrates the theme of the chapter plus individual stylistic ideas particular to the featured homes. Along the way key design ingredients are explored and explained, from materials through to furniture design, texture through to pattern and light. From Art Deco to modernism, analyses of design styles and references are woven into the mix. Full of inspiration, information and ideas, Interior Design Close Up will draw in anyone looking for a source book for their own space.

James Sherwood's Discriminating Guide to London is a very 21st-century comment on city style. Sherwood, author of a number of definitive publications on English sartorial style, is the quintessential man-about-town. This is a selective and opinionated guide informed by superlative taste, direct experience and many years of partaking in the very best that the world's most exciting metropolis has to offer. The book is inspired by a 1970s publication of the same name by another James Sherwood no relation who is today the owner of the Orient-Simplon Express and luxury hotels and restaurants around the world. He contributes a foreword.

In its early days, illegal graffiti and street art were of necessity modest in scale, hastily created in hours or even minutes, and destroyed just as quickly by authorities, vandals or the elements. Now, however, graffiti writers and street artists are able to take their work to an entirely new level, creating carefully planned, permanent works that cover entire buildings and add a new visual dimension to the world's cities. Claudia Walde, better known as the record-breaking street muralist MadC, has selected more than 200 of the best XXL works and profiled nearly 30 artists who pioneered this trend. Working in dangerous conditions, often hundreds of metres above the ground, yet always keenly aware of the view from street level, these new street muralists are as fearless and technically skilled as they are creatively brilliant. This is a thrilling, super-sized, international celebration of one of the most visible new art movements on the streets of our cities.

In February 2012, in a Munich flat belonging to the elderly recluse, Cornelius Gurlitt, German customs authorities seized an astonishing hoard of more than 1,200 paintings, drawings and prints. When Hildebrand Gurlitt's trove became public in November 2013, it caused a worldwide media sensation. Catherine Hickley has delved into archives and conducted dozens of interviews to uncover the story behind the headlines. Her book illuminates a dark period of German history, untangling a web of deceit and silence that has prevented the heirs of Jewish collectors from recovering art stolen from their families more than seven decades ago by the Nazis. Hickley recounts the shady history of the Gurlitt hoard and brings its story right up to date, as 21st-century politicians and lawyers puzzle over the inadequacies of a legal framework that to this day falls short in securing justice for the heirs of those robbed by the Nazis. Hickley is the world's leading journalist in the field of Nazi-looted art and a former arts and culture reporter for Bloomberg News.

In 1984, photographers Martha Cooper and Henry Chalfant captured the imagination of a generation with Subway Art, a groundbreaking book documenting the work of graffiti writers who illegally painted subway cars in New York City. The 2009 edition of the book is now available in a new, slightly reduced format. Henry Chalfant's images of the trains retain their impact, while Martha Cooper's narrative pictures tell the story. In the introductions, the authors recall how they gained entry to the New York graffiti community in the 1970s and 1980s and describe the techniques that they used to photograph it. Afterwords report how the lives of the original subway artists have unfolded, and chronicle the end of the subway graffiti scene in the late 1980s and its unexpected rebirth as a global art movement. This is an essential book for all fans of graffiti, stunning photography and 1980s-cool.

The story of English culture over a thousand years can be told as the story of changing ideas about the weather. Writers and artists across the centuries, looking up at the same skies and walking in the same brisk air, have felt very different things. In a sweeping panorama, Weatherland allows us to witness cultural climates on the move. The Anglo-Saxons before the Norman Conquest lived in a wintry world, writing about the coldness of exile or the shelters they must defend against enemies outdoors. The Middle Ages brought the warmth of spring; the new lyrics were sung in praise of blossom and cuckoos. It is hard to find a description of a rainy night before 1700, but by the end of the eighteenth century the Romantics will take a squall as fit subject for their most probing thoughts. There have been times when the numbers on a rain gauge count for more than a pantheon of aerial gods. There have been times for meteoric marvels and times for gentle breeze. The weather is vast and yet we experience it intimately, which is why Alexandra Harris builds her remarkable story from small evocative details. There is the drawing of a twelfth-century man in February, warming bare toes by the fire. There is the tiny glass left behind from the Frost Fair of 1684, and the Sunspan house in Angmering that embodies the bright ambitions of the 1930s. Harris catches the distinct voices of compelling individuals. Bloody cold, says Jonathan Swift in the slobbery January of 1713. Percy Shelley wants to become a cloud and John Ruskin wants to bottle one. Weatherland is a celebration of English air and a life-story of those who have lived in it. As we enter what may be the last decades of English weather as we know it, this is a history for our times.

Antony Gormley occupies an unusual position as a highly populist sculptor - known chiefly for his Angel of the North (1998), a national landmark in the UK - who is also widely regarded as one of the most intellectually challenging artists working internationally. He is grounded in archaeology and anthropology, and looks to Asian and Buddhist traditions as much as to Western sculptural history, which he believes reached a punctuation point with Rodin. This is the first book to focus on Gormley's thoughts on sculpture, positioning his career and artistic philosophy in relation to its history. The book is structured thematically over four chapters: the first explores Gormley's thoughts on the body, time and space in relation to major works including European Field (1993) and 'Still Standing' (2011), Gormley's rehang of the classical rooms at the Hermitage Museum in St Petersburg. The second chapter, 'Sculptors', was first delivered as a series of five lectures for the BBC; in each, Gormley discusses a sculpture he considers to be of huge creative importance: Epstein's The Rock Drill (1913-15), Brancusi's The Endless Column (1935-38), Giacometti's La Place (1948-49), Joseph Beuys's Plight (1985) and Richard Serra's The Matter of Time (2005). In the third chapter, Gormley outlines the influence of Buddhist and Jain sculpture on his work and ideas, and the fourth showcases the artist's most recent sculptures.

This is a monograph, manual and manifesto by one of the world's leading graphic designers. Protege of design legend Massimo Vignelli and partner in the New York office of the international design firm Pentagram, Michael Bierut has had one of the most varied careers of any living graphic designer. The 35 projects Bierut presents in this book illustrate the breadth of activity that graphic design encompasses today, his goal being to demonstrate not a single ideology, but the enthusiastically eclectic approach that has been a hallmark of his career. Each project is told in Bierut's own entertaining voice and shown through historic images, preliminary drawings (including full-size reproductions of the notebooks he has maintained for over 30 years), working models and rejected alternatives, as well as the finished work. Along the way, he provides insights into the creative process, his working life, his relationship with clients, and the struggles that any design professional faces in bringing innovative ideas to the world. Inspiring, informative and authoritative, How to...is set to be the bible of graphic design ideas.

While certain photographs have become world-famous images indelibly printed on the cultural consciousness, the stories on the other side of the lens have been all too often distorted, obfuscated or overlooked, the social and political environments misunderstood or forgotten. By evoking the lives and backgrounds of nearly forty great photographers, Juliet Hacking also brings new light to their work, forging a greater understanding of each photographic pioneer. In addition, many rarely seen portraits and self-portraits are brought to light. Seen together, these entries form a holistic examination that, while drawing attention to the contributions of each individual, adroitly guides the reader through the major innovations, movements and developments in the history of photography with authority, dexterity and zeal. Bound in a single compact and portable volume, Lives of the Great Photographers is one of those rare examples where engaging reading meets beau livre.

The third volume in this series is on packaging design and features carefully selected products that showcase the innovative use of a particular material. The book focuses on specific categories of packaging sustainable packaging, functional forms, dispensing systems, advanced protection, interactive and mass craft. Seven specially commissioned visual narratives are included. The extensive illustrated materials directory contains detailed information on over 100 materials.

Frank Sinatra was an entertainer of mesmerizing talent, charisma and style. As well as being one of the bestselling musical artists of all time, he was an Academy Award-winning actor who starred in over sixty movies, and a cultural icon of seismic influence. Created in close collaboration with the Sinatra family and Frank Sinatra Enterprises, this momentous book captures the man in public and private, with exclusive unseen photographs and memorabilia from the family archives, as well as the most iconic images, outtakes and contact sheets from celebrated photo shoots. In candid accounts from his closest friends and associates, a portrait emerges of a man who was intensely loyal to his friends, enthusiastically devoted to charity and who demonstrated exceptional stamina and resilience in a career that spanned an incredible six decades. The result is a captivating tribute to one of the best-loved performers the world has ever known, in a large-format presentation every bit as swanky and swoonsome as the man himself.

This is a bestselling and comprehensive introductory textbook that uses a four-part structure to cover all aspects of the visual arts, including: how art is designed the visual language of art; how art is made the media and processes, covering everything from painting and sculpture to graphic design, digital media, film and installations; the history of art, from prehistoric times to the twenty-first century and including art from all parts of the world; and major themes that recur across cultures and throughout history. A unique feature, the Gateways to Art, uses eight iconic images, examined repeatedly from different points of view (compositional, stylistic, etc.), to stimulate perceptions about how great works are created and take their effect. No other book currently available has such a wide coverage, provided in a modular form that enables students and teachers to learn or teach in a truly flexible way. Beautifully illustrated with more than 1,000 images of art, this dynamic and accessible book will appeal as much to the art enthusiast as to those looking for an outstanding educational resource.

Aardman Animations are, unquestionably, one of the biggest success stories in animated films: their masterpieces include Wallace and Gromit, Chicken Run and Shaun the Sheep, as well as much-loved characters such as Morph. Cracking Animation is entertaining, inspiring and essential reading for all Aardman enthusiasts, students of animation or anyone who wants to try making an animated film. This revised edition includes two new chapters. Chapter 7 looks in depth at the development and teamwork involved in a major animated film or television production, using The Pirates! In an Adventure with Scientists! as an exemplar, and Chapter 8 presents exclusive behind-the-scenes insights into the making of Aardman's most recent feature film, Shaun the Sheep the Movie. Packed with practical, fully illustrated and step-by-step descriptions of all the elements involved, this is quite simply the best publication on stop-motion animation.

Not only do scripts and alphabets form bridges between cultures, but their history and the stories they tell are the perfect springboard for calligraphic experimentation. From India to Ethiopia, Tibet and beyond, Denise Lach has travelled widely in the world of script. Here, she documents complex and simple characters, playful shapes and vibrant colours, which she then translates into her own visual art. She demonstrates the exciting design possibilities offered by script: you can repeat, turn, mirror and rotate letters; you can also experiment with rhythms, contrasts, colours and line widths. In addition to calligraphic techniques, Lach introduces examples from printmaking, fabric printing, collage making and digital techniques. As illustrated by its beautifully photographed works of art on paper, stone, fabric or ceramic material Journeys in Calligraphy will take you to many surprising destinations.

Lee Miller photographed innumerable women during her career, first as a fashion photographer and then as a journalist during the Second World War, documenting the social consequences of the conflict, particularly the impact of the war on women across Europe. Her work as a war photographer is perhaps that for which she is best remembered - in fact she was among the 20th century's most important photographers on the subject. Published to coincide with an exhibition at the Imperial War Museum, Lee Miller: A Woman's War tells the story beyond the battlefields of the Second World War by way of Miller's extraordinary photographs of the women whose lives were affected. Introductions by Hilary Roberts and Antony Penrose, Lee Miller's son, precede Miller's work, which is divided into chronological chapters. Miller's photographs, many previously unpublished, are accompanied by extended captions that place the images within the context of women's roles within the landscape of war.