Thames & Hudson strana 18 z 102

New in paperback, this beautifully illustrated book takes the reader on a tour of more than twenty exceptional residences that show the elegant simplicity and fresh allure of Scandinavian country style at its best.

Anders Petersen (b. 1944) lives and works in Stockholm, Sweden. He is noted for his intimate and personal documentary-style black-and-white photographs. In 1967, he started to photograph the late-night regulars (prostitutes, transvestites, drunks, lovers, drug addicts) in a bar in Hamburg, Germany, named Cafe Lehmitz, and continued that project for three years. His photobook of the same name was published eight years later, in 1978, and has since become regarded as a seminal book in the history of European photography. In 1970, he co-founded SAFTRA, the Stockholm group of photographers, with Kenneth Gustavsson, and simultaneously taught at Christer In 2007, he was one of four finalists for the GBP30,000 Deutsche Borse Photography Prize.

Erik Desmazieres is acknowledged as a contemporary master of the art of etching. With breathtaking virtuosity, he recreates interiors, cityscapes, landscapes and fantastical compositions from a Piranesian world. Any new work Desmazieres produces is a bibliophiles delight; and this book, the first in which he uses colour, reimagines the arcane world of the cabinet of curiosities: antiquarian collections of the recondite, rare and bizarre, which reminded the viewer of the vanity of earthly life. Patrick Mauriess text is in three parts. The first locates Desmazieres and his work in the long tradition of artist-printmakers; the second surveys the world of 17th-century antiquarianism and its intriguing cast of characters (John Evelyn, John Aubrey and, above all, Thomas Browne, plus many of their continental counterparts); and in the third Mauries examines today's reawakened interest in cabinets of rarities and curiosities, and considers how a phenomenon once considered the preserve of specialists has entered the cultural mainstream.

This is one of two books in "Design in Context", a vital new series that focuses on the needs of contemporary students of graphic design. Meredith Davis draws on her many years experience teaching graphic design students to explain complex theories with total clarity, encouraging readers to evaluate existing design work critically, and to use theoretical frameworks to enhance their own studio practice. Topics include: communication models; visual representation as a system of signs; cognitive approaches to design; modernism and postmodernism; and the social, cultural, and material contexts of contemporary design. Above all, the book demonstrates to students how to apply theory in a modern graphic design practice to improve their work and to embark on a successful career.

Japanese erotic art, or shunga, has a long history, with thousands of high- quality paintings, prints, handscrolls and illustrated books produced by artists both celebrated and anonymous, mostly from the late seventeenth to the nineteenth century. Frequently explicit, but also tender, sensuous and humorous, even educational, shunga a euphemism meaning picture of spring celebrates all facets of human sexuality. In a dazzling diversity of images drawn from his own unrivalled collection, Ofer Shagan shows us the full spectrum of sexual practice and expression, including nudity and clothing, voyeurism, gods, monsters and animals, orgasm, adultery and jealousy, and much else. Organized thematically, this book highlights the symbols and motifs, often hidden in the background of the art, which are crucial for a proper understanding and appreciation of this genre. With over 1,000 illustrations, all specially photographed and many rarely or never published previously, this beautifully produced book explores the intimate riches of shunga in a way no other publication has done before.

Following independence in 1947, India's artists faced a particular challenge: how to express the new nations distinctive character while entering a global discourse focused on modernisms universal premises of experimentation and shared human values. In the absence of a dominant aesthetic, painters could turn where they wished and blend as they liked from Abstract Expressionism to Tantric spiritualism; from Rajasthani painting to changes in India's complex politics, religions, castes and daily life. This richly illustrated, in-depth study, published to accompany the exhibition organized by the Peabody Essex Museum in the USA, surveys the three generations of artists responsible for these critical shifts in the development of India's modernist art. It shows how their achievements and the countries unprecedented boom ushered India's modern and contemporary art into a new era of globalism, a soaring international market, and an explosion in the media and technologies of art.

The "Bitter Years" was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its 50th anniversary. The show featured 209 images by photographers who worked under the aegis of the US Farm Security Administration (FSA) in 193541 as part of Roosevelts New Deal. The Great Depression of the 1930s defined a generation in modern American history and was still a vivid memory in 1962. The FSA, set up to combat rural poverty, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms. "The Bitter Years" celebrates some of the most iconic photographs of the 20th century and, since no proper catalogue was produced at the time, provides a whole new insight into Steichen's impact on the history of documentary photography.

The first volume of The Mr Porter Paperback: The Manual for a Stylish Life is a witty compendium of life and style advice for the modern man. Compiled by Mr Porters Editor-in-Chief Jeremy Langmead, it covers everything from the essential (how to take care of dress shoes or charm the in-laws) to the just-in-case (how to pull off daring feats or dance at a wedding). Derived from the sites online journal (which has a large readership), the diverse content includes interviews with male icons inside and outside the fashion world (John Pawson, David Hockney, Irvine Welsh...); profiles of style icons past and present (Jean-Paul Belmondo, Bob Dylan, River Phoenix, Haile Selassie, Tom Waits and many more); mini-features on fashion classics including the knitted tie, the biker jacket, the polo shirt; sixty pages of The Knack, snippets of advice on everything from how to behave in a spa to how to mix a Bloody Mary; and much more. The cover is crafted to evoke traditional letterpress printing methods and the book comes with a silk ribbon bookmark.

Learning Chinese is notoriously difficult and has long put off the most linguistically savvy Westerners... until now. Breaking down the Great Wall of language, ShaoLan Hsueh has unpicked Chinese characters and created a simple system for quickly understanding the basic building blocks of the written language. Working with renowned illustrator Noma Bar, she has developed a unique set of illustrations that are engaging and delightful, and offer a glimpse into the wonder of the Chinese language and culture. The books main section introduces the radicals the key characters on which the language is built and reveals how they can be combined to form a wealth of more complex words and phrases. In fewer than 200 pages, readers of all ages will have made the first steps towards a genuine appreciation of Chinese, loving every new character they learn.

Flying Machines is a spectacular interactive guide to aerodynamics that has five fabulous flying machines to make. There are two specially designed paper planes, a rubber-band-powered single-prop plane, a unique, superspeedy twin-prop plane and a vertical take-off helicopter. Flying hints and tips suggest how to manipulate your machines speed, distance and flight direction, demonstrating the basic aerodynamic principles and helping you to understand the forces that affect flight. (Carries EU Toy Safety Directive 'CE' logo).

In the past, writers and critics such as Goethe, Ruskin, and Clement Greenberg perpetuated particular ideas about art and even dictated these ideas to the artists themselves. Today, artists no longer have to follow one prevailing theory and the art world is less centralized in particular cities: New York, London, Paris, Berlin, and Beijing all offer rich environments to artists but none are designated as the exclusive center of the art world.In Global Art Compass, Alistair Hicks demonstrates his belief that no single curator, critic, or dealer should monopolize our view of what is happening in the art world today, but that by listening to the artists themselves, we can gradually make out an ever-evolving web of patterns, relationships, and themes. Organized by continent and including extracts from interviews with artists from around the world, the book offers a fresh view of the contemporary art world through artists from France, Albania, Slovakia, Russia, Mexico, Brazil, The United States, China, India, and beyond. The range of artists whose work is explored includes Laure Prouvost, Anri Sala, Roman Ondák , Gabriel Orozco, Sandra Gamarra , Cai Guo-Qiang, and Nandan Ghiya, among many others.The results of Hicks’s approach clearly show that the preoccupations of artists in the 21st century are largely universal: that ever-faster communications are balanced by a resistance to globalization; that an awareness of the unprecedented complexity of our world is equaled by a rising skepticism of the systems that impose order on our lives; and that while art is seen by many as a commodity, it also has the power to be a regenerative tool.

This book provides an introduction to contemporary art photography, identifying its most important features and themes and celebrating its exciting pluralism through an overview of its most important and innovative practitioners. The nearly 250 photographers whose work is reproduced in the book range from established artists such as Isa Genzken, Jeff Wall, Sophie Calle, Thomas Demand, Nan Goldin and Sherrie Levine to emerging talents such as Walead Beshty, Jason Evans, Lucas Blalock, Sara VanDerBeek and Viviane Sassen. This new edition brings the story of contemporary art photography up to date with a new introduction outlining the evolution of photography from documentary tool to art form, and an updated final chapter focusing on the younger generation of artists who emphasize the technical and material properties of photography, employ it as part of a wider pan-media practice, or respond to evolving new modes of dissemination in the digital age.

The quality of light in the higher latitudes has given rise to some of the most important and influential architecture of the modern period. In the Scandinavian countries, in particular, the ethereal nature of light combined with natural resources and highly refined building techniques, not to mention the stark seasonal contrast between the scarcity of light in winter and the ever-present glow of long summer days, have provided the context for architectural acts of genius.This book celebrates established icons, newly discovered gems, and contemporary masterworks that represent the highest expression of Scandinavian design and response to the environment. Just under fifty projects are featured in detail, ordered according to the way in which different light conditions have imparted qualities to the buildings. Henry Plummer treats his subject with a uniquely authoritative perspective in which the words resonate with his artfully taken images.

"Tom Ford" caused a sensation when it was first published in 2004. This giant slice of fashion history, now back in print, celebrates the designers phenomenal career, during which he brought the house of Gucci back from the dead and then dethroned the great Yves Saint Laurent. With images by Richard Avedon, Helmut Newton, Steven Meisel and Terry Richardson, as well as texts by Anna Wintour and Graydon Carter, the book showcases Ford's magic touch on iconic catwalk pieces, provocative ad campaigns and elegant interiors. Anyone with an interest in fashion will want to own "Tom Ford".

This book is a comprehensive library of dress styles to be used as a reference for the fashion designer, fashion student and anyone interested in the fashion industry. The book is a springboard for ideas. Designer-educators Tracy Fitzgerald and Alison Taylor document all aspects of the dress, offering a lexicon of design inspiration. Illustrated with a superb catalogue of visual imagery, the book provides a common fashion language of terminology and is supported by a glossary of terms, and cross-references for further research. Creating an overview of how the dress evolved and its impact on the fashion industry, the authors pay homage to the experimental, the beautiful, and the innovative, showing how a dress can encapsulate a designers vision and can often act as the key piece within a collection.

This comprehensive survey of optical illusions includes an astonishing range of images from ancient times to the present. Covering illusions of depth, inversions, vibration effects, ambiguous figures, camouflage, anamorphic art, tessellations and other brain-teasing illusions, it presents examples from psychology, the popular press, the decorative arts, contemporary street art and the fine arts. M. C. Escher, Picasso, Vasarely, Magritte, Liu Bolin, Jos de Mey and other artists are generously represented. Reflecting author Paul Baarss deep engagement with the art and science of optical illusions, this book supersedes all others on the subject.