Thames & Hudson strana 42 z 126

On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live. With 142 illustrations in colour

In this hilarious story about a really bad apple by award-winning author and polar explorer Huw Lewis Jones, a series of simple rhymes is transformed into a sequence of events that will have readers splitting their sides with laughter. As one silly scenario unfolds after the other, a common piece of fruit shows readers what he's really made of by making life miserable for Pear, Pea, Cat, Spud and Spoon, among others. In a very dark twist at the end, he receives his comeuppance...

When Ralph Waldo Emerson published his seminal essay on self-reliance in 1841, the United States was still reeling from the effects of a calamitous financial collapse four years earlier. His positive vision for the power of individualism and personal responsibility was issued in a climate of panic and uncertainty, at a time when the values of society and humanity were shifting. Emerson's text is widely available to read online, but this new edition, produced with Design Observer, elevates his wisdom through the printed word. The global pandemic of 2020 has reshaped our world as well as our thinking, but Emerson's call to independence remains as relevant and energizing as ever. Written as the first waves of the virus surged, Jessica Helfand's twelve accompanying essays address various aspects of artistic engagement - writing, drawing, thinking, making - expanding on the spirit of Emerson's essay to reimagine the process and practice of what it means to be truly creative. Presented in a covetable pocket-book format intended to be read, carried, consulted and to inspire throughout our new daily lives, and featuring two marker ribbons for easy reference, this is a timeless book for all places and all seasons.

A prolific artist with a protean output, Georg Baselitz has rethought the conventions of a range of media, predominantly painting and sculpture, over the course of a career of some sixty years. Born in 1938, Baselitz was expelled from art school in East Berlin in 1956 for 'socio-political immaturity', and moved to the western half of the city. By the late 1950s, he had rejected the dominant tendencies of both sides of the country and his singular achievement was to reintroduce the figure, compromised and discredited though it was by both Nazism and Communism, into art. By drawing attention to art by 'outsiders', such as psychiatric patients, and invoking a Parisian model of existentialist art and literature, Baselitz proposed an alternative European tradition that did not eliminate the human subject. In alluding later to movements in German painting such as Expressionism as well as to artists like Munch, he also consciously rehabilitated the kind of art that was condemned by Hitler as 'degenerate'. The book follows the development of Baselitz's unique style from his earliest work through to the most recent creations of his eighth decade. Calvocoressi's masterful construction of a chronological narrative helps us to evaluate Baselitz's work in terms of the disruptions of his life - historical upheavals witnessed alongside an astonishing career.

Napoleon's Plunder chronicles one of the most spectacular art appropriation campaigns in history and, in doing so, sheds new light on the complex origins of what was once called the Musee Napoleon, now known as the Louvre. In 1796, four years after the founding of the First French Republic and only two days after his marriage to Josephine de Beauharnais, Napoleon Bonaparte left Paris to take command of his first campaign in Italy, aged only twenty-six. One year later, Napoleon's army was in Venice and his commissioners were determining which great Renaissance artworks to bring back to France. Among the paintings the French chose was The Wedding Feast at Cana by Paolo Veronese, a vast masterpiece that had hung in the refectory of San Giorgio Maggiore since it was painted in 1563. Once pulled from the wall, the Venetian canvas crossed the Mediterranean packed among paintings commandeered from Venice and made its way by river and canal to Paris where Napoleon gathered his spoils of war - treasures from the cities of Rome, Milan, and later Berlin and Vienna. In 1801 the Veronese was placed on triumphant display in the Louvre, the former palace of the French kings, which had been transformed into a public museum that ostensibly belonged to the French people, but which also functioned as a monument to Napoleon's power. Saltzman interweaves the stories of Napoleon's military campaigns, uncovering the treaties through which he obtained his loot, with the histories of the plundered works themselves, exploring how these masterpieces came into being. As much as a story of military might, this is an account of one of the most ambitious cultural projects ever conducted.

Manifesting in a broad range of media, from massive land and environmental works and extensive sculpture parks to giant public murals, 'destination art' demands to be found and met in its own space and on its own terms. Some works require a committed pilgrimage to find - in deserts, forests, and quarries, on farmland and in mountains, in ghost towns and nature reserves. Others might be hidden gems in urban environments. What unites them in every instance is an artistic symbiosis between the installation and its setting. Through the eyes of renowned art historian Amy Dempsey, the magic of public art comes alive - and while the art is undoubtedly important, the journey there is often equally so. Perfect both for armchair adventurers and keen globetrotters, Destination Art offers a clear way in to a vast subject. From the vibrant Rainbow Village in Taiwan and the Rock Garden of Chandigarh, to Antony Gormley's Inside Australia at Lake Ballard, Dempsey expertly guides readers through the most exciting and significant destination artworks in the world. Each featured installation is accompanied by a short essay, stunning photographs and useful information on key works and where to find them.

The Great Builders surveys the careers of forty great architects whose engineering skills were crucial to their success. Sixteen nationalities and seven centuries of architectural innovation make for a survey of spectacular scope and depth: from churches and fortresses to bridges and high-tech skyscrapers, it includes masterpieces from all over the world and covers 700 years of architectural history. Here is Brunelleschi, who built the 'unbuildable' dome of Florence Cathedral; Sinan, a Christian engineer who became chief architect to the Ottoman court; Joseph Paxton, scribbling down a design for the Crystal Palace, London, on a piece of blotting paper; and James Bogardus, an early American evangelist of the opportunities offered by cast-iron architecture. Rapid advances in industrial production inspired experiments with new materials and techniques, gradually allowing a whole new architecture to emerge: reinforced concrete, plate glass and steel were central to the creations of Le Corbusier, Auguste Perret and Mies van der Rohe, for instance; and, in the High-Tech architecture of the present day - represented by Norman Foster, Frank Gehry and Santiago Calatrava, among others - computer-aided design has seemingly tested the boundaries of the possible.

Self-portraiture shows no sign of losing its ability to capture the public imagination. Given our current proclivity to snap and share 'selfies' in seconds, it is unsurprising to find a renewed interest in the genre among general audiences and students. Self-portraits have the power to illuminate a range of universal concerns, from identity, purpose and authenticity, to frailty, futility and mortality. In this volume, curator Natalie Rudd expertly casts fresh light on the self-portrait and its international appeal, exploring the historical contexts within which self-portraits have proliferated and considering the meanings they hold today. With commentaries on works by artists ranging from Jan van Eyck and Artemisia Gentileschi to Francisco Goya, Pablo Picasso, Frida Kahlo and Jenny Saville, the book explores the emotive and expressive potential of self-portraiture, and its capacities to distance or to demystify. Can self-portraits offer windows into artistic process? Is there ever a singular identity to be captured? Is it necessary for a self-portrait to depict the human form? In her vibrant and timely discussion, Rudd dissects these and other important questions, revealing the shifting faces of individuality and selfhood in an age where we are interrogating notions of personal identity more than ever before.

For more than thirty years, Harry Gruyaert has been recording the subtle chromatic vibrations of Eastern and Western light. His photographs attest to his singular vision: his interest in story, public space and unexpected scenes. This book brings together 125 of Gruyaert's photographs of India, many published here for the first time. From Gujarat to Kerala, Gruyaert captured the quintessence of this multifaceted country. Streets bustling with activity in New Delhi or Calcutta; modest villages in Tamil Nadu or Rajasthan; ghats of the great religious city of Benares; women in saffron and purple saris beating grain, dyers busy at smoky vats, an encampment of nomadic shepherds at twilight... Gruyaert's India is saturated with colour, light and noise - and sometimes silence too. These images move beyond stereotype to present the plurality of India. 'Taking a photo means both seeking contact and refusing it, being at once the most and the least present,' says the photographer. It is a question of teasing out wonder, of capturing what characterizes places. The search for density within the frame makes photography a physical experience - one that is particularly well represented here, in this multi-sensorial journey through India.

What did the Earth look like 300 million years ago? Here's a chance to travel back through time and discover the days when the Earth was a very different place. In this cleverly designed book, lifting the tracing paper pages is like peeling back the layers of history, allowing readers to compare animals living in prehistoric landscapes with the fossils they left behind. The changing face of our planet comes to life, while the science behind the Earth's geology and climate is clearly explained. Packed with fascinating illustrations, this is a wonderful way to understand the story of evolution, from the earliest single-cell lifeforms to the mighty dinosaurs and onwards to the first human beings.

The Mediterranean has been the meeting-place of the cultures of Europe, Asia and Africa, the battleground of races and nations and the focus of three great religions, Christianity, Judaism and Islam. David Abulafia, doyen of Mediterranean scholars, has brought together a team of leading specialists from many countries to tell this enthralling and complex story as a connected narrative: from the physical setting, the prehistoric traders and the struggle between Phoenicians, Greeks and Etruscans ending in Roman victory, to the post-Roman nations, the Christian and Islamic powers, domination by England and France, and finally the twentieth century, divided between war and mass tourism. This study covers all of recorded history, incorporating recent research and tools ranging from linguistics to underwater archaeology, accompanied by spectacular illustrations. Here is the only complete and up-to-date overview of one of the great themes of world history.

A testament to the art of colour composition, this book - art directed by Wong himself and produced to the highest printing standard - brings together a complete and refined body of images that are evocative, timeless and completely transporting. Rounding out the volume's special treatment is the first publication use of the 45/90 font, designed by Henrik Kubel, of London-based A2-TYPE. The book also features a section that reveals the creative and technical process of Wong's method, from identifying the right scene to making a good composition, from capturing the essence of a moment to enhancing colour values and deepening an image's impact - insights that will be invaluable to admirers and photography enthusiasts alike.

The enormous rise in popularity in recent decades of the Camino, the ancient pilgrim path that stretches from France, across northern Spain to Santiago de Compostela, is part of a wider phenomenon being witnessed on other time-honoured pilgrim routes around the globe and across the faiths. But this is happening in a world that in many places is self-avowedly ever more sceptical, secular and scientific, with formal religious affiliation in steep decline. Why? Some argue that tourism is the new religion, and that those who today walk in the footsteps of countless past generations of believers do so to enjoy the holiday experience, the escape from their everyday world, the health benefits of so much exercise, and the companionship, without seeking any sort of spiritual enlightenment. Yet by looking at a diverse range of pilgrimage sites that includes Rome, Jerusalem, Lalibela in Ethiopia, the Buddha Trail in northern India, Shikoku in Japan and the self-styled 'power place' of Machu Picchu in Peru, Peter Stanford draws on his own experience as a pilgrim to argue that something more complex and challenging is going on. Financial crises, increasing inequality, climate change and worldwide pandemics are causing people to question the very foundations on which their post religion, twenty-first-century lives are built. This book considers how pilgrimage, with its long history, essential intertwining of arduous journey and openness to personal transformation, is providing the modern age with a means to take a longer, slower and hence more profound look at life, stretching all the way back to when the first pilgrim put one foot in front of another. with 26 illustrations, 21 in colour

Magnum Dogs is the ultimate collection of canine photography for the discerning dog lover, bringing together a brilliantly diverse and cheering selection that showcases the visual wit and skill of the Magnum team. It features some 180 photographs of dogs from across the world, organized into five thematic chapters - Streetwise, Best in Show, At the Beach, Behind the Scenes and It's a Dog's Life. Canine encounters include immaculately coiffured showdogs captured in wryly observed photography from the likes of Martin Parr and Harry Gruyaert, or intimate glimpses of Hollywood stars alongside their trusted, four-legged confidants, as seen through the lenses of Eve Arnold and Dennis Stock. Whether depicting strays roaming the streets of Colombia or pampered pooches lounging in Parisian apartments, these photos brim with affection, humour and insight into the human as well as canine condition. Packaged in an irresistible gift format, this is the perfect book not just for fans of the very best photography of dogs, but for anyone, around the world, who is a 'dog person' at heart.

There's no doubt about it: whether you're a newbie or a dab hand, drawing can often be daunting. That's why cartoons are the best place to start! From the co-creator of the best-selling Hirameki: Draw What You See comes a stylish yet playful approach to drawing cartoons, designed to excite even the most tentative artists. Over several decades teaching in schools and art colleges, Austrian cartoonist Peng has developed expert knowledge of the building blocks of drawing and sketching. As he shows, creativity can come from anywhere. Entire sketches can spring up from the simplest lines or curves. Even found objects can spark brilliance - who knows, maybe a stone or leaf could provide the next flash of inspiration! Peng's easy-to-follow guide inspires confidence and creativity by showing how even complete novices can quickly learn how to draw characters and develop their own individual style. Starting with the basics of figure construction and moving through to expression, movement and animals, the artist conjures up delightful cartoons with wicked humour and a lightness of touch. Simple tips and exercises reveal how anyone and everyone can master the art of drawing, encouraging the reader to experiment with a variety of techniques executed through brush, pencil and pen. Don't be afraid of drawing, concludes Peng, in this enjoyable and addictive starter book - you make the rules.

Open this book and explore the wonders of our planet! Find out how the Earth was formed, where life first evolved and when the first humans arrived. Explore its many treasures, travel beneath its surface and discover why it needs out help and what we can do to protect it... Featuring five interactive pop-ups and gorgeous illustrations by Annabelle Buxton.