Thames & Hudson strana 42 z 126

The Great Builders surveys the careers of forty great architects whose engineering skills were crucial to their success. Sixteen nationalities and seven centuries of architectural innovation make for a survey of spectacular scope and depth: from churches and fortresses to bridges and high-tech skyscrapers, it includes masterpieces from all over the world and covers 700 years of architectural history. Here is Brunelleschi, who built the 'unbuildable' dome of Florence Cathedral; Sinan, a Christian engineer who became chief architect to the Ottoman court; Joseph Paxton, scribbling down a design for the Crystal Palace, London, on a piece of blotting paper; and James Bogardus, an early American evangelist of the opportunities offered by cast-iron architecture. Rapid advances in industrial production inspired experiments with new materials and techniques, gradually allowing a whole new architecture to emerge: reinforced concrete, plate glass and steel were central to the creations of Le Corbusier, Auguste Perret and Mies van der Rohe, for instance; and, in the High-Tech architecture of the present day - represented by Norman Foster, Frank Gehry and Santiago Calatrava, among others - computer-aided design has seemingly tested the boundaries of the possible.

Self-portraiture shows no sign of losing its ability to capture the public imagination. Given our current proclivity to snap and share 'selfies' in seconds, it is unsurprising to find a renewed interest in the genre among general audiences and students. Self-portraits have the power to illuminate a range of universal concerns, from identity, purpose and authenticity, to frailty, futility and mortality. In this volume, curator Natalie Rudd expertly casts fresh light on the self-portrait and its international appeal, exploring the historical contexts within which self-portraits have proliferated and considering the meanings they hold today. With commentaries on works by artists ranging from Jan van Eyck and Artemisia Gentileschi to Francisco Goya, Pablo Picasso, Frida Kahlo and Jenny Saville, the book explores the emotive and expressive potential of self-portraiture, and its capacities to distance or to demystify. Can self-portraits offer windows into artistic process? Is there ever a singular identity to be captured? Is it necessary for a self-portrait to depict the human form? In her vibrant and timely discussion, Rudd dissects these and other important questions, revealing the shifting faces of individuality and selfhood in an age where we are interrogating notions of personal identity more than ever before.

For more than thirty years, Harry Gruyaert has been recording the subtle chromatic vibrations of Eastern and Western light. His photographs attest to his singular vision: his interest in story, public space and unexpected scenes. This book brings together 125 of Gruyaert's photographs of India, many published here for the first time. From Gujarat to Kerala, Gruyaert captured the quintessence of this multifaceted country. Streets bustling with activity in New Delhi or Calcutta; modest villages in Tamil Nadu or Rajasthan; ghats of the great religious city of Benares; women in saffron and purple saris beating grain, dyers busy at smoky vats, an encampment of nomadic shepherds at twilight... Gruyaert's India is saturated with colour, light and noise - and sometimes silence too. These images move beyond stereotype to present the plurality of India. 'Taking a photo means both seeking contact and refusing it, being at once the most and the least present,' says the photographer. It is a question of teasing out wonder, of capturing what characterizes places. The search for density within the frame makes photography a physical experience - one that is particularly well represented here, in this multi-sensorial journey through India.

What did the Earth look like 300 million years ago? Here's a chance to travel back through time and discover the days when the Earth was a very different place. In this cleverly designed book, lifting the tracing paper pages is like peeling back the layers of history, allowing readers to compare animals living in prehistoric landscapes with the fossils they left behind. The changing face of our planet comes to life, while the science behind the Earth's geology and climate is clearly explained. Packed with fascinating illustrations, this is a wonderful way to understand the story of evolution, from the earliest single-cell lifeforms to the mighty dinosaurs and onwards to the first human beings.

The Mediterranean has been the meeting-place of the cultures of Europe, Asia and Africa, the battleground of races and nations and the focus of three great religions, Christianity, Judaism and Islam. David Abulafia, doyen of Mediterranean scholars, has brought together a team of leading specialists from many countries to tell this enthralling and complex story as a connected narrative: from the physical setting, the prehistoric traders and the struggle between Phoenicians, Greeks and Etruscans ending in Roman victory, to the post-Roman nations, the Christian and Islamic powers, domination by England and France, and finally the twentieth century, divided between war and mass tourism. This study covers all of recorded history, incorporating recent research and tools ranging from linguistics to underwater archaeology, accompanied by spectacular illustrations. Here is the only complete and up-to-date overview of one of the great themes of world history.

A testament to the art of colour composition, this book - art directed by Wong himself and produced to the highest printing standard - brings together a complete and refined body of images that are evocative, timeless and completely transporting. Rounding out the volume's special treatment is the first publication use of the 45/90 font, designed by Henrik Kubel, of London-based A2-TYPE. The book also features a section that reveals the creative and technical process of Wong's method, from identifying the right scene to making a good composition, from capturing the essence of a moment to enhancing colour values and deepening an image's impact - insights that will be invaluable to admirers and photography enthusiasts alike.

The enormous rise in popularity in recent decades of the Camino, the ancient pilgrim path that stretches from France, across northern Spain to Santiago de Compostela, is part of a wider phenomenon being witnessed on other time-honoured pilgrim routes around the globe and across the faiths. But this is happening in a world that in many places is self-avowedly ever more sceptical, secular and scientific, with formal religious affiliation in steep decline. Why? Some argue that tourism is the new religion, and that those who today walk in the footsteps of countless past generations of believers do so to enjoy the holiday experience, the escape from their everyday world, the health benefits of so much exercise, and the companionship, without seeking any sort of spiritual enlightenment. Yet by looking at a diverse range of pilgrimage sites that includes Rome, Jerusalem, Lalibela in Ethiopia, the Buddha Trail in northern India, Shikoku in Japan and the self-styled 'power place' of Machu Picchu in Peru, Peter Stanford draws on his own experience as a pilgrim to argue that something more complex and challenging is going on. Financial crises, increasing inequality, climate change and worldwide pandemics are causing people to question the very foundations on which their post religion, twenty-first-century lives are built. This book considers how pilgrimage, with its long history, essential intertwining of arduous journey and openness to personal transformation, is providing the modern age with a means to take a longer, slower and hence more profound look at life, stretching all the way back to when the first pilgrim put one foot in front of another. with 26 illustrations, 21 in colour

Magnum Dogs is the ultimate collection of canine photography for the discerning dog lover, bringing together a brilliantly diverse and cheering selection that showcases the visual wit and skill of the Magnum team. It features some 180 photographs of dogs from across the world, organized into five thematic chapters - Streetwise, Best in Show, At the Beach, Behind the Scenes and It's a Dog's Life. Canine encounters include immaculately coiffured showdogs captured in wryly observed photography from the likes of Martin Parr and Harry Gruyaert, or intimate glimpses of Hollywood stars alongside their trusted, four-legged confidants, as seen through the lenses of Eve Arnold and Dennis Stock. Whether depicting strays roaming the streets of Colombia or pampered pooches lounging in Parisian apartments, these photos brim with affection, humour and insight into the human as well as canine condition. Packaged in an irresistible gift format, this is the perfect book not just for fans of the very best photography of dogs, but for anyone, around the world, who is a 'dog person' at heart.

There's no doubt about it: whether you're a newbie or a dab hand, drawing can often be daunting. That's why cartoons are the best place to start! From the co-creator of the best-selling Hirameki: Draw What You See comes a stylish yet playful approach to drawing cartoons, designed to excite even the most tentative artists. Over several decades teaching in schools and art colleges, Austrian cartoonist Peng has developed expert knowledge of the building blocks of drawing and sketching. As he shows, creativity can come from anywhere. Entire sketches can spring up from the simplest lines or curves. Even found objects can spark brilliance - who knows, maybe a stone or leaf could provide the next flash of inspiration! Peng's easy-to-follow guide inspires confidence and creativity by showing how even complete novices can quickly learn how to draw characters and develop their own individual style. Starting with the basics of figure construction and moving through to expression, movement and animals, the artist conjures up delightful cartoons with wicked humour and a lightness of touch. Simple tips and exercises reveal how anyone and everyone can master the art of drawing, encouraging the reader to experiment with a variety of techniques executed through brush, pencil and pen. Don't be afraid of drawing, concludes Peng, in this enjoyable and addictive starter book - you make the rules.

Open this book and explore the wonders of our planet! Find out how the Earth was formed, where life first evolved and when the first humans arrived. Explore its many treasures, travel beneath its surface and discover why it needs out help and what we can do to protect it... Featuring five interactive pop-ups and gorgeous illustrations by Annabelle Buxton.

Few people have difficulty conjuring images of modern Scandinavian design, whose influence over the past century has reached around the world. More difficult for many is imagining the quiet landscapes of the Nordic countries, which range from the flatlands of Denmark to the dramatic mountains and fjords of Norway. These majestic environments, combined with long summer days and light-poor winters, raking light and dense birch forests, have given rise to exceptionally refined examples of garden and landscape design. This survey presents the best gardens to have been produced in the region over the past ten years. Organized by themes that encapsulate the special ambience and lifestyle of the Scandinavian countries - Simplicity, Silence, Fragility, Nakedness, Attunement, Boldness, Openness and Care - each garden is presented through images and texts explaining its unique aspects and describing its particularly Scandinavian characteristics. The timelessness of Nordic design has proven itself around the world for many decades. Now it is time for the quality of its gardens and landscapes to come into the light.

People who saw the first moving pictures at the end of the nineteenth century were delighted by a new art that communicated without words - yet they were also alarmed to be witnessing events in a strange, mute, spectral realm, where the laws of time and space were suspended and magical transformations could occur. Some early commentators hailed cinema as a blessing and praised it for resurrecting the dead; others likened it to a hypnotic trance or a hallucinogenic drug. The medium has always been excited by speed, and it enjoys sending the body on furious kinetic chases; at the same time, it stealthily probes our minds, invading our dreams and titillating our desires. Although this is an art kindled by light and inflamed by colour, it is nurtured by darkness and can reduce life to an insubstantial shadow play. Either way, as Peter Conrad argues in this brilliant book, the movie camera has given us new eyes and changed forever our view of reality. The Mysteries of Cinema sets out to map this ambiguous territory by taking readers on a thematic roller-coaster ride through movie history. Directors and critics speculate about the nature of cinematic vision, and there are contributions to the debate from writers like Kafka, Virginia Woolf and Joan Didion, artists including Salvador Dali, George Grosz and Fernand Leger, and the composers Arnold Schoenberg and Dmitri Shostakovich. The book begins from the audacious innovations of silent film, and examines the influence of French surrealism and German expressionism; it accounts for the appeal of Hollywood genres like the Western, the horror film and the musical, and ends by considering the fate of the moving image in our visually glutted society. Combining contagious enthusiasm with an eye for the subjective quirks of filmmakers and the allure of favourite performers, Conrad delivers an astonishing addition to the literature on the seventh art.

Painting is a continually expanding and evolving medium. The radical changes that have taken place since the 1960s and 1970s - the period that saw the shift from a modernist to a postmodernist visual language - have led to its reinvigoration as a practice, lending it an energy and diversity that persist today. In Contemporary Painting, renowned critic and art historian Suzanne Hudson offers an intelligent and original survey of the subject: a rigorous critical snapshot that brings together more than 250 renowned artists from around the world, whose ideas and aesthetics characterize the painting of our time. These luminaries include Cecily Brown, Theaster Gates, Josh Smith, Jenny Saville, Julie Mehretu, Takashi Murakami, Gabriel Orozco, Christina Quarles, Kara Walker, Kehinde Wiley, Zhang Xiaogang and many others. Organized into seven thematic chapters exploring aspects of contemporary painting, this is an essential volume for art history enthusiasts, students, critics and practitioners. With 245 illustrations in colour

This book distils a lifetime's study of Viking art. Written by a leading authority, it introduces all the intricate and beautiful art styles of the Viking age. It ranges in time from the first major Viking expeditions overseas around AD 800 to the general establishment of Christianity in Scandinavia some 300 years later. The opening chapter introduces the geographical and historical background to Viking culture; thematic chapters then describe and illustrate the six main Viking art styles, showing how they emerged from and interacted with one another. Delicate metalwork, elaborate wood-carvings and the famous Gotland picture-stones are all discussed. Viking art ranges in scale from ship burials to decorated weapons and finely crafted jewelry; all feature here, alongside Viking architecture and archaeological traces left by Vikings across continental Europe and beyond. The final chapter examines Viking art in relation to pagan mythology, the conversion to Christianity, and the Viking legacy for later artistic movements. First published in 2013 and now revised and updated throughout, this volume is a modern classic that serves as a definitive guide for all those interested in the vibrant artistic culture of this fascinating period in European history.

The National Portrait Gallery, the National Gallery and the Royal Academy all saw either radical architectural interventions or rethinks of their mission under Charles Saumarez Smith's leadership, making him uniquely qualified to explore the ways in which art museums have changed over the past century and examine where they might be headed in the future. For this book, Saumarez Smith has undertaken an odyssey to art museums across the globe. From Tate Modern in London to the Benesse House Museum on the Japanese island of Naoshima; from the Getty Center in Los Angeles to the Museum of New and Old Art, a ferry-ride from Hobart in Tasmania; from the Pompidou Centre in Paris to the West Bund Museum in Shanghai - he has visited them all, casting an acute eye on the way the experience of art is shaped by the buildings that house it and the organizing principles by which it is displayed. What has changed over the past century? Where the public once visited museums to be educated in art history, he argues, they are now more likely to be in search of a private, aesthetic experience. Museum displays that were automatically didactic, chronological and either national or Western in viewpoint are now thematic and global. While museums used to be invariably in city centres, they may now be in remote locations, destinations of cultural pilgrimage. And where architects once created neutral spaces in which to display art, they now build spectacular architectural landmarks, stamping an identity on run-down neighbourhoods and sparking regeneration through cultural tourism. With 122 illustrations in colour

The Greek myths are so much part of our culture that we tend to forget how they entered it in the first place. Visual sources - vase paintings, engraved gems and sculpture in bronze and stone - often pre-date references to the myths in literature, or offer alternative, unfamiliar tellings. In some cases visual art provides our only evidence, as there is no surviving account in ancient Greek literature of such important stories as the Fall of Troy, or Theseus and the Minotaur. T. H. Carpenter's book is the first comprehensive, scholarly yet succinct survey of myth as it appears in Greek art. Copiously illustrated, it is an essential reference work for everybody interested in the art, drama, poetry or religion of ancient Greece. With this handbook as a guide, readers will be able to identify scenes from myth across the full breadth of archaic and classical Greek art. With 297 illustrations in colour