Thames & Hudson strana 44 z 126

Bridget Riley has made screenprints throughout her career, extending the principles of her paintings into a new, reproducible medium. Bringing together the complete, updated inventory of this substantial body of work, this volume explores Riley's development as a printmaker and her relationship to the screenprint medium. Newly revised, updated and designed, this catalogue raisonne richly illustrates Bridget Riley's graphic work in a larger, enhanced format. Alongside a full-colour inventory of the prints are updated essays by Lynn MacRitchie and Craig Hartley and an additional essay by Robert Kudielka, which provide a greater context for Riley's work. This revised volume, a co-publication with The Bridget Riley Art Foundation, also benefits from supplemental material including an artist biography and selected solo and group exhibition history. Published by Thames & Hudson and the Bridget Riley Art Foundation

With a strong message of interconnectedness, hope and empowerment, This Small Blue Dot follows a little girl exploring the big and small things in life. From contemplating our place on this 'blue dot' to the best Italian, Chinese and Indian desserts, the book provides a broader, more inclusive view of who we are, where we come from and where our dreams may take us. Delivering big lessons with playful humour, the precocious young narrator shares her take on nature and the environment, wisdom from elders, embracing difference, the power of imagination and broccoli. Through this character - loosely based on his eldest daughter, whose crayon drawings decorate the endpapers - Sworder channels the lessons he took from his Chinese grandmother and British father. 'Because my daughters would not grow up hearing their voices I wanted to pass on some part of who they were and what they had taught me... In passing these lessons forward it was important to me to do so in the same spirit of generosity and fun that they gifted to me. There is a saying that you sail through life on a carpet woven from the love and wisdom of your ancestors. I benefited greatly from such a carpet and I made this book hoping that my daughters will as well.' Richly illustrated with original pencil and crayon drawings that conjure up memories of childhood, This Small Blue Dot captures not only lessons on life but also the sense of fun and strangeness that comes with being a member of the human family on planet Earth.

With a career spanning nearly half a century, Bill Brandt was a master of several major genres of photography: photojournalism, portraiture, the nude and landscapes. At first glance, Brandt's genres may appear unrelated, but when analysing his career in its entirety, a common theme comes to the forefront: what psychologist Sigmund Freud and philosopher Eugenio Trias called 'the sinister.' From his earliest photographs taken as an amateur in the 1930s to his late portraits and studies of the female body, Brandt expresses a fascination with the strange and dark aspects of life that only he can reveal. With 200 photographs from throughout Brandt's career, this book adds a crucial chapter to the analysis of this key figure in 20th-century photography. Bill Brandt is set to become an authoritative retrospective.

Taking a radically new approach to the history of abstract painting, Pepe Karmel applies a scholarly yet fresh vision to reconsider the history of abstraction from a global perspective and to demonstrate that abstraction is embedded in the real world. Moving beyond the orthodox canonical terrain of abstract art, he surveys artists from across the globe, examining their work from the point of view of content rather than form. Previous writers have approached the history of abstraction as a series of movements solving a series of formal problems. In contrast, Karmel focuses on the subject matter of abstract art, showing how artists have used abstract imagery to express social, cultural and spiritual experience. An introductory discussion of the work of the early modern pioneers of abstraction opens up into a completely new approach to abstract art based around five inclusive themes - the body, the landscape, the cosmos, architecture, and the repertory of man-made signs and patterns - each of which has its own chapter. Starting from a figurative example, Karmel works outwards to develop a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art. Each narrative is complemented by a number of 'featured' abstract works, which provide an in-depth illustration of the breadth of Karmel's distinctive vision. A wide-ranging examination of topics - from embryos to the surface of skin, from vortexes to waves, planets to star charts, towers to windows - is interwoven with detailed analysis of works by established figures like Joan Miro and Jackson Pollock alongside pieces by lesser-known artists such as Wu Guanzhong, Hilma af Klint and Odili Donald Odita.

Gabrielle 'Coco' Chanel is an icon of fashion, and can lay claim to having invented the look of the 20th century. At the height of the Belle Epoque, she stripped women of their corsets and feathers, bobbed their hair, put them in bathing suits and sent them out to get tanned in the sun. She introduced the little black dress; trousers for women; costume jewelry; the exquisitely comfortable suit that became her trademark. Early in the Roaring Twenties, Chanel made the first ever couture perfume - No. 5 - presenting it in the famous little square-cut flagon that, inspired by Picasso and Cubism, became the arch symbol of the Art Deco style. No. 5 remains the most popular scent ever created. This volume, published to accompany a landmark exhibition in Paris, traces the birth and evolution of Chanel's timeless style. Specially commissioned photographs by Julien T. Hamon showcase the clothing, while essays by fashion historians illuminate a period, an event or a theme. Rare archival documents, including portraits of Gabrielle Chanel herself, round out the book.

Anime Architecture presents the most breathtaking environments created by the most important and revered directors and illustrators of Japanese animated films. From futuristic cities of steel to romantic rural locales, the creators of anime have conjured memorable and painstakingly detailed worlds, the influences of which have been felt across cinema, literature, comic books and videogames for decades. This volume offers a peerless survey of these cinematic arenas - including materials from Akira, Ghost in the Shell, Patlabor, Neon Genesis Evangelion and Tekkonkinkreet - through original background paintings, storyboards, drafts, sources of inspiration and film excerpts. A celebration and resource produced in direct collaboration with the original Japanese production studios, Anime Architecture offers privileged views into the earliest conception stages of iconic scenes, through to their development into finished films. Anyone who has been touched by the beauty and imagination of classic anime will find page after page of revelation and inspiration. Containing the often secretive creative processes of the major anime studios, this enthusiast's treasure trove will have its significance for future generations of artists, illustrators, architects, designers, videogame makers and dreamers.

The hero of our story loves his birthday present: a plant he names Ivy. But little does he know, Ivy is a high-maintenance sort of plant, one who requires special daily attention, and has a secret appetite for mischief. On Monday, our hero asks his sister to keep an eye on Ivy while he is out, but he arrives home and - where has his sister disappeared to? The next day he must ask Grandfather to look after the plant, but he vanishes too, as does Granny when she watches Ivy on Wednesday. Throughout the week the house becomes more and more empty, while Ivy continues to fill it, thriving and growing bigger each day...what is going on here? The mystery is solved with a surprise pop-up that reveals all! Full of twists and humour, this delightfully illustrated book by internationally renowned author Barroux will captivate young readers, while helping them to learn the days of the week in a fun and novel way.

This definitive survey of one of the most popular, collectable and dynamic periods of international design offers a rich overview of all aspects of the subject. It covers mid-century furniture, lighting, glass, ceramics, textiles, product design, industrial design, graphics and posters, as well as architecture and interior design, exemplifying post-war optimism and energy, use of innovative and affordable materials and forms of mass manufacture, and newly developed precepts of 'good design'. Nearly 100 major and influential creators of the mid-century period are highlighted, whether based in Scandinavia, Western Europe, America, Japan, Brazil or Australia. An additional illustrated dictionary features hundreds more key mid-century designers and manufacturers as well as important organizations, schools and movements. Complete with thirteen specially commissioned essays by renowned experts and over 1,000 mainly colour illustrations, it is a must-have for any design aficionado, collector or reader seeking inspiration for their home.

The hero of our story loves his birthday present: a plant he names Ivy. But little does he know, Ivy is a high-maintenance sort of plant, one who requires special daily attention, and has a secret appetite for mischief. On Monday, our hero asks his sister to keep an eye on Ivy while he is out, but he arrives home and - where has his sister disappeared to? The next day he must ask Grandfather to look after the plant, but he vanishes too, as does Granny when she watches Ivy on Wednesday. Throughout the week the house becomes more and more empty, while Ivy continues to fill it, thriving and growing bigger each day...what is going on here? The mystery is solved with a surprise pop-up that reveals all! Full of twists and humour, this delightfully illustrated book by internationally renowned author Barroux will captivate young readers, while helping them to learn the days of the week in a fun and novel way.

Type design is often presented in either such detail-obsessed complexity that it is not welcoming to beginners, or it is so simplified with the help of apps and web services that the resulting fonts are virtually useless. This book is different. It shows readers how to design professional fonts - without having to find out all of type design's secrets first. Designing Fonts teaches the basics of type design from sketched letters to finished font, offering an uncomplicated but thorough introduction to type design. With easy-to-follow instructions, many examples and professional tips, readers will learn how to design unique typefaces tailor-made for their own projects or customer orders. This book has two parts. Part 1 explains the theoretical, creative and technical basics of type design and font production. Six chapters then cover everything from alphabet to font, showing readers how to find and develop typeface ideas, design matching letters, produce fonts and expand them with special functions. Part 2 comprises eight workshops that explore how to design and implement different kinds of typefaces, from decorative interlocking display fonts with alternative letters to well-developed headline fonts with multiple cuts and OpenType features.

In this wide-ranging, thought-provoking and sometimes provocative new book, leading sculptor Antony Gormley, informed and energised by a lifetime of making, and art critic and historian Martin Gayford, explore sculpture as a transnational art form with its own compelling history. The authors' lively conversations and explorations make unexpected connections across time and media. Sculpture has been practised by every culture throughout the world and stretches back into our distant past. The first surviving shaped stones may even predate the advent of language. Evidently, the desire to carve, mould, bend, chip away, weld, suspend, balance - to transform a vast array of materials and light into new shapes and forms - runs deep in our psyche and is a fundamental part of our human journey and need for expression. With more than 300 spectacular illustrations, Shaping the World juxtaposes a rich variety of works - from the famous Lowenmensch or Lion Man, c. 35,000 BCE to Michelangelo's luminous Pieta in Rome, the Terracotta Warriors in China to Rodin's The Kiss, Marcel Duchamp's ready-mades, Olafur Eliasson's extraordinary Weather Project and Kara Walker's Fons Americanus, and Tomas Saraceno's ongoing Aerocene project, as well as examples of Gormley's own work. Antony Gormley and Martin Gayford take into account materials and techniques, and consider overarching themes such as light, mortality and our changing world. Above all, they discuss their view of sculpture as a form of physical thinking capable of altering the way people feel, and they invite us to look at sculpture we encounter - and more broadly the world around us - in a completely different way.

In this wide-ranging, thought-provoking and sometimes provocative new book, leading sculptor Antony Gormley, informed and energised by a lifetime of making, and art critic and historian Martin Gayford, explore sculpture as a transnational art form with its own compelling history. The authors' lively conversations and explorations make unexpected connections across time and media. Sculpture has been practised by every culture throughout the world and stretches back into our distant past. The first surviving shaped stones may even predate the advent of language. Evidently, the desire to carve, mould, bend, chip away, weld, suspend, balance - to transform a vast array of materials and light into new shapes and forms - runs deep in our psyche and is a fundamental part of our human journey and need for expression. With more than 300 spectacular illustrations, Shaping the World juxtaposes a rich variety of works - from the famous Lowenmensch or Lion Man, c. 35,000 BCE to Michelangelo's luminous Pieta in Rome, the Terracotta Warriors in China to Rodin's The Kiss, Marcel Duchamp's ready-mades, Olafur Eliasson's extraordinary Weather Project and Kara Walker's Fons Americanus, and Tomas Saraceno's ongoing Aerocene project, as well as examples of Gormley's own work. Antony Gormley and Martin Gayford take into account materials and techniques, and consider overarching themes such as light, mortality and our changing world. Above all, they discuss their view of sculpture as a form of physical thinking capable of altering the way people feel, and they invite us to look at sculpture we encounter - and more broadly the world around us - in a completely different way.

Design in Japan is deeply rooted in the country's historic craft culture, profound understanding of materials and commitment to functionality. These qualities yield chairs, cups and other daily use items which are easy on the eye, comfortable in the hand and always do their job well. Even as mass manufacturing became widespread in the post-war period and cross-cultural exchanges began to take place with the West, Japan held fast to these core values and practices. This dedication has given rise to timeless objects of great beauty and utility as well as innovations in materials, form and technology. Far beyond design icons such as the Kikkoman Soy Sauce Bottle, Sori Yanagi's Butterfly Stool, and the Sony Walkman (R), the products and objects created in Japan over the past seven decades serve to delight and draw admiration. In recent years, a new generation of designers, including Naoto Fukasawa, nendo and Tokujin Yoshioka, have taken Japanese creativity into exciting new territory: some are eliminating objects entirely, others are reimagining what an object could be. Though Japan has developed some of the world's most sophisticated robotic manufacturing complexes, many of its most appealing products are made by small factories and workshops whose artisans use their hands as much as machines. This impressive volume is the most complete overview of Japanese design to date and its exquisite presentation is itself a beautiful example of Japanese design. Including profiles of over 70 creators, the book is based on the author's interviews with designers, their colleagues and family members, as well as leading curators and critics. The profiles are accompanied by short takes on iconic products and essays on related topics by Japanese and Western design experts. Featuring hundreds of objects, this volume will become the definitive work on the subject for many years to come.

Described by Lennon as 'the best thing I've ever done', and widely regarded by critics as his best solo album, John Lennon/Plastic Ono Band was released on 11 December 1970. With first-hand commentary by Lennon, Ono and other members of the Plastic Ono Band, and packed with previously unseen photographs by those who documented their lives, this incisive volume offers new insights into the raw emotions and open mindset of Lennon after marriage to Ono and the break-up of the Beatles. Following their wedding in March 1969, Lennon and Ono decided that their future musical endeavours should be credited to a conceptual vehicle, the Plastic Ono Band. The band featured an ever-changing line-up of musicians, including Eric Clapton, Klaus Voormann, Ringo Starr, Alan White, George Harrison, Billy Preston and Jim Keltner, all of whom played live with Lennon and Ono, and contributed to their recordings. This period of intense personal soul-searching and fearless honesty that John & Yoko inspired in one another had a huge impact on Lennon's song writing, resulting in the creation of tracks that are intensely personal and unlike anything previously heard in popular music, including 'Mother', 'Working Class Hero' and 'God'. This book takes those lyrics as a starting point and explores Lennon's life, career and world view.

The most captivating and intriguing 19th-century murders from around the world are re-examined in this disquieting volume, which takes readers on a perilous journey around the world's most benighted regions. In each area, murders are charted with increasing specificity: beginning with city- or region-wide overviews, drilling down to street-level diagrams and zooming-in to detailed floor plans. All the elements of each crime are meticulously replotted on archival maps, from the prior movements of both killer and victim to the eventual location of the body. The murders revisited range from the 'French Ripper' Joseph Vacher, who roamed the French countryside brutally murdering and mutilating over twenty shepherds and shepherdesses, to H.H. Holmes, who built a hotel in Chicago to entrap, murder and dispose of its many guests. Crime expert Dr Drew Gray illuminates the details of each case, recounting both the horrifying particulars of the crimes themselves and the ingenious detective work that led to the eventual capture of the murderers. He highlights the development of police methods and technology: from the introduction of the police whistle to the standardization of the mugshot and from the invention of fingerprinting to the use of radio telegraphy to capture criminals. Disturbing crime-scene photographs by pioneers of policework, such as Alphonse Bertillon, and contemporary illustrations from the sensationalist magazines of the day, including the Illustrated Police News and the Petit Journal, complete the macabre picture.

This ambitious publication, now revised and expanded, dissects fifty-five modern masterpieces through specially commissioned freehand drawings that reveal the principles and details of what makes a building meaningful and enduring. Covering six continents, and ranging from residences to opera houses, influential buildings of the past seven decades are analysed through detailed consideration of their key characteristics - site and surroundings, space and massing, programme and circulation, fenestration and use of natural light - to give an insight into how each design works as a cohesive whole. Appealing to architects, students and everyone who appreciates great buildings, The Elements of Modern Architecture is an essential reference and inspiration for generations to come.