Thames & Hudson strana 60 z 126

From Where I Stand introduces the very best of Mary McCartney's work from the mid-1990s onward. Mary McCartney's work is characterized by an intimacy that reveals her subjects' true character and humanity. Here, portraits of the likes of Paul and Linda McCartney, Madonna, Bono, Debbie Harry, Dennis Hopper and Kate Moss sit alongside photographs that capture the raw energy of catwalks and concerts, the feverish communion of backstage preparations at the Royal Opera House and the private spaces of home and family. Elegant and always at ease, this is the work of an intelligent, soulful photographer with an authentically intuitive eye.

Where are the tombs of Alexander the Great or Cleopatra? Both rulers were buried in Egypt, but their tombs have never been found despite years of intensive research and excavation. Yet we have tantalizing clues. Searching for the Lost Tombs of Egypt describes the quest for these and other great `missing' tombs - those we know existed, but which have not yet been identified. It also discusses key moments of discovery that have yielded astonishing finds and created the archetypal image of the archaeologist poised at the threshold of a tomb left untouched for millennia. In this gripping account, Chris Naunton explains the mysteries of the missing tombs and presents all the evidence, skilfully unravelling the tangled threads surrounding the burials of the heretic pharaoh Akhenaten and his son Tutankhamun, and the burial place of Imhotep, architect of the Step Pyramid at Saqqara, among others. Could other such tombs lie undiscovered in the Valley of the Kings? In fact, the Valley almost certainly does guard hidden treasures. Amazing finds of unsuspected tombs continue to occur there and elsewhere in Egypt, making headlines worldwide - all are covered in this book. As well as immersing the reader, step by step, in the action of the search and the thrill of discovery, the book also explores the reasons why tombs remain such a central part of both the popular perception of Egyptology and the continuing allure of ancient Egypt.

Andrew Bromberg, of global architecture and design practice Aedas, was born and raised in the Rocky Mountains of the United States and now lives and works in Asia. He is a leading light in the design of cutting-edge skyscrapers and large-scale development projects that consider cities not just as collections of buildings but as human-made landscapes shaped by social and economic forces as gradual or as abrupt as the erosions, accretions, uplifts and explosions that shape the natural world. Now inhabiting the craggy mixture of natural and human-made structures that define Hong Kong, Bromberg has long modelled his work on his knowledge of nature and his understanding of tectonic forces, both natural and human. Drawing on a series of conversations and exploratory walks in major Asian cities - including Singapore and Ghuangzou - architecture critic Aaron Betsky reveals how Bromberg visualizes his settings and locates his designs within the complex and dynamic contexts in which they appear. Interspersed amid these urban reflections is a largely visual presentation of over twenty of Bromberg's most exciting recent projects across Asia and the Middle East. Together these comprise a monograph/manifesto that offers a singular vision for the cities that will shape our future world.

Chairs are the design pieces that most of us use most of the time: from offices to dining tables, from lounging to working, the importance of good chair design to our well-being cannot be underestimated. Accordingly, designers and architects, who seek solutions to space, comfort and function, have grappled with making the perfect - or most unusual - chairs for centuries. But we only really see the end product, and have little idea of how our chair was made, or even perhaps, why it is special. Chair Anatomy reveals in photos and illustrations the form and the construction details - the anatomy - of a selection of fifty chairs chosen from the last 150 years of modern chair design. It also introduces the designers behind these chairs, their backgrounds and their routes to creating the chairs. In reducing chairs to their constituent parts, the book gets to the heart of each design: how pieces are designed and produced to fit together; why a certain material imparts a certain quality, functional advance or comfort level; and how the chair's structure can withstand stress while being elegant and economical to produce. In short, a chair is architecture in miniature. `Exploding' these chairs gives insight into the careful and detailed thinking that has gone into a piece of furniture that we take for granted, and offers designers and students, in a single reference source, a truly nuts-and-bolts perspective on masterpieces of design.

As part of the '60s and '70s fashion movement, Peter Golding's famous ACE boutique in London's Chelsea brought him into regular contact with the biggest names in rock 'n' roll, and he went on to create one of the most comprehensive collections of rock 'n' roll graphics in existence. Showcasing the cream of this collection, Rock Graphic Originals is packed with vibrant poster art, logos, stage set designs and promotional ephemera created for artists such as the Grateful Dead, Jimi Hendrix, Bob Dylan, Pink Floyd, The Doors, Bruce Springsteen, Eric Clapton, Kiss, The Who and Alice Cooper. Organized chronologically into three sections, the book presents the evolution of highly wrought psychedelic poster art from its beginnings in the Beat era to its culmination in the vast stage sets of 1980s stadium rock. Original drawings, studies, paintings, finished artwork and separated plates are shown side by side, revealing the complete process involved in creating each printed poster and logo, and giving extraordinary insight into the creative minds of design giants such as Rick Griffin, Stanley Mouse and Alton Kelley. Barry Miles's concise introduction places the key protagonists and their work within their cultural and political context, while reflections from the artists themselves lend unique perspectives on their influences and methods.

There are numerous luxury hotels to choose from when planning a romantic getaway, but finding a unique and unforgettable experience in a stunning location is a greater challenge. Mr & Mrs Smith was founded in 2003 by James and Tamara Lohan to discover the world's finest hotels and travel experiences. Now, with a million members and counting, their global presence has made them leading experts on hotels and destinations, crafting bespoke experiences for their clients. This selection of thirty-five of the sexiest hotel rooms features bedrooms in a wide variety of stunning locations all over the world. From a rustic safari lodge to a luxurious Venetian pallazzo, this essential overview tells the story behind the design and decor of each unique room, the history of the hotel and the essentials for where to go when you visit. With reviews by trusted tastemakers, such as Lauren Laverne, Raymond Blanc and Stella McCartney, all of the featured rooms are presented alongside tips from those who have visited, with their recommendations for the unique features and experiences on offer for each hotel and within its surrounding area. Illustrated with over 200 colour photographs of the rooms, hotels and locations, this is the insider's guide to everything you need to know, whether you are planning a honeymoon, mini-break or the romantic adventure of a lifetime.

From a carved mammoth tusk (c. 40,000 bce) to Duchamp's Fountain (1917), and Bosch's Garden of Earthly Delights (1505-10) to Louise Bourgeois's Maman (1999), a remarkable lexicon of astonishing imagery has imprinted itself onto cultural consciousness over the past 40,000 years - a resilient visual vocabulary whose meaning has proved elastic and endlessly renewable from era to era. It is to these works that Kelly Grovier devotes himself in this radical new art history. Stepping away from biography, style and the chronology of `isms' that preoccupies most art history to focus on the artworks themselves, Grovier tells a new story in which we learn from the artworks, not just about them. Looking closely at each work, he identifies an `eye-hook' - the part of the artwork that `bridges the divide between art and life, giving it palpable purpose and elevating its value beyond the visual to the vital' - and encourages us to squint through this narrow aperture to perceive the work's truest meanings. This book is unique in emphasizing the durability of what is made over the ephemerality of its making and serves as a rejoinder to a growing sensibility that conceives of artists as brands and the works they create as nothing more than material commodities to hoard, hide, and flip for profit. Lavishly illustrated with many of the most breathtaking and enduring artworks ever created, as well as many that inspired or took inspiration from them, this refreshing book will spark a debate about how it is that artworks articulate who we are and what it means to be alive in the world.

Santiago Calatrava first made a name for himself in the late 1980s with delicately designed structures in Zurich that seem to grow out of the earth. He went on to create a series of highly innovative, iconic bridges across Europe, and in recent years he has drawn attention for such large-scale projects as the City of Arts and Sciences in his birth town, Valencia; the Museum of Tomorrow in Rio de Janeiro; and the World Transportation Hub at Ground Zero in New York. Originally trained as an engineer, Calatrava has, at heart, always leaned more towards artistic endeavours than purely structural ones: an entire floor of his residence in Zurich is devoted to creating paintings and sculpture, which he has pursued throughout his career. His influences range from art history and natural philosophy to antiquity, and he manages to combine these in buildings that are structurally highly stylized yet somehow timeless. While many books have documented Calatrava's output over the years, this is the first to offer his own thoughts, in his own words, in a reading format. In this heartfelt memoir of an architect of singular conviction, Calatrava's inspirations, lessons and achievements will touch every reader, whether aspiring architect or lover of art and nature.

Ravens & Red Lipstick provides a visually bold survey of Japanese photography's recent history. Drawing together extensive research and a succession of engaging dialogues with both emerging and established photographers, Lena Fritsch traces its development chronologically from the severity of post-war Realism to the diverse ingenuity of photography in contemporary Japan, via the work of movements and groups such as Vivo in the 1960s and`Girl Power' in the '90s. Interspersed are fascinating original interviews with some of the most influential photographers of each era, from Daido Moriyama to Nobuyoshi Araki and Rinko Kawauchi. Interrogating the business, education and art-institutional backdrops to each movement, Fritsch masterfully demonstrates the centrality of these contexts to the form and reception of a cross-section of Japanese photographic works. Fritsch's great achievement is to bring observations from a range of disciplines to bear on her commentary with imagination and clarity. As a result, this comprehensively illustrated volume is both an accessible introduction and an illuminating work of analysis for general readers and aficionados alike.

There has been much scaremongering about the `death of the book', and how, as words find new ways and means of transmission, young people might gradually begin to shun writing. In the digital age, text becomes information, and information strives to become free. But what value can text hold in the sphere of visual art? How is such text different from poetry? Can the poetic itself be visual art, or is text in this context consigned to the realms of gimmick and catchphrase? Looking at the work of a broad range of artists including Bruce Nauman, Julien Breton, Jeremy Deller, Takashi Murakami, Tracey Emin, Christian Boltanski and many more, The Word is Art examines each of these questions, contending above all that in the digital and online age, words have become more important than ever. With the advent of texting and social media, many predicted the debasement of language, and some have pointed to evidence of this in our so-called `post-truth' culture. Artist Michael Petry demonstrates that, on the contrary, words remain critical, powerful and central to art practice. Digital communication has seen the word as text permeate life in ways that the poets and artists of yesterday could never have imagined. Presenting a brief history of word- and book-based art, and examining major areas where the word has dominated artistic practice, this book takes us on a fascinating and richly illustrated global tour of diverse contemporary art forms.

This gorgeous, large-format book is filled with clever cutouts exploring the ocean, from the shoreline to the murkiest depths. This fact-filled journey is illustrated by Helene Druvert, the acclaimed creator of Paris Up, Up and Away, Mary Poppins Up, Up and Away, Anatomy and New York Melody.

We hurtle together into the future at ever-increasing speed - or so it seems to the collective psyche. Every day and every hour, human civilization expands, evolves and mutates. While we frequently lapse into celebrating the individual at the expense of the group, in science and art, at work and at play, at home and in transit, we increasingly live the collective life. Civilization shows how contemporary photography, notably art photography, is fascinated by, and attempts to decode and communicate, the way we live today. This landmark publication is accompanied by an internationally touring exhibition produced by the Foundation for the Exhibition of Photography - a global cultural event for a global subject. Civilization is presented through eight thematic chapters, each led by breathtaking imagery and accompanied by essays, quotes, commentaries and captions to provide a deeper understanding of its theme. Visually epic and ambitiously popular in approach, it will reach out beyond the boundaries of the photography world to connect with audiences worldwide.

From the creators of the bestselling Franklin's Flying Bookshop, Jen Campbell and Katie Harnett, comes another charming tale about two book-lovers Franklin and Luna. Luna and her best friend, Franklin the dragon, love stories and want to visit all the places they've read about in books. But for all their reading they still don't know where dragons come from. And Franklin is now so old - 605 to be exact - he can't remember himself! They search high and low, but to no avail. Until one evening, Luna's tortoise, Neil Armstrong, notices something far away in the sky... The three friends set out on their biggest adventure yet - all the way to the moon - in the hope of reuniting Franklin with his long lost family.

At the turn of the 20th century, Vienna became an epicentre for new thought. A multi-disciplinary environment emerged where music, writing and intellectual thought all flourished, often brought together in the capital's famous coffee houses. This was the time of Freud and Wittgenstein, of Mahler and Schoenberg, and of the Secession (1897-1905), the modern movement led by Klimt, Josef Hoffmann and Koloman Moser that aimed to bring different arts together in a `Gesamtkunstwerk', a total work of art; of Jugendstil, Vienna's Art Nouveau; and of the Wiener Werkstatte, the workshop founded in 1903 by Moser and Hoffmann that revolutionized the decorative and graphic arts. There have been many exhibitions and publications devoted to this efflorescence, and even more monographs devoted to its key players. None, however, brings together a selection of visual material from across the different artistic disciplines as significant as this current volume, curated and authored by three leading scholars of the period. The book covers all areas of production: painting and drawing; decorative arts and crafts; applied art and book design; fashion, photography and architecture. In each section the illustrations take the lead, creating an invaluable visual reference point for all those eager to identify a given category of the arts within this period, particularly in the field of the decorative arts, from ceramics to glass, silverwork, furniture, jewelry; and graphic arts, from book design to posters and postcards. There are also many less familiar works in the field of fashion and photography, and a particular focus is given to the role of women in all disciplines of the time.

A Chronology of Photography presents a fresh perspective on the medium by taking a purely chronological approach to its history, tracing the complex links between technological innovations, social changes, and artistic interventions. Structured around a central timeline that charts the development of photography from early experiments with optics right up to the present-day explosion of digital media, it features sumptuous reproductions of key photographs, together with commentaries and contextual information about the social, political and cultural events of the period in which they were taken. Special technical sections that explain how the development of new camera technology impacted the practice of photography, while feature spreads highlight important themes and influential practitioners. Covering a wide selection of genres, styles and artists, it is invaluable as a comprehensive guide to photography in all its different forms and functions.

With the birth of contemporary museum culture and the advent of digital technologies, the 21st century has brought a whole new means by which to access art and its histories. How do we re-map the realm of contemporary art in light of a more inclusive awareness, taking into account the unprecedented global movements of artists today and representing the divergent histories of geographies that were once peripheral? The Artists Who Will Change the World is a new global map of art that points to the future. Unlike a traditional atlas, its cartography illustrates a world of international artists who may not yet be household names, but who will undoubtedly shape the art of tomorrow. Omar Kholeif provides an introductory field guide to what some of the most urgent contemporary artists are doing worldwide. These are artists whose work engages with the aesthetics of technology and the issues of tomorrow; artists who are developing concepts rarely tested before, or who are engaging with politics in new ways. The book is a journey of discovery that will influence generations of artists and art lovers to come.