Thames & Hudson strana 61 z 126

Many of Magnum's most renowned photographers - beginning with Robert Capa and Henri Cartier-Bresson on assignment in the 1930s - have been captivated by China. They've returned time and again, their fascination growing in line with China's burgeoning accessibility and international influence. - both an outstanding photobook and a fascinating social history - illustrates the agency's evolving relationship with this increasingly influential nation to give a visually rich, informed photographic account of the country, its people and the changes witnessed over the last nine decades. Chronologically organized to present key periods in the development of the modern state and its associated territories, Magnum China presents in-depth portfolios by individual photographers, accompanied by introductory commentaries on the featured projects and group selections illustrating the diversity of Magnum's interaction with the region. Supplemented with introductory essays by Jonathan Fenby, historical timelines, lists of photographers' travels and a fold-out map of China, Magnum China offers detailed and perceptive socio-political, geographical and historical context to complement the outstanding photography of some of the world's finest photographers.

Pocket Museum: Vikings brings together nearly 200 of the most remarkable artefacts that are held in museum collections around the world. Although the popular image of the Vikings is one of wild, violent raiders, the objects in this book reveal a more complex society comprised of pioneering explorers and master metalworkers who established a far-reaching trade network. From the vast Oseberg ship to a tiny valkyrie pendant, and from simple wooden panpipes to the unparalleled collection of silver items in the Spillings Hoard, each object provides an important insight into this most fascinating of cultures. This juxtaposition of the elite and the everyday makes this volume unique in its field.

Written by an international team of artists, art historians and curators, this absorbing and beautiful book gives readers unparalleled insights into the world's most iconic artworks. Art: The Whole Story traces the development of art period by period, with the illustrated text covering every genre, from painting and sculpture to conceptual art and performance art. Cultural timelines are there too, to help to the reader with historical context. Masterpieces that epitomize each period or movement are highlighted and analysed in detail. Everything from use of colour and visual metaphors to technical innovations is explained, enabling you to interpret the meanings of world-famous masterpieces - Mughal miniatures; Japanese prints in the 19th century; the colour theories behind Seurat's remarkable La Grande Jatte; and why Picasso's Les Demoiselles d'Avignon was so shocking in its day.

Maps can transport us, they are filled with wonder, the possibility of real adventure and travels of the mind. This is an atlas of the journeys that writers make, encompassing not only the maps that actually appear in their books, but also the many maps that have inspired them and the sketches that they use in writing. For some, making a map is absolutely central to the craft of shaping and telling their tale. A writer's map might mean also the geographies they describe, the worlds inside books that rise from the page, mapped or unmapped, and the realms that authors inhabit as they write. Philip Pullman recounts a map he drew for an early novel; Robert Macfarlane reflects on his cartophilia, set off by Robert Louis Stevenson and his map of Treasure Island; Joanne Harris tells of her fascination with Norse maps of the universe; Reif Larsen writes about our dependence on GPS and the impulse to map our experience; Daniel Reeve describes drawing maps and charts for The Hobbit trilogy of films; Miraphora Mina recalls creating `The Marauder's Map' for the Harry Potter films; David Mitchell leads us to the Mappa Mundi by way of Cloud Atlas and his own sketch maps. And there's much more besides. Amidst a cornucopia of images, there are maps of the world as envisaged in medieval times, as well as maps of adventure, sci-fi and fantasy, maps from nursery stories, literary classics, collectible comics - a vast range of genres.

The powerful aesthetic and philosophical framework that modernism ushered in during the early part of the 20th century revolutionized the built world, transformed our living spaces and lifestyles, and fundamentally changed the way we think about design. As they experimented with new forms, materials and techniques, modernist designers rejected historical precedents to prioritize function over history and tradition. This ambitious survey brings together all facets and all scales of design in a comprehensive volume that presents the vast breadth of both towering and lesserknown figures, revealing unexpected connections and new insights. Through sections on furniture, lighting, glass, ceramics, textiles, industrial and product design, graphic design and posters, architecture and interiors, and through profiles of nearly a hundred influential creators, including iconic figures, such as Bruno Mathsson, Charlotte Perriand and Laszlo Moholy-Nagy, as well as architects Alvar Aalto, Le Corbusier, Eliel Saarinen and Walter Gropius, the book's scope is unprecedented. Complete with specially commissioned essays by established academics and subject specialists, and with nearly 650 illustrations, the majority in colour, this book is set to become the definitive reference for a generation, equally indispensible for the designer's studio, the library shelves or the collector's desk.

The V&A Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A's photography collection, the oldest held by a public museum and one of the largest and finest in the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Martin Barnes, Senior Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A's new Photography Centre in autumn 2018, Cameraless Photography presents a concise historical survey of photographic images created without a camera. With over 125 photographs supported by extended commentaries and an introduction, it embraces a chronology spanning the early photographic experiments of the likes of Anna Atkins in the 19th century through the avant-garde photograms of modernists such as Man Ray, to the work of contemporary artists, such as Susan Derges, nearly two centuries later. Visually compelling, Cameraless Photography will be an outstanding introductory overview of the key creative, cameraless processes running throughout the history of photography - including photograms, chemigrams, luminograms, dye destruction prints and more - illustrated by the cameraless work of some of photography's greatest names.

Bohemian Living sidesteps the world of carefully constructed interior design and, instead, dives into the liberated and nonconformist atmosphere of offbeat beauty and artistic delights.Robyn Lea is an incredible storyteller both visually and in the written form. She understands the creative spirit and passionately documents its expression inside these pages. In every profile she traces the journey from unusual childhoods to artistic, often unorthodox, adult worlds.Featuring twenty homes in Australia, Europe and the USA, Bohemian Living is an exhilarating visual deconstruction of what it means to live a truly authentic creative life.

The V&A Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A's photography collection, the oldest held by a public museum and one of the largest and finest in the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Assistant Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A's new Photography Centre in autumn 2018, Making It Up shows how, throughout its history, photography has been used to depict fiction as well as fact. With over 130 photographs supported by extended commentaries and an introduction, Making It Up illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up puts paid to the fallacy that `the camera never lies', proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called `post-truth' age.

When Karl Lagerfeld was named at the helm of the fashion house in 1983, he set out to radically shake up and update its image - not only through bold collections but also, from 1987 onwards, by choosing to shoot the house's campaigns himself, a move that was unprecedented for a fashion designer. Conceived in collaboration with Karl Lagerfeld and the House of Chanel, this definitive publication opens with an essay by Patrick Mauries before exploring the campaigns themselves, organized chronologically. A carefully curated selection of images showcases hundreds of spectacular clothes worn by the top fashion models - and personalities - of each era, from Ines de la Fressange, Claudia Schiffer, Kate Moss and Cara Delevingne, to Kirsten Stewart and Lily Rose Depp, captured in glamorous locations, from Coco Chanel's Paris apartment to the French Riviera or LA. Presented in a high-end, slipcased package, Chanel: the Karl Lagerfeld Campaigns offers an unrivalled overview of the house of Chanel as seen through the eyes - and lens - of Karl Lagerfeld himself.

Karl Lagerfeld is a modern master of couture. He is also famously outspoken: his wise, surprising statements pop up like offbeat news flashes. This collection of quotations pays homage to the legendary éminence grise of the fashion world. Lagerfeld's pronouncements - on fashion, women, art, politics, love, and life high and low - are famously oracular, seized upon by fashionistas, acolytes and sages around the world. Created with the full approval of the designer himself, this cornucopia of Lagerfeld's maxims is required reading for us all today as we negotiate the trickiest curves of modern life. Cultivated, unpredictable, provocative, sometimes shocking, Lagerfeld's 'bons mots' are always impossible to ignore.

It is nearly the summer holidays and Billy Dexter and his classmates are trying to finish their wicker baskets. Their craft teacher, Miss Beddows, is so appalled by Billy's efforts that she keeps him in after class for a pep talk. `As long as you set your mind on something and try hard enough, there's nothing you can't do.' Billy loves the idea that he can do anything, but his friends, Melanie and Paul, don't agree. `What about growing horns?' suggests Melanie. It is a challenge Billy has to accept. Brimming with humour and written in John Yeoman's matter-of-fact style, this story from 1961 is vividly illustrated with Quentin Blake's inimitable drawings. It was the second in a long line of collaborations between John Yeoman and Quentin Blake, following soon after their first, A Drink of Water.

Is Capitalism Working? is a highly relevant question today - not least to a generation coming of age in a world still experiencing aftershocks from the near-meltdown of the world economy in 2008. Economic theory can be complex, but Jacob Field's wellstructured and thought-provoking text lays out the debate in a clear, accessible and engaging manner. Infographics and timelines ensure that readers grasp the basic tenets, history and context of capitalism, without distracting from the compelling arguments. Jacob Field presents a measured conclusion that reviews the evidence on each side, allowing room for the reader to draw his or her own conclusions.

Follow Stanley the mouse, a banjo-playing busker from London, on his very first trip around the world. Stanley joins Mrs. Crosbie on her majestic airship, a beautiful hot air balloon that offers travelers unparalleled views. Together they visit fifteen far-flung locations, including Paris, Rio de Janeiro, New York, Australia's Great Barrier Reef, Beijing, Namibia's Etosha National Park, Moscow, Tokyo, Rome, Delhi, Germany's Black Forest, Mexico City, Amsterdam, Seoul, and Barcelona, before returning home--although not without plenty of excitement!Stanley almost doesn't make it past his first destination thanks to overindulging on delicious cheeses in Paris; he loses his hat in a breeze above the Great Wall of China; in Moscow, Stanley and Mrs. Crosbie discover they have a secret stowaway in the form of a fat black-and-white cat; and quite unintentionally, Stanley causes a stampede of elephants in Delhi. These and many more adventures await in this global addition to the Mice in the City series, which celebrates the culture of each destination through foods, festivals, and dress. The illustrations teem with surprises and the book invites children to play "hide-and-squeak," searching each page for familiar characters.

Why do I have to wash? Why don't aeroplanes fall down? Where do mountains come from? Why is the sea blue? Why do I dream? This book invites young people to discover more about the world around them by asking and answering questions for themselves. The book is structured around twentytwo questions, each one tackled over two spreads. The first spread explores the question and answer, supported by a detailed illustration, photograph or diagram. The second spread asks further questions on a similar theme to help build an understanding of how science underlies everything from the ingredients in our fridge to reaching the moon. The tone of the text is fresh and informal without being flippant.

Revealing the elaborate embroidery, intricate pleats and daring cuts that make up some of the 20th century's most beautiful garments, this book explores the specific techniques used by couturiers as tastes and textile technologies evolved. Work by designers such as Mariano Fortuny, Madeleine Vionnet, Paul Poiret, Hubert de Givenchy, Mary Quant, Yves Saint Laurent and Vivienne Westwood is rediscovered, and exquisite haute-couture pieces, from sequinned Chanel trouser suits and richly embroidered Schiaparelli jackets to striking Balenciaga creations and Dior evening gowns, are examined. Part of the `Fashion in Detail' series, this updated edition features a revised introduction and list of designers followed by chapters dedicated to a particular technique. Each garment is illustrated through detailed photography and line drawings and is accompanied by a commentary by leading experts in textiles and fashion. An extraordinary exploration of the techniques used by couturiers in the construction of these exceptional garments, 20th-Century Fashion in Detail will delight all followers of fashion.

Only four countries around the world do not currently define themselves as democracies. But many more do not fulfil the four basic requirements of democracy: free and fair elections, active participation of citizens in politics, protection of human rights, and the rule of law. Since 2015, far-right and populist politicians have been on the rise throughout the West. Is populism the new face of democracy? Is democracy simply the will of the people? Can any existing government claim to be truly democratic? This captivating, articulate volume explores and interrogates each form of democracy and questions whether they remain fit for purpose today.