Thames & Hudson strana 68 z 126

The apparent glamour of the Indian Raj continues to fascinate long after the British quit the subcontinent. But along with the beauty of the Indian landscape and the privilege of servants and holidays in hill stations, British women in that vanished world faced challenges and fears that came from being an alien ruling minority. These women were at the heart of the imperial enterprise. It was their role to support the men’s work, raise the children and attempt to replicate British society thousands of miles from home. They struggled in the face of heat, illness, loneliness and boredom as well as different customs, languages and religions. The distinguished historian and bestselling author Margaret MacMillan, drawing on letters and memoirs, novels and interviews, brings vividly to life their experiences – humdrum, extraordinary, light-hearted, tragic – at the height of the Raj, from the 1850s to Indian independence in 1947.

This inventive collection of notecards combines the magic of pop-ups with the beauty of contemporary bridges. Inside each box, architecture and design lovers will find the majesty of Sydney Harbour Bridge, Brooklyn Bridge, Tower Bridge, the Rialto, the Chengyang Wind and Rain Bridge, and Millau Viaduct. Featuring six unique architectural designs, crafted out of white cardstock and backlit by fluorescent paper on the underside, the cards are perfect to send to friends or to keep as a lasting reminder of some of the world's best-loved examples of modern design.

‘You don’t have to be a musician; all you need are the ideas and you can come up with something interesting.’ Daniel Miller, founder of Mute Records Mute is one of the most revered and influential indie labels of all time. Through the music of its tight-knit community of artists – ranging from Cabaret Voltaire, Throbbing Gristle, Nick Cave’s The Birthday Party and Einstürzende Neubauten to Depeche Mode, Yazoo, Erasure, Laibach and Goldfrapp – it has had an incalculable impact on popular music for forty years. This authoritative, sumptuously illustrated history of the label features stunning artwork and photography – much of it previously unseen – and revelatory behind-thescenes insights from those who have worked with the label. Revealing text contributions from key players, together with ground-breaking shots and video stills from lengendary photographers, make this book the definitive chronicle of the iconic label, which today has offices in the USA, UK, Germany and France and an unparalleled reputation worldwide. Table of Contents 1. 1978–1979: Warm Leatherette and Letraset: Founding a New New Wave 2. 1980–1982: Mute in the Charts: Depeche Mode and Yazoo • 3. 1983–1989: Beyond Electropop: The Experimental Side of Mute • 4. 1990–1999: Mute into the Nineties 5. 2000– Into the Future

Campbell and Cole, respected teachers and active researchers, draw on traditional and current scholarship to present complex interpretations in this new edition of their engaging account of Italian Renaissance art. The book’s unique decade-by-decade structure is easy to follow, and permits the authors to tell the story of art not only in the great centres of Rome, Florence and Venice, but also in a range of other cities and sites throughout Italy, including more in this edition from Naples, Padua and Palermo. This approach allows the artworks to take centre-stage, in contrast to the book’s competitors, which are organized by location or by artist. Other updates for this edition include an expanded first chapter on the Trecento, and a new ‘Techniques and Materials’ appendix that explains and illustrates all of the major art-making processes of the period. Richly illustrated with high-quality reproductions and new photography of recent restorations, it presents the classic canon of Renaissance painting and sculpture in full, while expanding the scope of conventional surveys by offering a more thorough coverage of architecture, decorative and domestic arts, and print media.

Postmodernism was the defining look of the 1980s. Originating as a rebellious movement in philosophy and literature, and spearheaded by Michael Graves, Robert Venturi, Ettore Sottsass and Alessandro Mendini, Postmodernism proclaimed the death of modernism and promoted a new, non-linear way of approaching architecture and design. Its lively and colourful rebellion against modernism’s monotony and dogma spread from architecture to other design disciplines, and promoted a belief that design need not be taken too seriously. Postmodern Design Complete is the first book to take a thoroughgoing look at the movement, which is currently experiencing a major revival. It profiles key creators and introduces the principal figures in the fields of architecture, furniture, graphic design, textiles, and product and industrial design. It also presents fifteen seminal and complete homes and their furnishings, and provides a comprehensive overview of contemporary makers. Highly informed and accessible texts are illustrated with images that bring together classics and little-seen rarities, unusual objets d’art and mass-produced items. The book also includes a foreword by Charles Jencks and an afterword by Denise Scott Brown, followed by a substantial reference section. Exhaustively presenting the most knowledgeable sources and material in a single volume, this is the one book that the world’s lovers of Postmodernism must have, and that the design-conscious of any persuasion will want. Table of Contents Introduction • 1. Masters of Postmodernism • 2. Forms of Postmodernism • 3. Living with Postmodernism • 4. Postmodernism Continues

One of the most significant photographers of our time, Stephen Shore has often been considered alongside other artists who rose to prominence in the 1970s by capturing the mundane aspects of American popular culture in straightforward, unglamorous images. But Shore has worked with many forms of photography, switching from cheap automatic cameras to large-format cameras in the 1970s, pioneering the use of colour before returning to black and white in the 1990s, and in the 2000s taking up the opportunities of digital photography, digital printing and social media. Stephen Shore encompasses the entirety of the artist’s work of the last five decades, during which he has conducted a continual, restless interrogation of image making, from the gelatin silver prints he made as a teenager to his current engagement with digital platforms. Published to accompany the major exhibition at The Museum of Modern Art, New York, the book allows for a fuller understanding of Shore’s work, and demonstrates his singular vision – defined by an interest in daily life, a taste for serial and often systematic approaches, a strong intellectual underpinning, a restrained style, sly humour and visual casualness – and uncompromising pursuit of photography’s possibilities.

The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging challenges posed by format and subject matter, leading artists and illustrators, including John Piper, Edward Bawden and John Minton in the UK and Ben Shahn, Edward Gorey and George Salter in the USA, brought their unique personal vision to bear on the world of books. Many of their designs reflect the changing visual styles and motifs of the period, including Bloomsbury, Art Deco, Modernism, postwar neo-romanticism and the Kitchen Sink School. Martin Salisbury has selected over fifty of the artists and illustrators who were active in the period 1920–1970 in the UK and USA, as well as others such as Tove Jansson and Celestino Piatti, and discusses their life and work. A selection of dust jackets – both known and too long forgotten – for each artist reveals how far the book as an artefact had travelled from the days of the plain wrapper in the nineteenth century. Table of Contents Introduction • Profiles of over 50 illustrators

Great works of art cannot be fully understood in a single encounter: to revisit and reconsider art again and again throughout one’s life is to be richly rewarded with an ever-deepening appreciation and insight. Similar benefits come from analysing a work of painting, sculpture or installation in detail. Modern Art in Detail: 75 Masterpieces spotlights the finer points that even connoisseurs may miss, casting light upon minutiae that a quick glance will almost certainly fail to reveal. These include subtle internal details, and the technical tricks employed by the artist to achieve particular effects. The book also looks at the themes and external and personal factors influencing the creation of an artwork – everything from global political events, to groundbreaking movements such as Cubism, Futurism and Primitivism, and even scientific and mathematical theories, which are often of great relevance. The book examines 75 works of modern art, from Vincent van Gogh’s The Church at Auvers-sur-Oise (1890), to Paula Rego’s Visions (2015) , deftly charting the shift from the supremacy of artistic technique to the more recent dominance of the idea (or concept) behind the artwork itself. Table of Contents Introduction • 75 artworks

How far can we expand the concept of `urban nature'? How would it make us feel? And how is it going to transform our cities - and, eventually, ourselves? Garden City captures the growing global movement among contemporary architects for biodesigning buildings less as skin and bodies - structure and facade - and more as living entities, capable of being ecologically autonomous, horticulturally productive and ultimately pleasing to our day-to-day lifestyles. It presents more than 100 (mostly completed) projects, a life-affirming range of buildings and design ideas that can be applied to new buildings and those needing rehabilitation. From office buildings that incorporate urban farms and exchange the CO2 produced by humans for food and oxygen produced by plants, to lightweight systems for growing gardens on vertical surfaces; from `tree houses' the size of city blocks to civic buildings that are `plugged into' existing water-management systems - there are rich and often unexpected ideas for every inquiring designer. The future of our urban architecture is biologically alert, naturally self-sustaining and alive. Garden City is this future's first manifesto.

What makes a great idea? How do you make the best pitch to a prospective client? What effect will new technology have on advertising? Written by one of the world’s leading advertising creatives, Hegarty on Advertising contains over four decades of wisdom and insight from the man behind hugely effective and influential campaigns for brands such as Levi Strauss, Audi, and Unilever. The book is both an advertising credo and a brilliantly entertaining memoir, divided into two parts. The first offers John Hegarty’s personal insights and advice on the advertising business: Ideas, Brands, The Agency, Briefs, Pitching, Storytelling, and Technology. In the second, Hegarty talks about his own career and experiences, from his early days working with Charles Saatchi to the founding of Bartle Bogle Hegarty (BBH) in 1982 and its rise to global renown with offices in London, New York, Singapore, Shanghai, Mumbai, and Sao Paulo. This essential addition to any advertising executive’s shelf is now fully revised and ready to inspire a new generation of marketers.

The magic of Tchaikovsky's ballet The Nutcracker comes to life in this theatrical pop-up book created by papercut artist Shobhna Patel, whose delicate laser-cut pop-ups will enchant readers young and old. Patel has invented a new paper-engineering technique called the "paperscope," which is used for the first time in this charming book. The classic story begins on Christmas Eve when a little girl named Clara and her brother Fritz are gathered around the Christmas tree to celebrate with family and friends. Their mysterious uncle, Drosselmeyer the toy maker, gives Clara a beautiful wooden nutcracker who magically comes to life when the clock strikes midnight. So begins an enchanting adventure featuring all of Tchaikovsky's original characters: the soldier mice, the Sugar Plum Fairy, and of course a handsome prince. The Nutcracker is made all the more extraordinary by Patel's intricate laser-cut illustrations. The book features four pop-up paperscopes that spring to life when the reader presses each paperscope down with their hand to reveal the scene hidden within. The effect is one of a magical series of stage sets, recalling the story's origins as a ballet.

Jasper Johns is one of the most important artists of our time. This book offers the first comprehensive study of his art since 1980, a period in which the artist has made some of his most moving and challenging work. Looking primarily at Johns’s paintings and works on paper, and drawing on conversations with the artist, Fiona Donovan provides the context for this later work and explores its visual and iconographic complexity. In the years 1980–2015, Johns’s imagery ranged from investigations of his own earlier subject matter and personal history to a much broader humanist discourse. Spiritual, moral and sexual themes run through his work, as well as ruminations on memory and mortality. Donovan also examines associations between poetry and Johns’s art as well as the artist’s absorption with appropriation and abstraction of images taken from such diverse sources as Grünewald’s Isenheim Altarpiece, Cézanne, Picasso, and the Vietnam War photographer Larry Burrows. Johns’s abiding curiosity is reflected in his stylistic changes, and the shifting themes, motifs and moods of his work are all underpinned by his exceptional painterly skill and interest in process, as demonstrated in the magisterial works presented here, from ‘The Seasons’ and the ‘Catenary’ paintings to the more recent series, ‘Regrets’. Jasper Johns: Pictures within Pictures provides a unique opportunity to view and further understand the compellingly beautiful and intriguing works by an artist who continues to be at the forefront of American art. Table of Contents Introduction • 1. The Crosshatch Amplified • 2. Racing Thoughts • 3. Perceptual Play and Picassoid Eyes • 4. The Seasons • 5.Green Angel and Mirror’s Edge • 6. Catenaries • 9. 0–9 and Regrets

In the late 1930s renowned Polish poet Julian Tuwim, was asked to write three poems for children. The publisher Przeworski connected the three poems into one book, Locomotive, and commissioned illustrations from celebrated Polish illustration duo Lewitt and Him. Locomotive was the beginning of a creative partnership that lasted many years. Featuring the original three poems, Locomotive, The Turnip, and The Bird's Broadcast, children learn what's inside each train carriage as it chugs along, how many people, animals, and friends it takes to pull a turnip from the ground, and what happens when birds of all kinds gather for a meeting in the woods. After its original publication in 1939 in Polish, Locomotive was swiftly translated into French and English the next year, appearing at a time when it would have been a surprise and a joy to encounter bright colors and modernist- inflected imagery. Both classic and modern, its imaginative storytelling and appeal has endured and will delight children today as much as it did eighty years ago.

Despite many predictions that the internet and e-commerce would kill brick-and-mortar, independent retail is far from dead. While big-chain retailers have suffered through lack of originality, new independent retailers are rapidly growing in number, rejuvenating neighborhoods across the world. Flexible, pop-up shops are becoming an increasingly popular and effective strategy not only for kickstarting new businesses but also for energizing established brands. To catch the attention of busy customers passing by and to build an engaging shopping environment that stands out from the competition, the savvy shopkeeper needs to get creative--and can do so on a budget. This timely book features the best and most beautiful independent retail spaces from around the world, which combine marketing savvy with interior design. Organized by themes--Props & Icons, Navigation & Choice, Journey & Discovery, Craft & Process, Edit & Abundance, Staging & Scenery, Highlights & Lowlights, Glimpses & Visions, Gestures & Details, and Digital & Graphic--the book presents a dazzling spectrum of case studies and offers highly imaginative and cost-effective solutions for this increasingly popular area of design.

Wim Wenders, the distinguished filmmaker and co-founder of New German Cinema, is also a world-renowned photographer. He has exhibited his large-format, panoramic photographs in Paris, Hamburg, Berlin, Bilbao, Sydney, Shanghai, Rome, Sao Paulo, Moscow, Copenhagen, New York and Düsseldorf. Now, for the first time, this book – published to accompany an exhibition at London’s Photographer’s Gallery – presents his polaroids. Spanning the 1970s to the present day, they feature friends, actors and personal heroes, objects, places, spaces and situations from the everyday life of a travelling filmmaker. Wenders does not order his ‘photographic notes’, as he calls them, by theme, but as stories. They are accompanied by his own texts, short stories and haikus. Wim Wenders: Instant Stories is a photographic road trip through the life of the artist, from his early travels through America’s cinematic landscapes to the German provinces and beyond. Table of Contents Introduction • c. 240 polaroids

The joy that permeates Renoir’s paintings was created by a complicated person. Even close friends and family members were often baffled by the multi-faceted and contradictory artist. Having known Renoir for over twenty years, Camille Pissarro complained in a letter to his son Lucien: ‘Nor can I understand Renoir’s mind – but who can fathom the most changeable of men?’ Here, the world’s leading authority on the life and work of Auguste Renoir presents an intimate biography of this great Impressionist artist. Her narrative is interspersed with over a thousand extracts from letters by, to, and about Renoir, of which 452 come from unpublished letters. Through these words, the reader gains direct contact with Renoir, as an artist, friend and father. Renoir became hugely popular despite great obstacles: thirty years of poverty followed by thirty years of progressive paralysis of his fingers. Close friendships with scores of people who helped him with money, contacts and companionship enabled him to overcome these challenges to create more than 4,000 optimistic, life-affirming paintings. Barbara Ehrlich White brings a lifetime of research to bear in her biography to provide an unparalleled and intimate portrait of this complex artist. Table of Contents Maps • Introduction • 1. 1841–77 • 2. 1878–84 • 3. 1885–93 • 4. 1894–1900 5. 1901–09 • 6. 1910–15 • 7. 1915–19 • Afterword; Appendix: Selected Renoir Paintings Worldwide; Acknowledgments; Selected Bibliography