Thames & Hudson strana 70 z 126

Anatomy : A Cutaway Look Inside the Human Body

Patchworking & Quilting: A Maker’s Guide contains 15 beautiful step-by-step projects for crafters at all levels. Each one takes its cue from a different historical tradition – from English wholecloth quilting to Indian kantha, from Japanese boro patchwork to the improvisatory strip-pieced quilts of North America. Projects include classic English paper-piecing blocks; a bed cover in the iconic log cabin pattern; a graphic quilted wall hanging inspired by Amish designs; a pincushion inspired by the exquisite cord quilting in an early 19th-century corset; a wraparound cushion cover that uses the techniques and designs of classic Korean wrapping cloths; and a small bag made with the vibrant appliqué technique from Panama known as mola. Designed by teachers and practitioners at the leading edge of today’s craft revival, the projects are both functional and fashionable, and include tips on how to take next steps towards developing your own designs. This modern maker’s guide will inspire all readers with the confidence to express their creativity through the age-old crafts of patching and quilting. Table of Contents 1. Running Stitch Quilting: Sashiko; Kantha; Wholecloth • 2. Stuffed and Padded Quilting: Cord quilting; Trapunto • 3. Geometric Patchwork: Block patchwork; English paper piecing; Amish patchwork; Seminole • 4. Freeform Patchwork: Log cabin; Jogakpo; Boro • 5. Appliqué: Hawaiian; Mola; Intarsia

The Militant Muse documents what it meant to be young, ambitious and female in the context of an avant-garde movement defined by celebrated men whose educational, philosophical and literary backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s and 1950s, Whitney Chadwick charts five intense, far-reaching female friendships among the Surrealists to show how Surrealism, female friendship and the experiences of war, loss and trauma shaped individual women’s transitions from beloved muses to mature artists. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe’s subversive activities in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the frontline. Chadwick draws on personal correspondence between women, including the extraordinary letters between Leonora Carrington and Leonor Fini during the months following the arrest and imprisonment of Carrington’s lover Max Ernst at the beginning of World War Two, and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the late 1930s during a difficult stay in Paris, marred by her intense dislike of Breton. Thoroughly engrossing, this history brings a new perspective to the political context of Surrealism, as well as fresh insights on the vital importance of female friendship to its artistic and intellectual flowering. Table of Contents 1. The Alchemy of Desire: Valentine Penrose and Alice Rahon Paalen, India 1937 2. The Two Leonors: Leonora Carrington and Leonor Fini, Saint-Martin-d’Ardeche, 1938–41 3. ‘I Will Write to You with My Eyes’, Frida Kahlo and Jacqueline Lamba Breton, Mexico and Paris, 1938–45 • 4. Soldiers without Names, Claude Cahun, Suzanne Malherbe and Jacqueline Lamba, Jersey, 1938–45 • 5. Wars without End, Lee Miller and Valentine Penrose, 1940–78

These are the stories of fifty countries that once existed – however briefly – but have now have been erased from the map. Varying vastly in size and shape, location and longevity, they are nonetheless united by one fact: all of them endured long enough to issue their own stamps. Some of their names, such as Biafra or New Brunswick, will be relatively familiar. Others, such as Labuan, Tannu Tuva and Inini, are far less recognizable. But all of these lost nations have fascinating stories to tell, whether they were as short-lived as Eastern Karelia, which lasted only a few weeks during the Soviet–Finnish War of 1922, or as long-lasting as the Orange Free State, a Boer Republic that celebrated fifty years as an independent state in the late 1800s. Their broad spectrum reflects the entire history of the 19th and 20th centuries, with its ideologies, imperialism, waves of immigration and conflicts both major and minor. The motifs and symbols chosen for stamps have always served as a form of national self-presentation, an expression of the aims and ambitions of the ruling authorities. Drawing on fiction and eye-witness accounts as well as historical sources, Bjorn Berge’s witty text casts an unconventional eye on these lesser-known nations, teasing out informative anecdotes and fascinating facts. At a time when issues of sovereignty and statehood are filling the media once again, this is a different kind of history book that will intrigue anyone keen to understand what makes a nation a nation. Table of Contents Foreword • 1840–1860 • 1860–1890 • 1890–1915 • 1915–1925 • 1925–1945 • 1945–1975

This beautiful and engaging volume charts the evolution of manga from its roots in late 19th-century Japan through the many and varied forms of comics, cartoons and animation created throughout Asia for more than 100 years. World authority on comic art Paul Gravett details the evolving meanings of the myths and legends told and retold by manga artists of every decade and reveals the development and cross pollination of cultural and aesthetic ideas between manga artists throughout Asia. He explores the explosion of creativity in manga after the Second World War with the emergence of such artists as Osamu Tezuka, whose pioneering Astro Boy spawned a new and much imitated visual dynamic. He highlights how creators have responded to political events since 1950 in the form of propaganda, criticism and commentary in manga magazines, comics and books. There have been many remarkably powerful and sophisticated graphic novels, although some sexually explicit and emotionally dark adult manga has also attracted criticism, raising questions about taste and acceptability. Gravett discusses the influence of censorship on manga and concludes with a survey of current multi- platform offerings of manga in Asia and the transition from cut-price rental libraries to the booming specialist emporia and comic conventions that champion the kaleidoscope of creativity apparent in the digital age.

Embroidery: A Maker’s Guide contains 15 beautiful step-by-step projects for crafters at all levels. Each one takes its cue from a different historical tradition – from English goldwork to Indian beetle-wing embellishment, from Japanese kogin to Irish whitework. Projects include a bargello purse; blackwork moth and dragonfly motifs on napkins; a William Morris artichoke motif on a small cushion; Chinese-inspired motifs for adorning a denim jacket; Mountmellick whitework on a decorative necklace-collar; Indian shisha mirrorwork on a clutch bag; and machine-embroidered lilies on lingerie. Designed by teachers and practitioners at the leading edge of today’s craft revival, the projects are both functional and fashionable, and include tips on how to take next steps towards developing your own designs. This modern maker’s guide will inspire all readers with the confidence to express their creativity through the age-old craft of decorative stitching. Table of Contents 1. Counted Thread Embroidery: Kogin; Berlin woolwork; Bargello; Blackwork; Phulkari 2. Freestyle Embroidery: Crewelwork; Chinese silk; Goldwork; Art needlework 3. Whitework: Broderie Anglaise; Mountmellick • 4. Embellishments: Shisha; Beetle wing; Ainu appliqué • 5. Contemporary Embroidery: Drawing with thread

A champion of civil rights and a leading light in India’s struggle for independence, Mohandas Karamchand Gandhi was one of the iconic figures of the 20th century. He is best remembered for continually challenging British supremacy through acts of non-violent civil disobedience, and he willingly subjected himself to prison for his beliefs. But he was a complex and controversial man, someone whose behaviour in his personal life – especially as a father and a husband – was often at odds with his own teachings. A master of conflict resolution, he was adept at forging alliances with his fiercest critics, yet he could be uncompromising in his treatment of family members and loyal followers. This intimate pictorial biography unpicks the nuances of Gandhi’s life and character, charting his evolution from fun-loving schoolboy to the man revered throughout India as the ‘Father of the Nation’. Drawing on contemporary accounts and a myriad letters, documents, illustrations and photographs – including many which have rarely, if ever, been published – it reveals a man of contradictions, a fascinating personality whose complexities are sometimes obscured by the enormity of his achivements. Table of Contents My Experiment with Gandhi • 1869–1914: Early years in India, England and South Africa • 1915–1929: Return to India, the Non-Cooperation Movement and the Call for Independence • 1930–1939: Salt Satyagraha and the Round table Conferences • 1940– 1946: The Cripps Mission and Quit India movement • 1946–1947: Ccommunal Riots, Partition and Independence • 1948: Assassination and Funeral

Hokusai created sublime works during the last thirty years of his life, right up to his death at the age of ninety. Publications have hitherto presented his long career as a chronological sequence. This book takes a fresh approach based on innovative scholarship: thematic groupings of works are related to the major spiritual and artistic quests of Hokusai's life. Hokusai's personal beliefs are studied here through major brush paintings, drawings, woodblock prints and illustrated books. The book gives due attention to the contribution of Hokusai's daughter Eijo (Oi), an accomplished artist in her own right. Hokusai continually explored the mutability and minutiae of natural phenomena in his art. His late subjects and styles were based on a mastery of eclectic Japanese, Chinese and European techniques and an encyclopaedic knowledge of nature, myth, and history. Mount Fuji was the most significant model for Hokusai in his quest for immortality. This collection of Hokusai's works draws on the finest to be found in Japan and around the world, making this the most important publication for years on Hokusai, and a uniquely valuable overview of the artist's late career.

Even the most enthusiastic cooks and food lovers have jars of dusty powders inhabiting kitchen cabinets long past their expiration dates. We often don't know much about them, where they come from, or how to use them. And yet, spices can elevate the everyday act of making and consuming food to a higher plane of experience. Spices have played an intrinsic part in the human story, running through history, geography, anthropology, politics, religion, culture, art, and design. From alligator pepper seeds, which in the Yoruba culture are given to newborn babies to taste a few minutes after birth, to charoli seeds, which are used in traditional Indian desserts eaten during the festival of Holi, and caraway seeds, which were added to medieval love potions, each spice has its own significance in the lives of the people who use it. The Grammar of Spice is a practical resource for cooks that also changes the way we understand the role spices play in defining not only our food but also our place in the world. Featuring custom illustrations for each of the more than sixty spices featured here--inspired by the work of Owen Jones, one of the great designers and travelers of his time--this beautiful, informative book celebrates the world of flavors that spices open up to us.

Roger Ballen is best known for his psychologically powerful and intricately layered images that exist in a space between painting, drawing, installation, and photography. Ballenesque is the first comprehensive retrospective of his work. Separated into four parts, Ballenesque takes readers on a chronological journey through Ballen's entire oeuvre, including both iconic images and previously unpublished works. Part I explores Ballen's formative artistic influences and his later rediscovery of boyhood through photography, culminating in his first published monograph, Boyhood, in 1979. Part II charts the period between 1980 and 2000, during which time he released his seminal monograph Outland. Part III covers the years 2000-2013, when Ballen achieved global recognition and his work began to veer away from portraiture altogether. Finally, in Part IV, Ballen reflects on his career. With more than 300 photographs and an introduction by Robert JC Young, this book provides both a new way of seeing Ballen's work for those who already follow his career and a comprehensive introduction for those encountering his striking photographs for the first time.

Why Don't Fish Drown? is an irreverent and informative introduction to tricky questions about natural history, getting to the heart of the fascinating world of the animal kingdom and its varied cast. Why don't humans have tails? Why can't my dog talk to me? Why does a shark need such big teeth? Why Don't Fish Drown? encourages children to start asking and answering questions for themselves. The book is structured around twenty-two questions. Each section explores the question and answer with detailed illustrations, photographs, or diagrams and then asks further questions on a similar theme to help build an understanding of how some animals share characteristics while others may adapt in different ways to survive in the same environment. Lighthearted but sophisticated and inventive in its content, Why Don't Fish Drown? is a provocative introduction to natural history that enables children to feel confident asking and investigating the questions that interest them most.

Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein’s seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago he was able to resume publication of Record, which gradually expanded in extent. To date he has published thirty issues, a number of them including colour. The publication of Recordas a book enables work from all thirty issues to be edited into a single sequence, punctuated by Moriyama’s own text as it appeared in the magazines. It used to be assumed that Moriyama’s peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveller, has been able to apply his unique vision to northern Europe, southern France, the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York and Los Angeles as well as to the alleys of Osaka, and the landscape of Hokkaido. The book ends in Afghanistan. Table of Contents Introduction: The Headlights in My Eyes by Mark Holborn • Record

Polaroid: The Missing Manual is the go-to resource for all lovers of instant photography. Divided into two main parts, ‘Camera and Film Format Guide’ and ‘Creative Techniques’, it offers a comprehensive introduction to instant photography, including: • A wide-ranging overview of instant cameras and compatible accessories and film; • Tips on what to buy and where to buy it; • How to adapt equipment and preserve the life of your images; • Easy step-by-step guides to a wide range of image manipulations, accompanied by visual showcases of the work of the very best Polaroid photographers; • Extensive resources section, complete with film compatibility guide, a list of stockists and safety information. Polaroid: The Missing Manual provides photographers, art students and vintage camera enthusiasts with the knowledge and skills to push the boundaries of what a Polaroid photograph can be. Table of Contents Introduction • 1. Camera and Film Format Guide • 2. Creative Techniques

Gathering together the world’s leading experts on vernacular architecture, this once-in-ageneration publication examines how local buildings have stood the test of time and offer vital lessons for the future. The core of the book is arranged by climate zone, from desert to tropical, temperate to arctic. Within each section, buildings are presented regionally, showing how local climatic conditions and vegetation affect the evolution of building styles. This central part is bookended by a range of essays exploring the economic and anthropological aspects, while the reference section offers information on materials science and engineering, including how buildings have been adapted to contend with natural disasters. With the growing challenge of climate change, there has never been a more important time to understand how to make the best use of local natural resources and create buildings that do not rely on stripping our planet or transporting materials across the globe. This book shows us how. Table of Contents Foreword by Tomas Chruszczow • Introduction by Sandra Piesik • General Essays: Climatology, Catherine Souch; Geology, Graham Lott; Botany, William Miliken; Anthropologist, André Singer; Economics, Jim Coleman and Henry Fletcher • Tropical Day • Temperate • Continental • Polar • Appendix 1: Contemporary Vernacular • Appendix 2: Natural Disasters • Appendix 3: Material Science

At the turn of the twenty-first century, many felt sceptical or confused about painting’s on-going cultural relevance. In this context, Julian Bell’s What is Painting? provided an accessible and inspired account of artistic thinking and practice, and of the complexities then facing artists and their audiences. Eighteen years on, the situation is partly reversed. Painting has proved too resilient a practice to be marginalized any longer. Yet is there any sense of forward momentum for the art? Interrogating the factors that have changed our ideas of painting over the past two centuries, Bell addresses relations between figuration and abstraction and between narrative and non-narrative painting, as well as the waning of conceptual art’s dominance and the proliferation of experiments with the physical limits of painting. He also clarifies general concepts such as ‘expression’ and ‘representation’. Fully revised to provide a fresh look at the situation of painting, this new edition maintains the objective of lucid, historically informative explanation that earned the original edition its status as a text of lasting value. The book provides a general reader’s introduction to theories of painting that is not only reliable, but also stimulating and amusing to read. Table of Contents 1. Images and Marks • 2. Sight and Knowledge • 3. Form and Time • 4. Expression • 5. The Arts and Art • 6. Representation

It was 1953 when, not long after arriving in New York City, a young artist named Andy Warhol had begun to make his way in the world of commercial illustration. As Arthur Edelman, his former employer, relates in his introductory note, "In a hallway of the Empire State Building, outside a shoe manufacturer's office, stood a young man with Jackson Pollock shoes, a rumpled black suit, a portfolio, and a shock of white hair." Over the next decade, Warhol created scores of whimsical advertisements for the Edelmans, including a coloring book that could have only come from the mind of Warhol, created especially for clients' children for Christmas in 1961, and somewhat of a cause celebre when it was published in 1990. Now in a revised edition, A Coloring Book: Drawings by Andy Warhol will amuse and charm a new audience with its delightfully carefree menagerie.