Thames & Hudson strana 58 z 126

Over the past twenty years, the study of dinosaurs has changed from natural history to a true scientific discipline. New technologies have revealed secrets locked in the prehistoric bones in ways that nobody predicted - we can now work out the colour of dinosaurs, their bite forces, top speeds, and even how they cared for their young. Remarkable new fossil finds, such as giant sauropod dinosaur skeletons from Patagonia, dinosaurs with feathers from China, and even a tiny dinosaur tail in Burmese amber - complete down to every detail of its filament-like feathers, skin, bones, and mummified tail muscles - have caused media sensations. New fossils are the lifeblood of modern palaeobiology of course, but it is the advances in technologies and methods that have allowed the revolution in the scope and confidence of the field. Dinosaurs Rediscovered gathers together all the latest palaeontological evidence and takes us behind the scenes on the expeditions and in museum laboratories, tracing the transformation of dinosaur study from its roots in antiquated natural history to a highly technical, computational, and indisputably scientific field today. Benton explores what we know of the world of the dinosaurs, how dinosaur remains are found and excavated, and especially how palaeontologists read the details of the life of the dinosaurs from the fossils - their colours, their growth, feeding and locomotion, how they grew from egg to adult, how they sensed the world, and even whether we will ever be able to bring them back to life. Dinosaurs are still very much a part of our world.

This essential publication reintroduces the importance of learning to `see by hand', to visualize large-scale design schemes and explain them through drawing, before using the digital tools that are so crucial to efficient and cost-effective building solutions. Combining traditional drawing techniques with those from CAD rendering, Drawing for Landscape Architecture guides practitioners from their very first impression of a site, through concept and schematic design and client presentation to construction and site drawings, concluding with two case studies that show the final result. Just as hand-drawing returns to design courses around the world, this welcome publication celebrates the best aspects of traditional techniques while incorporating them into today's digital design methods.

Bauhaus Imaginista is a major international project marking the centenary of this fascinating and popular school, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life, and was active in the fields of architecture, performance, design and visual art. Its original teachers included such renowned figures as Paul Klee, Wassily Kandinsky, Laszlo Moholy-Nagy and Josef Albers. Placing a rare emphasis on the international dissemination and reception of the Bauhaus, this book accompanies a touring exhibition, and presents four chapters that extend from Bauhaus education to the school's diverse history beyond Europe. Rethinking the Bauhaus school from a global perspective, it sets the school's entanglements against a century of geopolitical change. The reader is taken to art and design museums, campus galleries and art institutes in India, Japan, China, Russia, Brazil and the United States, as well as Berlin.

A little boy has a problem with his dragon: he's no longer able to breathe fire. What to do? How on earth do you rekindle a despondent dragon's flame? The little boy tries shaking him by his tail, and jumping on his belly, and tickling his legs... No joy. How about goading him somehow? - make him angry, fuel his jealousy... Still no luck. Maybe sticking false flames on the side of his face would work - but, no, that makes it all worse. Much, much worse. Now the dragon's downright depressed. Oh no! He decides that he'll just have to tell him that he loves him just the way he is, even though he can't breathe fire, and that he will always be his dragon - and plants a big fat kiss on his cheek. What do you think happens next?

The past sixty years have witnessed astonishing bursts of growth in the field of Artificial Intelligence - the science and computational technologies that teach machines to sense, learn, reason and take action. AI is already changing our lives, in ways that benefit health, productivity and entertainment. Are we on the threshold of an AI-dominated world, in which humans will no longer be necessary?

Today's discerning traveller is looking not merely for luxury but for a unique experience. But in this age of low-cost flights and easy travel, how do you avoid the crowds and find the hidden gems? Not via sponsored search results or thousands of indistinguishable reviews, that's for sure. What you need is on-the-ground, in-person, tried-and-trusted knowledge. In this new guide to Italy, Herbert Ypma surprises and delights with his unequalled eye for detail and his unerring ability to judge what makes the difference between a good experience and a truly memorable one. The eighty-five experiences and tips that he maps out across the length and breadth of Italy fall into four key categories. `Staying in Character' features thirty-five places to stay, from the grand to the eccentric, all embodying the soul and character of their setting - whether it's sleeping next to a sloshing canal in Venice, dozing under the plume of Etna's active volcano or experiencing monastic silence over dinner in Umbria. `Eclectic Experiences' surveys twenty stand-out experiences, from jumping off the cliffs near Otranto to swimming the walls of Dionysius in Ortigia, and from exploring the forgotten farmland of Sicily's interior to finding the best gelati in Rome. `Legend for Lunch' points you in the direction of the most authentic places to eat, and `Convincing Context' surveys twenty experiences enhanced by nuggets of history. Together they amount to a new map of authentic Italian experiences, making this the must-have 21st-century guide for the world's most exacting traveller.

Much can be learned about a person from the manner in which they travel. From heiresses to actors, aristocrats to pop stars, writers, composers, dancers and designers, here are the personalities who have travelled through our modern era, whether by train, plane, car or canoe, accompanied by luggage that defines good taste. With suitably glamorous style, over fifty individuals are described in witty and perceptive detail. Everyone who's anyone is here: from Madonna to Marilyn Monroe, from the Duchess of Windsor to Karl Lagerfeld, from Audrey Hepburn to Keith Richards, from the firm's eponymous founder Louis Vuitton to artist Jeff Koons, who has created his own controversial homage to the masters of art on the company's bags. Every traveller has a tale to tell: every bag reveals a personal secret. In her canvas Louis Vuitton bag Greta Garbo never kept more than a pair of blue espadrilles, flannel pyjamas and some pots of her favourite jam. (But she had a trunk specially made for her seventy pairs of Ferragamo shoes.) Ernest Hemingway, who owned and lost several Vuitton trunks, rediscovered in 1957 notes for a novel that he'd absentmindedly left in a trunk in the basement of the Paris Ritz some thirty years before. Richard Burton made sure that Elizabeth Taylor always had enough Louis Vuitton trunks (as well as furs and jewels), through both their marriages; in fact, the trunks outlasted her next two husbands as well.

Indian textile designs express dazzling inventiveness and creativity, from the woven silks of royalty to the simple block-printed patterns. This authoritative sourcebook overflows with colour and patterns to inspire and inform. The introduction gives an overview of Indian textiles, including methods by which they were made and their intended uses. The book is divided into three chapters defined by pattern style: Florals, Figurative and Geometric. Each comprises an introduction to the style's history, and demonstrates the techniques of structure, surface and embellishment patterning. A wealth of cross-referencing by theme and process makes this a uniquely useful resource. Over 300 breathtaking and hugely varied designs are examined here in detail through close-up shots of the pattern and material alongside a thoughtful examination of the reverse of many fabrics, demonstrating different weaving techniques so that the reader can see precisely how the textile was made.

In Things Come Apart, fifty design classics - arranged by size and intricacy - are beautifully displayed, piece by piece, exploding in midair and dissected in real-time, frame-by-frame video stills. Welcome to Todd McLellan's unique photographic vision of the material world. The new compact paperback edition of the bestselling Things Come Apart comes equipped with a fresh, design-savvy package, and includes five new projects that reveal the inner workings of some of the world's most iconic designs. From SLR camera to mantle clock to espresso machine, from iPad to bicycle to grand piano, every single component of each object is made visible. In addition to showcasing the quality and elegance of older designs, these disassembled objects show that even the most intricate modern technologies can be broken down and understood. Stunning photography is interspersed with essays by notable figures from the world of restoration, DIY, and design innovation, who discuss historical examples of teardowns, disassembly, and reverse engineering. Things Come Apart conjures the childlike joy of taking something apart to see how it works, and will appeal to anyone with a curiosity about the material world.

Whether as a reaction to our technological present or as a manifestation of fears concerning our environmental future, depictions of the natural world in painting have never seemed more pertinent or urgent. Some of the most ambitious, crucial and intellectually vibrant paintings being created in this century involve the landscape - from a more traditional, perceptual based approach for rendering vistas to a looser, topography-inspired gestural abstraction that blurs the line between form and space, to many other modes in between. Surprisingly, there has not been an ambitious and wide-reaching publication on the subject - until now. The result of several years' worth of research, Landscape Painting Now is the first book to explore the very best contemporary landscape painting. Featuring artists from nearly twenty-five countries born over seven decades, it includes some of the brightest stars of the contemporary art world. It is introduced by an essay from Barry Schwabsky, who discusses the history of landscape painting, exploring how the genre developed through the 20th century to today, and how it has become increasingly relevant to art now. He also explores the notion of what is actually called a landscape painting today, and looks to expand beyond commonly held preconceptions concerning the genre.

`Kemp is a natural storyteller... This book leads you on a journey through the life, work and legacy of one of history's most intriguing figures.' The Times In an engaging personal narrative interwoven with historical research, Martin Kemp discusses a life spent immersed in the world of Leonardo, and his encounters with great and lesser academics, collectors and curators, devious dealers and unctuous auctioneers, major scholars and authors, pseudo-historians and fantasists. He shares how he has grappled with swelling legions of `Leonardo loonies', walked on the eggshells of vested interests in academia and museums, and fended off fusillades of non-Leonardos, sometimes more than one a week. Examining the greatest masterpieces, from the Last Supper to Salvator Mundi, through the expert's eye, we learn first-hand of the thorny questions that surround attribution, the scientific analyses that support the experts' interpretations, and the continuing importance of connoisseurship. Throughout, from the most scholarly interpretations to the popularity of Dan Brown's Da Vinci Code, we are reminded of Leonardo's unique genius and wonder at how an artist from 500 years ago continues to make such compelling posthumous demands on all those who engage with him.

'A spectacular treasury of treats. Page after page of utter joy: I can't tear my eyes away' - Derren Brown In The Spectacle of Illusion, professional magician-turned experimental psychologist Dr. Matthew L. Tompkins investigates the arts of deception as practised and popularised by mesmerists, magicians and psychics since the early 18th century. Organised thematically within a broadly chronological trajectory, this compelling book explores how illusions perpetuated by magicians and fraudulent mystics can not only deceive our senses but also teach us about the inner workings of our minds. Indeed, modern scientists are increasingly turning to magic tricks to develop new techniques to examine human perception, memory and belief. Beginning by discussing mesmerism and spiritualism, the book moves on to consider how professional magicians such as John Nevil Maskelyne and Harry Houdini engaged with these movements - particularly how they set out to challenge and debunk paranormal claims. It also relates the interactions between magicians, mystics and scientists over the past 200 years, and reveals how the researchers who attempted to investigate magical and paranormal phenomena were themselves deceived, and what this can teach us about deception. Highly illustrated throughout with entertaining and bizarre drawings, double-exposure spirit photographs and photographs of spoon-bending from hitherto inaccessible and un-mined archives, including the Wellcome Collection, the Harry Price Library, the Society for Physical Research, and last but not least, the Magic Circle's closely guarded collection, the book also features newly commissioned photography of planchettes, rapping boards, tilting tables, ectoplasm, automata and illusion boxes. Concluding with a modern-day analysis of the science of magic and illusion, analysing surprisingly weird phenomena such as ideomotor action, sleep paralysis, choice blindness and the psychology of misdirection, this unnerving volume highlights how unreliable our minds can be, and how complicit they can be in the perpetuation of illusions.

Making Marks follows up the highly successful Architects' Sketchbooks, which presented, for the first time, the rich breadth of sketches being created by contemporary architects following the digital revolution. Taking a post-digital perspective, the sixty renowned architects whose work is collected here show how drawing and new forms of manual presentation have been refined since the reawakening of this basic technique. Notepads, stacks of paper, pencils and fine-point pens are as present in the architect's studio as phalanxes of screens. Revealing why and how hand-drawing still matters, this global survey presents the freehand drawings, vibrant watercolours and abstract impressions of rising talents and well-known names, including Jun Igarashi and Brian MacKay-Lyons. Will Jones's introduction reviews the importance of the physical sketch and its vital part in the architect's creative process. Spanning diverse approaches, styles and physical forms, ,i>Making Marks is not merely a compendium of the preoccupations and stylistics of current practice, but a rich and varied insight into architectural creativity.

Geometric patterns are perhaps the most recognizable visual expressions of Islamic art and architecture, magnificent in their beauty and awe-inspiring in their execution. Now, with the aid of this book, anyone can learn how to master this ancient art and create intricate patterns or re-create classic examples. An introduction guides the reader through the basics, and is followed by some of the best examples of geometric patterns from around the world, arranged into three levels of complexity, with careful, step-by-step instructions taking the reader through the stages of composition.

Recent advances in technologies and home-generated renewable energy have made building away from urban and rural infrastructures more practical and affordable than ever. This survey of the world's most innovative off-grid homes reveals the cuttingedge architecture and technology that is enabling us to escape to some of the most extraordinary natural environments on the planet. All of the houses featured in this book are fully, or almost fully, self-sufficient in terms of energy, water and, in some cases, food. Architecture and interior design expert Dominic Bradbury reveals how each architect has made everyday living in these wild and natural settings a rewarding and tempting reality. From snowbound cabins in the far Northern Hemisphere to coastal retreats that can only be accessed by boat, the diverse projects collected here show the innovative ways in which architects and their clients are tackling extreme climates, remoteness and construction challenges to enable a new way of life that is both liberating and sustainable. The imperative to reduce our carbon footprints and refocus on renewable sources of energy is having a profound impact on our domestic lives. This fascinating survey demonstrates that creative architecture, design and technology are redefining the possibilities for leading a truly rewarding and responsible lifestyle.

From exploding violets to swimming water lilies, from bouncing conkers to hitch-hiking burdock, plants go on amazing journeys! Discover the many wonderful ways that seeds can travel and watch as they grow into brand new plants.