Thames & Hudson strana 58 z 126

Much can be learned about a person from the manner in which they travel. From heiresses to actors, aristocrats to pop stars, writers, composers, dancers and designers, here are the personalities who have travelled through our modern era, whether by train, plane, car or canoe, accompanied by luggage that defines good taste. With suitably glamorous style, over fifty individuals are described in witty and perceptive detail. Everyone who's anyone is here: from Madonna to Marilyn Monroe, from the Duchess of Windsor to Karl Lagerfeld, from Audrey Hepburn to Keith Richards, from the firm's eponymous founder Louis Vuitton to artist Jeff Koons, who has created his own controversial homage to the masters of art on the company's bags. Every traveller has a tale to tell: every bag reveals a personal secret. In her canvas Louis Vuitton bag Greta Garbo never kept more than a pair of blue espadrilles, flannel pyjamas and some pots of her favourite jam. (But she had a trunk specially made for her seventy pairs of Ferragamo shoes.) Ernest Hemingway, who owned and lost several Vuitton trunks, rediscovered in 1957 notes for a novel that he'd absentmindedly left in a trunk in the basement of the Paris Ritz some thirty years before. Richard Burton made sure that Elizabeth Taylor always had enough Louis Vuitton trunks (as well as furs and jewels), through both their marriages; in fact, the trunks outlasted her next two husbands as well.

Indian textile designs express dazzling inventiveness and creativity, from the woven silks of royalty to the simple block-printed patterns. This authoritative sourcebook overflows with colour and patterns to inspire and inform. The introduction gives an overview of Indian textiles, including methods by which they were made and their intended uses. The book is divided into three chapters defined by pattern style: Florals, Figurative and Geometric. Each comprises an introduction to the style's history, and demonstrates the techniques of structure, surface and embellishment patterning. A wealth of cross-referencing by theme and process makes this a uniquely useful resource. Over 300 breathtaking and hugely varied designs are examined here in detail through close-up shots of the pattern and material alongside a thoughtful examination of the reverse of many fabrics, demonstrating different weaving techniques so that the reader can see precisely how the textile was made.

In Things Come Apart, fifty design classics - arranged by size and intricacy - are beautifully displayed, piece by piece, exploding in midair and dissected in real-time, frame-by-frame video stills. Welcome to Todd McLellan's unique photographic vision of the material world. The new compact paperback edition of the bestselling Things Come Apart comes equipped with a fresh, design-savvy package, and includes five new projects that reveal the inner workings of some of the world's most iconic designs. From SLR camera to mantle clock to espresso machine, from iPad to bicycle to grand piano, every single component of each object is made visible. In addition to showcasing the quality and elegance of older designs, these disassembled objects show that even the most intricate modern technologies can be broken down and understood. Stunning photography is interspersed with essays by notable figures from the world of restoration, DIY, and design innovation, who discuss historical examples of teardowns, disassembly, and reverse engineering. Things Come Apart conjures the childlike joy of taking something apart to see how it works, and will appeal to anyone with a curiosity about the material world.

Whether as a reaction to our technological present or as a manifestation of fears concerning our environmental future, depictions of the natural world in painting have never seemed more pertinent or urgent. Some of the most ambitious, crucial and intellectually vibrant paintings being created in this century involve the landscape - from a more traditional, perceptual based approach for rendering vistas to a looser, topography-inspired gestural abstraction that blurs the line between form and space, to many other modes in between. Surprisingly, there has not been an ambitious and wide-reaching publication on the subject - until now. The result of several years' worth of research, Landscape Painting Now is the first book to explore the very best contemporary landscape painting. Featuring artists from nearly twenty-five countries born over seven decades, it includes some of the brightest stars of the contemporary art world. It is introduced by an essay from Barry Schwabsky, who discusses the history of landscape painting, exploring how the genre developed through the 20th century to today, and how it has become increasingly relevant to art now. He also explores the notion of what is actually called a landscape painting today, and looks to expand beyond commonly held preconceptions concerning the genre.

'A spectacular treasury of treats. Page after page of utter joy: I can't tear my eyes away' - Derren Brown In The Spectacle of Illusion, professional magician-turned experimental psychologist Dr. Matthew L. Tompkins investigates the arts of deception as practised and popularised by mesmerists, magicians and psychics since the early 18th century. Organised thematically within a broadly chronological trajectory, this compelling book explores how illusions perpetuated by magicians and fraudulent mystics can not only deceive our senses but also teach us about the inner workings of our minds. Indeed, modern scientists are increasingly turning to magic tricks to develop new techniques to examine human perception, memory and belief. Beginning by discussing mesmerism and spiritualism, the book moves on to consider how professional magicians such as John Nevil Maskelyne and Harry Houdini engaged with these movements - particularly how they set out to challenge and debunk paranormal claims. It also relates the interactions between magicians, mystics and scientists over the past 200 years, and reveals how the researchers who attempted to investigate magical and paranormal phenomena were themselves deceived, and what this can teach us about deception. Highly illustrated throughout with entertaining and bizarre drawings, double-exposure spirit photographs and photographs of spoon-bending from hitherto inaccessible and un-mined archives, including the Wellcome Collection, the Harry Price Library, the Society for Physical Research, and last but not least, the Magic Circle's closely guarded collection, the book also features newly commissioned photography of planchettes, rapping boards, tilting tables, ectoplasm, automata and illusion boxes. Concluding with a modern-day analysis of the science of magic and illusion, analysing surprisingly weird phenomena such as ideomotor action, sleep paralysis, choice blindness and the psychology of misdirection, this unnerving volume highlights how unreliable our minds can be, and how complicit they can be in the perpetuation of illusions.

`Kemp is a natural storyteller... This book leads you on a journey through the life, work and legacy of one of history's most intriguing figures.' The Times In an engaging personal narrative interwoven with historical research, Martin Kemp discusses a life spent immersed in the world of Leonardo, and his encounters with great and lesser academics, collectors and curators, devious dealers and unctuous auctioneers, major scholars and authors, pseudo-historians and fantasists. He shares how he has grappled with swelling legions of `Leonardo loonies', walked on the eggshells of vested interests in academia and museums, and fended off fusillades of non-Leonardos, sometimes more than one a week. Examining the greatest masterpieces, from the Last Supper to Salvator Mundi, through the expert's eye, we learn first-hand of the thorny questions that surround attribution, the scientific analyses that support the experts' interpretations, and the continuing importance of connoisseurship. Throughout, from the most scholarly interpretations to the popularity of Dan Brown's Da Vinci Code, we are reminded of Leonardo's unique genius and wonder at how an artist from 500 years ago continues to make such compelling posthumous demands on all those who engage with him.

Geometric patterns are perhaps the most recognizable visual expressions of Islamic art and architecture, magnificent in their beauty and awe-inspiring in their execution. Now, with the aid of this book, anyone can learn how to master this ancient art and create intricate patterns or re-create classic examples. An introduction guides the reader through the basics, and is followed by some of the best examples of geometric patterns from around the world, arranged into three levels of complexity, with careful, step-by-step instructions taking the reader through the stages of composition.

Recent advances in technologies and home-generated renewable energy have made building away from urban and rural infrastructures more practical and affordable than ever. This survey of the world's most innovative off-grid homes reveals the cuttingedge architecture and technology that is enabling us to escape to some of the most extraordinary natural environments on the planet. All of the houses featured in this book are fully, or almost fully, self-sufficient in terms of energy, water and, in some cases, food. Architecture and interior design expert Dominic Bradbury reveals how each architect has made everyday living in these wild and natural settings a rewarding and tempting reality. From snowbound cabins in the far Northern Hemisphere to coastal retreats that can only be accessed by boat, the diverse projects collected here show the innovative ways in which architects and their clients are tackling extreme climates, remoteness and construction challenges to enable a new way of life that is both liberating and sustainable. The imperative to reduce our carbon footprints and refocus on renewable sources of energy is having a profound impact on our domestic lives. This fascinating survey demonstrates that creative architecture, design and technology are redefining the possibilities for leading a truly rewarding and responsible lifestyle.

Making Marks follows up the highly successful Architects' Sketchbooks, which presented, for the first time, the rich breadth of sketches being created by contemporary architects following the digital revolution. Taking a post-digital perspective, the sixty renowned architects whose work is collected here show how drawing and new forms of manual presentation have been refined since the reawakening of this basic technique. Notepads, stacks of paper, pencils and fine-point pens are as present in the architect's studio as phalanxes of screens. Revealing why and how hand-drawing still matters, this global survey presents the freehand drawings, vibrant watercolours and abstract impressions of rising talents and well-known names, including Jun Igarashi and Brian MacKay-Lyons. Will Jones's introduction reviews the importance of the physical sketch and its vital part in the architect's creative process. Spanning diverse approaches, styles and physical forms, ,i>Making Marks is not merely a compendium of the preoccupations and stylistics of current practice, but a rich and varied insight into architectural creativity.

From exploding violets to swimming water lilies, from bouncing conkers to hitch-hiking burdock, plants go on amazing journeys! Discover the many wonderful ways that seeds can travel and watch as they grow into brand new plants.

As artists push further and further beyond their, and our, comfort zones, this book aims to help decipher the bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works of art in terms of seven `keys'. History, biography, aesthetics, experience, theory, criticism and the market represent conventional `modes of existence' for every artwork discussed, but in a fascinating variety of ways. Simon Morley shows how twenty well-known but little-understood works of art can serve as useful springboards not only for understanding each other, but also for appreciating works by the same artists, and from the wider world of art in general. Rather than proceeding on the basis of familiar art `movements' or `-isms', Morley focuses on just twenty individual works of art, from Matisse's The Red Studio to Doris Salcedo's Untitled. Representing a variety of media, styles, subjects and intentions, being the creations of men and women of different periods and places, coming from disparate social and ethnic backgrounds, these works show a rich diversity in modern and contemporary art.

Vase design is blooming. As the vase has become one of the most universal home accessories, contemporary designers are pushing the boundaries, making vases that are not only functional, beautiful objects, but also works of art and conceptual statements. The history of design includes many significant examples of state-of-the-art vases, but the scope and quality of those that we can admire today are unprecedented. From Ted Muehling's sleek, gilded `Goose Egg' to Glithero's botanical cyanotypes on ceramic and Joogii Design's colour-shifting prisms covered in dichroic film, there are no limits to what contemporary designers can make out of what is fundamentally a container for holding flowers. This book includes important mid-century and late 20th-century vases by acclaimed artists, but primarily focuses on the 21st-century scene, with a wide international selection of emerging designers from the younger generation. Inspired by the organic world, architectural elements, artworks or geometric rules, all these designers translate their original visions into a variety of forms, blurring the lines between design, sculpture and architecture. The vases featured in this book are contemporary works of art, worthy of inclusion in museum collections - as many already are.

Focused on D1, Dublin's city centre, Eamonn Doyle's three major bodies of work, `i', `On' and `End' - with new and previously unpublished images brought together here for the first time - tell the tale of today's Dublin and, in doing so, tell a broader story of today's Ireland. Setting aside the nostalgia and cliche so often seen in `stories of Ireland', Doyle's vernacular photography is a thrill to the system, revealing the extraordinary within the ordinary to paint a striking portrait of a modern and multicultural capital city. Vivified in colour, the commonplace is seen anew, the everyday made epic as the city's inhabitants appear in stark, graphic black and white going about their daily business. Far from pedestrian, Doyle's work is the archetype of good street photography: real life brought to life through the lens and voice of the street. Punctuating the photography with specially commissioned narratives is the distinctive voice of Kevin Barry, evoking the world beyond the frame: the sights, smells, sounds and sensations of a Dubliner's daily life. Designed by Doyle's longtime collaborator Niall Sweeney, fusing contemporary Irish word and contemporary Irish image, Made in Dublin is one of the most exciting and original books of street photography in recent years.

Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world's most renowned cinematic geniuses. He directed the first five of his seven films - Ivan's Childhood, Andrei Rublev, Solaris, Mirror and Stalker - in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovsky's films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky's work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was `the greatest, the one who invented a new language.' Extracts from Tarkovsky's own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as `sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.

Giorgio Vasari's Lives of the Most Famous Painters, Sculptors and Architects (1550 and 1569) is a classic of cultural history. A monumental assembly of artists' lives from Giotto to Michelangelo, it paints a vivid picture of the progress of art in the hands of individual masters. No Life is more vivid than that of Leonardo, a near-contemporary of Vasari - not even Vasari's account of Michelangelo, whom he knew and idolized. This beautiful edition offers a literary translation that respects the 16th-century Italian, transposing Vasari's vocabulary into its modern equivalent. Martin Kemp is an eminent scholar, who has written on the vocabulary of Renaissance writings on art, and has co-translated Leonardo on Painting and Leonardo's Codex Leicester. Translated in partnership with Lucy Russell, the text will be the first to cover both the 1550 edition and the expanded version of 1568, and the first to integrate the texts of the two editions on the page. Discreet endnotes will provide succinct comments in the light of modern knowledge of Leonardo's career. Illustrated with all the works of art discussed by Vasari and a selection of Leonardo's studies of science and technology, this will be the perfect accompaniment to Leonardo's 500th anniversary celebrations.

Did you know that the Egyptians created the first synthetic colour; or that the noblest purple comes from a predatory sea snail? Throughout history, artist pigments have been made from deadly metals, poisonous minerals, urine, cow dung, and even crushed insects. From grinding down beetles and burning animal bones to alchemy and pure luck, Chromatopia reveals the origin stories behind over fifty of history's most vivid colour pigments. Spanning the ancient world to modern leaps in technology, this is the book for the artist, the history buff, the science lover and the design fanatic.