Thames & Hudson strana 65 z 126

‘Architects, sculptors, painters, we all must return to the crafts!’ declared the architect Walter Gropius in his Bauhaus manifesto. Founded as an art school in 1919 and forced to close in 1933 by the Nazis, the Bauhaus established itself as a major influence on 20th-century art and design that continues to this day. The Bauhaus opened in Weimar, the progressive heart of Germany’s postwar republic. Under its first director, Walter Gropius, students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger and Wassily Kandinsky. The school moved to Dessau in 1922, under its radical new director Hannes Meyer, and to Berlin in 1932 under architect Ludwig Mies van der Rohe. In 1933 the Gestapo forced the Bauhaus to close for the last time. This volume uncovers the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and Arts and Crafts. Each of the various workshops and courses at the Bauhaus is explored in detail, illustrating the extraordinary wealth of experimentation in every field: ceramics, woodwork, metalwork, textiles, glass-painting, sculpture, mural, printing and binding, typography and publicity, theatre, architecture and photography. This essential and accessible guide to the Bauhaus, its history and turbulent political context, provides the key to understanding why it is recognized as the most durable and influential source of modern ideas about art, design and craft. Table of Contents Essays • Sources and Inspirations • Workshops and Lessons • In the Heart of Bauhaus Bauhaus Lives On

The family is a thing of many parts – a complicated puzzle made of brothers, sisters, mums, dads, uncles, friends, grandparents. Sooner or later all of us get lost in the maze of kinship, trying to understand who is a great-uncle and a stepfather, who’s married to whom, what in-laws are, and why someone who’s only just been born can immediately becomes uncle or nephew to someone. The protagonist of this hilarious book, together with his father, ventures to climb his own genealogical tree, happily finding his own place as a part of this big, lively, crowded universe.

This book teaches pre-schoolers how to describe size simply by having them ask the question ‘Who’s the biggest?’ to the pair of objects on every spread. The fun is in the reply; using evocative verbs, the book helps to conjure up some of the character of the object speaking: ‘“I am!” trumpets the elephant’, or “I am!” warns the hammer to the nail. Parents and guardians reading the book to toddlers will inevitably be drawn into the game, and will enjoy making their replies as expressive as possible. The skills being taught are basic mathematics, which Chedru turns into a fun and creative game that children will love playing. By requiring the reader to actively ask the question ‘Who’s the biggest?’ on every page, the book enourages children to apply an enquiring mindset to the things they encounter.

Designers, stylists and artists from across the country and around the globe make London their home, finding inspiration in its quirky British style and lively cosmopolitanism. The New Creative Home is a celebration the city’s rich mix of living spaces – from a spacious, contemporary flat in trendy Clerkenwell to a stylish Victorian terrace in Notting Hill. This exclusive peek into the personal spaces of the world’s most ingenious talents offers lifestyle and interior inspiration for any home, whatever your style. Table of Contents Introduction • Chris Dyson • Owen Pacey • Alice Gomme • Nina Litchfield • Caroline Legrand • Alex Eagle • Jessica McCormack • Francis Sultana • Matilda Goad • Lee Broom Hubert Zandberg • Laura Myers • Clements Riberio • Basso & Brooke • Carina Cooper Gillian Hyland • Adam Brown • Matthew Williamson • Nikki Tibbles • Camille Walala Rebecca Louise Law • Serafina Sama • Kevin Torre • Sophie Ashby • Daniela Cecilio Hayley Newstead • Fydor Golan • Directory

How Many Kisses? begins by inviting the reader to give one kiss to the cat, two kisses to the dogs, three kisses to the flowers and so on, following a classic counting technique until readers reach the number ten. The book then takes wild jumps up to seventeen, sixty-four, 823, and finally ‘millions’, prompting a riotous explosion of kisses from the reader. By encouraging the child to interact physically with the book, each reading becomes like a game that celebrates all the things in a child’s life that they love, while familiarizing them with numbers and counting. The unique twist in the counting narrative gives physical expression to numbers too large for younger children to quantify, while inspiring an enjoyment of counting.

The coming of the Industrial Revolution in the early 19th century witnessed unprecedented changes in society: rapid economic progress went hand-in-hand with appalling working conditions, displacement, squalor and destitution for those at the bottom of the social scale. These new circumstances presented a challenge to contemporary image-makers, who wished to capture the effects of hunger, poverty and alienation in Britain, Ireland and France in the era before documentary photography. In this groundbreaking book, the eminent art historian Linda Nochlin examines the styles and expressive strategies that were used by artists and illustrators to capture this misere, roughly characterized as poverty that afflicts both body and soul. She investigates images of the Irish Famine in the period 1846–51; the gendered representation of misery, particularly of poor women and prostitutes; and the work of three very different artists: Théodore Géricault, Gustave Courbet and the less wellknown Fernand Pelez. The artists’ desire to depict the poor and the outcast accurately and convincingly is still a pertinent issue, though now, as Nochlin observes, the question has a moral and ethical dimension – does the documentary style belittle its subjects and degrade their condition? Table of Contents Misere: An Introduction • 1. Misere: The Irish Paradigm • 2. The Gender of Misery • 3. Géricault, Goya and the Representation of Misery • 4. Representing Misery: Courbet’s Beggar Woman • 5. Fernand Pelez: Master of Miserable Old Men • Conclusion

Living with Leonardo is a set of highly focused memoirs, a personal journey interwoven with historical research that encapsulates the author’s relationship with Leonardo da Vinci over more than half a century. We learn of his encounters with the vast population that surrounds Leonardo: great and lesser academics, collectors and curators, devious dealers and unctuous auctioneers, major scholars and authors and pseudohistorians and fantasists; but also how he has grappled with swelling legions of ‘Leonardo loonies’, walked on the eggshells of vested interests in academia and museums, and fended off fusillades of non-Leonardos, sometimes more than one a week. Kemp leads us through his thinking on the Last Supper and the Mona Lisa, retells his part in the identification of the stolen Buccleuch Madonna and explains his involvement with and his theories on the two major Leonardo discoveries of the last 100 years, one of which plummeted into controversy (La Bella Principessa), while the other underwent a rapid ascent into widespread acceptance (Salvator Mundi). We learn firsthand of the thorny questions that surround attribution, the scientific analyses that support the experts’ interpretations, and the continuing importance of connoisseurship. Throughout, from the most scholarly interpretations to the popularity of Dan Brown’s Da Vinci Code, we are reminded of Leonardo’s rare genius and wonder at how an artist from 500 years ago continues to make such compelling posthumous demands on all those who engage with him. Table of Contents Preface and Acknowledgements Introduction: Art History in Action Prologue: a Sketch of Leonardo 1. The Last Supper and the First Steps 2. The “Original” Last Supper 3. Looking at Lisa 4. The Stolen Madonna 5. The Beautiful Princess 6. Ugly Arguments 7. The Saviour 8. Science and Seeing 9. Codices and Computers 10. Exhibitions 11. Codes and Conjectures

In a town where a lot of poor people suffer and where there are a lot of miseries, a swallow who was left behind after his flock flew off to Egypt for the winter, meets the statue of the late ‘Happy Prince’, who in reality has never experienced true sorrow, for he lived in a palace where sorrow isn’t allowed to enter. Viewing various scenes of people suffering in poverty from his tall monument, the Happy Prince asks the swallow to take the ruby from his hilt, the sapphires from his eyes, and the golden leaf covering his body to give to the poor. As the winter comes and the Happy Prince is stripped of all of his beauty, his lead heart breaks when the swallow dies as a result of his selfless deeds and severe cold. The statue is then brought down from the pillar and melted in a furnace leaving behind the broken heart and the dead swallow and they are thrown in a dust heap. These are taken up to heaven by an angel that has deemed them the two most precious things in the city. This is affirmed by God and they live forever in his city of gold and garden of paradise.

Despite his posthumous fame as a painter of flowers, still-lifes, gardens, landscapes and city scenes, during his lifetime Vincent van Gogh believed that his portraits constituted his most important works. Although as an artist he was ‘touched by so many different things’, he was nevertheless committed to the art of portraiture – a quality that distinguished him from his contemporaries. Van Gogh was passionate in his avoidance of bland, photographic resemblances, in the hope of capturing the essential character of his models by means of expressive colour and brushwork. Showcasing a dramatic set of portraits created during Van Gogh’s ten-year career, this book reflects the strong visual impact with which the artist captured the diversity of contemporary life. In his many portraits, we can discern the artist’s desire to record expressively a number of themes, from the plight of the agricultural workers in his native Brabant and the destitution of prostitutes and their children in urban Europe, to the lives of his cosmopolitan acquaintances in Paris, including café owners and art dealers. It was here that he began his remarkable sequence of self-portraits. With reference to Van Gogh’s extensive correspondence, Skea elaborates how the artist perceived his chosen subjects as would a writer, and how he felt that his portraits should somehow evoke what he considered to be the spiritual underpinning of human existence Table of Contents Introduction: ‘And painted portraits have a life of their own that comes from deep in the soul of the painter…’ • 1. The Netherlands • 2. Paris • 3. Arles • 4. Saint-Rémy-deProvence • 5. Auvers-sur-Oise • Sources of Quotations, Further Reading

This sumptuous book is not a reference work, nor it is simply a collection of beautiful flowers. It is the product of a longstanding collaboration between renowned flower artist Makoto and botanical photographer Shunsuke Shiinoki. Working together, they have selected hundreds of plant species and arranged them in striking combinations that could never exist in the natural world, so creating a unique floral aesthetic. The result is a series of dense, luxuriant images, rich in colour and texture, in which nature and artifice are skilfully mingled. The four chapters are themed according to the cycle of the seasons: the freshness and new life of spring, the exuberance and abundance of summer, the fading grandeur of autumn and the deepening shadows of winter. Recalling the opulent still-life paintings of the 17th century, the photographs not only capture the surface beauty of the flowers, but suggest the burgeoning life brimming within them as well as its transience. From the sensuality of opening petals to the unfurling elegance of fern fronds, these gorgeous displays are vividly preserved in a meditative and inspirational book that will enchant all lovers of nature and art. Table of Contents Foreword by Hideto Fuse • Introduction by Mokoto Azuma • 1. The Season of Birth 2. The Season of Flourish • 3. The Season of Maturity • 4. The Season of Silence List of Works

Only 16% of the most recent Venice Biennale artists were female. A mere 14% of MoMA’s 2016 display is by non-white artists. Only one third of artists represented by US galleries are female, but over two-thirds of the enrolment in art and art-history programmes is young women… The fight for gender and race equality in the art world is far from over. Indeed, the more closely one examines the numbers, the more glaring it becomes that white, Euro-American, heterosexual, privileged and, above all, male artists continue to dominate the art world. Arranged in thematic sections focusing on feminism, race and sexuality, this book examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Nochlin’s ‘Women Artists’ at the LACMA in the mid-1970s to Martin’s ‘Carambolages’ in 2016 at the Grand Palais in Paris. By exposing both the disparities and inclusive solutions, the author addresses the urgent need in the contemporary art world for curatorial strategies that provide alternatives to exclusionary models of collecting and display. In so doing, she provides an invaluable source of information for current thinkers and, in a world dominated by visual culture, a vital source of inspiration for today’s ever-expanding new generation of curators. Table of Contents Foreword • Preface • 1. What is Curatorial Activism? • 2. Resisting Masculinism and Sexism • 3. Tackling White Privilege and Western-Centrism • 4. Challenging Heterocentrism and Lesbo-Homophobia • 5. A Call to Arms: Strategies for Change

Growing numbers of us work not only from home, but from anywhere; job flexibility has become a key requirement for employers and workers alike. This, in turn, has created new challenges for architects and designers – many of whom themselves start out working from home – who are tackling demand head on with innovative solutions that allow clients to transform their spaces to suit a wide range of needs, from multifunctional studios to homes that seamlessly combine work and family life. Divided into five thematic sections, this book explores the exciting variety of ways that the workplace can be integrated into the domestic environment. From stand-alone multifunctional furniture to mobile room dividers and dynamic solutions that fold out or pop up to create new work areas, each design addresses the unique needs of the space, client and working practices for which it was required, and tackles new questions about the rapidly evolving relationship between work and domestic life in the 21st century. This essential and timely resource for homeworkers and practitioners offers fresh ideas for how to strike the perfect balance between living and working at home.

Once upon a time a boy called Paul lived in a treehouse with his mother and father. One day a fox appeared in Paul’s life – and when a fox comes into your life, Anything can happen. This sensitive story about friendship, dreams and happiness was written by Evelina Daciute and illustrated by Ausra Kiudulaite. It tells the story of Paul and the fox, whom he encounters one day when out buying bread for the family, and how their relationship begins, develops and shifts as life forces change on them both. The book’s themes are friendship, change, loss and the importance of seeking happiness in the little things of life

This entertaining and fact-packed guide provides all the information you’ll need to travel back in time to Elizabethan London – a booming city of courtiers, cutthroats, merchants, beggars, lawyers, dramatists, apprentices and adventurers. Find out the best way to the capital and where to stay. Saunter over London Bridge, with its hundreds of shops and houses. Glimpse Her Majesty at Whitehall, Europe’s largest palace. Watch the finest plays and players at the Rose Theatre, and marvel at the bustle of business in the Royal Exchange. Go down to Greenwich to stand on the deck of the Golden Hind, the ship that Sir Francis Drake sailed around the world. This intriguingly addictive guide provides all you need to know to sightsee, shop and meet the famous in the capital of a nation stirring to greatness. Table of Contents Preparing for your Visit • Getting There, Settling In • Londoners • The Inner Man – and Woman • Law and Order • Meet Famous Elizabethans • Shopping • Celebrations • Entertainment • Must-See Sights • Away Days

Here is an informative and entertaining guide to everything that any tourist needs for a journey back in time to ancient Rome in AD 200. You need only pack your imagination and a toothbrush – this guide provides the rest, describing all the best places to stay and shop, what to do, and what to avoid. Brought to life with wonderful computergenerated reconstructions of ancient Rome, this highly original, witty book will appeal to tourists, armchair travellers and history buffs. Table of Contents 1. Getting There: Puteoli, Hitting the Road • 2. The Environs of Rome:Villas, Aqueducts, Necropolises, The Pomerium, Walls and Gates • 3. Settling In – Where to Stay: The Seven Hills, Types of Accommodation, Sanitary Facilities, Medical Emergencies, What to Wear, Food) • 4. Out and About: Dining Out, Meeting People, Roman Names, The Social Order, Slaves, Family • 5. Shopping: Where to Shop, Changing Money, What to Buy, Aediles • 6. Law and Order: Praetorians, Urban Cohorts, Vigiles, Law Courts, Prison, Punishment • 7. Entertainment: Colosseum, Circus Maximus, Theatre, Brothels • 8. Religion: Temples to Visit, Religious Festivals • 9. Must-See Sites: The Forum of the Romans, The Arch of Titus, The Imperial Forums, The Forum of Augustus, Later Forums, Triumphal Columns, The Tomb of St Peter, The Baths • 10. Roman Walks: The Palatine, Along the Tiber, The Campus Martius

England's Forgotten Past : The Unsung Heroes and Heroines, Valiant Kings, Great Battles and Other Generally Overlooked Episodes in Our Nation's Glorious History