Thames & Hudson strana 57 z 126

Anyone can create a beautiful home by foraging, and salvaging what they find. Whether a box of rusty nails or a disused armchair missing a leg, discarded objects can be restored, recycled or repurposed to fill the home with personal style. Artful interiors are born from curiosity, creativity and imagination, yet many of us fail to see a potential curtain rail in a bamboo stick or a hidden kitchen worktop in an old carpenter's bench - let alone knowing where to find such objects. Presenting the techniques and philosophies of a wide spectrum of experienced foraging homeowners, this book showcases unexpected and inspiring interiors from all over the world, from an upturned boat in France to an Australian beach house. Such diverse locations each demand a different approach to foraging and, as a result, each home has a distinct sense of style. In an era when self-sufficiency, living off grid and saving our planet have never been more important or appealing, The Foraged Home will provide guidance and inspiration for all those looking to go beyond the world of mass-produced flat-packs.

The body remains a battleground. Politicized, conceptualized and increasingly shared, our often-paradoxical relationship with the human form is nothing new, but finds itself heightened in the digitised, virtualised era of the `post-industrial' body. No longer a tool but a work-in-progress, our bodily expectations bound from fantasy to reality, beauty to tyranny, art to commerce and curiosity to obsession, leaving us dreaming of other bodies and alternate lives. Surveying a range of over 360 photographic re-presentations from the worlds of art, fashion, scientific and vernacular photography - including the work of Nobuyoshi Araki, Bettina Rheims, Lauren Greenfield, Viviane Sassen, Cindy Sherman, Wolfgang Tillmans, Daido Moriyama, Sally Mann, Pieter Hugo and Juergen Teller, Solve Sundsbo and Daniel Sannwald - Body: The Photography Book explores what our imaging of the human form, and the ways in which those images have been used and shared, might reflect of our relationship to the body. Supporting the broad range of photography is a foreword by a cultural critic, and an essay by the acclaimed psychologist Professor David Sander, PhD., discussing the neurological representation of our own bodies.

Jewels and Jewellery surveys splendid early medieval pieces and superb examples of Renaissance, Arts and Crafts, Art Nouveau and 21st-century jewellery. Exquisitely detailed photography reveals both rare and precious stones as well as the elaborate techniques of the jeweller's craft such as chasing, enamelling and cameo. Claire Phillips considers the history of Western jewellery in three parts, first exploring the materials used by jewellers, then turning to the development of styles in jewellery from the Middle Ages to today, before exploring the ways in which jewellery has been hallmarked, distributed and worn over recent centuries. The book concludes with a glossary, bibliography and list of key designers. Showcasing pieces by Cartier, Tiffany and Liberty, this beautiful volume is the ultimate guide to the history of Western jewellery.

August Sander (1876-1964) was a documentary photographer whose greatest project lasted his entire working life. His series of portrait studies of the German people spanned three eras - the German Empire, the Weimar Republic and Nazi Germany - and every social class, combining to form a fascinating social mirror of the country over a tumultuous period in its history. Working with calm determination, Sander cast the same lucid eye on bankers and boxers, soldiers and circus performers, creating strikingly honest images that fulfil his sole ambition: to tell the truth about humanity.

Focusing on fifty diverse women artists, from Lavinia Fontana and Artemisia Gentileschi through Judy Chicago, Ana Mendieta and the Guerrilla Girls to Barbara Kruger, Cindy Sherman and Louise Bourgeois, this book equips the reader with a general understanding of the history of art by women, as well as an appreciation of its most outstanding figures. Traditionally women have been among art's favoured objects of representation, while their contributions as art producers have been subordinated to those of men. This book documents women artists in context to offer readers an accessible but rich understanding of key female artists from the Baroque to the present day.

Bauhaus Goes West is a story of cultural exchange - between the Bauhaus emigres in the years following the school's closure in 1933 and the countries to which they moved, focusing in particular on Britain. Taking as its starting point the cultural connections between the UK and Germany in the early part of the 20th century, the book offers a timely re-evaluation of the school's influence on and relationship with modern art and design in Britain, concluding with the school's American legacy. Following the closure of the Bauhaus in 1933, teachers and students found new opportunities in Britain and the United States. Among them were Walter Gropius, Marcel Breuer and Laszlo Moholy-Nagy, who simultaneously spent time in London before moving to America, an episode often overlooked but freshly explored here in the context of the interaction between German Modernism and British-based design reform from 1900. Other Bauhaus-trained artists - women as well as men - stayed in the UK and made important contributions into the 1960s. In America, Mies van der Rohe and Josef and Anni Albers had significant late careers, but, over time, the Bauhaus became a shorthand for Modernism's failure. Now, the centenary of the school's founding provides a key opportunity to reconsider how its values emerged and were contested both during its lifetime and beyond.

A member of the celebrated Magnum agency, Richard Kalvar has spent more than four decades building up a diverse body of work that is characterized by a finely honed sense of observation. Born in Brooklyn, New York, in 1944, he has travelled all over the world, capturing fleeting details and moments of absurdity. His images suggest glimpses into untold stories, reflecting an idiosyncratic approach to the act and practice of photography.

Surrealism was launched as a literary and artistic movement by French poet Andre Breton in 1924, and by the time of his death in 1966 had become one of the most popular art movements of the 20th century. Its very name has entered everyday usage as a synonym for bizarre. Taking the reader on a narrative journey through the history of Surrealism, this book is a digestible introduction to the movement's key figures, their works and where to find them. Complete with a glossary of key terms and chronology, this new addition to the Art Essentials series provides an indispensable resource for anyone interested in learning about this most influential of art phenomena.

Bauhaus Imaginista is a major international project marking the centenary of this fascinating and popular school, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life, and was active in the fields of architecture, performance, design and visual art. Its original teachers included such renowned figures as Paul Klee, Wassily Kandinsky, Laszlo Moholy-Nagy and Josef Albers. Placing a rare emphasis on the international dissemination and reception of the Bauhaus, this book accompanies a touring exhibition, and presents four chapters that extend from Bauhaus education to the school's diverse history beyond Europe. Rethinking the Bauhaus school from a global perspective, it sets the school's entanglements against a century of geopolitical change. The reader is taken to art and design museums, campus galleries and art institutes in India, Japan, China, Russia, Brazil and the United States, as well as Berlin.

A little boy has a problem with his dragon: he's no longer able to breathe fire. What to do? How on earth do you rekindle a despondent dragon's flame? The little boy tries shaking him by his tail, and jumping on his belly, and tickling his legs... No joy. How about goading him somehow? - make him angry, fuel his jealousy... Still no luck. Maybe sticking false flames on the side of his face would work - but, no, that makes it all worse. Much, much worse. Now the dragon's downright depressed. Oh no! He decides that he'll just have to tell him that he loves him just the way he is, even though he can't breathe fire, and that he will always be his dragon - and plants a big fat kiss on his cheek. What do you think happens next?

The past sixty years have witnessed astonishing bursts of growth in the field of Artificial Intelligence - the science and computational technologies that teach machines to sense, learn, reason and take action. AI is already changing our lives, in ways that benefit health, productivity and entertainment. Are we on the threshold of an AI-dominated world, in which humans will no longer be necessary?

Today's discerning traveller is looking not merely for luxury but for a unique experience. But in this age of low-cost flights and easy travel, how do you avoid the crowds and find the hidden gems? Not via sponsored search results or thousands of indistinguishable reviews, that's for sure. What you need is on-the-ground, in-person, tried-and-trusted knowledge. In this new guide to Italy, Herbert Ypma surprises and delights with his unequalled eye for detail and his unerring ability to judge what makes the difference between a good experience and a truly memorable one. The eighty-five experiences and tips that he maps out across the length and breadth of Italy fall into four key categories. `Staying in Character' features thirty-five places to stay, from the grand to the eccentric, all embodying the soul and character of their setting - whether it's sleeping next to a sloshing canal in Venice, dozing under the plume of Etna's active volcano or experiencing monastic silence over dinner in Umbria. `Eclectic Experiences' surveys twenty stand-out experiences, from jumping off the cliffs near Otranto to swimming the walls of Dionysius in Ortigia, and from exploring the forgotten farmland of Sicily's interior to finding the best gelati in Rome. `Legend for Lunch' points you in the direction of the most authentic places to eat, and `Convincing Context' surveys twenty experiences enhanced by nuggets of history. Together they amount to a new map of authentic Italian experiences, making this the must-have 21st-century guide for the world's most exacting traveller.

Modern medicine is exceptionally powerful, and has achieved unprecedented successes. But it comes at a price; individuals suffer from medicine's failures, and the economic costs of medicine are now stratospheric. Have we got the balance wrong? Is Medicine Still Good For Us? sets out the facts about our medical establishments in a clear, engaging style, interrogating the ethics of modern practices and the impact they have on all our lives.

Edvard Munch (1863-1944) is best known today as a painter, but his reputation was in fact established through his prints, which were central to his creative process. His printmaking was experimental and innovative, and he continually revisited the subjects of his paintings in striking prints, in which he evoked a wide range of emotion and mood through the use of varied techniques. Munch's early life in the industrial town of Kristiania (renamed Oslo in 1925) was marked by sickness and poverty. His first works centred on the expression of deep emotional experiences, specifically the deaths of his mother and teenage sister when he was growing up, as well as passionate yet unhappy love affairs of which his deeply religious father disapproved. Encouraged by his encounters with a Bohemian society of artists, writers and poets, he developed a visual landscape that was a radical deviation from the slick society portraits and grand Scandinavian landscapes then so much in vogue. His efforts attracted considerable attention and much criticism, and he practised with little financial success as a painter for ten years before he started to gain his reputation as a profoundly innovative printmaker. Written by a team of acknowledged experts, and with an interview by writer Karl Ove Knausgaard, this book will shed new light on the production of some of Munch's most remarkable works.

Over the past twenty years, the study of dinosaurs has changed from natural history to a true scientific discipline. New technologies have revealed secrets locked in the prehistoric bones in ways that nobody predicted - we can now work out the colour of dinosaurs, their bite forces, top speeds, and even how they cared for their young. Remarkable new fossil finds, such as giant sauropod dinosaur skeletons from Patagonia, dinosaurs with feathers from China, and even a tiny dinosaur tail in Burmese amber - complete down to every detail of its filament-like feathers, skin, bones, and mummified tail muscles - have caused media sensations. New fossils are the lifeblood of modern palaeobiology of course, but it is the advances in technologies and methods that have allowed the revolution in the scope and confidence of the field. Dinosaurs Rediscovered gathers together all the latest palaeontological evidence and takes us behind the scenes on the expeditions and in museum laboratories, tracing the transformation of dinosaur study from its roots in antiquated natural history to a highly technical, computational, and indisputably scientific field today. Benton explores what we know of the world of the dinosaurs, how dinosaur remains are found and excavated, and especially how palaeontologists read the details of the life of the dinosaurs from the fossils - their colours, their growth, feeding and locomotion, how they grew from egg to adult, how they sensed the world, and even whether we will ever be able to bring them back to life. Dinosaurs are still very much a part of our world.

This essential publication reintroduces the importance of learning to `see by hand', to visualize large-scale design schemes and explain them through drawing, before using the digital tools that are so crucial to efficient and cost-effective building solutions. Combining traditional drawing techniques with those from CAD rendering, Drawing for Landscape Architecture guides practitioners from their very first impression of a site, through concept and schematic design and client presentation to construction and site drawings, concluding with two case studies that show the final result. Just as hand-drawing returns to design courses around the world, this welcome publication celebrates the best aspects of traditional techniques while incorporating them into today's digital design methods.