Thames & Hudson strana 57 z 126

Why is a flamingo pink? Can a parrot talk? Is a bald eagle really bald? This follow-up to the hugely successful The Big Book of Bugs, The Big Book of Beasts and The Big Book of the Blue answers these questions and many more. It opens with introductory spreads explaining how to recognize different bird's eggs, the bird family tree, why different species of birds have different beaks and feathers, and why some birds migrate and travel vast distances every year. Subsequent spreads, illustrated with various habitats, are dedicated to specific varieties of bird, including hummingbirds, peacocks, flamingos, bald eagles, secretary birds, albatrosses and red-crowned cranes. Some will teach children how to spot different birds within a specific variety, for example how to differentiate the American robin from the European robin. Others explore bird habitats, for example showing how birds adapt to live in cities. Finally, the book invites young bird spotters to protect birds where they live and make their gardens bird friendly. This is a big, beautiful book to look at again and again.

Architect and designer Michael Embacher's unique collection of more than 250 bicycles, the only one of its kind, was lovingly collected over many years and exhibited around the world. This new compact edition of Cyclepedia offers an expanded selection of Embacher's finest, most unusual and most coveted pieces, despite the fact that the collection is no longer intact. With a foreword by design guru Paul Smith and a history of bicycle design by Michael Zappe and Martin Strubreiter, this homage to the beauty of two wheels is a celebration of the fastest, lightest, most innovative - and most inventive - bicycles designed over the past century. This stunning, carefully curated selection features some of the rarest, most beautiful and most sought-after bicycles from around the world, including classic racing bikes from the Tour de France, high-tech machines that employ the latest advances in materials science, and eccentric bikes designed for unusual uses. With a redesigned layout that makes the most of Bernhard Angerer's colourful photography, this edition features ten new bicycles from Embacher's collection, including designs from Alex Singer, Alan, Textima and Puch. Published in a new and more accessible compact format, Cyclepedia is a cornucopia of all that bicycle design has to offer, the ultimate gift for cycling enthuasiasts everywhere.

One of the most compelling and controversial figures in history, Akhenaten has captured the imagination like no other Egyptian pharaoh. Known today as a heretic, Akhenaten sought to impose upon Egypt and its people the worship of a single god - the sun - and in so doing changed the country in every way. In this immensely readable re-evaluation, Nicholas Reeves takes issue with the existing view of Akhenaten, presenting an entirely new perspective on the turbulent events of his seventeen-year reign. Reeves argues that, far from being the idealistic founder of a new faith, Akhenaten cynically used religion for purely political ends in a calculated attempt to reassert the authority of the king. Backed up by abundant archaeological and documentary evidence, Reeves's closely written narrative also provides many new insights into questions that have baffled scholars for generations - the puzzle of the body in Tomb 55 in the Valley of the Kings; the fate of Nefertiti, Akhenaten's beautiful wife, and the identity of the mysterious successor, Smenkhkare; and the theory that Tutankhamun, Akhenaten's son and true heir, was murdered.

In the course of a career spanning more than fifty years, Posy Simmonds has become one of Britain's best-known satirical cartoonists. She is also as a much-loved author and artist of widely translated children's books and graphic novels. These include Fred, animated in 1996 into the Oscar-nominated short film Famous Fred, and Gemma Bovery and Tamara Drewe, both adapted into films, increasing her international fame. Simmonds once described her job on a census form as `a visual engineer'. Her extraordinary precision of drawing, her powers of observation and her sharp but welltempered wit have made her one the Britain's most sophisticated innovators, renowned especially for expanding the scope and subtlety of comics. This is the first book to explore Simmonds's life and work from her early childhood to the present day. In a series of interviews with Paul Gravett she offered insights into her creative process and provided unprecedented access to her `workroom' and archives containing sketchbooks and rare or never-before-seen artworks. A portrait emerges of Posy Simmonds as a chronicler and critic of contemporary British society and a storyteller in words and pictures of rare perception and humanity.

The body remains a battleground. Politicized, conceptualized and increasingly shared, our often-paradoxical relationship with the human form is nothing new, but finds itself heightened in the digitised, virtualised era of the `post-industrial' body. No longer a tool but a work-in-progress, our bodily expectations bound from fantasy to reality, beauty to tyranny, art to commerce and curiosity to obsession, leaving us dreaming of other bodies and alternate lives. Surveying a range of over 360 photographic re-presentations from the worlds of art, fashion, scientific and vernacular photography - including the work of Nobuyoshi Araki, Bettina Rheims, Lauren Greenfield, Viviane Sassen, Cindy Sherman, Wolfgang Tillmans, Daido Moriyama, Sally Mann, Pieter Hugo and Juergen Teller, Solve Sundsbo and Daniel Sannwald - Body: The Photography Book explores what our imaging of the human form, and the ways in which those images have been used and shared, might reflect of our relationship to the body. Supporting the broad range of photography is a foreword by a cultural critic, and an essay by the acclaimed psychologist Professor David Sander, PhD., discussing the neurological representation of our own bodies.

The art of the past can seem very far away, obscured both by time and by knotty academic theory. Foregrounding the experience of the contemporary viewer, Look Again shows how this need not be the case. Ossian Ward's simple, ten-step programme acts as an aid to looking, breaking down the often obscure strategies of the Old Masters into intuitive categories - from Art as Honesty to Art as Vision. Look Again's novel approach is influenced by John Berger's Ways of Seeing, but is here updated for the art world of the 21st century. Key to this book is an emphasis on ways of experiencing Old Masters - more than just looking. Just as contemporary art should be judged by how it moves us, cajoles us and envelops us, so too can the great paintings of the world be seen as immersive, captivating, even participatory experiences. Ward does not deny the specific complexities and barriers associated with looking at art from other eras. Instead he offers readers a new formula to help illuminate this kind of art. His method not only provides the viewer with the tools to interpret a work of art, but also assumes that we hold some of this knowledge within ourselves already. In other words, everyone can share the enriching experience of Old Master paintings.

Anyone can create a beautiful home by foraging, and salvaging what they find. Whether a box of rusty nails or a disused armchair missing a leg, discarded objects can be restored, recycled or repurposed to fill the home with personal style. Artful interiors are born from curiosity, creativity and imagination, yet many of us fail to see a potential curtain rail in a bamboo stick or a hidden kitchen worktop in an old carpenter's bench - let alone knowing where to find such objects. Presenting the techniques and philosophies of a wide spectrum of experienced foraging homeowners, this book showcases unexpected and inspiring interiors from all over the world, from an upturned boat in France to an Australian beach house. Such diverse locations each demand a different approach to foraging and, as a result, each home has a distinct sense of style. In an era when self-sufficiency, living off grid and saving our planet have never been more important or appealing, The Foraged Home will provide guidance and inspiration for all those looking to go beyond the world of mass-produced flat-packs.

The body remains a battleground. Politicized, conceptualized and increasingly shared, our often-paradoxical relationship with the human form is nothing new, but finds itself heightened in the digitised, virtualised era of the `post-industrial' body. No longer a tool but a work-in-progress, our bodily expectations bound from fantasy to reality, beauty to tyranny, art to commerce and curiosity to obsession, leaving us dreaming of other bodies and alternate lives. Surveying a range of over 360 photographic re-presentations from the worlds of art, fashion, scientific and vernacular photography - including the work of Nobuyoshi Araki, Bettina Rheims, Lauren Greenfield, Viviane Sassen, Cindy Sherman, Wolfgang Tillmans, Daido Moriyama, Sally Mann, Pieter Hugo and Juergen Teller, Solve Sundsbo and Daniel Sannwald - Body: The Photography Book explores what our imaging of the human form, and the ways in which those images have been used and shared, might reflect of our relationship to the body. Supporting the broad range of photography is a foreword by a cultural critic, and an essay by the acclaimed psychologist Professor David Sander, PhD., discussing the neurological representation of our own bodies.

Jewels and Jewellery surveys splendid early medieval pieces and superb examples of Renaissance, Arts and Crafts, Art Nouveau and 21st-century jewellery. Exquisitely detailed photography reveals both rare and precious stones as well as the elaborate techniques of the jeweller's craft such as chasing, enamelling and cameo. Claire Phillips considers the history of Western jewellery in three parts, first exploring the materials used by jewellers, then turning to the development of styles in jewellery from the Middle Ages to today, before exploring the ways in which jewellery has been hallmarked, distributed and worn over recent centuries. The book concludes with a glossary, bibliography and list of key designers. Showcasing pieces by Cartier, Tiffany and Liberty, this beautiful volume is the ultimate guide to the history of Western jewellery.

August Sander (1876-1964) was a documentary photographer whose greatest project lasted his entire working life. His series of portrait studies of the German people spanned three eras - the German Empire, the Weimar Republic and Nazi Germany - and every social class, combining to form a fascinating social mirror of the country over a tumultuous period in its history. Working with calm determination, Sander cast the same lucid eye on bankers and boxers, soldiers and circus performers, creating strikingly honest images that fulfil his sole ambition: to tell the truth about humanity.

Focusing on fifty diverse women artists, from Lavinia Fontana and Artemisia Gentileschi through Judy Chicago, Ana Mendieta and the Guerrilla Girls to Barbara Kruger, Cindy Sherman and Louise Bourgeois, this book equips the reader with a general understanding of the history of art by women, as well as an appreciation of its most outstanding figures. Traditionally women have been among art's favoured objects of representation, while their contributions as art producers have been subordinated to those of men. This book documents women artists in context to offer readers an accessible but rich understanding of key female artists from the Baroque to the present day.

Bauhaus Goes West is a story of cultural exchange - between the Bauhaus emigres in the years following the school's closure in 1933 and the countries to which they moved, focusing in particular on Britain. Taking as its starting point the cultural connections between the UK and Germany in the early part of the 20th century, the book offers a timely re-evaluation of the school's influence on and relationship with modern art and design in Britain, concluding with the school's American legacy. Following the closure of the Bauhaus in 1933, teachers and students found new opportunities in Britain and the United States. Among them were Walter Gropius, Marcel Breuer and Laszlo Moholy-Nagy, who simultaneously spent time in London before moving to America, an episode often overlooked but freshly explored here in the context of the interaction between German Modernism and British-based design reform from 1900. Other Bauhaus-trained artists - women as well as men - stayed in the UK and made important contributions into the 1960s. In America, Mies van der Rohe and Josef and Anni Albers had significant late careers, but, over time, the Bauhaus became a shorthand for Modernism's failure. Now, the centenary of the school's founding provides a key opportunity to reconsider how its values emerged and were contested both during its lifetime and beyond.

A member of the celebrated Magnum agency, Richard Kalvar has spent more than four decades building up a diverse body of work that is characterized by a finely honed sense of observation. Born in Brooklyn, New York, in 1944, he has travelled all over the world, capturing fleeting details and moments of absurdity. His images suggest glimpses into untold stories, reflecting an idiosyncratic approach to the act and practice of photography.

Surrealism was launched as a literary and artistic movement by French poet Andre Breton in 1924, and by the time of his death in 1966 had become one of the most popular art movements of the 20th century. Its very name has entered everyday usage as a synonym for bizarre. Taking the reader on a narrative journey through the history of Surrealism, this book is a digestible introduction to the movement's key figures, their works and where to find them. Complete with a glossary of key terms and chronology, this new addition to the Art Essentials series provides an indispensable resource for anyone interested in learning about this most influential of art phenomena.

Bauhaus Imaginista is a major international project marking the centenary of this fascinating and popular school, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life, and was active in the fields of architecture, performance, design and visual art. Its original teachers included such renowned figures as Paul Klee, Wassily Kandinsky, Laszlo Moholy-Nagy and Josef Albers. Placing a rare emphasis on the international dissemination and reception of the Bauhaus, this book accompanies a touring exhibition, and presents four chapters that extend from Bauhaus education to the school's diverse history beyond Europe. Rethinking the Bauhaus school from a global perspective, it sets the school's entanglements against a century of geopolitical change. The reader is taken to art and design museums, campus galleries and art institutes in India, Japan, China, Russia, Brazil and the United States, as well as Berlin.

A little boy has a problem with his dragon: he's no longer able to breathe fire. What to do? How on earth do you rekindle a despondent dragon's flame? The little boy tries shaking him by his tail, and jumping on his belly, and tickling his legs... No joy. How about goading him somehow? - make him angry, fuel his jealousy... Still no luck. Maybe sticking false flames on the side of his face would work - but, no, that makes it all worse. Much, much worse. Now the dragon's downright depressed. Oh no! He decides that he'll just have to tell him that he loves him just the way he is, even though he can't breathe fire, and that he will always be his dragon - and plants a big fat kiss on his cheek. What do you think happens next?