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On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live. With 142 illustrations in colour

There's no doubt about it: whether you're a newbie or a dab hand, drawing can often be daunting. That's why cartoons are the best place to start! From the co-creator of the best-selling Hirameki: Draw What You See comes a stylish yet playful approach to drawing cartoons, designed to excite even the most tentative artists. Over several decades teaching in schools and art colleges, Austrian cartoonist Peng has developed expert knowledge of the building blocks of drawing and sketching. As he shows, creativity can come from anywhere. Entire sketches can spring up from the simplest lines or curves. Even found objects can spark brilliance - who knows, maybe a stone or leaf could provide the next flash of inspiration! Peng's easy-to-follow guide inspires confidence and creativity by showing how even complete novices can quickly learn how to draw characters and develop their own individual style. Starting with the basics of figure construction and moving through to expression, movement and animals, the artist conjures up delightful cartoons with wicked humour and a lightness of touch. Simple tips and exercises reveal how anyone and everyone can master the art of drawing, encouraging the reader to experiment with a variety of techniques executed through brush, pencil and pen. Don't be afraid of drawing, concludes Peng, in this enjoyable and addictive starter book - you make the rules.

Henri Cartier-Bresson was 'the eye of the 20th century' and one of the world's most acclaimed photographers. Paris was his home, on and off, for most of his life (1908-2004). The photographs he took of the city and its people manage to be both dreamlike and free of affectation. Here are around 160 photographs taken over a more than fifty-year career. Mostly in black and white, this selection reveals the strong influence on Cartier-Bresson of pioneering documentary photographer Eugene Atget (1857-1927), and the clear visual links with Surrealism that infused Cartier-Bresson's early pictures. After an apprenticeship with Cubist painter Andre Lhote, in 1932 Cartier-Bresson bought his first Leica, a small portable camera that allowed him to capture movement and the rhythms of daily life in Paris. Cartier-Bresson observed from close quarters the Liberation in August 1944 and the civil disturbances of May 1968. In between he also succeeded in capturing the faces of Parisians in their natural habitat, celebrated artists and writers and citizens alike. Ever-attentive to different ways of portraying the city around him, Cartier-Bresson returned to drawing during the last two decades of his life. This collection is not only a superb portrait of Paris in the 20th century, it is testament to Cartier-Bresson's skill as a supreme observer of human life.

Since founding his studio fuseproject in 1999, Yves Behar has redefined the role of the designer, expanding his work to encompass client commissions alongside public-sector work and entrepreneurial engagements. In doing so, Behar has produced groundbreaking, award-winning designs that have had a positive impact on the well-being of people in developing countries and impoverished communities, creating everything from laptops and spectacles for children to stylish electronics. His clients have included MIT Media Lab, BMW, Microsoft, Swarovski and many more. A comprehensive retrospective of Behar's twenty-year career, this book presents his work in topical thematic chapters - 'Reducing', 'Sensing', 'Transforming', 'Giving', 'Humanizing' and 'Scaling' - and explores over sixty projects in detail, through text descriptions, sketches and exquisite studio photography. Offering thorough and sometimes personal insights into the conception, process and production of some of the most recognized pieces of contemporary design, this monograph illuminates the designer's particular fusion of creativity and commercial savvy, as well as his studio's expertise in combining the latest Silicon Valley technologies with social responsibility and business acumen. With 730 illustrations in colour

The Young British Artists (YBAs) stormed on to the contemporary art scene in 1988 with their attention-grabbing, ironic art, exploding art-world conventions with brazen disdain. Dismissed as trivial gimmickry and praised for its witty energy, their art made a mark both on the art scene and on public consciousness that continues to reverberate today. Artrage! tells the raucous story of the YBAs, chronicling the group's rise to prominence from the landmark show 'Freeze' curated by Damien Hirst, through their 1990s heyday and the notorious 'Sensation' exhibition, to the Momart fire of 2004 that seemed to symbolize the group's fading from centre stage. The book ends with an update on the artists' careers and fortunes. Drawing on interviews with all the key BritArt players and extensive archival research, Elizabeth Fullerton examines the individual characters, their relationships to one another, crucial events and seminal artworks, considering, too, the political, economic and artistic context of those years. Plentiful quotations bring out the distinctive personalities and provide fresh insights into the people and the period. Among the artists discussed are Damien Hirst, Rachel Whiteread, Tracey Emin, Jake and Dinos Chapman, Sarah Lucas and Gary Hume. With 29 illustrations

Brooklyn-born photographer Helen Levitt (1913-2009) was an assistant to Walker Evans and a friend of Henri Cartier-Bresson, but forged her own path with fierce independence and endless curiosity about the world around her. She is best known for her street photography, capturing children at play on the streets of Depression-era New York and chalk drawings on walls, but she also cast her eye upon the adult world, seeking out moments of movement, transience and theatricality. Following her first solo exhibition at MoMA in 1943, she devoted more than a decade to filmmaking, but returned to photography in the late 1950s and began to work in colour as well as black and white. Lyrical and witty, her images reveal the streets of New York as flowing with life and unexpected poetry. With 68 illustrations

From the turn-of-the-century S-bend silhouette to celebrity couture of the new millennium and the evolution of streetwear, this comprehensive survey explores significant developments in fashion from 1900 to the present day. Fashion historians Amy de la Haye and Valerie Mendes focus on key movements and innovations in style, and explore trends through the work of some of the world's most original and influential designers and couturiers. Chapters are organized around crucial shifts in tastes and major world events, and exciting advances in fashion are placed within their socioeconomic, political and cultural contexts. International in scope with colour illustrations throughout, this edition includes updated text as well as a new chapter that discusses some of the defining features of fashion in our time: the industry's proactive embrace of age, gender and race diversity, and its ongoing efforts to combat labour exploitation and encourage global sustainability. With 315 illustrations in colour

The history of selling sex is a hidden one, its practitioners a 'damnable crew' pushed to the margins of history. Harlots, Whores & Hackabouts redresses the balance, revealing the history of sex for sale, from medieval back street to Wild West saloon, and from the brothel to state bedroom. This enthralling history is brought to life by Kate Lister's witty and authoritative text, and illuminated by a rich archive of photographs, artworks and objects. Structured thematically in broadly chronological order, the book introduces a lively cast of complex and entertaining characters operating in an array of different periods and settings. The Mesopotamian harlot Shamhat was powerful and respected, able to civilize the wild man Enkidu through her charms. In medieval London Elizabeth Moryng serviced clergy under the guise of an embroidery business, though was eventually jailed for being a prolific procuress and bawd. In Renaissance Venice the courtesan Veronica Franco published her poetry, rubbed shoulders with royalty and founded a charity for other courtesans. In the hedonistic floating world of Edo, Japan, kabuki actresses and then geishas entertained and pleasured their patrons. Three men were hanged in 18th-century London for buggery after being found in the Molly House of Margaret Clap. And at the turn of the century, in New Orleans, Lulu White ran Mahogany Hall, a four-storey building that housed up to forty sex workers. Lister's illuminating tales invite readers to look, listen and reconsider everything they thought they knew about the world's oldest profession. With 450 illustrations in colour

This ambitious publication, now revised and expanded, dissects fifty-five modern masterpieces through specially commissioned freehand drawings that reveal the principles and details of what makes a building meaningful and enduring. Covering six continents, and ranging from residences to opera houses, influential buildings of the past seven decades are analysed through detailed consideration of their key characteristics - site and surroundings, space and massing, programme and circulation, fenestration and use of natural light - to give an insight into how each design works as a cohesive whole. Appealing to architects, students and everyone who appreciates great buildings, The Elements of Modern Architecture is an essential reference and inspiration for generations to come.

The National Portrait Gallery, the National Gallery and the Royal Academy all saw either radical architectural interventions or rethinks of their mission under Charles Saumarez Smith's leadership, making him uniquely qualified to explore the ways in which art museums have changed over the past century and examine where they might be headed in the future. For this book, Saumarez Smith has undertaken an odyssey to art museums across the globe. From Tate Modern in London to the Benesse House Museum on the Japanese island of Naoshima; from the Getty Center in Los Angeles to the Museum of New and Old Art, a ferry-ride from Hobart in Tasmania; from the Pompidou Centre in Paris to the West Bund Museum in Shanghai - he has visited them all, casting an acute eye on the way the experience of art is shaped by the buildings that house it and the organizing principles by which it is displayed. What has changed over the past century? Where the public once visited museums to be educated in art history, he argues, they are now more likely to be in search of a private, aesthetic experience. Museum displays that were automatically didactic, chronological and either national or Western in viewpoint are now thematic and global. While museums used to be invariably in city centres, they may now be in remote locations, destinations of cultural pilgrimage. And where architects once created neutral spaces in which to display art, they now build spectacular architectural landmarks, stamping an identity on run-down neighbourhoods and sparking regeneration through cultural tourism. With 122 illustrations in colour

Bruce Gilden first set foot in Japan in 1994. On that trip and subsequent others, he explored the meandering streets of a country that had long fascinated him. From Tokyo to Osaka, he laid Japan bare in his own inimitable photographic style. Each image is a very close and powerful encounter with a story behind it. As ever, Gilden makes his approach, talks, tells stories, takes photographs, and paints a portrait of a unique street scene. In search of personalities as strong as his own, Gilden drew on the details around him to transcribe his vision of Japan: one man's suit, another's hat, or a woman's posture. All of these elements, which give strength to the images, form a captivating ensemble - on the margins, just like him. In Cherry Blossom, Gilden tells the story of these voyages and the ties he maintains with Japan in a rare introductory text. The stories told alongside these pictures - whether an anecdote or a dialogue with their characters - render the American photographer's vision even more contemporary than ever. With 60 illustrations

Work allows us to pay the bills. The practical and conceptual divide between work and leisure profoundly shapes our lives. Work is where many of us derive our status and our sense of purpose. Work is so much part of our lives and our culture that we have internalized beliefs about its value and have built our economies and lives around those beliefs. This book reviews how the meaning, status and structure of work have changed across history and cultures. Amidst the Covid-19 crisis, the growth of AI and the climate emergency, it questions the need for the 'growth escalator', in which society relies on continuous growth to flourish, and suggests that we should find ways to step off or at least slow down the 'hedonic treadmill', in which we crave ever more goods only to tire of them ever more quickly. This book posits that we are approaching a new era of work. It outlines some of the factors that might lead to change, including the adoption of forms of universal basic income, the growth of the zero- or low-cost economy (renewable energy, user-generated content, community mutual support), and the growth of self-employment and quasi-autonomous ways of working (including from home) in organizations. It concludes that such changes might foster a more fundamental shift: a growing intolerance to the idea of work as a burden and a desire to transform it from something imposed on us into simply the means by which we live our best lives together, recreating in modern conditions with modern resources, a prehistoric unity between being and working. With 190 illustrations in colour

American Geography is the visual record of Magnum photographer Matt Black's five-year, 100,000-mile road trip across 46 states of the United States, plus Puerto Rico. It examines the conditions of powerlessness, prejudice and pragmatism among America's poor. The project originated in Matt Black's exploration of his own home town in California's rural Central Valley - a place that has been called 'the other California' - where one third of the population lives in poverty. Travelling out from that location in 2015, he went on to visit designated 'poverty areas' - places with poverty rates of above 20% as defined by the US census. He found that, rather than being anomalies, 'poverty areas' are never more than two-hour's drive apart. They are woven throughout the fabric of the country, yet are cut off from the 'land of opportunity'. Matt Black's compelling black and white photographs, from which one can trace a line back to the FSA Photographers of the 1930s and 1940s such as Walker Evans and Dorothea Lange, are accompanied by his own travelogue - an eclectic combination of observations, overheard conversations in cafes and city buses, diner menus, bus timetables, historical facts and echoes from daily news reports - which enrich the vivid portrait of these 'states of un-America.' With 100 illustrations in colour

The African diaspora - a direct result of the transatlantic slave trade and Western colonialism - has generated a wide array of artistic achievements, from blues and reggae, to the paintings of the pioneering African American artist Henry Ossawa Tanner and video creations of contemporary hip-hop artists. This book concentrates on how these works, often created during times of major social upheaval and transformation, use black culture both as a subject and as context. From musings on "the souls of black folk" in late nineteenth-century art, to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped a black presence in modern and contemporary visual culture. Now updated, this new edition helps us understand better how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race, difference, and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues. With 218 illustrations in colour

The definitive story of Amy Winehouse's life and career told through key photographs, memorabilia and recollections by those who knew her best. Curated by Amy's stylist and close friend Naomi Parry. Amy Winehouse left an indelible mark on both the music industry and pop culture with her soulful voice and bold 60s-inspired aesthetic. Featuring stories and anecdotes from a wide range of characters connected to Amy, specially commissioned photography of memorabilia, styled and dressed themed sets incorporating Amy's clothing, possessions and lyrics, and previously unseen archival images, this volume presents an intimate portrait that celebrates Amy's creative legacy. Interspersed throughout are personal reflections on Amy's life and work, provided by her friends, colleagues and fans. These include Ronnie Spector, Vivienne Westwood, Bryan Adams, Little Simz, Carl Barat, close friend Catriona Gourlay, Douglas Charles-Ridler (owner of the Hawley Arms), tattooist Henry Hate, goddaughter Dionne Broomfield and DJ Bioux. Each one has a personal story to share and together their anecdotes and reflections build into a complex picture of a much admired but troubled star. Vice Culture Editor Emma Garland puts these insights into context with an introduction that highlights the principal events and achievements in Amy's life and work, and the key characters that played a part in it. Organized broadly chronologically, the book features newly shot lyric sheets, sketches and ephemera together with contextual photographs and video stills, including album, single and promotional artworks and outtakes. Punctuating the story are photographs of dressed room sets each created, designed and styled especially for the book by Naomi Parry to evoke a period or aspect of Amy's life or personality, incorporating Amy's clothing, possessions, lyrics and other memorabilia. With kind support from the Winehouse family. With 300 illustrations in colour