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Since its founding in 1929, The Museum of Modern Art in New York has brought the history of modern and contemporary art to vivid life through its extraordinary holdings. MoMA Masterpieces provides a fresh look at the Museums exceptional collection as it stands today. Ann Temkins introduction addresses the historical construction of the Museums collection and explores the shifting issues that have guided its acquisitions, while the thoughtful selection of reproduced works highlights the range of artworks and ideas that constitute the evolving foundation of the Museums collection. With 126 years spanning the distance between the works on the first and last pages of this book, MoMA Masterpieces offers an unparalleled opportunity to immerse oneself in the multitude of artistic approaches encompassed under the banner of modern art.

Making Sense of Islamic Art & Architecture is designed to equip the cultural tourist and art student with the means to interpret each painting, building, or artifact in terms of the iconography and symbolism of Islam. With reference to 100 clearly illustrated and diverse historical works, readers will learn to identify the telling details that mean so much to Muslims. The books layout is both visually striking and accessible. Each double-page spread features a full-page colour photograph of either a detail of the work or its context, depending on the subject, with a second photograph chosen to illustrate important aspects of the work. Alongside is a detailed exposition of the works significance in Islamic art history and philosophy, with key historical facts about the work, including where it may be seen today. By tracing the paths between Islamic belief and artistic intention, this book will deepen understanding not only of Islamic art and architecture but also of Islam itself.

This provocative book argues that it is high time the practice of architecture moved away from the ego-fuelled grand visions of `starchitects' to a networked, collaborative, inclusive model inspired by 21st-century trends such as crowd-sourcing, open access and mass customization. But how can collaborative design avoid becoming design-by-committee? Carlo Ratti and Matthew Claudel deftly navigate this and other vital questions, considering along the way the applications of open-source architecture not only conceptually, but also in practice. Open Source Architecture is a rallying cry to students and open-minded professionals seeking new perspectives on a profession that the authors passionately believe to be moribund.

This book showcases textile and surface design by some of the most exciting up-and-coming designers worldwide and points to the future of this vibrant field. It includes illustrative, abstract, geometric, floral, representational and digital designs; and knitted, woven, hand-dyed and digitally printed fabrics. In tandem with the rise of exciting new technologies is a renewed appreciation of traditional craftsmanship and the handmade; of the tactility and construction of fabrics of all kinds. Illustrated biographies introduce 13 of the most significant and innovative textiles designers working today. The book reveals new ways to communicate, experiment and become inspired.

Covering the studios complete output over twenty years - some 170 projects - Thomas Heatherwick: Making answers what many have asked: How did he do that?. Heatherwick Studio has continued to expand since the original edition was published in 2012. This new edition includes more large-scale international work, which will place Heatherwick's reputation alongside the most influential architects and designers of a generation. Heatherwick was personally involved in the books every detail, ensuring that the most fascinating - and sometimes personal - facets of each projects are revealed, most for the first time.

This third, updated and expanded edition of Christiane Pauls acclaimed book investigates key areas of digital art practice that have gained in prominence in recent years, including the emergence and impact of location-based media, interactive public installation, augmentive and mixed reality, social networking and file-sharing and tablet technologies. It explores themes raised by digital artworks, such as viewer interaction, artificial life and intelligence, political and social activism, networks and telepresence, and issues surrounding the collection, presentation and preservation of digital art. It also looks at the impact of digital techniques and media on traditional forms of art such as printing, painting, photography and sculpture, as well as exploring the ways in which entirely new forms such as internet and software art, digital installation and virtual reality have emerged as recognized artistic practices.

Born in Berlin in 1931 to Jewish parents, the eight-year-old Auerbach was sent to England in 1939 to escape the Nazi regime. His parents stayed behind and died in a concentration camp in 1943. Now in his eighties, Auerbach is still producing his distinctly sculptural paintings of friends, family and surroundings in north London, where he has made his home since the war. The art historian and curator Catherine Lampert has had unique access to the artist since 1978 when she first became one of his sitters. With an emphasis on Auerbachs own words, culled from her conversations with him and archival interviews, she provides a rare insight into his professional life, working methods and philosophy. Auerbach also reflects on the places, people and inspirations that have shaped his life. These include his experiences as a refugee child, finding his way in the London art world of the 1950s and 1960s, his friendships with Lucian Freud, Francis Bacon and Leon Kossoff, among many others, and his approaches to looking and painting throughout his career. For anyone interested in how an artist approaches his craft or his method of capturing reality this is essential reading.

Publishing the results of the most recent annual World Press Photo Contest, this exceptional book contains the very best press photographs from the year 2014 pictures submitted by photojournalists, picture agencies, newspapers and magazines throughout the world. Selected from thousands of images, these prizewinning photos capture the most powerful, moving and sometimes disturbing images of the year.

Making Sense of Buddhist Art & Architecture is designed to equip the cultural tourist and art student with the means to interpret each painting, building, or artifact in terms of the iconography and symbolism of the Buddhist religion. With reference to 100 clearly illustrated and diverse historical works, readers will learn to identify the telling details that mean so much to Buddhist devotees. The books layout is both visually striking and accessible. Each double-page spread features a full-page colour photograph of either a detail of the work or its context, depending on the subject, with a second photograph chosen to illustrate important aspects of the work. Alongside is a detailed exposition of the works significance in Buddhist art history and philosophy, with key historical facts about the work, including where it may be seen today. By tracing the paths between Buddhist belief and artistic intention, Making Sense of Buddhist Art & Architecture deepens understanding not only of Buddhist art and architecture but also of Buddhism itself.

Making Sense of Christian Art & Architecture is designed to equip the cultural tourist and art student with the means to interpret each painting, building, or artifact in terms of the iconography and symbolism of Christianity. With reference to 100 clearly illustrated and diverse historical works, readers will learn to identify the telling details that mean so much to Christians. The books layout is both visually striking and accessible. Each double-page spread features a full-page colour photograph of either a detail of the work or its context, depending on the subject, with a second photograph chosen to illustrate important aspects of the work. Alongside is a detailed exposition of the works significance in Christian art history and philosophy, with key historical facts about the work, including where it may be seen today. By tracing the paths between Christian belief and artistic intention, this book will deepen understanding not only of Christian art and architecture but also of Christianity itself.

Mr Porter, the global online retail destination for men's style, continues to provide essential, male-friendly guidance with the release of the third volume in the series. Mr Porter proves that, when it comes to shopping for fashion, men no longer need to endure the bustle of town and can instead enjoy the very best of menswear and lifestyle from the comfort of their desks or sofas. Simply yet elegantly designed, it offers insider tips on style and etiquette plus exclusive interviews with an array of talented names including Tinie Tempah, Dominic Cooper, Damon Albarn and Ray Winstone - plus the best new travel hot spots, grooming advice, gadgets and more. Volume Three sees a whole host of new features and ideas - from Knacks such as 'How to Undress in Front of a Lady' to 'How to Roast a Lamb', it also tackles common style concerns such as the best ways to look fresh for the office and the perfect wedding ensembles. Including a new set of Style Icons, the coolest classic cars and a comprehensive guide to the world's coffee - it's the perfect slice of life and style for men.

Japanese houses today have to contend with unique factors that condition their design, from tiny plots in crowded urban contexts to ever-present seismic threats. These challenges encourage their architects to explore alternating ideas of stability and ephemerality in various ways, resulting in spaces that are as fascinating as they are idiosyncratic. Their formal innovation and attention to materials, technology and measures to coax in light and air while maintaining domestic privacy make them cutting-edge residences that suggest new ways of being at home. Contemporary Japanese architecture has emerged as a substantial force on the international scene ever since Kenzo Tange won the Pritzker Prize in 1987. This overview of 50 recent houses powerfully demonstrates Japans enduring commitment to design innovation.

Here is a an overview of the exceptional work produced and championed by over fifty of the leading illustrators, printmakers and designers from the sphere of independent, print-based design. People of Print is split into three sections: Part 1 features essays by journalist Andrew Losowsky; Danielle Pender, curator at KK Outlet; and Lawrence Zeegen, Profess29or of Illustration at University of the Arts London. It includes interviews with Heretic, a London-based illustration and screen-printing studio, and Jeremy Leslie, Creative Director at magCulture; and a site visit to St Cuthberts Mill, a paper manufacturer in Somerset. Part 2 consists of profiles on such creatives as Brazilian illustrators Bicicleta Sem Freio, Melbourne-based screen-printers Dangerfork, Portland-based letterpress KeeganMeegan & Co., and New York-based design firm Sagmeister & Walsh. Part 3, the Directory, lists a wide selection of print-based websites

How Things Work is a hands-on, action-packed title to share with young children. The starting point is the child and the questions they ask about how things work, from how to build a house to what powers a rocket to reach the moon. The title is organized around key questions: Whats it made from? Hows it made? What makes things go? What makes things move? What are sound and light? How do we keep in touch? How big or small? Who does what? There are things to do both on and off the page, including games, recipes and craft activities. The book is aimed at children of four and over to use at pre-school, school and at home.

The ten extraordinary houses and castles featured in this book have all survived the vicissitudes of Scotlands history with almost all of their original families still in residence. Each house also represents a landmark in Scotlands architectural history, ranging from the early seventeenth to the early twentieth century. The architectural revelation is matched by sensational settings, which merge designed gardens and landscape with the unparalleled wildness and vistas of Scotland. All of these cherished houses are chockablock with memories of the past, from swagger portraits to sporrans, from vintage photographs to ancient weaponry, from curling stones to fading chintz. James Fennells masterly photographs capture the distinctive atmosphere of each residence. As he guides the reader on an intimate tour of the houses, Knox recounts their histories and profiles the colourful lairds, clan chiefs and nobles who have called them home.

The Unbrandables are a new kind of consumer: savvy, sensitive to inauthenticity; hostile to relentless, debt-driving materialism; and suspicious of marketing for products they do not want or that are bad for the environment. Yet this is not to say that this demographic always rejects branding. From Muji in Japan, Mojang in Sweden, and Deus ex Machina in Australia to The Village Voice in New York, and even the California-based fast-food brand In-N-Out Burger, brands both new and established have been able to win over a more skeptical set of consumers by recognizing that honesty is the best policy on practical as well as moral grounds. Unbrandable is the guide, as much as there can be one, to imitating these companies successful marketing strategies. Author Adam Stone examines fifty brands and individuals who have learned how to thrive in this new branding landscape by taking a more creative, transparent approach. Each profile focuses on either a brand that works, an industry professional who has adapted to new branding challenges, an individual who can articulate better than any old-fashioned focus group what the new consumer wants, or a place among them, Berlin and Sao Paulo that flourishes on unbrandable principles."