Thames & Hudson strana 78 z 126

What is it that distinguishes a chair designed by an architect? Why is it so tempting for an architect to have a chair in his or her portfolio? Is it possible to use creative solutions interchangeably in both domains? Chairs by Architects answers these and many other questions to show how qualities in the buildings by architects are also evident in their chair design: pieces of furniture, like manifestos, become signatures of architectural style. The 55 architects include early modern architectural pioneers such as Otto Wagner, Charles Rennie Mackintosh, Antoni Gaudi and Walter Gropius, together with more recent modern masters such as Oscar Niemeyer, Santiago Calatrava, Zaha Hadid, Frank Gehry and Daniel Libeskind. The book contains interviews on Designing (in conversation with David Adjaye), Manufacturing (with David E. Bright, Knoll Inc.), Selling (with Zeev Aram), Collecting (with Richard Wright) and Preserving (with Susanne Graner, Vitra Design Museum). This is essential reading for everyone concerned with design, architecture and the relationship between creators and their creations.

Since being introduced in the 19th century, when they were considered the bastard cousins of more refined serif types, slab serif typefaces have become ubiquitous. Prized for their bold visual impact and versatility, they are used on a broad variety of demonstrative communications, from posters and newspapers to product packaging. In 1931, Morris Fuller Benton created the Stymie typeface, a reworking of a slab serif type popular in Europe at that time: Memphis. The IBM logo is one of the most famous slab serif marks: it began as Stymie and was refined by Paul Rand. Slabs come in many iterations and are recognized as a face with many characters - and nationalities. Following the cult typography volumes Scripts, Shadow Type and Stencil Type, this new volume artfully selects classic examples to present fresh and unexpected typographic ideas. The authors employ their decades of combined experience as art directors to present hundreds of wonderful examples in a visual resource that will delight and inspire today's designers.

Despite dramatic advances in technology and equipment over the centuries, there is one vital piece of kit in most explorers' pockets that hasn't changed much at all - the journal. The sketchbooks and journals presented here allow us the opportunity to share, through their own eyes and thoughts, the on-the-spot reactions of around 70 intrepid individuals as they journeyed into frozen wastes, high mountains, barren deserts and rich rainforests. Some are well known, such as Captain Scott, Charles Darwin, Thor Heyerdahl and Abel Tasman; others are unfamiliar, including Adela Breton, who braved the jungles of Mexico to make an unparalleled record of Maya monuments, and Alexandrine Tinne, who died in her attempt to be the first woman to cross the Sahara. Here are pioneering explorers and map-makers, botanists and artists, ecologists and anthropologists, eccentrics and visionaries, men and women. A handful of living explorers, including Wade Davis, provide their thoughts on the art of exploration. Often battered and neglected, stored away and perhaps long forgotten, many of these sketchbooks have themselves awaited rediscovery. Now is the chance to open them again...Includes a foreword by Robert Macfarlane and essays by several living explorers, among them Ghillean Prance, Alan Bean and Wade Davis. Includes a foreword by Robert Macfarlane and essays by several living explorers, among them Ghillean Prance, Alan Bean and Wade Davis.

First published in 1998 and now available for the first time in a compact, gift-book format, The Plant Kingdoms of Charles Jones is an exquisite visual feast for anyone who draws delight from the bountiful riches of nature. It presents more than 100 photographs of vegetables, fruits and flowers, all taken by the same photographer at around the turn of the 20th century, and all set against neutral, dark or light backgrounds in the style of formal studio 'portraits'. The images have a wider significance in the history of photography and of the still-life in general, as explained in the book's introduction by Robert Flynn Johnson. For a contemporary audience, the photographs' simple and unembellished beauty is the perfect antidote to appetites jaded by processed foods and 21st-century artifice. They communicate and inspire a loving respect for the beauty in nature.

In Why It's Not All Rocket Science, Robert Cave examines 100 extraordinary projects, theories and experiments that have been conducted in the name of science. Some, including various nuclear tests, have attracted controversy and hostility; others, such as Johann Wilhelm Ritter's erotic self-experiments with a voltaic pile, seem downright weird. But Cave demonstrates, thoroughly and informatively, that it is only by doggedly asking awkward questions, and paying close attention to the answers, that scientists have been able to make progress. From spider monkeys to human cyborgs, and from swimming in syrup to chaos theory, Cave places each experiment and discovery in its scientific context to present an entertaining guide to some of the most jaw-dropping entries in the history of science. Why It's Not All Rocket Science contains chapters on the brain, the body, society and communications, planet Earth and the Universe, and to read it is to gain startling insights into why scientists seem to behave so oddly, and how their brilliant if sometimes bizarre work benefits all of society.

Curated by Ryan Doyle and Mark Edwards, who work together under the name of DR.ME, Cut That Out focuses on the compositions of 50 leading designers and studios from 15 different countries for whom collage has been the key to creating vibrant, effective work - among them Hort, Paul Sahre and atelier bingo. As well as the diverse, cutting-edge work featured throughout, each profile includes a Q&A with the artist that serves to both put the work in context and highlight the visual differences between each designer by exploring their varying methods and attitudes towards to Cut That Out is a rich seam of inspiration to be mimed by all students and graphic designers who wish to explore the creative possibilities of collage in their work.

This visually stunning and timely book reveals how leading artists of the twenty- first century are reinvigorating the still life, a genre previously synonymous with the sixteenth- and seventeenth-century Old Masters. Michael Petry's careful curation of this exciting revamp celebrates works by emerging and established artists alike, from all over the globe, including John Currin, Elmgreen & Dragset, Renata Hegyi, Damien Hirst, David Hockney, Jeff Koons, Beatriz Milhazes, Gabriel Orozco, Elizabeth Peyton, Marc Quinn, Sam Taylor-Wood and Ai Weiwei. Short but compelling introductions begin each chapter and are followed by dramatic, visually led spreads that pair each work with a perceptive reading of its significance to the still-life tradition.

Prototyping is an essential part of the designer's repertoire. Designers prototype their projects to test them, structurally, aesthetically, technically. Whether the prototype works or not is not the point: prototyping is the revelatory process through which the designer gains insight. There are three reasons why contemporary prototyping techniques are transforming the way architects design and build: at a miniature scale, prototyping aids the architect in the presentation to clients of complex spatial ideas; prototyping empowers the architect-designer to test and prove a building's feasibility, leading to more open-minded construction solutions; and whether additive (3D printing) or subtractive (robotic milling), prototyping can lead to unexpected and exciting new possibilities within design as a whole, across design disciplines, thus blurring the boundaries between them in highly creative ways. The book has four sections: an introduction that charts the rise of prototyping in design history, more specifically in architecture; an overview of techniques; a survey section featuring 30 projects, each presented through texts drawn from first-hand interviews, on-site photographs and drawings; and a reference section, which includes a glossary of technical terms.

This is the third edition of the highly successful Advertising Concept Book. As well as substantially expanded chapters on interactive advertising and integrated advertising, an entirely new chapter on branded social media has been added. This new edition contains fifty specially drawn new illustrations of key campaigns. It covers every aspect of the business, from how to write copy and learn the creative process to how agencies work and the different strategies used for all types of media. Pete Barry outlines simple but fundamental rules about how to 'push' an ad to turn it into something exceptional, while exercises throughout will help readers assess their own work and that of others. Fifty years' worth of international, award-winning ad campaigns - in the form of over 500 'roughs' specially sketched by the author - also reinforce the book's core lesson: that a great idea will last forever. Pete Barry goes straight to the essence of how to write a great ad: work out what you want to say, who you are saying it to, and how you want to say it.

Toni Maticevski is one of Australia's leading fashion designers. Over the past twenty years, he has built a reputation for a unique blend of haute couture craftsmanship and creative innovation. Tracing the concepts that inform and inspire his work, and the techniques and processes that underpin them, Maticevski: The Elegant Rebel showcases the collections and projects of the celebrated designer. Featuring more than 200 images and illustrations, as well as contributions from respected editors, actors, models and influencers, fashion lovers and Maticevski fans alike will covet this insightful and inspiring book.

From the origins of urbanization in Mesopotamia to the global metropolises of today, great cities have marked the development of human civilization. The Great Cities in History tells their stories, from Uruk and Memphis to Tokyo and Sao Paulo. A galaxy of distinguished contributors evoke the character of each place - its people, its art and architecture, its government - and explain the reasons for its success. Richly illustrated with photographs, paintings, maps and plans, this volume is nothing less than a portrait of world civilization.

In February 2012, in a Munich flat belonging to an elderly recluse, German customs authorities seized an astonishing hoard of more than 1,400 paintings, drawings, prints and sculptures. When Cornelius Gurlitt's trove became public in November 2013, it caused a worldwide media sensation. Catherine Hickley has delved into archives and conducted dozens of interviews to uncover the story behind the headlines. Her book illuminates a dark period of German history, untangling a web of deceit and silence that has prevented the heirs of Jewish collectors from recovering art stolen from their families more than seven decades ago by the Nazis. Hickley recounts the shady history of the Gurlitt hoard and brings its story right up to date, as 21st-century politicians and lawyers puzzle over the inadequacies of a legal framework that to this day falls short in securing justice for the heirs of those robbed by the Nazis.

This totally original architecture book - the first ever comprehensive study of brick - follows the story of brick from 5,000 bc to its use in building today, via the vast baths and basilicas of ancient Rome, through the wonders of Gothic brick in Germany, the majestic temples of Pagan and Mughal mosques in Iran, to its modern revival. Marvellously illustrated with spectacular, specially-taken photographs, Brick is at once an historical account of how bricks have been employed by architects of every period, a technical survey of brickmaking and bricklaying, and an essay in architectural and cultural history. The authors have applied their expert visual and technical knowledge to more than one hundred themes, from bricks in ancient Egypt to their distinctive use by such modern masters as Louis Kahn, Alvar Aalto and Renzo Piano. Great works of engineering - viaducts, tunnels and bridges - are given prominence alongside great cathedrals and country houses, temples and mosques, testifying to the incredible versatility and importance of bricks and brickwork.

Wood has unique qualities, yet is undervalued or ignored in histories of architecture. However, leading designers around the world are increasingly drawn to it to satisfy social and environmental needs. Will Pryce, the most admired architectural photographer in Britain, has travelled the world seeking both famous and obscure buildings in wood. Intensely dramatic but not over-dramatized, technically flawless, but not merely documentary, his photographs convey all the excitement of encountering these amazing structures first hand. In the substantial text he shows how the wooden heritage of Japan grew from its Buddhist history; how Russia's carpenters determined its iconic domes; how Norway's stave churches contain clues to her pagan past; how Turkic tribes brought the yali from Asia; how the settlers of New England would use a provincial English tradition on the new continent; and how, today, sophisticated architects such as Peter Zumthor and Renzo Piano are inventing an eloquent new wooden architecture.

Why is Helvetica used for airport signs - and who designed Arial? What exactly is hand lettering? Which fonts tend to work best for emails and what font is used on New York street signs? Let's Talk Type answers all of these questions and more in one easy-to-use typography primer. With a clear and comprehensive 'What Is' or 'Why Use It' approach to the subject, it will help the reader to identify fonts with ease and to choose the perfect type treatment for their message, whether they are writing and designing for the web, print or personal correspondence. It also illuminates the interesting backstories behind famous fonts. For an essential companion for anyone who writes or designs - whether for business or at home - this fully-illustrated, authoritative resource saves readers the hassle of navigating badly informed, business-led web content, and provides a comprehensive design-conscious approach to the subject.

This book draws upon the Magnum archive to present a celebration of the great photographers who have captured those most fugitive of moments in cycling: the personalities, emotions and human endurance. It is grouped into thematic chapters, with works by a range of photographers, showing carefully picture-edited images with discursive captions. Each chapter also features one 'story' of an iconic moment, event or scene captured by a single photographer. They explore themes such as the Tour de France, track racing in the velodrome, winter training and the revelry of the fans and crowds, with images by a variety of iconic photographers, including Henri Cartier-Bresson, Robert Capa, Guy Le Querrec and Harry Gruyaert.