Thames & Hudson strana 91 z 126

First published in 1950, this enchanting picture book by the creator of Madeline tells the story of a music teacher whose greedy landlord is foiled in his efforts to evict her on Christmas Eve. In so doing, as the original cover copy states, it presents: 'a unique guide to New York City, showing its landmarks as they could only be seen through the eyes of Ludwig Bemelmans... Sunshine is pure Bemelmans of the most irresistible variety. The story, which concerns a children's music school - and umbrellas! - has the gentle touch of Madeline, as well as some thoroughly ridiculous situations. At the same time, adults all too familiar with the housing shortage will join the children in applauding when the gentle little music school teacher outwits a landlord who "doesn't permit cats or doggies or people who have noisy hobbies". And everyone will rejoice in the happy ending to this delightful story.'

Is it possible to describe a photograph without interpreting it? Can a viewer ever be as dispassionate as the mechanism of a camera? And how far can a photographer's intentions determine responses to their image, decades after it was made? These are just a few questions that David Campany eloquently addresses in On Photographs. In the tradition of Susan Sontag and John Berger, Campany explores the tensions inherent to the photographic medium - between art and document, chance and intention, permanence and malleability of meaning - as well as the significance of authorship, performance, time and reproduction. On Photographs is destined to become an instant classic of photography writing. Rejecting the conventions of chronology and the heightened status afforded to 'classics' in traditional accounts of the history of the medium, Campany's selection of photographs is an expertly curated and personal one - mixing fine art prints, film stills, documentary photographs, fashion editorials and advertisements. In this playful new take on the history of photography, anonymous photographers stand alongside photography pioneers, 20th-century talents and contemporary practitioners. Each photograph is accompanied by Campany's highly readable commentary. Putting the sacred status of authorship to one side, he strives to guide the reader in their own interpretation and understanding of the image itself. In a visual culture in which we have become accustomed to not looking, Campany helps us see, in what is both an accessible introduction for newcomers and a must-have for photography aficionados.

The third instalment in the Bacon Estate's groundbreaking series discloses the most exciting new research and information to emerge in many years on this elusive artist. Three of the essays, by Francesca Pipe, Sophie Pretorius and Martin Harrison, are based on archives recently added to the collection of the Estate of Francis Bacon. Very little is known about Bacon's early career, and the diaries of his two first patrons provide a far deeper understanding of his formative years than has been accessible hitherto. Especially revelatory are the extensive records kept over a long period by Bacon's doctor, Paul Brass: what they reveal will revolutionise thinking on Bacon. Sarah Whitfield sheds new light on both Bonnard and Bacon; she has identified concerns the two artists shared that will surprise as well as enlighten. Joyce Townsend draws on her scientific and technical investigations into Tate's most important Bacon paintings to advance significant new information about Bacon's methods. Christopher Bucklow is an expert on Japanese art, which forms an important, if unexpected, aspect of his rethinking of the metaphor system in Bacon's paintings.

With the rise of feminism, women photographers conquered the mainstream, with an increasingly commodified art world now viewing them simply as photographers and not merely a novelty or subcategory. Some women combined their photography practice with video, installations and other media, while others used the camera as a tool for questioning the concept of imagemaking itself, or for opening a fruitiful dialogue with subjects, instead of imposing an outside viewpoint. A rising awareness of environmental concerns went hand in hand with the issues of globalization and diversity.

Chairs are the design pieces that most of us use most of the time: from offices to dining tables, from lounging to working, the importance of good chair design to our well-being cannot be underestimated. Accordingly, designers and architects, who seek solutions to space, comfort and function, have grappled with making the perfect - or most unusual - chairs for centuries. But we only really see the end product, and have little idea of how our chair was made, or even perhaps, why it is special. Chair Anatomy reveals in photos and illustrations the form and the construction details - the anatomy - of a selection of fifty chairs chosen from the last 150 years of modern chair design. It also introduces the designers behind these chairs, their backgrounds and their routes to creating the chairs. In reducing chairs to their constituent parts, the book gets to the heart of each design: how pieces are designed and produced to fit together; why a certain material imparts a certain quality, functional advance or comfort level; and how the chair's structure can withstand stress while being elegant and economical to produce. In short, a chair is architecture in miniature. 'Exploding' these chairs gives insight into the careful and detailed thinking that has gone into a piece of furniture that we take for granted, and offers designers and students, in a single reference source, a truly nuts-and-bolts perspective on masterpieces of design.

Retro Watches is a popular, accessible collector's guide for those who want to make a statement with the watch they wear, but who want to choose a timepiece that is very different from the 'classic' and very mainstream watches by the major Swiss brands. This trendsetting audience of metropolitan millennials are looking to stand out and make a mark through the watch they wear - with accurate time being provided by a smartphone, the watch they wear can be more than just purely functional. Not interested in the ostentatiously high priced, 'blingy', nor even the obvious choices of 'iconic' design pieces, this audience are looking for those individualist pieces that very few have seen - and even fewer own. Tapping into this new collecting trend, Retro Watches brings together the most intriguing, visually striking and 'out-there' watch designs from little-known but influential watch brands, along with overlooked but brilliant pieces from the major players. One hundred watch models are featured, specially photographed for the project and accompanied by accessible, informative texts discussing the watch's design, intriguing features rarity and value. Additional break-out spreads dive into the cultural and fashion history of watch design and the many innovations from the 60s, 70s and 80s. Perfectly packaged and accessibly presented, this is the popular collector's guide for the watch fan who wants to stand out from the crowd.

The MR PORTER Guide To A Better Day covers all aspects of a man's daily life, from morning rituals, to flawless grooming to handy tips for taking the work out of your working and social life. Compiled by MR PORTER's Editors and featuring wisdom from Messrs Tom Ford, Laird Hamilton and more, this volume is packed with expert advice, helpful illustrations and full-colour photography that explores the habits and routines of the world's most stylish men. Of course, it's also got the wardrobe side of things covered: between each chapter, a dedicated section on 'How To Dress' offers a deep dive into the ins and outs of contemporary menswear, offering rules and guidelines on what to wear and how to wear it, whether you're heading out for a fancy dinner, or spending a weekend recovering from just such a thing. Drawing on MR PORTER's unparalleled experience of dressing discerning gentlemen across the globe, it is the definitive volume that every man of taste should have on his bookshelf this season.

Between 1991 and 2015, Josef Koudelka completed an epic journey across twenty countries bordering the Mediterranean, stopping at over 200 Greek and Roman archaeological sites, relentlessly researching the beauty of the ancient world. Before the Magnum photographer, nobody had attempted to make such a comprehensive photographic record of these artefacts with so much persistence and so little assistance. In this book, produced in close collaboration with the photographer, Koudelka's aim was to use art to re-appropriate a world that is escaping us and that we could lose - a world where the mind alternates between reason and faith, law and liberty.

The ancient world saw the birth and collapse of great civilizations. In mainstream history the Classical world is dominated by Greece and Rome, and the Biblical world is centred on the Hebrews. Yet the roughly four-and-a-half thousand years (4000 bc-ad 550) covered in this book saw many peoples come and go within the brawling, multi-cultural mass of humanity that occupied the ancient Middle East, Mediterranean and beyond. While a handful of ancient cultures have garnered much of the credit, these forgotten peoples also helped to lay the foundations of our modern world. This guide brings these lost peoples out of the shadows to highlight their influence and achievements. Forty-five entries span the birth of civilization in Mesopotamia to the fall of the Roman Empire in the West, offering an alternative history focusing on the names we aren't familiar with, from the Hurrians to the Hephthalites, as well as the peoples whose names we know, such as the Philistines and the Vandals, but whose real significance has been obscured. Each entry charts the rise and fall of a lost people, and how their culture echoes through history into the present. Important ancient artefacts are illustrated throughout and fifty specially drawn maps help orientate the reader within this tumultuous period of history. Philip Matyszak brings to life the rich diversity of the peoples founding cities, inventing alphabets and battling each other in the ancient world, and explores how and why they came to be forgotten.

Here is the story of Ice Age beasts as told from the unique perspective of Maisie the woolly mammoth. Maisie's Ice Age 'who's who' reveals the defining characteristics of some of the most memorable creatures from prehistoric times. Maisie's memoir includes tales about Stella the sabre-toothed tiger, the golden girl of the Ice Age, whose megawatt smile contained 25 cm canines; the villain we all love to hate, Trevor the Titanoboa, a 13 m mega-snake who could swallow a crocodile whole; and the slightly more camera-shy Gavin the Giant Ape, who is rumoured to have inspired the myth of the Yeti! Featuring the quirky illustrations of Rob Hodgson, Maisie Mammoth's Memoirs stands apart from other prehistoric beast titles with its characterful creatures and humorous approach to palaeontology based on some of the latest scientific research - look out for tips on how to defrost a woolly mammoth! It is the second in a series that brings animals from the distant past alive for young children.

Liam Wong's debut monograph, a cyberpunk-inspired exploration of nocturnal Tokyo. 'I want to take real moments and transform them into something surreal, to make the viewer question the reality depicted in each photograph. This body of work encompasses my three years as a photographer and ultimately the completion of my debut photo series.' Liam Wong A testament to the deep art of colour composition, this publication - art directed by Wong himself and produced to the highest printing standard - brings together a complete and refined body of images that are evocative, timeless and completely transporting. Rounding out the book's special treatment is the first publication use of the 45/90 font, designed by Henrik Kubel, of London-based A2-TYPE. The book also features a section that reveals the creative and technical process of Wong's method, from identifying the right scene to composition, from capturing the essence of a moment to enhancing colour values and deepening an image's impact - insights are invaluable to admirers and photography enthusiasts alike.

Drawings by Francisco de Goya presents the fruits of the research undertaken for the publication of a new catalogue raisonne of Goya's drawings, a subject to which the Museo del Prado has always devoted particular attention and which is one of the keystones of its collection. Since the publication of Gassier's catalogue in 1973 the number of drawings attributed to Goya has changed, giving rise to the need for a new catalogue raisonne which updates the enormous body of information accumulated over the course of two centuries of literature on this subject. This book brings together more than 100 drawings by Goya from the Prado's own collections and from public and private ones around the world. It is presented as a chronological survey of his work that includes drawings from throughout his career, ranging from the Italian Sketchbook to the Bordeaux Albums. It also offers an up-to-date vision of the ideas that recurrently appear in Goya's work, revealing the ongoing and long-lasting relevance of his thinking.

Graphic Design School is organized into two main sections, 'principles' and 'practice'. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section puts these basics into practice, and gives information about studio techniques and production issues relevant to a number of different graphic design disciplines. The last part of the second section provides an overview of some of the different career choices open to students entering the graphic design field. This seventh edition of Graphic Design School features all-new assignments and fully updated reading lists. Over a third of the images are entirely new, and include a mix of professional work and outstanding student pieces. In addition, Part II: Practice Plus features new software and revisits old print technologies - for example, risograph printing and screen printing - which are becoming increasingly popular forms of production again.

Sometimes things change Sometimes things fly away Sometimes things disappear But there's one thing that lasts forever...

One of the most important designers and architects of the 20th century, Eileen Gray (1878-1976) wielded enormous influence - though often unacknowledged, especially in her lifetime - in a field largely dominated by men. Today, her original furniture sells for dizzying sums and her iconic designs, including the luxurious Bibendum chair and the refined yet functional E.1027 table, are renowned throughout the world. Resolutely independent and frequently underappreciated, Gray evolved from a creator of opulent lacquer furniture into a pioneer of the modernist principle of form following function. Remaining separate from major schools or movements such as Bauhaus and De Stijl, she developed her own distinctive take on the forms and materials favoured by fellow International Style designers such as Le Corbusier, Charlotte Perriand and Mies van der Rohe. This definitive new edition of the biography by Peter Adam, the only surviving person to have been close to Gray during her reclusive later years, is a uniquely intimate survey of her life and work. Comprehensively updated and illustrated with material drawn from Gray's personal archives - correspondence, journals, photographs and architectural sketchbooks - it tells the full story of her life from aristocratic beginnings in Ireland, through the extravagance of Art Deco-era Paris, relationships with lovers, male and female, and her productive years in southern France. It reveals fresh details about her elegant, largely overlooked paintings; tense exchanges with Le Corbusier; and the fate of E.1027, the home that she designed and furnished herself, and which set a new standard for radically modernist living.

An iconic street photographer with a unique style, Bruce Gilden is defined by his exuberant pictures, and his original and direct manner of shooting the faces of passers-by with a flash. But how has his style evolved? When digging through his personal archives recently, Gilden unearthed hundreds of unseen contact prints and negatives taken by him in New York between 1978 and 1984, preceding those in his seminal collection Facing New York. From these thousands of original images - most of which are previously unpublished - Gilden has selected the eighty images that are reproduced here. Brimming with youthful energy, and all taken without the flash for which he is now famous, Gilden's photos celebrate all that New York City - at once familiar and exotic - had to offer. It is an exceptional study of a now-vanished era. In this extraordinary gallery of portraits, the compositions simmer with energy, bursting with the most diverse characters, as though Gilden intended to include within the frame everything that caught his eye. The images are accompanied by an interview with Gilden by Sophie Darmaillacq, in which Gilden explains for the first time how he developed his style from this early work, and gives details of the images and the stories behind them. In Lost and Found, we already perceive the guiding tropes of the work that was to make Bruce Gilden famous: sustained movement and tension, unrivalled spirit, and an instinctive and irreverent affection for his subjects - perfectly in cahoots with his city.