Thames & Hudson strana 91 z 102

Funny face! is an activity book based on visual jokes. Children draw, fold and colour to make surprising and funny things happen to all kinds of faces on the page. The inspired use of die cuts, folds and split pages helps children reveal a variety of visual gags; for example: doodling through a pair of die- cut shaggy eyebrows on one picture draws a droopy moustache on a picture on the page below; opening up a gatefold turns a little boys tiny ears into giant ones. More funny faces appear on pages split horizontally into three. Turning the sections back and forth creates mixed-up faces with different hats, noses and beards. Pages fold vertically to create characters with large noses or thought-bubble hair. The child is challenged to keep looking until they find all the jokes and tricks. The layout is generous enough to allow children to add their own doodling and colouring too.

The ultimate collector's resource, including hundreds of pieces by both well- and lesser-known designers from around the world. From armchairs and chaises longues to cabinets and nightstands, the period between the late 1930s and early 1970s was one of the most productive, inventive and exciting eras for objects and furniture in the home. Post-war optimism combined with new manufacturing methods and material techniques to create an explosion of new design and objects of desire. The appetite for mid-century modern remains as strong as ever, both for classic designs - many still in production since they were launched - and for rare, hard-to- find or out-of-production pieces from lesser-known designers. While numerous books surveying mid-century modern style have appeared over the years, no publication has been specifically conceived for the increasing collector's market in mid-century modern design, focusing on each piece of furniture as an object of formal invention, manufacturing intelligence and material innovation. This definitive book profiles hundreds of pieces in a substantial format perfect for reference in design libraries, studios and the homes of private collectors - or as an object of design in its own right. Each item of furniture is presented in detail, illustrated in colour and profiled via in-depth descriptive texts by Dominic Bradbury. The book's substantial reference section includes essays on materials (eg, plywood) and designer profiles. Work by a host of influential talents is profiled throughout, alongside lesser-known pieces by Piet Hein, Bruno Mathsson, Lina Bo Bardi and Alexander Girard.

Impeccably designed, and copiously illustrated with more than two hundred stills and behind-the-scenes images, this is the definitive celebration of one of cinema's most enduring talents. Since his emergence in the early seventies, Martin Scorsese has become one of the most respected names in cinema. Classics such as Taxi Driver, Raging Bull and Goodfellas are regularly cited as being among the finest films ever made. This lavish retrospective is a fitting tribute to a remarkable director, now into his sixth decade in cinema and showing no signs of slowing up. Leading film writer Tom Shone draws on his in-depth knowledge and distinctive viewpoint to present refreshing commentaries on all twenty-three main features, from the rarely shown Who's That Knocking at My Door (1967) to the latest release, The Irishman (2019), as well as covering Scorsese's parallel career as a documentary maker.

The definitive overview of one of the world's most experimental and distinctive graphic-design studios. Originally established in 1992 by Michael Amzalag and Mathias Augustyniak as a graphic design studio, M/M (Paris) have since defied categorisation, becoming one of the most radical creative practices of today through their influential work across the contemporary cultural sphere. By collaborating with fashion designers and brands such as Alexander McQueen, Loewe, Louis Vuitton, Miuccia Prada, Jonathan Anderson, Nicolas Ghesquiere and Yohji Yamamoto; musicians Bjoerk, Etienne Daho, Kanye West, Lou Doillon, Madonna and Vanessa Paradis; contemporary artists including Francois Curlet, Philippe Parreno, Pierre Huyghe and Sarah Morris; and rethinking the iconic titles Interview magazine, Purple Fashion and Vogue Paris, M/M have been building a visual atlas of the creative landscape since the early 1990s. In this illustrated A to Z, beginning and ending with the letter M, interviews with Michael Amzalag and Mathias Augustyniak frame over 850 images of their projects. A series of conversations with rarely heard luminaries - designers Peter Saville, Experimental Jetset, Cornel Windlin and Katsumi Asaba; fashion designers Miuccia Prada and Jonathan Anderson; artist Francesco Vezzoli; cinematographer Darius Khondji; chef Jean-Francois Piege; theatre director Arthur Nauzyciel and curator Hans Ulrich Obrist - are interspersed, providing a thought-provoking insight into the minds of one of the world's most distinctive creative duos. A foreword by Donatien Grau and an afterword by Eric Troncy bookend contributions by Emanuele Coccia, Jo-Ann Furniss, Alison M. Gingeras, Etienne Hervy, Emily King, Philippe Rouyer and Akira Takamiya. Edited by Grace Johnston, volume two of M to M of M/M (Paris) completes the first volume of M/M's monograph published in 2012, and now republished by Thames & Hudson.

An intimate, one-of-a-kind photographic journey that documents Liam Wong's nocturnal wanderings through the world's most captivating cities. In this singular photographic publication, Liam Wong weaves together a series of cinematic images that reveal the people and places, the slivers of life, that inhabit the mysterious space of night-time cities. Through his previous work as a videogame designer, Wong learned that 'real life is just as potent, bizarre and interesting as things we can imagine'. From Hong Kong and Seoul to London and Edinburgh, After Dark reveals shadowy cityscapes through the eyes of the insomniac artist. For centuries, artists have found both solace and fruitfulness in solitude. Through sleepless and solitary nights, After Dark explores the phenomenon of loneliness in city life, capturing urban interstices between dusk and dawn: the eerie emptiness of London's Piccadilly Circus at 4:00 a.m., Seoul's late-night taxi drivers moving along hushed roads and birds sharing the warmth of a neon sign in Hong Kong's TSM District - mysterious silhouettes representing lives lived in shadow, portrayed as intricate cinematic visions, all before the sun rises. Building on the success of his first monograph, TO:KY:OO, Wong widens his lens to capture the night in the world's most exciting cities. From workers leaving their night shifts to empty streets illuminated by neon signs, Wong charts the hours of darkness as populated scenes become deserted ones. The book's photography - framed to specific film ratios - is imbued with a cinematic intensity underscored by Wong's interest in film, while its themes are amplified through specially commissioned Chinese characters that pay homage to the works of celebrated Chinese director Wong Kar Wai.