Thames & Hudson strana 89 z 102

A fully updated edition of the most comprehensive illustrated survey of the life and work of Peter Blake, one of Britain's most popular artists. Since his emergence in the early 1960s as a key member of the Pop Art movement, Peter Blake has become one of the best-known and most popular artists of his generation. Though primarily a painter, he has worked across many media, from drawings, watercolours and collages to sculpture and printmaking, as well as commercial art in the form of graphics and album covers - most notably his design for The Beatles' Sgt. Pepper album in 1967. Exploring his remarkable creative output from the 1950s to the present, Peter Blake is the most comprehensive illustrated survey available of the life and work of the artist. Marco Livingstone grounds Blake's art firmly in his working-class origins, identifying a yearning for the innocence of childhood in his bittersweet paintings of the early to mid-1950s that depict children reading comics or going to the Saturday matinee at the cinema. From that moment, while studying at the Royal College of Art in London, Blake concerned himself with popular entertainments as subject matter, and as the source of formal solutions, for his paintings. The directness with which Blake gave expression to his enthusiasms for mass culture during the 1950s brought him to the forefront of the Pop Art movement before it had even been named, and independently of the investigations into similar areas by other British, American and European artists. The radical nature of his collage paintings of 1959-62, in particular, in which he combined existing imagery from popular culture with unapologetically bold and bright colours, made him a singularly influential figure within British Pop. This fully updated edition includes a new chapter on what the artist has jokingly styled his 'Late Period', in which Blake has continued to mine the many strands of his art with undiminished energy and completed some of his most ambitious long-standing projects. As well as the sheer scale of Blake's production, what becomes clear is the kaleidoscopic variety of subject matter, form and medium to be found in his work, its humour and friendly appeal, and, above all, its celebration of life and humanity.

There is food within 3 metres of your front door. Three generations ago it was common practice all over the world to collect this wild food; knowledge of what, where and when to forage was a necessary part of daily life. We still had lived experience of harvesting wild food with our own hands. But with the advent of supermarket culture the knowledge associated with foraging has mostly been lost. Today, we want this knowledge back. From forest to seaside, riverbank to city street - even your own yard - there is wild food and medicine available to those who know where to look. In the face of global challenges such as climate change, food insecurity and pandemics, we seek to empower ourselves with the information and skills that enable self-reliance and equip us to care for our families and communities. Eat Weeds shows you how to engage with wild food sources, transforming your neighbourhood into an edible adventure.

The first fully illustrated and comprehensive introduction to May Morris’s work as an artist, designer, and embroiderer, published in association with the V&A and the William Morris Gallery, London. Now available in paperback. May Morris (1862–1938) was a significant figure in the British Arts and Crafts movement and a pioneer of art embroidery. She ran the embroidery department of Morris & Co., as well as designing textiles, wallpapers, and jewelry. Morris was also an influential teacher and lectured in the United States and across the United Kingdom. May Morris, now in paperback, presents the full range of Morris’s work and reveals her exceptional skill and originality. It draws together her designs, exquisite embroideries, watercolors, costume, and jewelry from museums around the world, and in particular the rich collections of the Victoria and Albert Museum and the William Morris Gallery, London. The book contains more than 180 objects in color alongside detailed information on their materials and provenance compiled by leading experts. There are also new insights into Morris’s personal life and relationships, her social activism, and her support for other craftswomen. This authoritative and illuminating study places Morris, whose reputation has been overshadowed by that of her father William Morris, firmly among the leading British designer-makers of the Arts and Crafts movement. 210 color illustrations

The kingdom of fungi has survived all five major extinction events. They are the architects of the natural world, integral to all life. They sustain critical ecosystems, recycling nutrients and connecting plants across vast areas, and help to produce many staples of modern life, such as wine, chocolate, bread, detergent and penicillin. Today, in the face of urgent ecological, societal and spiritual crises, fungi are being engineered to grow meat alternatives, create new sources of medicine, produce sustainable biomaterials, remediate the environment and even expand our collective consciousness. The Future is Fungi is a complete introduction to this hidden kingdom. Exploring their past, present and potential future impact in four key areas - food, medicine, psychedelics and mental health, and environmental remediation - this book not only reveals how fungi have formed the foundations of modern life but how they might help shape our future. Rich with informative texts, awe-inspiring 3D digital art and tips on how to immerse yourself in the world of fungi, this is a manifesto for the future, an invitation into a deeper awareness of our relationship with the natural world, each other, and ourselves.

The hidden story of a little-known but transformative period in the formation of England as a nation. The Viking Great Army that swept through England between AD 865 and 878 altered the course of British history. Since the late 8th century, Viking raids on the British Isles had been a regular feature of life, but the winter of 865 saw a fundamental shift that would change the political, economic and social landscape forever. Instead of making quick smash-and-grab summer raids for silver and slaves, Vikings now remained in England for the winter and became immersed in its communities. Some settled permanently, acquiring land and forming a new hybrid Anglo-Scandinavian culture. The Viking army was here to stay. Its presence was a catalyst for new towns and new industries, while transformations in power politics would ultimately see the rise of King Alfred the Great and make Wessex the pre-eminent kingdom of Anglo-Saxon England. Drawing on the most up-to-date discoveries and the latest scientific techniques, the authors' recent research at the Viking Great Army's winter camp at Torksey in Lincolnshire has revolutionized what we know about its size, activities and social makeup, as has the wealth of newly recovered evidence from metal-detectorists. Unfolding like a great detective story, this account traces the movements of the Great Army across the country, piecing together a new picture of Viking Age England in unprecedented detail, from swords, coins, jewelry and the burials of great warriors to the everyday objects that ordinary farmers and craftsmen discarded. It is the definitive story of a vital period in British history.

An instructive book that examines the practice of drawing for illustration through case studies and sketchbooks, written by one of the world's foremost experts and teachers on the subject. This essential handbook explores the subject of drawing for illustration in-depth, with an emphasis on drawing as a skill and fundamental language that every illustrator should master. It aims to encourage students through examples and case studies, by showcasing the often-unseen world of draughtsmanship that underpins the finished graphic. From book illustration to graphic novels, caricatures to commercial design, it draws on contemporary sketchbooks, projects and historical examples to make the connection between the practice of drawing from observation and drawing from imagination. Martin Salisbury sets out by explaining the fundamentals of this exciting discipline, before outlining the basic principles of line, tone, composition and colour through inspiring examples. Different approaches to drawing including anecdotal, sequential and reportage are examined, to enable students to acquire their own personal visual language. Interviews with illustrators also provide invaluable insight into the creative process, as they outline their challenges and motivations, and what drawing personally means for them. Packed with visual inspiration, this book features detailed analysis of works by key illustrators from past and present including George Cruikshank, Egon Schiele, Ronald Searle and Sheila Robinson through to Laura Carlin, Alexis Deacon and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time.

Internationally renowned artist Yuki Kihara - the first Fa'afafine and Pacific artist to represent Aotearoa New Zealand at the Venice Biennale - reframes history through a contemporary queer, Indigenous lens. Interdisciplinary artist Yuki Kihara is the first Pasifika and first Fa'afafine artist to be presented by New Zealand at the prestigious 59th International Art Exhibition? La Biennale di Venezia, with a ground-breaking exhibition of new work that addresses some of the most pressing issues of our time. Kihara's work interrogates and dismantles gender roles, consumerism, (mis)representation, and colonial legacies in the Pacific. Edited by Natalie King who has commissioned provocative essays from contributors from around the world, this publication contextualizes Kihara’s lifetime of works, which puncture and expose queer and question dominant narratives, turning so-called history on its head.

Published to accompany the major exhibition at the Musee des Arts Decoratifs, Paris, this book is destined to become a must-have work of reference for all fashion lovers. The couturiere Elsa Schiaparelli (1890-1973) was a key figure in Paris fashion between the two World Wars. Following in the footsteps of her mentor Paul Poiret, she designed her first knitwear collection in January 1927. Decorated with trompe-l'oeil motifs in black and white, her sweaters were an immediate success in both France and the USA. In 1935, the Maison Schiaparelli opened in the Place Vendome in Paris, selling collections designed for sports, city, and evening wear. Like her arch-rival Gabrielle Chanel, Schiaparelli also worked closely with artists, including Man Ray, Jean Cocteau, and Salvador Dali, with whom she created a lobster dress. Taking a cue from Surrealism, her creations were hugely imaginative and made use of innovative new materials. The 'Schiap' style continued to develop through the 1930s. Her most famous collections had themes including the circus (summer 1938) and astrology (winter 1938-39).In 1937, Schiaparelli launched the fragrance Shocking, named after shocking pink, which had become her signature colour. Alongside vintage photographs, sketches and contemporary features from Harper's Bazaar and Vogue, this volume presents specially photographed masterpieces from the collection of the Musee des Arts Decoratifs in Paris. All 120 garments and accessories from the Schiaparelli archive are illustrated, along with a selection of her drawings dating from 1933 to 1953.

A gripping account of 200 years of archaeological research, excavation and thought, told through the life stories of 70 of the world's greatest pioneers and practitioners. Brian Fagan has assembled a team of some of the world's greatest living archaeologists to write knowledgeably and entertainingly about their distinguished predecessors. Full of fascinating anecdotes, personal accounts and unexpected insights, this comprehensively illustrated book encompasses more than two centuries of research and excavation round the globe. Controversial figures such as Heinrich Schliemann of Troy fame, and Aurel Stein, plunderer of ancient manuscripts from Central Asia, are reassessed. Little-known pioneers - for example, Max Uhle in Peru and Li Chi in China - are set beside the giants in the field: Lepsius, Mariette and Carter in Egypt; Koldewey, Doerpfeld and Woolley in the Near East; Stephens and Catherwood, discoverers of the Maya of Mexico; and Louis and Mary Leakey, who transformed knowledge of our African ancestry. Other indomitable women here include Gertrude Bell, explorer of Arabia and Iraq, Kathleen Kenyon, the excavator of Jericho, and the script-decipherer Tatiana Proskouriakoff.

The second volume in Thames & Hudson's monographic series on global architect Sir David Adjaye, winner of the 2021 RIBA royal gold medal. Following on from Adjaye - Works: Houses, Pavilions, Installations, Buildings, 1995-2007, published by Thames & Hudson in 2020, this book covers the impressive portfolio of work created by the architect between 2007 and 2015. During the years covered in this book, Adjaye became interested in developing an architecture that was more expansive, taking him outside Europe to work on major projects such as the Museum of Contemporary Art in Denver and the Moscow School of Management Skolkovo. Designing buildings around the globe, including two projects connected with the post-Katrina reconstruction programme in New Orleans, Adjaye carefully tailored his approach to each place, sensitive to the important role architecture plays in affirming a sense of community and identity.