Thames & Hudson strana 92 z 126

Graphic Design School is organized into two main sections, 'principles' and 'practice'. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section puts these basics into practice, and gives information about studio techniques and production issues relevant to a number of different graphic design disciplines. The last part of the second section provides an overview of some of the different career choices open to students entering the graphic design field. This seventh edition of Graphic Design School features all-new assignments and fully updated reading lists. Over a third of the images are entirely new, and include a mix of professional work and outstanding student pieces. In addition, Part II: Practice Plus features new software and revisits old print technologies - for example, risograph printing and screen printing - which are becoming increasingly popular forms of production again.

Sometimes things change Sometimes things fly away Sometimes things disappear But there's one thing that lasts forever...

One of the most important designers and architects of the 20th century, Eileen Gray (1878-1976) wielded enormous influence - though often unacknowledged, especially in her lifetime - in a field largely dominated by men. Today, her original furniture sells for dizzying sums and her iconic designs, including the luxurious Bibendum chair and the refined yet functional E.1027 table, are renowned throughout the world. Resolutely independent and frequently underappreciated, Gray evolved from a creator of opulent lacquer furniture into a pioneer of the modernist principle of form following function. Remaining separate from major schools or movements such as Bauhaus and De Stijl, she developed her own distinctive take on the forms and materials favoured by fellow International Style designers such as Le Corbusier, Charlotte Perriand and Mies van der Rohe. This definitive new edition of the biography by Peter Adam, the only surviving person to have been close to Gray during her reclusive later years, is a uniquely intimate survey of her life and work. Comprehensively updated and illustrated with material drawn from Gray's personal archives - correspondence, journals, photographs and architectural sketchbooks - it tells the full story of her life from aristocratic beginnings in Ireland, through the extravagance of Art Deco-era Paris, relationships with lovers, male and female, and her productive years in southern France. It reveals fresh details about her elegant, largely overlooked paintings; tense exchanges with Le Corbusier; and the fate of E.1027, the home that she designed and furnished herself, and which set a new standard for radically modernist living.

An iconic street photographer with a unique style, Bruce Gilden is defined by his exuberant pictures, and his original and direct manner of shooting the faces of passers-by with a flash. But how has his style evolved? When digging through his personal archives recently, Gilden unearthed hundreds of unseen contact prints and negatives taken by him in New York between 1978 and 1984, preceding those in his seminal collection Facing New York. From these thousands of original images - most of which are previously unpublished - Gilden has selected the eighty images that are reproduced here. Brimming with youthful energy, and all taken without the flash for which he is now famous, Gilden's photos celebrate all that New York City - at once familiar and exotic - had to offer. It is an exceptional study of a now-vanished era. In this extraordinary gallery of portraits, the compositions simmer with energy, bursting with the most diverse characters, as though Gilden intended to include within the frame everything that caught his eye. The images are accompanied by an interview with Gilden by Sophie Darmaillacq, in which Gilden explains for the first time how he developed his style from this early work, and gives details of the images and the stories behind them. In Lost and Found, we already perceive the guiding tropes of the work that was to make Bruce Gilden famous: sustained movement and tension, unrivalled spirit, and an instinctive and irreverent affection for his subjects - perfectly in cahoots with his city.

Ways of Drawing brings together a sophisticated, exciting range of reflections on markmaking by practising artists, teachers and writers. From explorations of how it feels to draw and personal accounts of artistic development, to short, imaginative propositions for looking, understanding and experiencing afresh, this collection repositions drawing as a vital creative and intellectual endeavour. The book is divided into three sections: 'Studio Space', which focuses on drawing within four walls; 'Open Space', which ventures out into the cityscapes and landscapes around us; and 'Inner Space', which returns to the living, feeling, drawing person. Each section is comprehensively illustrated with a wealth of drawings, prints and paintings by faculty and alumni of the Royal Drawing School, works by established artists past and present, and photographs of artists at work.

Showcasing over 80 international artists who incorporate embroidery into their practice, this book provides a survey of embroidery in contemporary art, illustrating the huge range of ways in which the craft has been embraced as a form of creative expression. Some artists evoke a kind of nostalgia, rediscovering skills that have fallen from fashion or promoting the value of ancient handicrafts in an industrialized world of mass-production. Others push boundaries by using embroidery on photographs, poetic installations, embroidered reproductions of everyday objects, or by using it to tackle political, personal or transgressive themes. Threads is a captivating exploration of their creative journeys, their influences, the technical challenges they face and the message they wish to convey

A beautifully illustrated non-fiction picture book showing readers all the bright things that can be found in the dark of night. When night falls, everything is dark. Or is it? The moon shines with a pale light. A car drives along the street, and when its headlights flash, we see two bright dots run by. Is it a cat? Or perhaps a fox? If we stand still for a moment, our eyes will adjust to the darkness. We can see twinkling stars in the sky, and sometimes even the bright belt of stars called the Milky Way. The night contains both light and darkness. Come on a journey and visit the dark forest, the deep ocean and the shadows of the city, and discover everything that's glows, glitters and shines in the night!

All Roads Lead to Rome, as the famous saying goes. The sites and events throughout the ancient world provided Romans with a rich tapestry to weave the stories of their past. Rome itself was a melting pot of peoples from across the Mediterranean and beyond, each bringing their myths and legends of heroes and heroines, gods and goddesses. Whether for aristocrats dressing up for banquet, or bloodthirsty audiences in the amphitheatres thrilled to watch condemned criminals forced to enact the roles of mythological creatures, Roman myths formed the backdrop to the rituals and customs of everyday life. Offering a fresh approach to Roman mythology, each site begins with a brief, evocative description of the location and landscape, followed by its associated myths and stories, as well as any rituals performed there in antiquity. Drawing on the great works of Dionysius of Halicarnassus and Plutarch, Ovid, Horace and Virgil, and with maps, illustrations and a gazetteer giving practical information about the sites today, this is a fresh look at a subject of great fascination.

More than 60,000 species of trees are found in an amazing variety of forms, sizes and habitats. Every tree has its own story and here are over 60, selected for their particular resonance and connection with humankind and representing most of the world's major zones and ecologies. In portraits that combine vivid cultural and historical narrative with a firm scientific grounding, the authors reveal the details of trees from around the world, both familiar and strange. We use timbers for building and creating, have discovered which tree fruits and seeds taste delicious, and which can kill or cure us, and which species can add colour and spirituality to our lives - from the timber of mahogany to the delights of chocolate and pomegranate, from the medicinal tea tree to the deadly manchineel, and from fragrant frankincense to the highly prized dragon's blood tree. Artists and botanists alike have been inspired by trees for centuries, and a varied and beautiful range of images from the unrivalled archive at Kew illustrate the stories, to create this enlightening and enchanting book.

Gypsies is based on the original maquette for Josef Koudelka's book Cikani (Czech for Gypsies), prepared by Koudelka and graphic designer Milan Kopriva in 1968, and intended for publication in Prague in 1970. However, Koudelka left Czechoslovakia in 1970, and the book was never published in that original form. Now available in an affordable compact edition, the book has been revised and resequenced. Comprising 109 photographs taken between 1962 and 1971 in what was Czechoslovakia (Bohemia, Moravia and Slovakia), Romania, Hungary, France and Spain, it is a unique record of a vanished world. The Gypsies in these images were photographed during the 1960s, mostly in a state that no longer exists, and ruled by a regime that disintegrated in 1989. Will Guy, author of the text that accompanied the first publication of Gypsies, contributes an entirely new essay tracing the migration of the Roma from their original homeland in northern India, to their current status - one that continues to be contested internationally

Prudence's parents are calling her to hurry up: it's time to go! But she also must tidy up her room before going out. Prudence would much prefer to dream about other worlds... A surprise book full of cut-outs and transparent papers to play with, dream in and escape from one world to another over the pages.

Prudence's parents are calling her to hurry up: it's time to go! But she also must tidy up her room before going out. Prudence would much prefer to dream about other worlds... A surprise book full of cut-outs and transparent papers to play with, dream in and escape from one world to another over the pages.

Japanese interiors focus primarily on one simple philosophy, Zen. All the rooms in a traditionally furnished Japanese home strive to achieve a balance of peace and simplicity; their interiors are steeped in centuries of cultural influence, and a sense of calm is key to the whole aesthetic. This handbook shows how to create a tailor-made Japanese home. Working through the house one room at a time, it highlights classic items of furniture and signature accessories, from tatami mats and paper lanterns to shoji (dividing screens). In-depth case studies demonstrate the essential elements and provide inspiration, while colour combinations are explored to help personalize this iconic style for the home. Anyone who hankers after the Japanese look and is eager to bring it to their own home will find this book a valuable resource.

Manga is a visual form of narrative storytelling. Its roots are international, but the form as we know it today developed in Japan between the late 19th and early 20th centuries and has recently achieved global reach. Originally confined to comics, prints and graphic novels, manga has expanded to influence animation, fashion, gaming, street art and new media. It is a multi-billion pound industry, popular with people of all ages in Japan and increasingly all over the world, encompassing hundreds of genres, from sports, love, horror and ageing to global threats and sexual identity. There is a manga for everyone. For manga fans, this book celebrates the excitement of manga's cross-cultural appeal and its long history of breaking barriers. For those new to manga, it offers the chance to become literate in what is fast becoming a universal visual grammar of our globalized age. Arranged into six thematic chapters, with essays by leading scholars, this volume showcases the work of Japan's most influential manga-ka (manga creators) past and present, with printed manga extracts, original drawings, manga magazines, theatre, film, digital technologies and exclusive interviews with artists, editors and publishers. The first chapter focuses on understanding how manga is read, drawn and produced. The second explores its power of storytelling, and presentation of reality; the third, the power of manga to depict many different worlds, both seen and unseen. The fourth shifts the attention from the art form to its role in society, including fan groups, grassroots manga, Comiket events and the importance of cosplay. The penultimate chapter discusses the roots of modern manga in the work of 19th-century artists such as Hokusai and Kyosai, while the final chapter examines manga's expansion into the avant-garde, its crossover into other media and its growing international reach and influence. Published in conjunction with a landmark, cutting-edge exhibition at the British Museum, this is manga as Western audiences have never before seen it: diverse yet universally familiar, traditional yet intensely modern, rooted in the 2D printed page but effortlessly leaping out of it.

Tibetan yoga is the hidden treasure at the heart of the Tibetan Tantric Buddhist tradition: a spiritual and physical practice in pursuit of an expanded experience of the human body and its energetic and cognitive potential. Ian A. Baker progressively introduces the core principles and practices of Tibetan yoga in this pioneering overview. In addition to meditations, visualizations and practices for the breath and body, these include elements rather less familiar to yoga initiates in the West, including sexual yoga; dream yoga or lucid dreaming; and yoga practices enhanced by psychoactive plant or mineral substances. Baker draws on contemporary scientific research and contemplative and humanitarian traditions to enable the reader to understand these practices. The book includes ethnographic photography and works of Himalayan art that have never been published before, as well as illustrations of yogic practice and theory from historical books of instruction.

The way our environment looks, the appearance of everything from housing estates to newspapers, is partly the result of a school of art and design founded in Germany in 1919 and closed down by the Nazis in 1933. This was the Bauhaus, which has left an indelible mark on art education throughout the world. Setting everything against a backdrop of the times, Frank Whitford traces the ideas behind its conception and describes its teaching methods. He examines the activities of the teachers - artists as eminent as Paul Klee and Kandinsky - and the daily lives of the students. Everything is described with the aid, wherever possible, of the words of those who were there at the time.