Thames & Hudson strana 94 z 126

The New Yorker Encyclopedia of Cartoons is a prodigious, slip-cased, two-volume, 1,600-page A-to-Z curation of cartoons from the magazine from 1924 to the present. Bob Mankoff - for two decades the cartoon editor of the New Yorker - organizes nearly 3,000 cartoons into more than 250 categories of recurring New Yorker themes and visual tropes, including cartoons on banana peels, meeting St. Peter, being stranded on a desert island, snowmen, lion tamers, Adam and Eve, the Grim Reaper - and dogs, of course. The result is hilarious and Mankoff's commentary throughout adds both depth and whimsy. The collection also includes a foreword by New Yorker editor David Remnick. This is stunning gift for the millions of New Yorker readers and anyone looking for some humour in the evolution of social commentary.

Four years. Seven continents. A unique trip to document and protect the last untouched wilderness. In more than 200 impressive photos, photographers Peter and Beverly Pickford tell an epic story and portray some of the most untouched places on our planet, from the arid, sun-scourged Geraam Coast in Namibia to the abundance of rivers and lakes in Alaska and Yukon, from the Arctic to Tibet. This is a unique book about wildlife, accompanied by fascinating texts by Peter Pickford in which he describes not only their adventures in search of untouched areas, but also expresses the urgent message that it is more than time to protect these areas, for the future of our planet and for the survival of humanity.

Interior decorators have long used specific colors and palettes to evoke strong moods--the right mix of browns, greens, and oranges can easily bring you back into the 1970s. Here, in this highly original and digestible book, color palettes from the fifteenth century onward are analyzed and explained by interior design specialist Ros Byam Shaw. The colors used in each wallpaper and fabric are presented in proportional grids, giving a clear understanding of the hues that have become emblematic of their era. Each wallpaper and fabric, carefully selected by Here Design from the V&A's collection, is arranged chronologically with its own double-page spread with extended captions that explain the significance of the palette. A color grid is shown beside each pattern, in which the colors in the original piece are shown in proportion to their use, and with their CMYK references to enable designers to replicate these colors in their own work. The result is a book that offers fascinating insights into color that will be of interest and use to designers working today, whether specialists in interiors, products, or graphics. It will also appeal to a more general audience as a beautifully designed book that offers inspiration to those interested in interior design.

For many of us, our sofa is our favourite piece of furniture. But nowadays, with living space increasingly limited, our sofa often plays more than one role in the home. It becomes a decorative centrepiece, allowing us to put our own stamp on our living space; it may extend a child's play area or double up as a bed. As a result, we have become demanding about every aspect of design. We expect multifunctionality, originality in form, and materials that are practical and long-lasting. This generously illustrated volume celebrates the creativity of more than 160 designers and brings together the very best in sofa design from the 20th and 21st centuries. As well as design icons by the likes of Josef Hoffmann, Eileen Gray, Le Corbusier and Arne Jacobsen, it showcases the most inventive creations of recent years from designers who continue to redefine and expand this field of design. With profiles arranged alphabetically by designer, the book comes complete with practical advice on buying a sofa and styling a living space, and includes a timeline of sofa design. This treasure trove of exciting creations and handy tips will appeal to anyone in search of inspiration for their own home, or with an interest in furniture design in general.

The Iconic House features over 100 of the most important and influential houses designed and built since 1900. International in scope and wide-ranging in style, the houses share a remarkable sensitivity to site and context, appreciation of local materials and building traditions, and careful understanding of clients' needs. Each, however, has a unique approach that makes it groundbreaking and radical for its time. Concise, informative texts and fresh, vibrant illustrations, including specially commissioned photographs, floor plans and drawings, offer detailed documentation, while a bibliography, gazetteer and list of houses by type provide further information. Whether Arts and Crafts or Art Nouveau, Modernist or Minimalist, High-Tech or new vernacular, these unforgettable buildings from around the world will inspire and delight students and professionals, design aficionados and anyone who dreams of building a house of their own.

Bioluminescent algae, symbiotic aquariums, self-healing concrete, clavicle wind instruments and structures made from living trees - biology applied outside the lab has never been so intriguing, or so beautiful. Bio Design examines the thrilling advances in the field, showcasing some seventy projects (concepts, prototypes and completed designs) that cover a range of fields - from architecture and industrial design to fashion and medicine. The revised and expanded edition features twelve new projects (replacing ten existing projects): Hy-Fi (by David Benjamin); One Central Park, Sydney (Jean Nouvel); Guard from Above (Sjoerd Hoogendoorn); Cell-laden Hydrogels for Biocatalysis (Alshakim Nelson); Zoa (Modern Meadow); Amino Labs (Julie Legault); Algae and Mycelium Projects (Eric Klarenbeek); Interwoven and Harvest (Diane Scherer); Concrete Honey (John Becker); Bistro In Vitro (Koert van Mensvoort); Circumventive Organs (Agi Haines); Quantworm Mine (Liv Bargman and Nina Cutler). It also includes a new 'how-to' section at the end (Tips for Collaboration/FAQs/Further Resources), as well as a fully revised introduction.

Pirates have a well-earned bad reputation, and this book invites the reader to join their ranks. Here you will discover everything the aspiring pirate needs to know in order to join a crew and start - and possibly end - a life of adventure, plunder and glory. The hopeful initiate is educated on all manner of piratical concerns: the history of this dishonourable tradition stretching back to ancient Greece and Rome; essentials of language and dress; notably dastardly pirate role models from around the world, including Blackbeard and Captain Kidd, but also some less well known, such as Eustace the Monk and Anne Bonny and Mary Read; what to expect of life at sea; the best weapons to have; how to capture a prize on the high seas, and much more. Author Stephen Turnbull has studied the archives and travelled to pirate locations around the world in researching this fictionalized account, written as a pirate's training manual for a young recruit, but solidly grounded in fact, based on the year 1793, a golden age for piracy. His lively and engaging manual provides answers to all the questions you may have wondered about - did they really walk the plank (probably not); keep parrots; bury treasure and mark it with an X on the map? And you may be surprised to learn what their usual style of hat actually was. Illustrated throughout with contemporary artifacts, documents and prints, as well as modern reconstructions, this light-hearted but informative guide will captivate readers young and old, and covers with authority every aspect of what it was really like to be a pirate.

World Press Photo 2018

This chic journal encourages people to sketch, trace and colour classic typefaces, or use the ruled and gridded pages to create their own designs, inspired by the gallery of type samples. An illustrated gallery allows them to brush up on terminology and absorb tips from the pros.

A generation who have come of age sharing vintage-filtered images via Instagram, developing an obsession with photography, are now seeking the authentic, hands-on, creative buzz that exists outside of the digital world – embracing ‘old school’ analogue film photography and ‘full manual’ cameras of all formats. Retro Cameras is a stylish, design-led guide to classic and retro cameras aimed at those who want to discover the world of analogue photography. It includes more than 100 camera models, from the easily affordable to the highly collectible, in 13 formats: 35mm SLRs; 35mm Rangefinders; 35mm Viewfinder Cameras; Roll Film SLRs; Sheet and Roll Film Folding Cameras; Twin Lens Reflexes; Instamatics; Stereo Cameras; Panoramic and Wide-angle Cameras; Miniature Cameras and Instant Cameras. Supplementing an already comprehensive resource are quick reference shooting guides for each format, as well as a list of retro camera accessories. With over 400 specially commissioned photographs, practical advice on how to use and get the most out of each camera, buyers’ tips and a dedicated glossary, Retro Cameras is a perfect reference for young photographers who want to get creative with analogue photography, while also offering authoritative guidance for more experienced collectors and enthusiasts.

Inspired by the complexity and heterogeneity of the world around us, and by the rise of new technologies and their associated behaviors, The Architecture Concept Book seeks to stimulate young architects and students to think outside of what is often a rather conservative and self-perpetuating professional domain and to be influenced by everything around them. Organized thematically, the book explores thirty- five architectural concepts, which cover wide- ranging topics not always typically included in the study of architecture. James Tait traces the connections between concepts such as familiarity, control, and memory and basic architectural components such as the entrance, arch, columns, and services, to social phenomena such as gathering and reveling, before concluding with texts on shelter, relaxing, and working. Even in this digital age, Tait insists that "we must always think before we design. We must always have a reason to build." Each theme is accompanied by photographs, plans, and illustrations specially drawn by the author to explain spatial ideas, from the small scale to the urban.

Robinson

Principles of Archaeology

Play a game of hide-and-squeak with all of London’s mice. They’re flocking to the famous sights, so make sure you look twice! A stripy cat and Sherlock Mouse peep out of every page And every building’s packed with mice: the city is their stage! It’s a busy morning and all across London mice dressed in top hats and smart overcoats are making their way to work by bus, by tube and by train. The mice of Parliament are at work baking cakes and fishing to feed fat cats who are arriving in a hot air balloon, while artistic mice perform surreal magic tricks inside Tate Modern. The Gherkin’s businessmice are busily practising five-pin bowling, while over at the Cheesegrater, mice young and old enjoy hydrosliding through twelve storeys of watery fun! Every page is teeming with surprises and invites children to play ‘hide-and-squeak’ with a black-and-white cat, a mouse in a bee costume and a mysterious wrapped gift hidden on every page. You’ll never see London in the same way again!

Most surveys of the history of art come neatly packaged. They are divided up into historic periods, artistic schools and movements, and the careers of individual painters. They may make the subject appear more manageable, but they are oversimplifications. In reality, movements and careers overlapped and intertwined, reacting to events in the world around them. A Chronology of Art places the genuine developments of the art world into sharp focus. By prioritizing a purely chronological approach and side-stepping the clichés of conventional, academic pigeonholes, it presents an entirely fresh perspective on the subject. The book is structured around a central timeline, which features lavish illustrations of paintings, together with commentaries, and additional information about the social, political and cultural events of the period. The text is divided into four historical sections, becoming more detailed as it nears the present. From 1800 onward, each spread covers a five-year span, which is far more comprehensive than other surveys of this kind. The chronological spreads are interwoven with lively ‘In Focus’ features, highlighting social, stylistic and technical developments. Table of Contents Introduction • 1. Ancient & Medieval • 2. Renaissance & Baroque • 3. Rococo & Neoclassicism • 4. Romanticism & Beyond • 5. The Modern Era

Typography can embrace functions beyond the the purely communicative. From type designers to expressive illustrators, each graphic designer has his or her own way of crafting or applying typefaces. This show- all tour through leading graphic designers' personal sketchbooks reveals the creative processes behind typefaces, word- images, and logos. Arranged alphabetically, the world's most exciting designers and typographers-- including Philippe Apeloig, Ed Benguiat, Hoefler Type Foundry, Henrik Kubel, Toshi Omagari, and Francesco Zorzi-- present a staggering range of ways to communicate with typography. More than 800 featured sketchbook pages reveal the designers' creative practices across diverse briefs, concepts, languages, and alphabets. This rich compendium of typographic ideas stresses the importance of typographic thinking at a time when reading habits are evolving, while celebrating the varied and innovative ways that designers practice this time- honored craft.