Thames & Hudson strana 99 z 126

The years since 1989 have seen a complete untethering of what art can be, who makes it and where it can be found, which has been matched by a reassessment of art's appropriate place in society and the financial value that should be attached to it. In this new book in the World of Art series, Kelly Grovier surveys the dynamic developments in art practice worldwide since 1989, going in search of those artists who have undertaken to shape a fresh visual vocabulary and whose work reflects on these turbulent years. The book's ten chapters examine the key themes in contemporary art, from portraiture in the age of face transplants and facial recognition software, to political activism, science and religion. Artists discussed include Jeff Koons, Louise Bourgeois, Damien Hirst, George Condo, Marlene Dumas, Sean Scully, Cindy Sherman, Banksy, Ai Weiwei, Antony Gormley, Christo and Jean-Claude, Jenny Holzer, Chuck Close and Cornelia Parker. The final chapter, a timeline, traces the evolution of art practice in this period by looking closely at one key artwork from each year.

This remarkable and beautiful book brings together a collection of decorated papers dating from the 16th to the 20th century. They were produced for a wide variety of uses: as wrappers and endpapers for books, as the backing for playing cards, and even as linings for chests and cases. Some decorated papers were used as humble pictures for display in churches and the home; some were sold as souvenirs to pilgrims; and others were used merely as wrappings for foodstuffs such as gingerbread and chocolate. What unites all the papers in the book is the richness of their ornamentation and the thin, flexible characteristics of the original sheets. They are all further united by having been collected by Olga Hirsch (1889-1968), a trained bookbinder who left her collection of some 3,500 papers to the British Library, where they remain one of the largest and most diverse collections of decorated papers in the world. The collection has never previously been published except as a mini-format 64-page introductory gift book. This new beautifully designed album of the best and most exquisite papers in the collection will be a revelation and an inspiration to designers, bibliophiles and anyone with a love of pattern and ornamentation.

The nineteenth century saw a complete transformation of the practice and reputation of surgery. Crucial Interventions follows its increasingly optimistic evolution, drawing from the very best examples of rare surgical textbooks with a focus on the extraordinary visual materials of the mid-nineteenth century. Unnerving and graphic, yet beautifully rendered, these fascinating illustrations include step-by-step surgical techniques paired with medical instruments and painted depictions of operations in progress. Arranged for the layman from head to toe, and accompanied by an authoritative, eloquent and inspiring narrative from medical historian Richard Barnett, author of 2014 bestseller The Sick Rose, Crucial Interventions is a unique and captivating book on one of the world's most mysterious and macabre professions, and promises to be another success.

Bill Viola began producing video works in the early 1970s, and since then has captivated audiences with his poignant and beautifully wrought interpretations of human experience. He is today considered among the most celebrated proponents of the medium of video art. This is the first monograph to chart Viola's career in full, covering his education in New York, his earliest major films of mirages in the Sahara desert and of hospital medical imagery, his retrospective at the Whitney Museum of American Art in New York 1997 and his recent installations in Venice, New York, Tokyo, London and Berlin. Hanhardt outlines the key visual, literary and spiritual influences on Viola's work and his changing approach to the medium of film in response to technological advancement. Woven into the discussion are illustrations of Viola's most significant works, including Information (1973), The Passing, (1991), The Greeting (1995), Going Forth by Day (2002) and Martyrs, the 2014 film commissioned for St Paul's Cathedral in London, as well as reproductions of Viola's sketches and notebooks that bring his working process to life. Supplemented by a select chronology, bibliography and list of public collections, Bill Viola offers a rare and fascinating account of one of contemporary art's most powerful creative minds.

Each book in the 'Moments of Mindfulness' series pairs the wise words of a great writer, master, philosopher or poet with Olivier Follmi's beautiful and moving photographs. Follmi travelled far and wide to witness the celebrations, landscapes, rituals and traditions of cultures all over the world, discovering new ways of seeing as he sought to understand and capture through photography the connections linking the people to their ancestral lands. The effect is transcendental and transformative, awakening our senses and preparing our souls to receive these simple yet profound teachings.

This intimate glimpse into the private sketchbooks of the world's leading landscape and garden designers reveals a dazzling array of insights and ideas that will inspire the amateur and practitioner alike. Thirty-seven international designers carefully selected by the design critic behind the Chelsea Fringe have opened their sketchbooks specially for this publication. Featuring hundreds of drawings and illustrations as diverse as their creators, Landscape and Garden Design Sketchbooks is a continual source of inspiration for planting, design elements, colour schemes and materials, encouraging weekend gardeners, design professionals and students to draw their ideas by hand.

This new book from style guru Olivier Dupon profiles thirty-two of the finest shoe designers working worldwide today, accompanied by hundreds of images of their remarkable designs for women. A huge range of footwear designs is on show, from stilettoes in iridescent snakeskin, classic Oxford brogues in brown suede and ankle boots in satin and kangaroo skin to sneakers with Swarovski crystal details and high-rise boots with platform soles in the form of crouching panthers (custom-designed for Madonna). With page after page of glorious finished designs, portraits of the designers, sketches, swatches, early samples and coordinating accessories, and inspirational shots of boutiques and studios, Shoe is guaranteed to appeal to the huge readership who are fascinated by footwear, whether fashion aficionados or industry professionals.

John Thackara has spent a lifetime roving the globe in search of design that serves human needs in a sustainable way. He believes that in our eagerness to find technological solutions to the big challenges faced by the human race, we have all too often ignored the astonishing creativity generated when people work together and in harmony with the world around them. Drawing on an inspiring range of examples, from a temple-led water management system in Bali that dates back hundreds of years to an innovative e-bike collective in Vienna, Thackara shows that below the radar of the mainstream media there are global communities creating a replacement economy from the ground up. Through a series of chapters each devoted to essential human concerns, he demonstrates that it is possible to live a rich and fulfilling life based on stewardship rather than exploitation of the natural environment. Ultimately optimistic, Thackara believes that through a huge variety of quiet, piecemeal changes of thought and action, we are coming to a tipping point: the end of one civilization but the beginning of another.

Charles (1907-1978) and Ray (1912-1988) Eames are among the most important designers of the 20th century, and the story of the Eames Office is that of visual and material culture in the post-war, modern period. The World of Charles and Ray Eames charts the history of their inspiring and prolific world and brings together key works and ideas explored at the Eames Office throughout its extraordinary history. This definitive monograph explores the era-defining work of the Eames Office, a laboratory active for over four decades, where the Eameses and their collaborators produced a vast array of pioneering and influential projects from architecture, furniture and product design to film, photography, multi-media installation and exhibitions, as well as new models for arts education. Themes include The Eames Office: Life in Work, At Home with the Eameses, Information Machines, The Seeing Eye, Office USA: Communicating America at Home and Abroad, and The Art of Living. Alongside newly commissioned texts by leading design experts, The World of Charles and Ray Eames will include contemporaneous reviews and magazine articles, writings by Charles and Ray Eames themselves, personal correspondence and a comprehensive reference section.

These note cards are the perfect gift for the kind of person who thinks differently and wants to tell the world about it! They have been created by Ana Benaroya, author of the recent book 120 Ways to Annoy Your Mother, an ironic, witty and gently subversive take on all the guides to life. These cards vibrantly printed in bright spot colours will be the ideal gift for all girls aged 11 to 14 as well as anyone of any age who dares to be different.

With three major films - East of Eden, Rebel Without a Cause and Giant - all released within a year of each other and within months of his tragic death, James Dean captured the world's imagination and has never let it go. Magnum photographer Dennis Stock met James Dean in 1954, and they became fast friends. Stock captured Dean's essence in a stunning series of images of the actor in the midst of family and friends, as well as alone, sleeping, lost in thought, in the frozen fields of Indiana, and on a rainy day in Manhattan. It was an extraordinary collaboration between two people in full command of their respective talents. In the words of the Life magazine article that accompanied the first publication of these photographs, James Dean was 'the most exciting actor to hit Hollywood since Marlon Brando', but at the time these photographs were taken, he was still poised on the brink of fame. James Dean reintroduces these iconic photographs, taken at the dawn and high noon of a brief and brilliant career, with Dennis Stock's original accompanying text and a later introduction by Joe Hyams.

Aardman Animations are, unquestionably, one of the biggest success stories in animated films: their masterpieces include Wallace and Gromit, Chicken Run and Shaun the Sheep, as well as much-loved characters such as Morph. Cracking Animation is entertaining, inspiring and essential reading for all Aardman enthusiasts, students of animation or anyone who wants to try making an animated film. This revised edition includes two new chapters. Chapter 7 looks in depth at the development and teamwork involved in a major animated film or television production, using The Pirates! In an Adventure with Scientists! as an exemplar, and Chapter 8 presents exclusive behind-the-scenes insights into the making of Aardman's most recent feature film, Shaun the Sheep the Movie. Packed with practical, fully illustrated and step-by-step descriptions of all the elements involved, this is quite simply the best publication on stop-motion animation.

The work of Piet Mondrian (1872-1944) played a crucial role in shaping the avant-garde art of the 20th century. Each section of this visual journey through Mondrian's life and career takes its inspiration from the location of one of the artist's studios, tracing his path from Amsterdam to Paris, and via the Dutch village of Laren to London and New York. Each of these locations represents a distinct stage in the development of Mondrian's art: from the naturalistic paintings of the 1890s and the experimental neo-Impressionist works of the early twentieth century to his involvement with the De Stijl movement and his famous grid paintings, and finally the bold dynamism of his late work in the United States, inspired by the rhythms of jazz and the buzzing metropolis. As Mondrian's art took the simplification of form to an extreme, the walls of his studios became an ever-changing surface made up of cardboard rectangles painted in primary colours, white and grey.

Christian Dior achieved immortality with his first collection in 1947. His 'New Look' amazed the world as it emerged after wartime austerity, and reset the boundaries of modern elegance. Dior's search for the perfect line and the ideal silhouette has been celebrated by couturiers of the first rank: Yves Saint Laurent, Marc Bohan, Gianfranco Ferre, John Galliano have all made their distinctive contribution. Now Raf Simons has made his mark with emphatic reference to the House's history. This book honours Dior's influence by celebrating the elements of style for every generation since 1947, through inspired pairings of classic and contemporary photographs. Six thematic chapters express outstanding Dior characteristics, including the silhouette, the evening gown and the eternal muse in short, the aspects of the House that lend it unique distinction both then and now. The most beautiful fashion plates from Dior's own time sit beside examples of the house's creations through the decades, including the latest by current designer-in-chief, Raf Simons. The resonance between classic archive photographs and the latest most up-to-date frames is clear and compelling.

In our age of fast-paced biotechnological progress and humans increasing impact on the environment the autonomy of nature has come into question. We can now engineer living things, blur the biological distinctions between humans and animals, and influence parts of our world that we cannot see such as DNA and genes. These discoveries and far-reaching developments have created fertile ground for artistic expression. This book reveals the ways in which the work of bio artists offers new meanings for our lives in the wake of scientific discovery, as well as new frameworks for describing them. Four thematic chapters cover the key areas in which biotechnology has had an impact on today's world, including ecology, biomedicine, designer genomes and evolutionary theory, profiling the work of 60 artists, collectives and organizations from countries including France, Germany, the US, the Netherlands, Mexico and Japan. Interviews with eight bio artists and technologists, including Arne Hendriks, Mark Dion, Boo Chapple, Heather Dewey-Hagborg and Raphael Kim, provide a deeper insight into the ideas and methods of this new breed of creative practitioner.

The story of English culture over a thousand years can be told as the story of changing ideas about the weather. Writers and artists across the centuries, looking up at the same skies and walking in the same brisk air, have felt very different things. In a sweeping panorama, Weatherland allows us to witness cultural climates on the move. The Anglo-Saxons before the Norman Conquest lived in a wintry world, writing about the coldness of exile or the shelters they must defend against enemies outdoors. The Middle Ages brought the warmth of spring; the new lyrics were sung in praise of blossom and cuckoos. It is hard to find a description of a rainy night before 1700, but by the end of the eighteenth century the Romantics will take a squall as fit subject for their most probing thoughts. There have been times when the numbers on a rain gauge count for more than a pantheon of aerial gods. There have been times for meteoric marvels and times for gentle breeze. The weather is vast and yet we experience it intimately, which is why Alexandra Harris builds her remarkable story from small evocative details. There is the drawing of a twelfth-century man in February, warming bare toes by the fire. There is the tiny glass left behind from the Frost Fair of 1684, and the Sunspan house in Angmering that embodies the bright ambitions of the 1930s. Harris catches the distinct voices of compelling individuals. Bloody cold, says Jonathan Swift in the slobbery January of 1713. Percy Shelley wants to become a cloud and John Ruskin wants to bottle one. Weatherland is a celebration of English air and a life-story of those who have lived in it. As we enter what may be the last decades of English weather as we know it, this is a history for our times.